A History of Art in Ancient Egypt Volume I Part 4

I conceived the plan of this history, of which the first instalment is now submitted to the public, at the time when M. Wallon, who is secretary to the _Academie des Inscriptions et Belles-Lettres_, entrusted me with the inauguration, at the Sorbonne, of the teaching of cla.s.sic archaeology. But before it could be realized two conditions had to be fulfilled. I had to find an a.s.sociate in the work, a companion who would help me in the necessary labour and study, and I found him among my auditors in those first lectures at the Sorbonne. I had also to find a publisher who would understand the wants of the public and of the critics in such a matter. In this, too, I have succeeded, and I am free to undertake a work which is, I hope, destined to carry far beyond the narrow limits of a Parisian lecture room, the methods and princ.i.p.al results of a science, which, having made good its claims to the grat.i.tude of mankind, is progressing with a step which becomes daily more a.s.sured. The task is an arduous one, and the continual discoveries which are reported from nearly every quarter of the ancient world, make it heavier every day. As for my colleague and myself, we have resigned ourselves in advance to seeing omissions and defects pointed out even by the most benevolent critics, but we are convinced that in spite of such imperfections as it may contain, our work will do good service, and will cause one of the aspects of ancient civilization to be better understood. This conviction will sustain us through the labours which, perhaps with some temerity, we have taken upon us. How far shall we be allowed to conduct our history? That we cannot tell, but we may venture to promise that it shall be the chief occupation and the dearest study of all that remains to us of life and strength.

GEORGES PERROT.

TO THE READER.

We have been in some doubt as to whether we should append a special bibliography to each section of this work, but after mature reflection we have decided against it. We shall, of course, consider the art of each of the races of antiquity in less detail than if we had undertaken a monograph upon Egyptian, upon a.s.syrian, or upon Phnician art; but yet it is our ambition to neglect no source of information which is likely to be really valuable. From many of the books and papers which we shall have to consult we may reproduce nothing but their t.i.tles, but we hope that no important work will escape us altogether, and in every case we shall give references which may be easily verified. Under these circ.u.mstances a formal list of works would be a mere repet.i.tion of our notes and would only have the effect of giving a useless bulk to our volumes.

Whenever our drawings have not been taken directly from the originals we have been careful to indicate the source from which we obtained them, and we have made a point of borrowing only from authors of undoubted authority. Those ill.u.s.trations which bear neither an artist's name nor the t.i.tle of a book have been engraved from photographs. As for the perspectives and restorations supplied by M.

Chipiez, they are in every case founded upon the study and comparison of all accessible doc.u.ments; but it would take too long to indicate in each of these drawings how much has been borrowed from special publications and how much has been founded upon photographic evidence.

M. Chipiez has sometimes employed the ordinary perspective, sometimes that which is called axonometric perspective. The difference will be at once perceived.

Egyptologists may, perhaps, find mistakes in the hieroglyphs which occur in our ill.u.s.trations. These hieroglyphs have been as a rule exactly transcribed, but we do not pretend to offer a collection of texts; we have only reproduced these characters on account of their decorative value, and because without them we could not have the general appearance of this or that monument. It will thus be seen that our object is not affected by a mistake or two in such matters.

We may here express our grat.i.tude to all those who have interested themselves in our enterprise and who have helped us to make our work complete. Our dear and lamented Mariette had promised us his most earnest help. During the winter that we pa.s.sed in Egypt, while he still enjoyed some remains of strength and voice, we obtained from his conversation and his letters some precious pieces of information. We have cited the works of M. Maspero on almost every page, and yet we have learnt more from his conversation than from his writings. Before his departure for Egypt--whither he went to succeed Mariette--M.

Maspero was our perpetual counsellor and referee; whenever we were embarra.s.sed we appealed to his well ordered, accurate, and unbiased knowledge. We are also deeply indebted to M. Pierret, the learned _conservateur_ of the Louvre; not only has he done everything to facilitate the work of our draughtsmen in the great museum, he has also helped us frequently with his advice and his acc.u.mulated knowledge. M. Arthur Rhone has lent us a plan of the temple of the Sphinx, and M. Ernest Desjardins a view of the interior of that building.

The artists who have visited Egypt have helped us as cordially as the learned men who have deciphered its inscriptions. M. Gerome opened his portfolios and allowed us to take three of those drawings, which express with such truthful precision the character of Egyptian landscape from them. M. Hector Leroux was as generous as M. Gerome, and if we have taken but one ill.u.s.tration from his sketch-books it is because the arrangements for this volume were complete before we had the chance of looking through them. M. Brune has allowed us to reproduce his plans of Karnak and Medinet-Abou.

We have had occasion, in the work itself, to express our acknowledgments to MM. J. Bourgoin, G. Benedite, and Saint-Elme Gautier, who have drawn for us the princ.i.p.al monuments of the Boulak and Louvre Museums. For the architecture we must name M. A. Guerin, a pupil of M. Chipiez, who prepared the drawings under the direction of his master, and M. Tomaszkievicz, whose light and skilful point has so well engraved them. If the process of engraving upon zinc has given results which, as we hope, will satisfy our readers, much of the honour belongs to the untiring care of M. Comte, whose process has been employed; all these plates have been reviewed and retouched by him with minute care. The steel engravings are by MM. Ramus, Hibon, Guillaumot pere and Sulpis. In order that the polychromatic decoration of the Egyptians should be rendered with truth and precision in its refined tones and complicated line, we begged M. Sulpis to make use of a process which had almost fallen into disuse from its difficulty and want of rapidity; we mean that which is called _aquatint_. Our plates II, XIII, and XIV will perhaps convince our readers that its results are superior to those of chromo-lithography, which is now so widely employed.

A HISTORY OF ART IN ANCIENT EGYPT

CHAPTER I.

THE GENERAL CHARACTER OF EGYPTIAN CIVILIZATION.

-- 1. _Egypt's Place in The History of the World._

Egypt is the eldest daughter of civilization. In undertaking to group the great nations of antiquity and to present them in their proper order, in attempting to a.s.sign to each its due share in the continuous and unremitting labour of progress until the birth of Christianity, we have no alternative but to commence with the country of the Pharaohs.

In studying the past of mankind, we have the choice of several points of view. We may attempt to determine the meaning and value of the religious conceptions which succeeded one another during that period, or we may give our attention rather to the literature, the arts and the sciences, to those inventions which in time have done so much to emanc.i.p.ate mankind from natural trammels and to make him master of his destiny. One writer will confine himself to a description of manners, and social and political inst.i.tutions; another to the enumeration and explanation of the various changes brought on by internal revolutions, by wars and conquests; to what Bossuet calls "_la suite des empires_."

Finally, he who has the highest ambition of all will attempt to unite all these various features into a single picture, so as to show, as a whole, the creative activity of a race and the onward movements of its genius in the continual search for "the best." But in any case the commencement must be made with Egypt. It is Egypt that has preserved the earliest attempts of man towards outward expression; it is in Egypt that those monuments exist which contain the first permanent manifestation of thought by written characters or plastic[36] forms; and it is in Egypt that the historian of antique art will find the earliest materials for study.

[36] The word "plastic" is used throughout this work in its widest significance, and is not confined to works "in the round."--ED.

But, in the first place, we must give some account of the curious conditions under which the people lived who constructed and ornamented so many imposing monuments. We must begin, then, by describing the circ.u.mstances and the race characteristics under which this early civilization was developed.

-- 2. _The Valley of the Nile and its Inhabitants._

The first traveller in Egypt of which we have any record is Herodotus; he sums up, in an often quoted phrase, the impression which that land of wonders made upon him: "Egypt," he says, "is a present from the Nile."[37] The truth could not be better expressed. "Had the equatorial rains not been compelled to win for themselves a pa.s.sage to the Mediterranean, a pa.s.sage upon which they deposited the mud which they had acc.u.mulated on their long journey, Egypt would not have existed. Egypt began by being the bed of a torrent; the soil was raised by slow degrees ... man appeared there when, by the slow acc.u.mulation of fertile earth, the country at last became equal to his support...."[38]

[37] HERODOTUS, ii. 7.

[38] MARIETTE, _Itineraire de la haute egypte_, p. 10 (edition of 1872, 1 vol. Alexandria, Moures).

Other rivers do no more than afford humidity for their immediate borders, or, in very low-lying districts, for a certain narrow stretch of country on each hand. When they overflow their banks it is in a violent and irregular fas.h.i.+on, involving wide-spread ruin and destruction. Great floods are feared as public misfortunes. It is very different with the Nile. Every year, at a date which can be almost exactly foretold, it begins to rise slowly and to spread gently over the land. It rises by degrees until its surface is eight or nine metres above low-water mark;[39] it then begins to fall with the same tranquillity, but not until it has deposited, upon the lands over which it has flowed, a thick layer of fertile mud which can be turned over easily with the lightest plough, and in which every seed will germinate, every plant spring up with extraordinary vigour and rapidity.

[39] The river should rise to this height upon the Nilometer at Cairo if there is to be a "good Nile." In upper Egypt the banks of the river are much higher than in middle Egypt. In order to flow over those banks it must rise to a height of some eleven or twelve metres, and unless it rises more than thirteen metres it will not have a proper effect.

[Ill.u.s.tration: FIG. 1.--During the Inundation of the Nile.]

Thus nature has greatly facilitated the labour of the Egyptian agriculturist; the river takes upon itself the irrigation of the country for the whole width of its valley, and the preparation of the soil for the autumnal seed-time; it restores the virtue annually taken out of the ground by the crops. Each year it brings with it more fertility than can be exhausted in the twelve months, so that there is a constantly acc.u.mulating capital, on both banks of the river, of the richest vegetable earth.

[Ill.u.s.tration: FIG. 2.--Hoeing; Beni-Ha.s.san. (Champollion, pl. 381 _bis_.[40])]

[40] This work of Champollion's, to which we are greatly indebted, is ent.i.tled: _Monuments de l'egypte et de la Nubie_, 4 vols. folio. It contains 511 plates, partly coloured, and was published between the years 1833 and 1845. The drawings for the plates were made by members of the great scientific expedition of which Champollion was the head. Many of those drawings were from the pencil of Nestor L'Hote, one of those who have most sympathetically rendered the Egyptian monuments.

[Ill.u.s.tration: FIG. 3.--Ploughing; from the Necropolis of Memphis.

(_Description de l'egypte_, ant. V., pl. 17.)]

Thus the first tribes established themselves in the country under singularly favourable conditions; thanks to the timely help of the river they found themselves a.s.sured of an easy existence.[41] We know how often the lives of those tribes who live by fis.h.i.+ng and the chase are oppressed by care; there are some days when game is not to be found, and they die of hunger. Those who live a pastoral life are also exposed to cruel hards.h.i.+ps from the destruction of their flocks and herds by those epidemics against which even modern science sometimes struggles in vain. As for agricultural populations, they are everywhere, except in Egypt, at the mercy of the weather; seasons which are either too dry or too wet may reduce them to famine, for in those distant times local famines were far more fatal than in these days, when facility of transport and elaborate commercial connections ensure that where the demand is, thither the supply will be taken. In Egypt the success of the crops varied with the height of the Nile, but they never failed altogether. In bad years the peasant may have had the baton of the tax-collector to fear, but he always had a few onions or a few ears of maize to preserve him from starvation.[42]

[41] This advantage was thoroughly appreciated by the ancients.

Diodorus Siculus, speaking of the Egyptians, says that "At the beginning of all things, the first men were born in Egypt, in consequence of the happy climate of the country and the physical properties of the Nile, whose waters, by their natural fertility and their power of producing various kinds of aliment, were well fitted to nourish the first beings who received the breath of life.... It is evident that from the foundation of the world Egypt was, of all countries, the most favourable to the generation of men and women, by the excellent const.i.tution of its soil" (i. 10).

[42] In all ages the rod has, in Egypt, played an important part in the collection of the taxes. In this connection M. Lieblein has quoted a pa.s.sage from the well-known letter from the chief guardian of the archives of Ameneman to the scribe Pentaour, in which he says: "The scribe of the port arrives at the station; he collects the tax; there are agents with rattans, and negroes with branches of palm; they say 'Give us some corn!' and they are not to be repulsed. The peasant is bound and sent to the ca.n.a.l; he is driven on with violence, his wife is bound in his presence, his children are stripped; as for his neighbours, they are far off and are busy over their own harvest." (_Les Recits de Recolte dans l'ancienne egypte, comme elements chronologique_, in _Recueil de Travaux relatifs a la Philologie et a l'Archeologie egyptiennes et a.s.syriennes_, t. i. p. 149).

[Ill.u.s.tration: FIG. 4.--Harvest scene; from a tomb at Gizeh.

(Champollion, pl. 417.)]

The first condition of civilization is a certain measure of security for life. Now, thanks to the beneficent action of the king of rivers, that condition was created sooner in Egypt than elsewhere. In the valley of the Nile man found himself able, for the first time, to calculate upon the forces of nature and to turn them to his certain profit. It is easy then to understand that Egypt saw the birth of the most ancient of those civilizations whose plastic arts we propose to study.

[Ill.u.s.tration: FIG. 5.--The Bastinado; Beni-Ha.s.san. (Champollion, pl.

390.)]

Another favourable condition is to be found in the isolation of the country. The tribes who settled there in centuries so remote that they are beyond tradition and even calculation, could live in peace, hidden as it were in a narrow valley and protected on all sides, partly by deserts, partly by an impa.s.sable sea. It would perhaps be well to give some idea of the natural features of their country before commencing our study of their art. The terms, _Lower-_, _Middle-_, and _Upper-Egypt_, the _Delta_, and _Ethiopia_ will continually recur in these pages, as also will the names of Tanis and Sais, Memphis and Heliopolis, Abydos and Thebes, and of many other cities; it is important therefore that our readers should know exactly what is meant by each of these time-honoured designations; it is necessary that they should at least be able to find upon the map those cities which by their respective periods of supremacy represent the successive epochs of Egyptian history.

"Egypt is that country which, stretching from north to south, occupies the north-east angle of Africa, or Libya as the ancients called it.

It is joined to Asia by the isthmus of Suez. It is bounded on the east by that isthmus and the Red Sea; on the south by Nubia, the Ethiopia of the Greeks, which is traversed by the Nile before its entrance into Egypt at the cataracts of Syene; on the west by the desert sprinkled here and there with a few oases, and on the north by the Mediterranean. The desert stretches as far north on the west of the country as the Red Sea does on the east.

"It penetrates moreover far into the interior of Egypt itself.

Strictly speaking Egypt consists simply of that part of this corner of Africa over which the waters of the Nile flow during the inundation, to which may be added those districts to which the water is carried by irrigation. All outside this zone is uninhabited, and produces neither corn nor vegetables nor trees nor even gra.s.s. No water is to be found there beyond a few wells, all more or less exposed to exhaustion in an ever-parching atmosphere. In Upper Egypt rain is an extremely rare phenomenon. Sand and rock cover the whole country, except the actual valley of the Nile. Up to the point where the river divides into several arms, that is to say for more than three-quarters of the whole length of Egypt, this valley never exceeds an average width of more than four or five leagues. In a few districts it is even narrower than this. For almost its whole length it is shut in between two mountain chains, that on the east called the Arab, that on the west the Libyan chain. These mountains, especially towards the south, sometimes close in and form defiles. On the other hand, in Middle Egypt the Libyan chain falls back and becomes lower, allowing the pa.s.sage of the ca.n.a.l which carries the fertilizing waters into the Fayoum, the province in which the remains of the famous reservoir which the Greek writers called Lake Mris exist. Egypt, which was little more than a glen higher up, here widens out to a more imposing size. A little below Cairo, the present capital of Egypt, situated not far from the site of ancient Memphis, the Nile divides into two branches, one of which, the Rosetta branch, turns to the north-west, the other, that of Damietta, to the north and north-east.... The ancients knew five others which, since their time, have either been obliterated or at least have become non-navigable.... All these branches took their names from towns situated near their mouths. A large number of less important watercourses threaded their way through Lower Egypt; but as the earth there is marshy, their channels have s.h.i.+fted greatly from age to age and still go on changing. The Nile forms several lagunes near the sea, shut in by long tongues of earth and sand, and communicating with the Mediterranean by openings here and there. The s.p.a.ce comprised between the two most distant branches of the river is called the Delta, on account of its triangular form, which is similar to that of a capital Greek _delta_ (?)."[43]

[43] ROBIOU, _Histoire ancienne des Peuples de l'Orient_, ch.

v.

At one time the waves of the Mediterranean washed the foot of the sandy plateau which is now crowned by the Great Pyramid; the Nile flowed into the sea at that time slightly to the north of the site upon which Memphis was afterwards built. With the slow pa.s.sage of time the particles of earth which it brought down from the mountains of Abyssinia were deposited as mud banks upon the coast, and gradually filling up the gulf, created instead wide marshy plains intersected by lakes. Here and there ancient sand ridges indicate the successive watercourses. The never-ceasing industry of its floods had already, at the earliest historic period, carried the mouths of the Nile far beyond the normal line of the neighbouring coasts. The Egyptian priests--whose words have been preserved for us by Herodotus--had a true idea as to how this vast plain had been created, a plain which now comprises twenty-three thousand square kilometres and is continually being added to; but they were strangely deceived when they thought and declared that Menes or Mena, the first of all kings, found almost all Egypt under the waters. The sea, they said, penetrated in those days beyond the site of Memphis, and the remainder of the country, the district of Thebes excepted, was an unhealthy mora.s.s.[44]