Morrigan's Cross - Circle Trilogy 1 Part 22

She did it again, and again, until she despised the straw dummy as much as she had her tenth-grade history teacher. Disgusted, she swung around, picked up a sword with both hands, and hacked the thing to pieces.

When she was done, there was no sound but her own labored breathing and Larkin's m.u.f.fled laugh. "Okay." King rubbed his chin. "Guess he's pretty d.a.m.n dead. Larkin, you want to put together another one? Let me ask you something, Red."

"Ask away."

"How come you didn't just tear into the dummy with magic?"

"Magic takes focus and concentration. I think I could use some in a fight-I think I could. But most of me is channelled into handling the sword or the stake, particularly since I'm not used to handling either. If I wasn't centered, I could just send my own weapon flying out of my hand, missing the mark. It's something I'll work on."

She glanced around to make sure Hoyt wasn't anywhere within earshot. "Generally, I need tools, chants, certain rituals. I can do this."

She opened her palm, focused, and brought out the ball of fire.

Curious, he poked at it. And s.n.a.t.c.hed back his singed finger, sucked on it. "h.e.l.l of a trick."

"Fire is elemental, like air, earth, water.

But if I pulled this out during a battle, tossed it at an enemy, it might hit one of us instead, or as well as."

He studied the s.h.i.+mmering ball with his odd eyes. "Like pointing a gun if you don't know how to shoot. Can't be sure who's going to get the bullet. Or if you'd just end up shooting yourself in your own d.a.m.n foot."

"Something like that." She vanished the fire. "But it's nice to have it in reserve."

"You go ahead, take a break, Red, before you hurt somebody."

"No argument." She sailed into the house, intending to drink a gallon of water and put together some food. She nearly walked straight into Cian.

"Didn't know you were up and around."

He stood back from the sunlight that filtered through the windows, but she saw he had a full view of the outdoor activities.

"What do you think?" she asked him.

"How are we doing?"

"If they came for you now, they'd snack on you like chicken at a picnic."

"I know. We're clumsy, and there's no sense of unity. But we'll get better."

"You'll need to."

"Well, you're full of cheer and encouragement this afternoon. We've been at it over two hours, and none of us is used to this kind of thing. Larkin's the closest King's got to a warrior, and he's green yet."

Cian merely glanced at her. "Ripen or die."

Fatigue was one thing, she thought, and she would deal with the sweat and the effort. But now she was flat-out insulted. "It's hard enough to do what we're doing without one of us being a complete a.s.shole."

"Is that your term for realist?"

"Screw it, and you with it." She stalked around the kitchen, tossed some fruit, some bread, some bottled water into a basket. She hauled it out, ignoring Cian as she pa.s.sed by.

Outside she dumped the basket on the table King had carried out to hold weapons.

"Food!" Larkin pounced like a starving man. "Bless you down to the soles of your feet, Glenna. I was wasting away here."

"Since it's been two hours for certain since you last stuffed your face," Moira put in.

"The master of doom doesn't think we're working hard enough, and equates us to chicken at a picnic for the vampires." Glenna took an apple for herself, bit in. "I say we show him different." She took another bite, then whipped around toward the newly stuffed dummy. She focused in, visualized, then hurled the apple. It flew toward the dummy, and as it flew it became a stake. And that stake pierced cloth and straw.

"Oh, that was fine," Moira breathed.

"That was brilliant."

"Sometimes temper gives the magic a boost."

The stake slid out again, and splatted as an apple to the ground. She sent Hoyt a look.

"Something to work out."

"We need something to unify us, to hold us together," she told Hoyt later. She sat in the tower, rubbing balm into bruises while he pored through the pages of a spellbook. "Teams wear uniforms, or have fight songs."

"Songs? Now we should sing? Or maybe just find a b.l.o.o.d.y harper."

Sarcasm, she decided, was something the brothers shared as well as their looks. "We need something. Look at us, even now. You and I up here, Moira and Larkin off together. King and Cian in the training room, devising new miseries for us all. It's fine and good to have the whole of the team split into smaller teams, working on their own projects. But we haven't become a whole team yet."

"So we drag out the harp and sing? We've serious work to do, Glenna."

"You're not following me." Patience, she reminded herself. He'd worked as hard as she had today, and was just as tired. "It's about symbolism. We have the same foe, yes, but not the same purpose." She walked to the window, and saw how long the shadows had grown, and how low the sun hung in the sky.

"It'll be dark soon." Her fingers groped for her pendant. It struck her then, so simple, so obvious.

"You were looking for a s.h.i.+eld for Cian, because he can't go out in the day. But what about us? We can't risk going out after sundown. And even inside, we know she can get to us, get inside us. What about our s.h.i.+eld, Hoyt? What s.h.i.+elds us against the vampire?"

"The light."

"Yes, yes, but what symbol? A cross. We need to make crosses, and we need to put magic into them. Not only s.h.i.+eld, but weapon, Hoyt."

He thought of the crosses Morrigan had given him for his family. But even his powers, even combined with Glenna's fell short of the G.o.ds. Still...

"Silver," he mumbled. "Silver would be best."

"With red jasper, for night protection. We need some garlic, some sage." She began going through her case of dried herbs and roots. "I'll start on the potion." She grabbed one of her books, began flipping through. "Any idea where we can get our hands on the silver?"

"Aye."

He left her, went down to the first level of the house and into what was now the dining room. The furnis.h.i.+ngs were new-to him, at least. Tables of dark, heavy wood, chairs with high backs and ornate carving. The drapes that were pulled over the windows were a deep green, like forest shadows, and made of a thick and weighty silk.

There was art, all of them night scenes of forests and glades and cliffs. Even here, he thought, his brother shunned the light. Or did he prefer the dark, even in paintings?

Tall cupboards with doors of rippled gla.s.s held crystal and pottery in rich jewel tones.

Possessions, he thought, of a man of wealth and position, who had an eternity of time to collect them. Did any of the things mean anything to Cian? With so much, could any single thing matter?

On the larger server were two tall candlestands of silver, and Hoyt wondered if they did-or if they had, at least.

They had been his mother's.

He lifted one, and had the image of her- clear as lake water-sitting at her wheel and spinning, singing one of the old songs she loved while her foot tapped the time.

She wore a blue gown and veil, and there was ease and youth in her face, a quiet contentment that covered her like soft silk. Her body was heavy with child, he saw that now.

No, he corrected, heavy with children. Himself and Cian.

And on the chest beneath her window stood the two candlestands.

"They were a gift from my father on the day of my wedding, and of all the gifts given, I prized them most. One will go to you one day, and one to Cian. And so this gift will be pa.s.sed down, and the giver remembered whenever the candle is lit."

He comforted himself that he needed no candle to remember her. But the stand weighed heavy in his hands as he took it up to the tower. Glenna looked up from the cauldron where she mixed her herbs. "Oh, it's perfect.

And beautiful. What a shame to melt it down."

She left her work to get a closer look. "It's heavy. And old, I think."

"Aye, it's very old."

She understood then, and felt a little pang in her heart. "Your family's?"

His face, his voice, were carefully blank.

"It was to come to me, and so it has."

She nearly told him to find something else, something that didn't mean so much to him. But she swallowed the words. She thought she understood why he had chosen as he had. It had to cost. Magic asked a price.

"The sacrifice you're making will strengthen the spell. Wait." She pulled a ring from the middle finger of her right hand. "It was my grandmother's."

"There's no need."

"Personal sacrifice, yours and mine.

We're asking a great deal. I need some time to write out the spell. Nothing in my books is quite right, so we'll need to amend."

When Larkin came to the door they were both deep in books. He glanced around the room and kept to his side of the threshold. "I'm sent to fetch you. The sun's set, and we're going into evening training."

"Tell him we'll be there when we're done," Glenna said. "We're in the middle of something."

"I'll tell him, but I'm thinking he won't like it." He pulled the door shut and left them.

"I've nearly got it. I'm going to draw out what I think they should look like, then we'll both visualize. Hoyt?"

"It must be pure," he said to himself.

"Conjured with faith as much as magic."

She left him to it and began to sketch.

Simple, she thought, and with tradition. She glanced over, saw he was sitting, eyes closed.

Gathering power, she a.s.sumed, and his thoughts.

Such a serious face, and one, she realized, she'd come to trust completely. It seemed she'd known that face forever, just as she knew the sound of his voice, the cadence of it.

Yet the time they'd had was short, just as the time they would have was no more than a handful of grains in the sand of an hourgla.s.s.

If they won-no when, when they won- he'd go back to his time, his life, his world. And she to hers. But nothing would ever be the same.

And nothing would ever really fill the void he'd leave behind. "Hoyt."

His eyes were different when they met hers. Deeper and darker. She pushed the sketch toward him. "Will this do?"

He lifted it, studied. "Yes, but for this."

He took the pencil from her, added lines on the long base of the Celtic cross she'd drawn.

"What is it?"

"It's ogham script. Old writing."

"I know what ogham is. What does it say?"

"It says light."

She smiled, nodded. "Then it's perfect.

This is the spell. It feels right to me."

He took that in turn, then looked at her.

"Rhymes?"

"It's how I work. Deal with it. And I want a circle. I'll feel better with one."

Because he agreed he rose, to cast it with her. She scribed fresh candles with her bolline, watched him light them.

"We'll make the fire together." He held out his hand for hers. Power winged up her arm, struck the heart of her. And the fire, pure and white, s.h.i.+mmered an inch above the floor. He hefted the cauldron, set it on the flames.

"Silver old and silver bright." He set the candlestand in the cauldron. "Go to liquid in this light."