Ralph Waldo Emerson Part 23

Next in order comes a Lecture on the "Fugitive Slave Law." Emerson says, "I do not often speak on public questions.--My own habitual view is to the well-being of scholars." But he leaves his studies to attack the inst.i.tution of slavery, from which he says he himself has never suffered any inconvenience, and the "Law," which the abolitionists would always call the "Fugitive Slave _Bill_." Emerson had a great admiration for Mr. Webster, but he did not spare him as he recalled his speech of the seventh of March, just four years before the delivery of this Lecture.

He warns against false leaders.h.i.+p:--

"To make good the cause of Freedom, you must draw off from all foolish trust in others.--He only who is able to stand alone is qualified for society. And that I understand to be the end for which a soul exists in this world,--to be himself the counter-balance of all falsehood and all wrong.--The Anglo-Saxon race is proud and strong and selfish.--England maintains trade, not liberty."

Cowper had said long before this:--

"doing good, Disinterested good, is not our trade."

And America found that England had not learned that trade when, fifteen years after this discourse was delivered, the conflict between the free and slave states threatened the ruin of the great Republic, and England forgot her Anti-slavery in the prospect of the downfall of "a great empire which threatens to overshadow the whole earth."

It must be remembered that Emerson had never been identified with the abolitionists. But an individual act of wrong sometimes gives a sharp point to a blunt dagger which has been kept in its sheath too long:--

"The events of the last few years and months and days have taught us the lessons of centuries. I do not see how a barbarous community and a civilized community can const.i.tute one State. I think we must get rid of slavery or we must get rid of freedom."

These were his words on the 26th of May, 1856, in his speech on "The a.s.sault upon Mr. Sumner." A few months later, in his "Speech on the Affairs of Kansas," delivered almost five years before the first gun was fired at Fort Sumter, he spoke the following fatally prophetic and commanding words:--

"The hour is coming when the strongest will not be strong enough.

A harder task will the new revolution of the nineteenth century be than was the revolution of the eighteenth century. I think the American Revolution bought its glory cheap. If the problem was new, it was simple. If there were few people, they were united, and the enemy three thousand miles off. But now, vast property, gigantic interests, family connections, webs of party, cover the land with a net-work that immensely multiplies the dangers of war.

"Fellow-citizens, in these times full of the fate of the Republic, I think the towns should hold town meetings, and resolve themselves into Committees of Safety, go into permanent sessions, adjourning from week to week, from month to month. I wish we could send the sergeant-at-arms to stop every American who is about to leave the country. Send home every one who is abroad, lest they should find no country to return to. Come home and stay at home while there is a country to save. When it is lost it will be time enough then for any who are luckless enough to remain alive to gather up their clothes and depart to some land where freedom exists."

Two short speeches follow, one delivered at a meeting for the relief of the family of John Brown, on the 18th of November, 1859, the other after his execution:--

"Our blind statesmen," he says, "go up and down, with committees of vigilance and safety, hunting for the origin of this new heresy.

They will need a very vigilant committee indeed to find its birthplace, and a very strong force to root it out. For the arch-Abolitionist, older than Brown, and older than the Shenandoah Mountains, is Love, whose other name is Justice, which was before Alfred, before Lycurgus, before Slavery, and will be after it."

From his "Discourse on Theodore Parker" I take the following vigorous sentence:--

"His commanding merit as a reformer is this, that he insisted beyond all men in pulpits,--I cannot think of one rival,--that the essence of Christianity is its practical morals; it is there for use, or it is nothing; and if you combine it with sharp trading, or with ordinary city ambitions to gloze over munic.i.p.al corruptions, or private intemperance, or successful fraud, or immoral politics, or unjust wars, or the cheating of Indians, or the robbery of frontier nations, or leaving your principles at home to follow on the high seas or in Europe a supple complaisance to tyrants,--it is hypocrisy, and the truth is not in you; and no love of religious music, or of dreams of Swedenborg, or praise of John Wesley, or of Jeremy Taylor, can save you from the Satan which you are."

The Lecture on "American Civilization," made up from two Addresses, one of which was delivered at Was.h.i.+ngton on the 31st of January, 1862, is, as might be expected, full of anti-slavery. That on the "Emanc.i.p.ation Proclamation," delivered in Boston in September, 1862, is as full of "silent joy" at the advent of "a day which most of us dared not hope to see,--an event worth the dreadful war, worth its costs and uncertainties."

From the "Remarks" at the funeral services for Abraham Lincoln, held in Concord on the 19th of April, 1865, I extract this admirably drawn character of the man:--

"He is the true history of the American people in his time. Step by step he walked before them; slow with their slowness, quickening his march by theirs, the true representative of this continent; an entirely public man; father of his country, the pulse of twenty millions throbbing in his heart, the thought of their minds articulated by his tongue."

The following are the t.i.tles of the remaining contents of this volume: "Harvard Commemoration Speech;" "Editor's Address: Ma.s.sachusetts Quarterly Review;" "Woman;" "Address to Kossuth;" "Robert Burns;"

"Walter Scott;" "Remarks at the Organization of the Free Religious a.s.sociation;" "Speech at the Annual Meeting of the Free Religious a.s.sociation;" "The Fortune of the Republic." In treating of the "Woman Question," Emerson speaks temperately, delicately, with perfect fairness, but leaves it in the hands of the women themselves to determine whether they shall have an equal part in public affairs. "The new movement," he says, "is only a tide shared by the spirits of man and woman; and you may proceed in the faith that whatever the woman's heart is prompted to desire, the man's mind is simultaneously prompted to accomplish."

It is hard to turn a leaf in any book of Emerson's writing without finding some pithy remark or some striking image or witty comment which illuminates the page where we find it and tempts us to seize upon it for an extract. But I must content myself with these few sentences from "The Fortune of the Republic," the last address he ever delivered, in which his belief in America and her inst.i.tutions, and his trust in the Providence which overrules all nations and all worlds, have found fitting utterance:--

"Let the pa.s.sion for America cast out the pa.s.sion for Europe. Here let there be what the earth waits for,--exalted manhood. What this country longs for is personalities, grand persons, to counteract its materialities. For it is the rule of the universe that corn shall serve man, and not man corn.

"They who find America insipid,--they for whom London and Paris have spoiled their own homes, can be spared to return to those cities. I not only see a career at home for more genius than we have, but for more than there is in the world.

"Our helm is given up to a better guidance than our own; the course of events is quite too strong for any helmsman, and our little wherry is taken in tow by the s.h.i.+p of the great Admiral which knows the way, and has the force to draw men and states and planets to their good."

With this expression of love and respect for his country and trust in his country's G.o.d, we may take leave of Emerson's prose writings.

CHAPTER XIV.

EMERSON'S POEMS.

The following "Prefatory Note" by Mr. Cabot introduces the ninth volume of the series of Emerson's collected works:--

"This volume contains nearly all the pieces included in the POEMS and MAY-DAY of former editions. In 1876 Mr. Emerson published a selection from his poems, adding six new ones, and omitting many.

Of those omitted, several are now restored, in accordance with the expressed wishes of many readers and lovers of them. Also some pieces never before published are here given in an Appendix, on various grounds. Some of them appear to have had Emerson's approval, but to have been withheld because they were unfinished. These it seemed best not to suppress, now that they can never receive their completion. Others, mostly of an early date, remained unpublished doubtless because of their personal and private nature. Some of these seem to have an autobiographic interest sufficient to justify their publication. Others again, often mere fragments, have been admitted as characteristic, or as expressing in poetic form thoughts found in the Essays.

"In coming to a decision in these cases, it seemed on the whole preferable to take the risk of including too much rather than the opposite, and to leave the task of further winnowing to the hands of time.

"As was stated in the Preface to the first volume of this edition of Mr. Emerson's writings, the readings adopted by him in the "Selected Poems" have not always been followed here, but in some cases preference has been given to corrections made by him when he was in fuller strength than at the time of the last revision.

"A change in the arrangement of the stanzas of "May-Day," in the part representative of the march of Spring, received his sanction as bringing them more nearly in accordance with the events in Nature."

Emerson's verse has been a fertile source of discussion. Some have called him a poet and nothing but a poet, and some have made so much of the palpable defects of his verse that they have forgotten to recognize its true claims. His prose is often highly poetical, but his verse is something more than the most imaginative and rhetorical pa.s.sages of his prose. An ill.u.s.tration presently to be given will make this point clear.

Poetry is to prose what the so-called full dress of the ball-room is to the plainer garments of the household and the street. Full dress, as we call it, is so full of beauty that it cannot hold it all, and the redundancy of nature overflows the narrowed margin of satin or velvet.

It reconciles us to its approach to nudity by the richness of its drapery and ornaments. A pearl or diamond necklace or a blus.h.i.+ng bouquet excuses the liberal allowance of undisguised nature. We expect from the fine lady in her brocades and laces a generosity of display which we should reprimand with the virtuous severity of Tartuffe if ventured upon by the waiting-maid in her calicoes. So the poet reveals himself under the protection of his imaginative and melodious phrases,--the flowers and jewels of his vocabulary.

Here is a prose sentence from Emerson's "Works and Days:"--

"The days are ever divine as to the first Aryans. They come and go like m.u.f.fled and veiled figures, sent from a distant friendly party; but they say nothing, and if we do not use the gifts they bring, they carry them as silently away."

Now see this thought in full dress, and then ask what is the difference between prose and poetry:--

"DAYS.

"Daughters of Time, the hypocritic Days, m.u.f.fled and dumb like barefoot dervishes, And marching single in an endless file, Bring diadems and f.a.gots in their hands.

To each they offer gifts after his will, Bread, kingdom, stars, and sky that holds them all.

I, in my pleached garden watched the pomp, Forgot my morning wishes, hastily Took a few herbs and apples, and the Day Turned and departed silent. I too late Under her solemn fillet saw the scorn."

--Cinderella at the fireside, and Cinderella at the prince's ball! The full dress version of the thought is glittering with new images like bracelets and brooches and ear-rings, and fringed with fresh adjectives like edges of embroidery. That one word _pleached,_ an heir-loom from Queen Elizabeth's day, gives to the n.o.ble sonnet an antique dignity and charm like the effect of an ancestral jewel. But mark that now the poet reveals himself as he could not in the prosaic form of the first extract. It is his own neglect of his great opportunity of which he now speaks, and not merely the indolent indifference of others. It is himself who is the object of scorn. Self-revelation of beauty embellished by ornaments is the privilege of full dress; self-revelation in the florid costume of verse is the divine right of the poet. Pa.s.sion that must express itself longs always for the freedom of rhythmic utterance. And in spite of the exaggeration and extravagance which s.h.i.+eld themselves under the claim of poetic license, I venture to affirm that "_In_ vino _veritas_" is not truer than _In_ carmine _veritas_.

As a further ill.u.s.tration of what has just been said of the self-revelations to be looked for in verse, and in Emerson's verse more especially, let the reader observe how freely he talks about his bodily presence and infirmities in his poetry,--subjects he never referred to in prose, except incidentally, in private letters.

Emerson is so essentially a poet that whole pages of his are like so many litanies of alternating chants and recitations. His thoughts slip on and off their light rhythmic robes just as the mood takes him, as was shown in the pa.s.sage I have quoted in prose and in verse. Many of the metrical preludes to his lectures are a versified and condensed abstract of the leading doctrine of the discourse. They are a curious instance of survival; the lecturer, once a preacher, still wants his text; and finds his scriptural motto in his own rhythmic inspiration.

Shall we rank Emerson among the great poets or not?

"The great poets are judged by the frame of mind they induce; and to them, of all men, the severest criticism is due."

These are Emerson's words in the Preface to "Parna.s.sus."

His own poems will stand this test as well as any in the language. They lift the reader into a higher region of thought and feeling. This seems to me a better test to apply to them than the one which Mr. Arnold cited from Milton. The pa.s.sage containing this must be taken, not alone, but with the context. Milton had been speaking of "Logic" and of "Rhetoric,"