Ralph Waldo Emerson Part 4

"His pulpit eloquence was singularly attractive, though by no means equally so to all persons. In 1829, before the two friends had met, Bronson Alcott heard him preach in Dr. Channing's church on 'The Universality of the Moral Sentiment,' and was struck, as he said, with the youth of the preacher, the beauty of his elocution and the direct and sincere manner in which he addressed his hearers."

Mr. Charles Congdon, of New Bedford, well known as a popular writer, gives the following account of Emerson's preaching in his "Reminiscences." I borrow the quotation from Mr. Conway:--

"One day there came into our pulpit the most gracious of mortals, with a face all benignity, who gave out the first hymn and made the first prayer as an angel might have read and prayed. Our choir was a pretty good one, but its best was coa.r.s.e and discordant after Emerson's voice. I remember of the sermon only that it had an indefinite charm of simplicity and wisdom, with occasional ill.u.s.trations from nature, which were about the most delicate and dainty things of the kind which I had ever heard. I could understand them, if not the fresh philosophical novelties of the discourse."

Everywhere Emerson seems to have pleased his audiences. The Reverend Dr.

Morison, formerly the much respected Unitarian minister of New Bedford, writes to me as follows:--

"After Dr. Dewey left New Bedford, Mr. Emerson preached there several months, greatly to the satisfaction and delight of those who heard him. The Society would have been glad to settle him as their minister, and he would have accepted a call, had it not been for some difference of opinion, I think, in regard to the communion service. Judge Warren, who was particularly his friend, and had at that time a leading influence in the parish, with all his admiration for Mr. Emerson, did not think he could well be the pastor of a Christian church, and so the matter was settled between him and his friend, without any action by the Society."

All this shows well enough that his preaching was eminently acceptable.

But every one who has heard him lecture can form an idea of what he must have been as a preacher. In fact, we have all listened, probably, to many a pa.s.sage from old sermons of his,--for he tells us he borrowed from those old sermons for his lectures,--without ever thinking of the pulpit from which they were first heard.

Among the stray glimpses we get of Emerson between the time when he quitted the pulpit of his church and that when he came before the public as a lecturer is this, which I owe to the kindness of Hon. Alexander H.

Rice. In 1832 or 1833, probably the latter year, he, then a boy, with another boy, Thomas R. Gould, afterwards well known as a sculptor, being at the Episcopal church in Newton, found that Mr. Emerson was sitting in the pew behind them. Gould knew Mr. Emerson, and introduced young Rice to him, and they walked down the street together. As they went along, Emerson burst into a rhapsody over the Psalms of David, the sublimity of thought, and the poetic beauty of expression of which they are full, and spoke also with enthusiasm of the Te Deum as that grand old hymn which had come down through the ages, voicing the praises of generation after generation.

When they parted at the house of young Rice's father, Emerson invited the boys to come and see him at the Allen farm, in the afternoon. They came to a piece of woods, and, as they entered it, took their hats off.

"Boys," said Emerson, "here we recognize the presence of the Universal Spirit. The breeze says to us in its own language, How d' ye do? How d'

ye do? and we have already taken our hats off and are answering it with our own How d' ye do? How d' ye do? And all the waving branches of the trees, and all the flowers, and the field of corn yonder, and the singing brook, and the insect and the bird,--every living thing and things we call inanimate feel the same divine universal impulse while they join with us, and we with them, in the greeting which is the salutation of the Universal Spirit."

We perceive the same feeling which pervades many of Emerson's earlier Essays and much of his verse, in these long-treasured reminiscences of the poetical improvisation with which the two boys were thus unexpectedly favored. Governor Rice continues:--

"You know what a captivating charm there always was in Emerson's presence, but I can never tell you how this line of thought then impressed a country boy. I do not remember anything about the remainder of that walk, nor of the after-incidents of that day,--I only remember that I went home wondering about that mystical dream of the Universal Spirit, and about what manner of man he was under whose influence I had for the first time come....

"The interview left impressions that led me into new channels of thought which have been a life-long pleasure to me, and, I doubt not, taught me somewhat how to distinguish between mere theological dogma and genuine religion in the soul."

In the summer of 1834 Emerson became a resident of Concord, Ma.s.sachusetts, the town of his forefathers, and the place destined to be his home for life. He first lived with his venerable connection, Dr.

Ripley, in the dwelling made famous by Hawthorne as the "Old Manse." It is an old-fas.h.i.+oned gambrel-roofed house, standing close to the scene of the Fight on the banks of the river. It was built for the Reverend William Emerson, his grandfather. In one of the rooms of this house Emerson wrote "Nature," and in the same room, some years later, Hawthorne wrote "Mosses from an Old Manse."

The place in which Emerson pa.s.sed the greater part of his life well deserves a special notice. Concord might sit for its portrait as an ideal New England town. If wanting in the variety of surface which many other towns can boast of, it has at least a vision of the distant summits of Monadnock and Wachusett. It has fine old woods, and n.o.ble elms to give dignity to its open s.p.a.ces. Beautiful ponds, as they modestly call themselves,--one of which, Walden, is as well known in our literature as Windermere in that of Old England,--lie quietly in their clean basins. And through the green meadows runs, or rather lounges, a gentle, unsalted stream, like an English river, licking its gra.s.sy margin with a sort of bovine placidity and contentment. This is the Musketaquid, or Meadow River, which, after being joined by the more restless a.s.sabet, still keeps its temper and flows peacefully along by and through other towns, to lose itself in the broad Merrimac. The names of these rivers tell us that Concord has an Indian history, and there is evidence that it was a favorite residence of the race which preceded our own. The native tribes knew as well as the white settlers where were pleasant streams and sweet springs, where corn grew tall in the meadows and fish bred fast in the unpolluted waters.

The place thus favored by nature can show a record worthy of its physical attractions. Its settlement under the lead of Emerson's ancestor, Peter Bulkeley, was effected in the midst of many difficulties, which the enterprise and self-sacrifice of that n.o.ble leader were successful in overcoming. On the banks of the Musketaquid was fired the first fatal shot of the "rebel" farmers. Emerson appeals to the Records of the town for two hundred years as ill.u.s.trating the working of our American inst.i.tutions and the character of the men of Concord:--

"If the good counsel prevailed, the sneaking counsel did not fail to be suggested; freedom and virtue, if they triumphed, triumphed in a fair field. And so be it an everlasting testimony for them, and so much ground of a.s.surance of man's capacity for self-government."

What names that plain New England town reckons in the roll of its inhabitants! Stout Major b.u.t.trick and his fellow-soldiers in the war of Independence, and their worthy successors in the war of Freedom; lawyers and statesmen like Samuel h.o.a.r and his descendants; ministers like Peter Bulkeley, Daniel Bliss, and William Emerson; and men of genius such as the idealist and poet whose inspiration has kindled so many souls; as the romancer who has given an atmosphere to the hard outlines of our stern New England; as that unique individual, half college-graduate and half Algonquin, the Robinson Crusoe of Walden Pond, who carried out a school-boy whim to its full proportions, and told the story of Nature in undress as only one who had hidden in her bedroom could have told it. I need not lengthen the catalogue by speaking of the living, or mentioning the women whose names have added to its distinction. It has long been an intellectual centre such as no other country town of our own land, if of any other, could boast. Its groves, its streams, its houses, are haunted by undying memories, and its hillsides and hollows are made holy by the dust that is covered by their turf.

Such was the place which the advent of Emerson made the Delphi of New England and the resort of many pilgrims from far-off regions.

On his return from Europe in the winter of 1833-4, Mr. Emerson began to appear before the public as a lecturer. His first subjects, "Water," and the "Relation of Man to the Globe," were hardly such as we should have expected from a scholar who had but a limited acquaintance with physical and physiological science. They were probably chosen as of a popular character, easily treated in such a way as to be intelligible and entertaining, and thus answering the purpose of introducing him pleasantly to the new career he was contemplating. These lectures are not included in his published works, nor were they ever published, so far as I know. He gave three lectures during the same winter, relating the experiences of his recent tour in Europe. Having made himself at home on the platform, he ventured upon subjects more congenial to his taste and habits of thought than some of those earlier topics. In 1834 he lectured on Michael Angelo, Milton, Luther, George Fox, and Edmund Burke. The first two of these lectures, though not included in his collected works, may be found in the "North American Review" for 1837 and 1838. The germ of many of the thoughts which he has expanded in prose and verse may be found in these Essays.

The _Cosmos_ of the Ancient Greeks, the _piu nel' uno_, "The Many in One," appear in the Essay on Michael Angelo as they also appear in his "Nature." The last thought takes wings to itself and rises in the little poem ent.i.tled "Each and All." The "Rhodora," another brief poem, finds itself foreshadowed in the inquiry, "What is Beauty?" and its answer, "This great Whole the understanding cannot embrace. Beauty may be felt.

It may be produced. But it cannot be defined." And throughout this Essay the feeling that truth and beauty and virtue are one, and that Nature is the symbol which typifies it to the soul, is the inspiring sentiment.

_Noscitur a sociis_ applies as well to a man's dead as to his living companions. A young friend of mine in his college days wrote an essay on Plato. When he mentioned his subject to Mr. Emerson, he got the caution, long remembered, "When you strike at a _King_, you must kill him."

He himself knew well with what kings of thought to measure his own intelligence. What was grandest, loftiest, purest, in human character chiefly interested him. He rarely meddles with what is petty or ign.o.ble.

Like his "Humble Bee," the "yellow-breeched philosopher," whom he speaks of as

"Wiser far than human seer,"

and says of him,

"Aught unsavory or unclean Hath my insect never seen,"

he goes through the world where coa.r.s.er minds find so much that is repulsive to dwell upon,

"Seeing only what is fair, Sipping only what is sweet."

Why Emerson selected Michael Angelo as the subject of one of his earliest lectures is shown clearly enough by the last sentence as printed in the Essay.

"He was not a citizen of any country; he belonged to the human race; he was a brother and a friend to all who acknowledged the beauty that beams in universal nature, and who seek by labor and self-denial to approach its source in perfect goodness."

Consciously or unconsciously men describe themselves in the characters they draw. One must have the mordant in his own personality or he will not take the color of his subject. He may force himself to picture that which he dislikes or even detests; but when he loves the character he delineates, it is his own, in some measure, at least, or one of which he feels that its possibilities and tendencies belong to himself. Let us try Emerson by this test in his "Essay on Milton:"--

"It is the prerogative of this great man to stand at this hour foremost of all men in literary history, and so (shall we not say?) of all men, in the power to _inspire_. Virtue goes out of him into others." ... "He is identified in the mind with all select and holy images, with the supreme interests of the human race."--"Better than any other he has discharged the office of every great man, namely, to raise the idea of Man in the minds of his contemporaries and of posterity,--to draw after nature a life of man, exhibiting such a composition of grace, of strength, and of virtue as poet had not described nor hero lived. Human nature in these ages is indebted to him for its best portrait. Many philosophers in England, France, and Germany, have formally dedicated their study to this problem; and we think it impossible to recall one in those countries who communicates the same vibration of hope, of self-reverence, of piety, of delight in beauty, which the name of Milton awakes."

Emerson had the same lofty aim as Milton, "To raise the idea of man;"

he had "the power _to inspire_" in a preeminent degree. If ever a man communicated those _vibrations_ he speaks of as characteristic of Milton, it was Emerson. In elevation, purity, n.o.bility of nature, he is worthy to stand with the great poet and patriot, who began like him as a school-master, and ended as the teacher in a school-house which had for its walls the horizons of every region where English is spoken. The similarity of their characters might be followed by the curious into their fortunes. Both were turned away from the clerical office by a revolt of conscience against the beliefs required of them; both lost very dear objects of affection in early manhood, and mourned for them in tender and mellifluous threnodies. It would be easy to trace many parallelisms in their prose and poetry, but to have dared to name any man whom we have known in our common life with the seraphic singer of the Nativity and of Paradise is a tribute which seems to savor of audacity. It is hard to conceive of Emerson as "an expert swordsman"

like Milton. It is impossible to think of him as an abusive controversialist as Milton was in his controversy with Salmasius. But though Emerson never betrayed it to the offence of others, he must have been conscious, like Milton, of "a certain niceness of nature, an honest haughtiness," which was as a s.h.i.+eld about his inner nature. Charles Emerson, the younger brother, who was of the same type, expresses the feeling in his college essay on Friends.h.i.+p, where it is all summed up in the line he quotes:--

"The hand of Douglas is his own."

It must be that in writing this Essay on Milton Emerson felt that he was listening in his own soul to whispers that seemed like echoes from that of the divine singer.

My friend, the Rev. James Freeman Clarke, a life-long friend of Emerson, who understood him from the first, and was himself a great part in the movement of which Emerson, more than any other man, was the leader, has kindly allowed me to make use of the following letters:--

TO REV. JAMES F. CLARKE, LOUISVILLE, KY.

PLYMOUTH, Ma.s.s., March 12, 1834.

MY DEAR SIR,--As the day approaches when Mr. Lewis should leave Boston, I seize a few moments in a friendly house in the first of towns, to thank you heartily for your kindness in lending me the valued ma.n.u.scripts which I return. The translations excited me much, and who can estimate the value of a good thought? I trust I am to learn much more from you hereafter of your German studies, and much I hope of your own. You asked in your note concerning Carlyle. My recollections of him are most pleasant, and I feel great confidence in his character. He understands and recognizes his mission. He is perfectly simple and affectionate in his manner, and frank, as he can well afford to be, in his communications. He expressed some impatience of his total solitude, and talked of Paris as a residence. I told him I hoped not; for I should always remember him with respect, meditating in the mountains of Nithsdale. He was cheered, as he ought to be, by learning that his papers were read with interest by young men unknown to him in this continent; and when I specified a piece which had attracted warm commendation from the New Jerusalem people here, his wife said that is always the way; whatever he has writ that he thinks has fallen dead, he hears of two or three years afterward.--He has many, many tokens of Goethe's regard, miniatures, medals, and many letters. If you should go to Scotland one day, you would gratify him, yourself, and me, by your visit to Craigenputtock, in the parish of Dunscore, near Dumfries.

He told me he had a book which he thought to publish, but was in the purpose of dividing into a series of articles for "Fraser's Magazine." I therefore subscribed for that book, which he calls the "Mud Magazine," but have seen nothing of his workmans.h.i.+p in the two last numbers. The mail is going, so I shall finish my letter another time.

Your obliged friend and servant,

R. WALDO EMERSON.

CONCORD, Ma.s.s., November 25, 1834.

MY DEAR SIR,--Miss Peabody has kindly sent me your ma.n.u.script piece on Goethe and Carlyle. I have read it with great pleasure and a feeling of grat.i.tude, at the same time with a serious regret that it was not published. I have forgotten what reason you a.s.signed for not printing it; I cannot think of any sufficient one. Is it too late now? Why not change its form a little and annex to it some account of Carlyle's later pieces, to wit: "Diderot," and "Sartor Resartus."

The last is complete, and he has sent it to me in a st.i.tched pamphlet. Whilst I see its vices (relatively to the reading public) of style, I cannot but esteem it a n.o.ble philosophical poem, reflecting the ideas, inst.i.tutions, men of this very hour. And it seems to me that it has so much wit and other secondary graces as must strike a cla.s.s who would not care for its primary merit, that of being a sincere exhortation to seekers of truth. If you still retain your interest in his genius (as I see not how you can avoid, having understood it and cooperated with it so truly), you will be glad to know that he values his American readers very highly; that he does not defend this offensive style of his, but calls it questionable tentative; that he is trying other modes, and is about publis.h.i.+ng a historical piece called "The Diamond Necklace," as a part of a great work which he meditates on the subject of the French Revolution. He says it is part of his creed that history is poetry, could we tell it right. He adds, moreover, in a letter I have recently received from him, that it has been an odd dream that he might end in the western woods. Shall we not bid him come, and be Poet and Teacher of a most scattered flock wanting a shepherd? Or, as I sometimes think, would it not be a new and worse chagrin to become acquainted with the extreme deadness of our community to spiritual influences of the higher kind? Have you read Sampson Reed's "Growth of the Mind"? I rejoice to be contemporary with that man, and cannot wholly despair of the society in which he lives; there must be some oxygen yet, and La Fayette is only just dead.

Your friend, R. WALDO EMERSON.

It occurs to me that 't is unfit to send any white paper so far as to your house, so you shall have a sentence from Carlyle's letter.