A History of Art in Ancient Egypt Volume I Part 19

We have hitherto spoken only of the social purposes of the pyramid, of its office as the sepulchre of the ancient kings of Egypt, or rather as the part of that sepulchre that corresponded to the least interesting parts of private tombs. In the plants of our gardens and orchards, we see cultivation develop certain organs at the expense of others. We find stamens changed into petals, giving us double flowers, and the envelope of the seeds thickened and made to shed perfume. We see the same process of development in the tombs of the early Egyptian monarchs. Under the influence of their pride of station, and as a consequence of the effort which they made to perpetuate their rank even after death, the stone hiding-place which protected the mummy took a size which is oppressive to the imagination, while the funerary chapel remained of modest dimensions. This disproportion is to be easily explained. The simple method of construction which distinguishes the pyramid permitted almost indefinite extension, while architecture, properly speaking, was not yet sufficiently advanced to make use of those grandiose orders which distinguish the porticos and hypostyle temples of the Theban period.

We have now to consider the pyramids from another point of view, from that of their probable origin, of their variety of form, and of the materials of which they are composed. Descriptions of these monuments, such as those contained in the great works of Vyse[183] and Perring[184], works which gave to the world the acc.u.mulated results of long and costly explorations, must not be looked for in these volumes.

We do not think it necessary that we should give even a succinct account of the more important pyramids, such as that given by Baedeker or Isambert. Such a proceeding would be a mere duplication of those excellent manuals, and would moreover, be foreign to the purpose which we have before us. We take the pyramids as known. The two books just mentioned are within the reach of all. Thanks to the precise information and the numerous figures which they contain, we may content ourselves with making a few general observations. Some of these observations will refer to the pyramids as a whole, some to the peculiarities of construction which distinguish a few, peculiarities which do not affect that general type which seems to be as old as the Egyptian monarchy itself.

[183] VYSE (Howard), _Operations carried on at the Pyramids of Gizeh in 1837, with an Account of a Voyage into Upper Egypt, and an Appendix_. (London, 1840, 3 vols. 8vo.)

[184] PERRING (J. L.), _The Pyramids of Gizeh, from Actual Survey and Admeasurement, ill.u.s.trated by Notes and References to the Several Plans, with Sketches taken on the Spot by J.

Andrews._ (3 parts, large oblong folio. London, 1839-42.)

As soon as a society had sprung up on the banks of the Nile which attempted to organize itself under the directing lead of chiefs or headmen, the latter seem to have been stung by the desire to make known their final resting-place by some conspicuous sign. The most simple way of arriving at the desired result was to heap up the earth over the corpse, so as to form an artificial hillock which should be visible from a distance over the level plain. This was the origin of that funerary mound which modern archaeologists call a _tumulus_. The tumulus is to be found in most districts of the ancient as well as of the modern world. But to confine ourselves to our own province, it is to be found in pre-Christian times among the Scythians of Herodotus and our ancestors the Gauls, as well as among the Greeks of the heroic age. We all know the frequent expression of Homer, s?a ?e?e??, which is literally to _display a signal_, that is to say, to acc.u.mulate over the corpse of a warrior a sufficient number of spadefuls of earth to _signalize_ it, for the wors.h.i.+p and admiration of posterity. Tradition ascribes those tumuli which are yet to be seen on the plain of Troy to the observance of this custom.

The funerary architecture of Egypt commenced in the same fas.h.i.+on, in those distant ages which were called by the Egyptians themselves the times of _Hor-schesou_ or slaves of Horus. We cannot doubt that the pyramid sprang from the mound. Its birth must have taken place after Menes had, by uniting the various tribes under his own sceptre, caused the whole race to take a distinct step onwards in civilization. The pyramid is but a built mound. It is a tumulus in which brick and stone take the place of earth. This subst.i.tution adds very greatly to its chances of duration, and makes it a much safer place of deposit and a much more lasting monument for the body committed to its charge. The Nile mud, when moulded and dried in the sun, gave bricks which still remain good; their manufacture and their constructive use seem to have been understood by the Egyptians as soon as they emerged from primitive barbarism. Thanks to the facilities thus afforded, they were enabled to build monuments upon the graves of their rulers which could offer a better resistance to injuries of time and human enemies than a few handfuls of earth and gra.s.s. They began, perhaps, by placing a few blocks of stone upon their mounds, so as to fix them more securely, or by covering them with a thin coat of brickwork. But, after a few experiments in that direction, they found it better to construct the whole body of the tumulus in the harder material. Its size increased with the constructive skill and material appliances of its builders, until it became first a hillock and finally a mountain of stone, with the impenetrable rock for its base and flanks of solid masonry.

The built-up tumulus of masonry took a form very different, in its definite lines, from the rounded slopes of the mound. The squared forms of brick or cut stone infallibly give to the edifice upon which they are employed one of those more or less rigid forms which are defined by geometry. When they leave the hands of the builder they are either cubes or parallelopipeds, pyramids or prisms, cylinders or cones. They present the general appearance, they possess the essential properties, of one of those forms. We may say that architecture was born on the day when man began to use the unyielding materials by which definite geometrical forms can alone be given. As soon as this early development was reached he set to work to combine those elementary forms in different proportions and to add to their effect by elegance and richness of decoration, and so in the end to form national architectures.

When the first pyramid was built upon the borders of the desert man was on the threshold of the movement to which we have referred. The form adopted for the royal tomb was one of the most simple which could be chosen for a building. The most simple of all would have been the _tetrahedron_, or pyramid built upon a triangular base. But not a single pyramid of that kind has been discovered in Egypt. The whole of the pyramids, large or small, are built upon a right-angled base, and in most instances upon one with sides practically equal.[185] Mystic reasons for this shape have been given. It has been said that each face was dedicated to one of the four powers of Amen, which corresponded to the cardinal points of heaven.[186] We are not yet sufficiently well acquainted with the genesis of the Egyptian religion to be able to decide how far into the past the four powers of Amen may be traced: but it is quite possible that they were derived from the four faces of the strictly oriented pyramids. Were we inclined to enter into this discussion we should rather, perhaps, attribute the shape of the pyramid to the prevailing Egyptian desire to turn one face of their tombs towards the west, the abode of the dead, and another to the east, whence the hoped-for resurrection was to come.

The three-sided pyramid would not have lent itself to such an arrangement.

[185] The base of the great pyramid at Sakkarah is a rectangle, measuring 390 feet from north to south, and 347 from east to west. The three great pyramids at Gizeh like most of these structures, are built upon a base which is practically square.

[186] MARIETTE, _Itineraire de la Haute-egypte_, p. 96.

There is also something unpleasant to the eye in the sharp angles which form the three _aretes_ of the tetrahedron; it looks as if there had been a lack of material, and as if the structure would suffer in consequence. The four-sided pyramid has more dignity and more amplitude; its four faces, placed back to back in pairs, seem to counterpoise and sustain each other in a fas.h.i.+on which is impossible in the case of the tetrahedron.

[Ill.u.s.tration: FIG. 128.--Plan of the Pyramid of Cheops.]

The one characteristic possessed in common by those relics of the Ancient Empire which we call pyramids, is their four-sidedness. To an attentive observer these buildings offer more diversities than would at first sight be believed. From Meidoum in the south to Abou-Roash in the north is a distance of 43-1/2 miles as the crow flies. Between these two points, which may be called the northern and southern boundaries of the pyramid field, about one hundred have been discovered, sixty-seven of which have been examined by Lepsius. Now, in this whole number there are not two which resemble each other in all particulars, or which seem to be copies of one model. We do not refer only to their height, which differs in an extreme degree. The three large pyramids at Gizeh are 482, 454, and 218 feet high respectively, while at their feet are several little pyramids which hardly exceed from 50 to 70 feet of vertical height. Between these two extremes many of intermediate sizes may be inserted. The Stepped Pyramid, near Sakkarah, is about 190 feet high; the largest of those at Abousir is about 165; one of those at Dashour is not quite 100 feet. These differences in height are easily explained by one of those national habits to which we have already alluded. Every Egyptian, as soon as he arrived at years of discretion, set about building his own tomb. He dug the well and the mummy chamber, he caused the sarcophagus to be carved and the funerary chapel to be built. It often happened that those who had ordered such works died long before they were finished, and it would seem that their heirs were content with doing no more than was strictly necessary. They placed the mummy in its grave with the prescribed ceremonies, they filled up the well and sealed the private parts of the tomb; but being occupied with the preparations for their own funeral, they did not continue the decoration of the chapel, which thenceforward remained _in statu quo_.

Thus only can we explain the state in which several important tombs have been discovered both at Memphis and at Thebes. On one wall we find paintings and sculptures carried out with the greatest care and finish, while on another nothing is to be seen but the first rough outline, in red paint, by the artist charged with the undertaking. The completion of the work must have been suddenly arrested by the death of the destined inhabitant of the tomb.

[Ill.u.s.tration: FIG. 129.--The great pyramid and the small pyramids at its foot; from Perring.]

It was the same with the sepulchres of the kings. Each sovereign began the construction of his pyramid as soon as he found himself upon the throne. But, in case his life and his reign should be cut short, he began with those const.i.tuents of the tomb which were absolutely necessary. He pressed on the work until he had raised a pyramid of moderate size with its mummy chamber. When this point had been reached, his immediate anxiety came to an end; but that was no reason for interrupting the course of the work. The higher and wider his pyramid, the more efficient a guardian of his body would it be, and the more impressive would be the message carried down by it to posterity as to the power of its builder. Year after year, therefore, he employed crowds of impressed workmen to clothe it in layer after layer of dressed stone or brick, so that the edifice raised in comparative haste at the beginning of his reign, became in time nothing but the nucleus or kernel of one many times its size.[187] The construction was thus begun in the centre and was developed outwards, like the timber of a tree in successive years. As the pyramid grew in extent and height, each successive coat, so to speak, required more hands and more time. We have no reason to believe that each coat had to be finished within a certain period, and so it would be futile to attempt to found any calculation as to the duration of the different reigns upon the number of these concentric layers; but we may a.s.sert in a general way that the highest pyramids correspond to the longest reigns. We know, by the witness of ancient authors, that the kings who built the three great pyramids at Gizeh, namely, Cheops, Chephren, and Mycerinus, each reigned about sixty years. History thus confirms the truth of the induction which arises from the study of those monuments and from a comparison of the constructive processes made use of by the architects of the pyramids.[188]

[187] This method of construction may be easily recognized in the Pyramid of Meidoum. That curious structure was built in concentric layers round a nucleus. These layers are by no means equal in the excellence either of the workmans.h.i.+p or of the materials employed. Some show supreme negligence; in others we find the builders of the Ancient Empire and their materials both at their best. The same fact has been observed in regard to the Stepped Pyramid and the pyramids at Abousir. It would seem that the work was a.s.signed in sections to different _corvees_, whose consciences varied greatly in elasticity. (MARIETTE, _Voyage de la Haute-egypte_, p. 45.)

[188] LEPSIUS, _Briefe aus aegypten_, pp. 41, 42 (in speaking of the Pyramid of Meidoum, from which he received the first hint of this explanation). See also his paper ent.i.tled _Ueber den Bau der Pyramiden_, in the _Monatsbericht_ of the Berlin Academy, 1843, pp. 177-203.

The author of Baedeker's _Guide_ has not been content with believing, like Perring, Lepsius, and Mariette, that the pyramid grew by the application of successive envelopes of stone round the central ma.s.s, either in horizontal courses or in courses sloping towards the axis of the building. He has brought forward an elaborate theory of construction, which, though very ingenious, encounters several grave objections. We shall point out those objections while we endeavour to explain the system itself by the help of special ill.u.s.trations drawn for us by the author of the _Guide_ in question.[189]

[189] _aegypten_, First part, 1878, p. 341.

[Ill.u.s.tration: FIG. 130.--The three great pyramids; from the south.]

When Cheops first began to think about building his tomb, he could not have counted upon giving it the colossal dimensions which it presents even in its actual injured condition. The area of the great pyramid is more than double that of Saint Peter's at Rome. If we deduct from its total volume the core of rock which it incloses[190] and the openings which it contains, the masonry in its primitive integrity must have amounted to a total of 3,479,600 cubic yards. Even now, when so much of its substances has been detached and carried away, there still remains the enormous ma.s.s of 3,246,600 cubic yards. Supposing that, two or three years after the commencement of a work upon this colossal scale, death had carried off its projector, can we believe that any successor, even a son who was sincerely devoted to the memory of his father, would have burthened himself with the continuation and completion of such an enterprise? The new sovereign would have enough to do in commencing and carrying on the erection of his own tomb, and, moreover, would be irresistibly tempted to make use, for its construction, of the acc.u.mulated material and collected labour of his predecessor.

[190] It has been suggested by Mr. Cope Whitehouse that the nucleus of rock under the great pyramids was originally much more important than is commonly supposed. During his expedition in March, 1882, he ascertained that a profile from the Mokattam across the Nile valley into the western desert would present the contours shown in the annexed woodcut. He concludes that a large part of the material of those pyramids was obtained upon their sites, and quarried above the level at which the stones were finally placed. He cites HERODOTUS (ii. 125) as conveying in an imperfect form the tradition that the pyramids were "constructed from above."

Even four or five thousand years before our era, men were too sagacious to reckon upon the piety or grat.i.tude of an heir. For the closing and final sealing up of the pyramid, its builder and destined inhabitant was obliged to depend upon his survivors, he could not do it himself. Moreover, the external completion, which, in the case of the greater monuments, must have been a long and costly matter, had to be entrusted to the same hands. The reigning king, so long as he was not too sternly reminded of the end by disease or the infirmities of age, must have felt great reluctance to order the cessation of the work which had gone on under his own eye for so many years, or to arrest that course of development which, after being a continual source of pride and pleasure to himself, might end in giving him a monument surpa.s.sing those of his famous predecessors. He was, therefore, very likely to be surprised by death with his tomb still unfinished, with the final cope-stone still upon the ground, or, even when that had been put in place so as to show the total height, with the casing of polished stone which was destined to hide the inner courses of the masonry and the entrances, still incomplete. Upon two-thirds or three-quarters of each face, his pyramid would still present the aspect which necessarily belonged to it during the period of its construction; an aspect which has again distinguished the great pyramid since it was despoiled of its casing. As each course was set back from that upon which it was placed, the final _ensemble_ looked like an enormous staircase with steps gradually diminis.h.i.+ng in length as they neared the summit.

There were many of the Egyptian princes who from want of patience or zeal, or from some other motive, failed to carry on the enterprise of their predecessors to its destined conclusion. We are ignorant as to the condition of the three great pyramids of Gizeh at the death of their projectors. But they appear to have been finished in most of their details with a care which would seem to indicate that Cheops, Chephren, and Mycerinus, must have been there to overlook the smallest details of their execution. Other pyramids, on the other hand, seem to have been left in a comparatively imperfect state.

These observations furnish us with an initial objection to the theory to which we have referred. Some may refuse to believe that Cheops intended from the beginning that his pyramid should have the dimensions and the internal arrangements which we now see. But why should he not have done so? If he had died at the end of a few years, his pyramid would, perhaps, have presented to us a shape like that of some other edifices of the same kind, a large base which had never received either its cope-stone or its casing. So too with those of Mycerinus and Chephren. Have not absolute monarchs existed at all times, whose infinite power seems to have made them forget the eternal limits of time and s.p.a.ce? Sometimes Fortune has been cruel to them: but often she seems to have placed herself entirely at their disposal.

Among the causes which combine to make the royal tombs of the first six dynasties so unequal in height and appearance, the very unequal length of the reigns is the most important. If we were better acquainted with the condition of Egypt in those remote epochs, we should, no doubt, be enabled to give other reasons for their want of uniformity. The chances of completion and even of preservation in its complete state enjoyed by a pyramid must have greatly depended upon the descent of the crown. When king succeeded king in one family those chances were much better than when dynasty succeeded dynasty, whether the break were due to internal revolution or to the failure of the legitimate line. It is even possible that some of those pyramids which are now to outward appearance mere heaps of _debris_ never received the mummy for whose reception they were designed and built.

The pyramids differ also in the materials employed. The great pyramids at Gizeh are built of fine limestone from Mokattam and Toura; the chief one at Sakkarah of a bad clayish limestone from the neighbouring rocks; at Dashour and Abou-Roash there are pyramids of unburnt brick.

Finally there are pyramids built chiefly of stone which is kept in place by a carefully constructed skeleton, so to speak, of brick. This construction is to be found in the pyramid of Illahoun, at the entrance to the Fayoum (Fig. 131).

There is the same variety in the position of the mummy chamber.

Sometimes this is within the sides of the pyramid itself, as in that of Cheops; sometimes, after the example of the mastaba, it is cut out of the living rock upon which the pyramid stands. This arrangement is to be found, for instance, in the pyramid of Mycerinus, where the roof of the mummy chamber is about 33 feet below the lowest course of the pyramid itself. So too in the Stepped Pyramid, where the whole complicated system of corridors and cells, which distinguishes that edifice, is cut in the rock, so that the building itself is absolutely solid. Most of the pyramids have no more than one or two entrances, giving access to narrow galleries, sometimes ascending, sometimes descending, which lead to one or two chambers of very small dimensions when compared to the enormous ma.s.s which rises above and around them (Fig. 132). In the subterranean part of the Stepped Pyramid the proportion of voids to solids is far less insignificant. This pyramid, which is not nearly so carefully oriented as the others, has four entrances and a series of internal pa.s.sages, horizontal galleries, staircases and cells, which make it little else than a subterranean labyrinth. It is singular also in having, upon its central axis and at the point upon which, at various heights, all its galleries converge, a sort of large well, a chamber about twenty feet square and eighty feet high, in the pavement of which a huge block of granite cut into the shape of a cork or plug was so placed as to open at will[191] and leave a free pa.s.sage for the descent into a second chamber, the purpose of which is more than obscure, as it is too small even to have contained a sarcophagus.[192] The end of the long pa.s.sage which leads to the thirty chambers which have been counted beneath this pyramid has been found in the neighbouring sands (Fig. 134).

[191] The weight of this stopper is about four tons, and it has long been a puzzle to egyptologists how it, and others like it, could be raised and lowered. M. Perrot's words must not, therefore, be taken too literally.--ED.

[192] ARTHUR RHONe, _L'egypte a pet.i.tes Journees_, p. 259.

[Ill.u.s.tration: FIG. 131.--The pyramid of Illahoun, horizontal section in perspective; from the plan of Perring.]

Another point of difference: most of the pyramids are built round a core of living rock, which is embraced by the lower courses of their masonry. But the pyramid of Mycerinus is just the reverse of this. It is built over a hollow in the rock which is filled up with masonry.

The inequalities of the surface were usually taken advantage of so as to economize material, and make a greater show with less labour.

Mycerinus, however, did not fear to increase his task by rearing his pyramid over a depression in the plateau.

[Ill.u.s.tration: FIG. 132.--Section of the pyramid of Cheops; from Perring.]

There is no less diversity in the external aspects of the pyramids. We are most familiar with the shapes of the great pyramids at Gizeh (Fig.

130 and Pl. 1, 2); their images have been multiplied to infinity by engraving and photography, but we make a great mistake when we imagine all the royal tombs at Memphis to be built upon this one model. They do not all present the same simplicity of form, the same regular slope from summit to base, or the smooth and polished casing which distinguished those great monuments when they were in complete preservation. The southern pyramid of Dashour offers us one of the most curious variations upon the original theme (Fig. 133). Its angle-ridges are not unbroken straight lines from base to summit. The slope of its faces becomes less steep at about half their height. The lower part of its sides make angles of 54 41' with the horizon, while above they suddenly fall back to an angle of 42 59'. This latter slope does not greatly differ from the 43 36' of the other pyramid in the same neighbourhood. No indication has yet been discovered as to the builder of this pyramid.

A second variation, still more unlike the Gizeh type, is to be found in the great pyramid of Sakkarah, the Stepped Pyramid, which was considered by Mariette as the oldest of them all. Taking a pa.s.sage from Manetho as his authority, he thought himself justified in attributing it to the fourth king of the first dynasty, Ouenephes or Ata, and he was inclined to see in it the Serapeum, or Apis tomb, of the Ancient Empire. Its present elevation is about 190 feet. Each of its sides is divided horizontally into six large steps with inclined faces. The height of these steps decreases progressively, from the base to the summit, from 38 feet 2 inches to 29 feet 6 inches. The width of each step is nearly 7 feet. It will be seen, therefore, that this building rather tends to the pyramidal form than achieves it; it is a rough sketch for a pyramid.

[Ill.u.s.tration: FIG. 133.--The southern pyramid of Dashour; from the measurements of Perring.]

[Ill.u.s.tration: FIG. 134.--Section of the Stepped Pyramid; from Perring.]

Does this want of completion result from accidental causes, or must it be referred to ignorance of the full beauties of the pyramidal form on the part of its builders? If the conjecture of Mariette is well founded, the Stepped Pyramid is not only the most ancient building in Egypt but in the whole world; and in the remote century which witnessed its construction men may not yet have learnt to fill up the angles left in their masonry, they may have been quite satisfied to leave their work in a condition which to us seems imperfect.

[Ill.u.s.tration: FIG. 135.--The Stepped Pyramid; restored from the measurements of Perring.]

The Germans have evolved a complicated system of construction from notes made by Lepsius upon the details of the masonry in different pyramids. In order that this system may be more easily understood, we give, on the opposite page, a series of representations of such a pyramid in different stages of completion (Figs. 136 to 142). A commencement was made by erecting a very narrow and perpendicular pyramid crowned by a pyramidion, like a stumpy obelisk (Fig. 136).

This finished, sloping ma.s.ses were erected against it so as to form, with the pyramidion of the first ma.s.s, a second pyramid. The apex of this pyramid, a pyramidion of a single stone, might be put in place and the work considered finished (Fig. 137); or, if the builder were sanguine as to time, he might seek to push on still farther. Then, at the line where the slopes of the pyramid left the earth, four perpendicular walls were erected to the height of the pyramidion. The s.p.a.ce between the sides of the pyramid and the inner faces of these walls was filled in, and thus a kind of terrace, or huge rectangular block, was obtained (Fig. 138), which served as the core for a new pyramid (Fig. 139). This again disappeared under a pyramid of larger section and gentler slope (Fig. 140), whose sides reached the ground far beyond the foundations of the terrace. In the case of a long reign this operation might be repeated over and over again (Figs. 140 and 142). A large pyramid would thus be composed of a series of pyramidal envelopes placed one upon another. The mummy-chamber was either cut in the rock before the laying of the first course of stone, or it was contrived in the thickness of the masonry itself; as the casing of stone went on increasing in thickness, galleries were left for ventilation and for the introduction of the sarcophagus and the mummy. The mummy-chamber is always found either upon the axis of the pyramid, or in its immediate neighbourhood, and always nearer the base than the summit.

[Ill.u.s.tration: FIG. 136.

FIG. 137.

FIG. 138.

FIG. 139.

FIG. 140.