The Works of William Hogarth Part 14

PLATE 4.

THE INDUSTRIOUS 'PRENTICE A FAVOURITE, AND ENTRUSTED BY HIS MASTER.]

INDUSTRY AND IDLENESS.

PLATE V.

THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA.

"A foolish son is the heaviness of his mother." Proverbs, chap. x.

verse 1.

Corrupted by sloth and contaminated by evil company, the idle apprentice, having tired the patience of his master, is sent to sea, in the hope that the being removed from the vices of the town, and the influence of his wicked companions, joined with the hards.h.i.+ps and perils of a seafaring life, might effect that reformation of which his friends despaired while he continued on sh.o.r.e. See him then in the s.h.i.+p's boat, accompanied by his afflicted mother, making towards the vessel in which he is to embark. The disposition of the different figures in the boat, and the expression of their countenances, tell us plainly, that his evil pursuits and incorrigible wickedness are the subjects of their discourse. The waterman significantly directs his attention to a figure on a gibbet, as emblematical of his future fate, should he not turn from the evil of his ways; and the boy shows him a cat-o'-nine-tails, expressive of the discipline that awaits him on board of s.h.i.+p; these admonitions, however, he notices only by the application of his fingers to his forehead, in the form of horns, jestingly telling them to look at Cuckold's Point, which they have just pa.s.sed; he then throws his indentures into the water with an air of contempt, that proves how little he is affected by his present condition, and how little he regards the persuasions and tears of a fond mother, whose heart seems ready to burst with grief at the fate of her darling son, and perhaps her only stay; for her dress seems to intimate that she is a widow. Well then might Solomon say, that "a foolish son is the heaviness of his mother;" for we here behold her who had often rejoiced in the prospect of her child being a prop to her in the decline of life, lamenting his depravity, and antic.i.p.ating with horror the termination of his evil course. One would naturally imagine, from the common course of things, that this scene would have awakened his reflection, and been the means of softening the ruggedness of his disposition,--that some tender ideas would have crossed his mind and melted the obduracy of his heart; but he continues hardened and callous to every admonition.

The group of figures composing this print has been copied by the ingenious Lavater; with whose appropriate remarks we conclude our present description. "Observe," says this great a.n.a.lyst of the human countenance, "in the annexed group, that unnatural wretch, with the infernal visage, insulting his supplicating mother; the predominant character on the three other villain-faces, though all disfigured by effrontery, is cunning and ironical malignity. Every face is a seal with this truth engraved on it: 'Nothing makes a man so ugly as vice; nothing renders the countenance so hideous as villainy.'"

[Ill.u.s.tration: INDUSTRY AND IDLENESS.

PLATE 5.

THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA.]

INDUSTRY AND IDLENESS.

PLATE VI.

THE INDUSTRIOUS 'PRENTICE OUT OF HIS TIME, AND MARRIED TO HIS MASTER'S DAUGHTER.

"The virtuous woman is a crown to her husband." Proverbs, chap.

xiii. verse 4.

The reward of industry is success. Our prudent and attentive youth is now become partner with his master, and married to his daughter. The sign, by which this circ.u.mstance is intimated, was at first inscribed GOODCHILD and WEST. Some of Mr. Hogarth's city friends informing him that it was usual for the senior partner's name to precede, it was altered.

To show that plenty reigns in this mansion, a servant distributes the remains of the table to a poor woman, and the bridegroom pays one of the drummers, who, according to ancient custom, attend with their thundering gratulations the day after a wedding. A performer on the ba.s.s viol, and a herd of butchers armed with marrow-bones and cleavers, form an English concert. (Madame Pompadour, in her remarks on the English taste for music, says, they are invariably fond of every thing that is full in the mouth.) A cripple with the ballad of Jesse, or the Happy Pair, represents a man known by the name of Philip in the Tub, who had visited Ireland and the United Provinces; and, in the memory of some persons now living, was a general attendant at weddings. From those votaries of Hymen who were honoured with his epithalamiums, he received a small reward. To show that Messrs. West and Goodchild's habitation is near the monument, the base of that stately column appears in the back-ground.

The inscription which until lately graced this structure, used to remind every reader of Pope's lines,

Where London's column, pointing to the skies, Like a tall bully, rears its head, and lies, &c.

The duke of Buckingham's epigram on this magnificent pillar is not so generally known:

Here stand I, The Lord knows why; But if I fall-- Have at ye all!

A footman and butcher, at the opposite corner, compared with the other figures, are gigantic; they might serve for the Gog and Magog of Guildhall.

It has been said that the thoughts in this print are trite, and the actions mean, which must be in part acknowledged, but they are natural, and appropriate to the rank and situation of the parties, and to the fas.h.i.+ons of the time at which it was published.

[Ill.u.s.tration: INDUSTRY AND IDLENESS.

PLATE 6.

THE INDUSTRIOUS 'PRENTICE OUT OF HIS TIME & MARRIED TO HIS MASTER'S DAUGHTER.]

INDUSTRY AND IDLENESS.

PLATE VII.

THE IDLE 'PRENTICE RETURNED FROM SEA, AND IN A GARRET WITH A COMMON PROSt.i.tUTE.

"The sound of a shaken leaf shall chase him." Leviticus, chap. xxvi.

verse 26.

The idle apprentice, as appears by this print, is advancing with rapid strides towards his fate. We are to suppose him returned from sea after a long voyage; and to have met with such correction abroad for his obstinacy, during his absence from England, that though it was found insufficient to alter his disposition, yet it determined him to pursue some other way of life; and what he entered on is here but too evident (from the pistols by the bed-side, and the trinkets his companion is examining, in order to strip him of) to be that of the highway. He is represented in a garret, with a common prost.i.tute, the partaker of his infamy, awaking, after a night spent in robbery and plunder, from one of those broken slumbers which are ever the consequences of a life of dishonesty and debauchery. Though the designs of Providence are visible in every thing, yet they are never more conspicuous than in this,--that whatever these unhappy wretches possess by wicked and illegal means, they seldom comfortably enjoy. In this scene we have one of the finest pictures imaginable of the horrors of a guilty conscience. Though the door is fastened in the strongest manner with a lock and two bolts, and with the addition of some planks from the flooring, so as to make his retreat as secure as possible; though he has attempted to drive away thought by the powerful effects of spirituous liquors, plain from the gla.s.s and bottle upon the floor, still he is not able to brave out his guilt, or steel his breast against reflection. Behold him roused by the accidental circ.u.mstance of a cat's coming down the chimney, and the falling of a few bricks, which he believes to be the noise of his pursuers! Observe his starting up in bed, and all the tortures of his mind imprinted in his face! He first stiffens into stone, then all his nerves and muscles relax, a cold sweat seizes him, his hair stands on end, his teeth chatter, and dismay and horror stalk before his eyes. How different is the countenance of his wretched bed-fellow! in whom unconcern and indifference to every thing but the plunder are plainly apparent. She is looking at an ear-ring, which, with two watches, an etwee, and a couple of rings, are spread upon the bed, as part of last night's plunder. The phials on the mantel-piece show that sickness and disease are ever attendant on prost.i.tution; and the beggarly appearance of the room, its wretched furniture, the hole by way of window, (by the light of which she is examining her valuable acquisition, and against which she had hung her old hoop-petticoat in order to keep out the cold,) and the rat's running across the floor, are just and sufficient indications that misery and want are the constant companions of a guilty life.

[Ill.u.s.tration: INDUSTRY AND IDLENESS.

PLATE 7.

THE IDLE 'PRENTICE RETURNED FROM SEA, AND IN THE A GARRET WITH A PROSt.i.tUTE.]

INDUSTRY AND IDLENESS.

PLATE VIII.

THE INDUSTRIOUS 'PRENTICE GROWN RICH, AND SHERIFF OF LONDON.

'With all thy gettings get understanding. Exalt her and she shall promote thee; she shall bring thee to honour, when thou dost embrace her.' Proverbs, chap. iv. verse 7, 8.

From industry become opulent, from integrity and punctuality respectable, our young merchant is now sheriff of London, and dining with the different companies in Guildhall. A group on the left side are admirably characteristic; their whole souls seem absorbed in the pleasures of the table. A divine, true to his cloth, swallows his soup with the highest _got_. Not less gratified is the gentleman palating a gla.s.s of wine. The man in a black wig is a positive representative of famine; and the portly and oily citizen, with a napkin tucked in his b.u.t.ton-hole, has evidently burnt his mouth by extreme eagerness.

The backs of those in the distance, behung with bags, major perukes, pinners, &c. are most laughably ludicrous. Every person present is so attentive to business, that one may fairly conclude they live to eat, rather than eat to live.

But though this must be admitted to be the case with this party, the following instance of city temperance proves that there are some exceptions. When the Lord Mayor, Sheriffs, Aldermen, Chamberlain, &c. of the city of London were once seated round the table at a public and splendid dinner at Guildhall, Mr. Chamberlain Wilkes lisped out, "Mr.

Alderman B----, shall I help you to a plate of turtle, or a slice of the haunch,--I am within reach of both, sir?" "Neither one nor t'other, I thank you, Sir," replied the Alderman, "I think I shall dine on the beans and bacon which are at this end of the table." "Mr. Alderman A----," continued the Chamberlain, "which would you choose, sir?" "Sir, I will not trouble you for either, for I believe I shall follow the example of my brother B----, and dine on beans and bacon," was the reply. On this second refusal the old Chamberlain rose from his seat, and, with every mark of astonishment in his countenance, curled up the corners of his mouth, cast his eyes round the table, and in a voice as loud and articulate as he was able, called "Silence!" which being obtained, he thus addressed the pretorian magistrate, who sat in the Chair: "My Lord Mayor, the wicked have accused us of intemperance, and branded us with the imputation of gluttony; that they may be put to open shame, and their profane tongues be from this day utterly silenced, I humbly move, that your Lords.h.i.+p command the proper officer to record in our annals, that two Aldermen of the city of London prefer beans and bacon to either turtle soup or venison."