Life of Beethoven Part 11

I have shown Beethoven your beautiful letter, as far as it concerned him: he was overjoyed, and cried, "If any one can brighten him up about music, it is I." He was most enthusiastic about your proposal of meeting him at Karlsbad, struck his forehead, and said, "Might I not have done this before? But i' faith I did think of it, and was restrained by timidity; that _will_ sometimes worry me as though I were not a man of the right mettle; but I am no more afraid of Gothe now. Make sure therefore of my seeing him next year."

No. V.

A DAY WITH BEETHOVEN.[82]

[Extract of a letter from Vienna to a friend in London.]

I now fulfil the promise I made on my departure for Germany last summer, of giving you, from time to time, an account of whatever might appear interesting in the fine arts, particularly in music; and as I then told you that I should not confine myself to any order of time and place, I commence at once with Vienna. This is the city which, speaking of music, must be called, by way of eminence, the capital of Germany. As to the sciences, it is quite otherwise, it being generally considered as one of the most inferior of the German Universities. The north of Germany has at all times possessed the best theorists--the Bachs, Marpurg, Kirnberger, Schwenke, Turk; but the men most celebrated for composition were always more numerous in the south, above all in Vienna. Here Mozart, Haydn, Beethoven, Hummel, M. v. Weber, Spohr, &c., not only received their musical education, but most of them produced the works which have acquired them the greatest celebrity; and, even at the present period, Vienna abounds with eminent musicians--C. Kreutzer, Stadler, Mayseder, C. Czerny, Pixis, and that young prodigy on the piano-forte, Liszt. To give you a succinct account only of the present state of music in Vienna would exceed the limits of a letter; I will therefore rather devote the remainder of this to one who is still the brightest ornament of that imperial city--to Beethoven. You must not, however, expect from me now anything like a biography--that I shall reserve for a future communication. I wish now to give you only a short account of a single day's visit to the great man, and if, in my narration, I should appear to dwell on trifling points, you will be good enough to attribute it to my veneration for Beethoven, which leads me to consider everything highly interesting that is in the slightest degree connected with so distinguished a character.

The 28th of September, 1823, will be ever recollected by me as a _dies faustus_; in truth, I do not know that I ever spent a happier day. Early in the morning I went, in company with two Vienna gentlemen, one of whom, Mr. H., is known as the very intimate friend of Beethoven, to the beautifully situated village of Baden,[83] about twelve miles from Vienna, where the latter usually resides during the summer months. Being with Mr. H., I had not to encounter any difficulty in being admitted into his presence. He looked very sternly at me at first, but he immediately after shook me heartily by the hand, as if an old acquaintance, for he then clearly recollected my first visit to him in 1816, though it had been but of a very short duration,--a proof of his excellent memory.

I found, to my sincere regret, a considerable alteration in his appearance, and it immediately struck me that he looked very unhappy.

The complaints he afterwards made to Mr. H. confirmed my apprehensions.

I feared that he would not be able to understand one word of what I said; in this, however, I rejoice to say I was much deceived, for he made out very well all that I addressed to him slowly and in a loud tone. From his answers it was clear that not a particle of what Mr. H.

uttered had been lost, though neither the latter nor myself used a machine. From this you will justly conclude that the accounts respecting his deafness lately spread in London are much exaggerated. I should mention, though, that when he plays on the piano-forte, it is generally at the expense of some twenty or thirty strings, he strikes the keys with so much force. Nothing can possibly be more lively, more animated, and, to use an epithet that so well characterises his own Symphonies, more energetic, than his conversation when you have once succeeded in getting him into good humour; but one unlucky question, one ill-judged piece of advice--for instance, concerning the cure of his deafness--is quite sufficient to estrange him from you for ever.

He was desirous of ascertaining, for a particular composition he was then about, the highest possible note of the trombone, and questioned Mr. H. accordingly, but did not seem satisfied with his answers. He then told me that he had in general taken care to inform himself, through the different artists themselves, concerning the construction, character, and compa.s.s of all the princ.i.p.al instruments. He introduced his nephew to me, a fine young man of about eighteen, who is the only relation with whom he lives on terms of friends.h.i.+p, saying, "You may propose to him an enigma in Greek, if you like;" meaning, I was informed, to acquaint me with the young man's knowledge of that language. The history of this relative reflects the highest credit on Beethoven's goodness of heart; the most affectionate father could not have made greater sacrifices on his behalf than he has made.

After we had been more than an hour with him, we agreed to meet at dinner, at one o'clock, in that most romantic and beautiful valley called _das Helenenthal_, about two miles from Baden. After having seen the baths and other curiosities of the town, we called again at his house about twelve o'clock, and, as we found him already waiting for us, we immediately set out on our walk for the valley. Beethoven is a famous pedestrian, and delights in walks of many hours, particularly through wild and romantic scenery: nay, I was told that he sometimes pa.s.ses whole nights on such excursions, and is frequently missed at home for several days. On our way to the valley, he often stopped short and pointed out to me its most beautiful spots, or noticed the defects of the new buildings. At other times he seemed quite lost in himself, and only hummed in an unintelligible manner; I understood, however, that this was the way he composed, and I also learnt that he never writes one note down till he has formed a clear design for the whole piece.

The day being remarkably fine, we dined in the open air, and what seemed to please Beethoven extremely was, that we were the only visitors in the hotel, and quite by ourselves during the whole day. The Viennese repasts are famous all over Europe, and that ordered for us was so luxurious, that Beethoven could not help making remarks on the profusion which it displayed. "Why such a variety of dishes?" he exclaimed; "man is but little above other animals, if his chief pleasure is confined to a dinner-table." This and similar reflections he made during our meal. The only thing he likes in the way of food is fish, of which trout is his favourite. He is a great enemy to all _gene_, and I believe that there is not another individual in Vienna who speaks with so little restraint on all kinds of subjects, even political ones, as Beethoven. He hears badly, but he speaks remarkably well, and his observations are as characteristic and as original as his compositions.

In the whole course of our table-talk there was nothing so interesting as what he said about Handel. I sat close by him and heard him a.s.sert very distinctly in German, "Handel is the greatest composer that ever lived."[84] I cannot describe to you with what pathos, and, I am inclined to say, with what sublimity of language, he spoke of the Messiah of this immortal genius. Every one of us was moved when he said, "I would uncover my head and kneel down on his tomb!" H. and I tried repeatedly to turn the conversation to Mozart, but without effect; I only heard him say, "In a monarchy we know who is the first;" which might or might not apply to the subject. Mr. C. Czerny, who, by the by, knows every note of Beethoven's by heart, though he does not play one single composition of his own without the music before him, told me, however, that Beethoven was sometimes inexhaustible in his praise of Mozart. It is worthy of remark that this great musician cannot bear to hear his own earlier works praised; and I was apprised that a sure way to make him angry is to say something complimentary of his Septetts, Trios, &c. His latest productions, which are, so little relished in London, but much admired by the young artists of Vienna, are his favourites: his second Ma.s.s he looks upon as his best work, I understood.

He is at present engaged in writing a new opera called _Melusine_, the words by the famous but unfortunate poet Grillparzer. He concerns himself very little about the newest productions of living composers, insomuch that, when asked about the _Freischutz_, he replied, "I believe _one_ Weber has written it." You will be pleased to hear that he is a great admirer of the ancients; Homer, particularly his Odyssey, and Plutarch, he prefers to all the rest; and of the native poets, he studies Schiller and Gothe in preference to any other; this latter is his personal friend. He appears uniformly to entertain the most favourable opinion of the British nation. "I like," said he, "the n.o.ble simplicity of the English manners," and added other praises. It seemed to me as if he had yet some hopes of visiting this country together with his nephew. I should not forget to mention that I heard a MS. Trio of his, for the piano-forte, violin, and violoncello, which I thought very beautiful, and is, I understood, to appear shortly in London. The portrait you see of him in the music-shops is not now like him, but may have been so eight or ten years back. I could tell you many things more of this extraordinary man, who, from what I have seen and learnt of him, has inspired me with the deepest veneration; but I fear I have taken up your time already too much. The friendly and hearty manner in which he treated me, and bade me farewell, has left an impression on my mind, which will remain for life. Adieu.

[Greek: E.]

No. VI.

A VISIT TO BEETHOVEN.[85]

[Extract from a letter written by an English lady, dated Vienna, October, 1825.]

The imperial library is the finest room I ever saw, and the librarian very agreeable and obliging. What will you say when I tell you, that after taking an infinity of trouble, he succeeded in obtaining for me an introduction to BEETHOVEN, who is exceedingly difficult of access; but, in answer to the note requesting that I might be allowed to visit him, wrote--

"Avec le plus grand plaisir je recevrai une fille de * * * *

*.--BEETHOVEN."

We went to _Baden_, a pretty little town in the Archduchy of Austria, about fifteen miles south-west of Vienna, much frequented for its hot baths, (whence it derives its name, similarly to our Bath,) where _the giant of living composers_, as Mr. ---- always pleases me by calling him, retires during the summer months.

The people seemed surprised at our taking so much trouble; for, unaccountable as it may seem to those who have any knowledge of or taste for music, his reign in Vienna is over, except in the hearts of a chosen few, with whom, by the bye, I have not yet met * * * * *, and I was even taught to expect a rough, unceremonious reception. When we arrived, he had just returned home, through a shower of rain, and was changing his coat. I almost began to be alarmed, after all that I had heard of his _brusquerie_, lest he should not receive us very cordially, when he came forth from his Sanctum with a hurried step and apparently very nervous; but he addressed us in so gentle, so courteous, so sweet a manner, and with such a truth in his sweetness, that I only know Mr. ---- with whom he can be compared, whom he much resembles in features, person, address, and also in opinions. He is very short, extremely thin, and sufficiently attentive to personal appearance. He observed that * *

* was very fond of Handel, that he himself also _loved_ him, and proceeded for some time eulogising that great composer. I conversed with him in writing, for I found it impossible to render myself audible; and, though this was a very clumsy mode of communicating, it did not much signify, as he talked on, freely and willingly, and did not wait for questions, or seem to expect long replies. I ventured to express my admiration of his compositions, and, among others, praised his _Adelaide_ in terms by no means too strong for my sense of its beauties.

He very modestly remarked that the poetry was beautiful.

Beethoven speaks good French, at least by comparison with most other Germans, and conversed a little with * * * in Latin. He told us that he should have _spoken_ English, but that his deafness had prevented his acquiring more of our language than the power of reading it. He said that he preferred English to French writers, because "_ils sont plus vrais_." Thomson is his favourite author, but his admiration for Shakspeare is very great indeed.

When we were about to retire, he desired us to stop--"_Je veux vous donner un souvenir de moi._" He then went to a table in an adjoining room and wrote two lines of music--a little Fugue for the pianoforte--and presented it to me in a most amiable manner. He afterwards desired that I would spell my name to him, that he might inscribe his Impromptu to me correctly. He now took my arm and led me into the room where he had written, that I might see the whole of his apartment, which was quite that of an author, but perfectly clean; and, though indicating nothing like superfluity of wealth, did not show any want of either useful furniture, or neatness in arrangement. It must he recollected, however, that this is his country residence, and that the Viennese are not so costly or particular in their domestic details as we English. I led him back very gently to a room on the other side, in which was placed his grand pianoforte, by Broadwood, but he looked, I thought, melancholy at the sight of it, and said that it was very much out of order, for the country tuner was exceedingly bad. He struck some notes to convince me; nevertheless, I placed on the desk the page of MS.

music which he had just given me, and he played it through quite simply, but prefaced it by three or four chords--such handfuls of notes--that would have gone to Mr. ----'s heart. He then stopped, and I would not on any account ask for more, as I found that he played without any satisfaction to himself.

We took leave of each other in a tone, of what in France would be called confirmed friends.h.i.+p; and he said, quite voluntarily, that if he came to England, he would certainly pay us a visit.

London: Printed by WILLIAM CLOWES and SONS, Stamford Street.

THE LIFE OF BEETHOVEN,

INCLUDING HIS

CORRESPONDENCE WITH HIS FRIENDS,

NUMEROUS CHARACTERISTIC TRAITS,

AND REMARKS ON HIS MUSICAL WORKS.

EDITED BY

IGNACE MOSCHELES, ESQ.,

Pianist to his Royal Highness Prince Albert.

IN TWO VOLUMES.

VOLUME II.

LONDON:

HENRY COLBURN, PUBLISHER, 13, GREAT MARLBOROUGH STREET.

1841.

LONDON.

Printed by WILLIAM CLOWES and SONS, Stamford Street.

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