Across the Plains Part 3

To visit the woods while they are languidly burning is a strange piece of experience. The fire pa.s.ses through the underbrush at a run. Every here and there a tree flares up instantaneously from root to summit, scattering tufts of flame, and is quenched, it seems, as quickly. But this last is only in semblance. For after this first squib-like conflagration of the dry moss and twigs, there remains behind a deep-rooted and consuming fire in the very entrails of the tree. The resin of the pitch-pine is princ.i.p.ally condensed at the base of the bole and in the spreading roots. Thus, after the light, showy, skirmis.h.i.+ng flames, which are only as the match to the explosion, have already scampered down the wind into the distance, the true harm is but beginning for this giant of the woods. You may approach the tree from one side, and see it scorched indeed from top to bottom, but apparently survivor of the peril. Make the circuit, and there, on the other side of the column, is a clear ma.s.s of living coal, spreading like an ulcer; while underground, to their most extended fibre, the roots are being eaten out by fire, and the smoke is rising through the fissures to the surface. A little while, and, without a nod of warning, the huge pine-tree snaps off short across the ground and falls prostrate with a crash. Meanwhile the fire continues its silent business; the roots are reduced to a fine ash; and long afterwards, if you pa.s.s by, you will find the earth pierced with radiating galleries, and preserving the design of all these subterranean spurs, as though it were the mould for a new tree instead of the print of an old one. These pitch-pines of Monterey are, with the single exception of the Monterey cypress, the most fantastic of forest trees. No words can give an idea of the contortion of their growth; they might figure without change in a circle of the nether h.e.l.l as Dante pictured it; and at the rate at which trees grow, and at which forest fires spring up and gallop through the hills of California, we may look forward to a time when there will not be one of them left standing in that land of their nativity. At least they have not so much to fear from the axe, but perish by what may be called a natural although a violent death; while it is man in his short-sighted greed that robs the country of the n.o.bler redwood. Yet a little while and perhaps all the hills of seaboard California may be as bald as Tamalpais.

I have an interest of my own in these forest fires, for I came so near to lynching on one occasion, that a braver man might have retained a thrill from the experience. I wished to be certain whether it was the moss, that quaint funereal ornament of Californian forests, which blazed up so rapidly when the flame first touched the tree. I suppose I must have been under the influence of Satan, for instead of plucking off a piece for my experiment what should I do but walk up to a great pine-tree in a portion of the wood which had escaped so much as scorching, strike a match, and apply the flame gingerly to one of the ta.s.sels. The tree went off simply like a rocket; in three seconds it was a roaring pillar of fire. Close by I could hear the shouts of those who were at work combating the original conflagration. I could see the waggon that had brought them tied to a live oak in a piece of open; I could even catch the flash of an axe as it swung up through the underwood into the sunlight. Had any one observed the result of my experiment my neck was literally not worth a pinch of snuff; after a few minutes of pa.s.sionate expostulation I should have been run up to convenient bough.

To die for faction is a common evil; But to be hanged for nonsense is the devil.

I have run repeatedly, but never as I ran that day. At night I went out of town, and there was my own particular fire, quite distinct from the other, and burning as I thought with even greater vigour.

But it is the Pacific that exercises the most direct and obvious power upon the climate. At sunset, for months together, vast, wet, melancholy fogs arise and come sh.o.r.eward from the ocean. From the hill-top above Monterey the scene is often n.o.ble, although it is always sad. The upper air is still bright with sunlight; a glow still rests upon the Gabelano Peak; but the fogs are in possession of the lower levels; they crawl in scarves among the sandhills; they float, a little higher, in clouds of a gigantic size and often of a wild configuration; to the south, where they have struck the seaward shoulder of the mountains of Santa Lucia, they double back and spire up skyward like smoke. Where their shadow touches, colour dies out of the world. The air grows chill and deadly as they advance. The trade-wind freshens, the trees begin to sigh, and all the windmills in Monterey are whirling and creaking and filling their cisterns with the brackish water of the sands. It takes but a little while till the invasion is complete. The sea, in its lighter order, has submerged the earth. Monterey is curtained in for the night in thick, wet, salt, and frigid clouds, so to remain till day returns; and before the sun's rays they slowly disperse and retreat in broken squadrons to the bosom of the sea. And yet often when the fog is thickest and most chill, a few steps out of the town and up the slope, the night will be dry and warm and full of inland perfume.

MEXICANS, AMERICANS, AND INDIANS

The history of Monterey has yet to be written. Founded by Catholic missionaries, a place of wise beneficence to Indians, a place of arms, a Mexican capital continually wrested by one faction from another, an American capital when the first House of Representatives held its deliberations, and then falling lower and lower from the capital of the State to the capital of a county, and from that again, by the loss of its charter and town lands, to a mere bankrupt village, its rise and decline is typical of that of all Mexican inst.i.tutions and even Mexican families in California.

Nothing is stranger in that strange State than the rapidity with which the soil has changed-hands. The Mexicans, you may say, are all poor and landless, like their former capital; and yet both it and they hold themselves apart and preserve their ancient customs and something of their ancient air.

The town, when I was there, was a place of two or three streets, economically paved with sea-sand, and two or three lanes, which were watercourses in the rainy season, and were, at all times, rent up by fissures four or five feet deep. There were no street lights. Short sections of wooden sidewalk only added to the dangers of the night, for they were often high above the level of the roadway, and no one could tell where they would be likely to begin or end. The houses were, for the most part, built of unbaked adobe brick, many of them old for so new a country, some of very elegant proportions, with low, s.p.a.cious, shapely rooms, and walls so thick that the heat of summer never dried them to the heart. At the approach of the rainy season a deathly chill and a graveyard smell began to hang about the lower floors; and diseases of the chest are common and fatal among house-keeping people of either s.e.x.

There was no activity but in and around the saloons, where people sat almost all day long playing cards. The smallest excursion was made on horseback. You would scarcely ever see the main street without a horse or two tied to posts, and making a fine figure with their Mexican housings. It struck me oddly to come across some of the _Cornhill_ ill.u.s.trations to Mr. Blackmore's _Erema_, and see all the characters astride on English saddles. As a matter of fact, an English saddle is a rarity even in San Francisco, and, you may say, a thing unknown in all the rest of California. In a place so exclusively Mexican as Monterey, you saw not only Mexican saddles but true Vaquero riding-men always at the hand-gallop up hill and down dale, and round the sharpest corner, urging their horses with cries and gesticulations and cruel rotatory spurs, checking them dead with a touch, or wheeling them right-about-face in a square yard. The type of face and character of bearing are surprisingly un-American. The first ranged from something like the pure Spanish, to something, in its sad fixity, not unlike the pure Indian, although I do not suppose there was one pure blood of either race in all the country. As for the second, it was a matter of perpetual surprise to find, in that world of absolutely mannerless Americans, a people full of deportment, solemnly courteous, and doing all things with grace and decorum. In dress they ran to colour and bright sashes. Not even the most Americanised could always resist the temptation to stick a red rose into his hat-band. Not even the most Americanised would descend to wear the vile dress hat of civilisation. Spanish was the language of the streets. It was difficult to get along without a word or two of that language for an occasion. The only communications in which the population joined were with a view to amus.e.m.e.nt. A weekly public ball took place with great etiquette, in addition to the numerous fandangoes in private houses. There was a really fair amateur bra.s.s band. Night after night serenaders would be going about the street, sometimes in a company and with several instruments and voice together, sometimes severally, each guitar before a different window. It was a strange thing to lie awake in nineteenth-century America, and hear the guitar accompany, and one of these old, heart-breaking Spanish love-songs mount into the night air, perhaps in a deep baritone, perhaps in that high-pitched, pathetic, womanish alto which is so common among Mexican men, and which strikes on the unaccustomed ear as something not entirely human but altogether sad.

The town, then, was essentially and wholly Mexican; and yet almost all the land in the neighbourhood was held by Americans, and it was from the same cla.s.s, numerically so small, that the princ.i.p.al officials were selected. This Mexican and that Mexican would describe to you his old family estates, not one rood of which remained to him. You would ask him how that came about, and elicit some tangled story back-foremost, from which you gathered that the Americans had been greedy like designing men, and the Mexicans greedy like children, but no other certain fact. Their merits and their faults contributed alike to the ruin of the former landholders. It is true they were improvident, and easily dazzled with the sight of ready money; but they were gentlefolk besides, and that in a way which curiously unfitted them to combat Yankee craft. Suppose they have a paper to sign, they would think it a reflection on the other party to examine the terms with any great minuteness; nay, suppose them to observe some doubtful clause, it is ten to one they would refuse from delicacy to object to it. I know I am speaking within the mark, for I have seen such a case occur, and the Mexican, in spite of the advice of his lawyer, has signed the imperfect paper like a lamb. To have spoken in the matter, he said, above all to have let the other party guess that he had seen a lawyer, would have "been like doubting his word." The scruple sounds oddly to one of ourselves, who have been brought up to understand all business as a compet.i.tion in fraud, and honesty itself to be a virtue which regards the carrying out but not the creation of agreements. This single unworldly trait will account for much of that revolution of which we are speaking. The Mexicans have the name of being great swindlers, but certainly the accusation cuts both ways. In a contest of this sort, the entire booty would scarcely have pa.s.sed into the hands of the more scupulous race.

Physically the Americans have triumphed; but it is not entirely seen how far they have themselves been morally conquered. This is, of course, but a part of a part of an extraordinary problem now in the course of being solved in the various States of the American Union. I am reminded of an anecdote. Some years ago, at a great sale of wine, all the odd lots were purchased by a grocer in a small way in the old town of Edinburgh. The agent had the curiosity to visit him some time after and inquire what possible use he could have for such material. He was shown, by way of answer, a huge vat where all the liquors, from humble Gladstone to imperial Tokay, were fermenting together. "And what," he asked, "do you propose to call this?" "I'm no very sure," replied the grocer, "but I think it's going to turn out port." In the older Eastern States, I think we may say that this hotch-potch of races in going to turn out English, or thereabout. But the problem is indefinitely varied in other zones.

The elements are differently mingled in the south, in what we may call the Territorial belt and in the group of States on the Pacific coast.

Above all, in these last, we may look to see some monstrous hybrid-Whether good or evil, who shall forecast? but certainly original and all their own. In my little restaurant at Monterey, we have sat down to table day after day, a Frenchman, two Portuguese, an Italian, a Mexican, and a Scotchman: we had for common visitors an American from Illinois, a nearly pure blood Indian woman, and a naturalised Chinese; and from time to time a Switzer and a German came down from country ranches for the night. No wonder that the Pacific coast is a foreign land to visitors from the Eastern States, for each race contributes something of its own. Even the despised Chinese have taught the youth of California, none indeed of their virtues, but the debasing use of opium.

And chief among these influences is that of the Mexicans.

The Mexicans although in the State are out of it. They still preserve a sort of international independence, and keep their affairs snug to themselves. Only four or five years ago Vasquez, the bandit, his troops being dispersed and the hunt too hot for him in other parts of California, returned to his native Monterey, and was seen publicly in her streets and saloons, fearing no man. The year that I was there, there occurred two reputed murders. As the Montereyans are exceptionally vile speakers of each other and of every one behind his back, it is not possible for me to judge how much truth there may have been in these reports; but in the one case every one believed, and in the other some suspected, that there had been foul play; and n.o.body dreamed for an instant of taking the authorities into their counsel. Now this is, of course, characteristic enough of the Mexicans; but it is a noteworthy feature that all the Americans in Monterey acquiesced without a word in this inaction. Even when I spoke to them upon the subject, they seemed not to understand my surprise; they had forgotten the traditions of their own race and upbringing, and become, in a word, wholly Mexicanised.

Again, the Mexicans, having no ready money to speak of, rely almost entirely in their business transactions upon each other's worthless paper. Pedro the penniless pays you with an I O U from the equally penniless Miguel. It is a sort of local currency by courtesy. Credit in these parts has pa.s.sed into a superst.i.tion. I have seen a strong, violent man struggling for months to recover a debt, and getting nothing but an exchange of waste paper. The very storekeepers are averse to asking for cash payments, and are more surprised than pleased when they are offered. They fear there must be something under it, and that you mean to withdraw your custom from them. I have seen the enterprising chemist and stationer begging me with fervour to let my account run on, although I had my purse open in my hand; and partly from the commonness of the case, partly from some remains of that generous old Mexican tradition which made all men welcome to their tables, a person may be notoriously both unwilling and unable to pay, and still find credit for the necessaries of life in the stores of Monterey. Now this villainous habit of living upon "tick" has grown into Californian nature. I do not mean that the American and European storekeepers of Monterey are as lax as Mexicans; I mean that American farmers in many parts of the State expect unlimited credit, and profit by it in the meanwhile, without a thought for consequences. Jew storekeepers have already learned the advantage to be gained from this; they lead on the farmer into irretrievable indebtedness, and keep him ever after as their bond-slave hopelessly grinding in the mill. So the whirligig of time brings in its revenges, and except that the Jew knows better than to foreclose, you may see Americans bound in the same chains with which they themselves had formerly bound the Mexican. It seems as if certain sorts of follies, like certain sorts of grain, were natural to the soil rather than to the race that holds and tills it for the moment.

In the meantime, however, the Americans rule in Monterey County. The new county seat, Salinas City, in the bald, corn-bearing plain under the Gabelano Peak, is a town of a purely American character. The land is held, for the most part, in those enormous tracts which are another legacy of Mexican days, and form the present chief danger and disgrace of California; and the holders are mostly of American or British birth. We have here in England no idea of the troubles and inconveniences which flow from the existence of these large landholders-land-thieves, land-sharks, or land-grabbers, they are more commonly and plainly called.

Thus the townlands of Monterey are all in the hands of a single man. How they came there is an obscure, vexatious question, and, rightly or wrongly, the man is hated with a great hatred. His life has been repeatedly in danger. Not very long ago, I was told, the stage was stopped and examined three evenings in succession by disguised hors.e.m.e.n thirsting for his blood. A certain house on the Salinas road, they say, he always pa.s.ses in his buggy at full speed, for the squatter sent him warning long ago. But a year since he was publicly pointed out for death by no less a man than Mr. Dennis Kearney. Kearney is a man too well known in California, but a word of explanation is required for English readers. Originally an Irish dray-man, he rose, by his command of bad language, to almost dictatorial authority in the State; throned it there for six months or so, his mouth full of oaths, gallowses, and conflagrations; was first snuffed out last winter by Mr. Coleman, backed by his San Francisco Vigilantes and three gatling guns; completed his own ruin by throwing in his lot with the grotesque Green-backer party; and had at last to be rescued by his old enemies, the police, out of the hands of his rebellious followers. It was while he was at the top of his fortune that Kearney visited Monterey with his battle-cry against Chinese labour, the railroad monopolists, and the land-thieves; and his one articulate counsel to the Montereyans was to "hang David Jacks." Had the town been American, in my private opinion, this would have been done years ago. Land is a subject on which there is no jesting in the West, and I have seen my friend the lawyer drive out of Monterey to adjust a compet.i.tion of t.i.tles with the face of a captain going into battle and his Smith-and-Wesson convenient to his hand.

On the ranche of another of these landholders you may find our old friend, the truck system, in full operation. Men live there, year in year out, to cut timber for a nominal wage, which is all consumed in supplies. The longer they remain in this desirable service the deeper they will fall in debt-a burlesque injustice in a new country, where labour should be precious, and one of those typical instances which explains the prevailing discontent and the success of the demagogue Kearney.

In a comparison between what was and what is in California, the praisers of times past will fix upon the Indians of Carmel. The valley drained by the river so named is a true Californian valley, bare, dotted with chaparal, overlooked by quaint, unfinished hills. The Carmel runs by many pleasant farms, a clear and shallow river, loved by wading kine; and at last, as it is falling towards a quicksand and the great Pacific, pa.s.ses a ruined mission on a hill. From the mission church the eye embraces a great field of ocean, and the ear is filled with a continuous sound of distant breakers on the sh.o.r.e. But the day of the Jesuit has gone by, the day of the Yankee has succeeded, and there is no one left to care for the converted savage. The church is roofless and ruinous, sea-breezes and sea-fogs, and the alternation of the rain and suns.h.i.+ne, daily widening the breaches and casting the crockets from the wall. As an antiquity in this new land, a quaint specimen of missionary architecture, and a memorial of good deeds, it had a triple claim to preservation from all thinking people; but neglect and abuse have been its portion. There is no sign of American interference, save where a headboard has been torn from a grave to be a mark for pistol bullets. So it is with the Indians for whom it was erected. Their lands, I was told, are being yearly encroached upon by the neighbouring American proprietor, and with that exception no man troubles his head for the Indians of Carmel. Only one day in the year, the day before our Guy Fawkes, the _padre_ drives over the hill from Monterey; the little sacristy, which is the only covered portion of the church, is filled with seats and decorated for the service; the Indians troop together, their bright dresses contrasting with their dark and melancholy faces; and there, among a crowd of somewhat unsympathetic holiday-makers, you may hear G.o.d served with perhaps more touching circ.u.mstances than in any other temple under heaven. An Indian, stone-blind and about eighty years of age, conducts the singing; other Indians compose the choir; yet they have the Gregorian music at their finger ends, and p.r.o.nounce the Latin so correctly that I could follow the meaning as they sang. The p.r.o.nunciation was odd and nasal, the singing hurried and staccato. "In saecula saeculoho-horum," they went, with a vigorous aspirate to every additional syllable. I have never seen faces more vividly lit up with joy than the faces of these Indian singers. It was to them not only the wors.h.i.+p of G.o.d, nor an act by which they recalled and commemorated better days, but was besides an exercise of culture, where all they knew of art and letters was united and expressed. And it made a man's heart sorry for the good fathers of yore who had taught them to dig and to reap, to read and to sing, who had given them European ma.s.s-books which they still preserve and study in their cottages, and who had now pa.s.sed away from all authority and influence in that land-to be succeeded by greedy land-thieves and sacrilegious pistol-shots. So ugly a thing may our Anglo-Saxon Protestantism appear beside the doings of the Society of Jesus.

But revolution in this world succeeds to revolution. All that I say in this paper is in a paulo-past tense. The Monterey of last year exists no longer. A huge hotel has sprung up in the desert by the railway. Three sets of diners sit down successively to table. Invaluable toilettes figure along the beach and between the live oaks; and Monterey is advertised in the newspapers, and posted in the waiting-rooms at railway stations, as a resort for wealth and fas.h.i.+on. Alas for the little town!

it is not strong enough to resist the influence of the flaunting caravanserai, and the poor, quaint, penniless native gentlemen of Monterey must perish, like a lower race, before the millionaire vulgarians of the Big Bonanza.

[1880.]

III FONTAINEBLEAU VILLAGE COMMUNITIES OF PAINTERS

I

THE charm of Fontainebleau is a thing apart. It is a place that people love even more than they admire. The vigorous forest air, the silence, the majestic avenues of highway, the wilderness of tumbled boulders, the great age and dignity of certain groves-these are but ingredients, they are not the secret of the philtre. The place is sanative; the air, the light, the perfumes, and the shapes of things concord in happy harmony.

The artist may be idle and not fear the "blues." He may dally with his life. Mirth, lyric mirth, and a vivacious cla.s.sical contentment are of the very essence of the better kind of art; and these, in that most smiling forest, he has the chance to learn or to remember. Even on the plain of Biere, where the Angelus of Millet still tolls upon the ear of fancy, a larger air, a higher heaven, something ancient and healthy in the face of nature, purify the mind alike from dulness and hysteria.

There is no place where the young are more gladly conscious of their youth, or the old better contented with their age.

The fact of its great and special beauty further recommends this country to the artist. The field was chosen by men in whose blood there still raced some of the gleeful or solemn exultation of great art-Millet who loved dignity like Michelangelo, Rousseau whose modern brush was dipped in the glamour of the ancients. It was chosen before the day of that strange turn in the history of art, of which we now perceive the culmination in impressionistic tales and pictures-that voluntary aversion of the eye from all speciously strong and beautiful effects-that disinterested love of dulness which has set so many Peter Bells to paint the river-side primrose. It was then chosen for its proximity to Paris.

And for the same cause, and by the force of tradition, the painter of to-day continues to inhabit and to paint it. There is in France scenery incomparable for romance and harmony. Provence, and the valley of the Rhone from Vienne to Tarascon, are one succession of masterpieces waiting for the brush. The beauty is not merely beauty; it tells, besides, a tale to the imagination, and surprises while it charms. Here you shall see castellated towns that would befit the scenery of dreamland; streets that glow with colour like cathedral windows; hills of the most exquisite proportions; flowers of every precious colour, growing thick like gra.s.s.

All these, by the grace of railway travel, are brought to the very door of the modern painter; yet he does not seek them; he remains faithful to Fontainebleau, to the eternal bridge of Gretz, to the watering-pot cascade in Cernay valley. Even Fontainebleau was chosen for him; even in Fontainebleau he shrinks from what is sharply charactered. But one thing, at least, is certain, whatever he may choose to paint and in whatever manner, it is good for the artist to dwell among graceful shapes. Fontainebleau, if it be but quiet scenery, is cla.s.sically graceful; and though the student may look for different qualities, this quality, silently present, will educate his hand and eye.

But, before all its other advantages-charm, loveliness, or proximity to Paris-comes the great fact that it is already colonised. The inst.i.tution of a painters' colony is a work of time and tact. The population must be conquered. The innkeeper has to be taught, and he soon learns, the lesson of unlimited credit; he must be taught to welcome as a favoured guest a young gentleman in a very greasy coat, and with little baggage beyond a box of colours and a canvas; and he must learn to preserve his faith in customers who will eat heartily and drink of the best, borrow money to buy tobacco, and perhaps not pay a stiver for a year. A colour merchant has next to be attracted. A certain vogue must be given to the place, lest the painter, most gregarious of animals, should find himself alone. And no sooner are these first difficulties overcome, than fresh perils spring up upon the other side; and the bourgeois and the tourist are knocking at the gate. This is the crucial moment for the colony. If these intruders gain a footing, they not only banish freedom and amenity; pretty soon, by means of their long purses, they will have undone the education of the innkeeper; prices will rise and credit shorten; and the poor painter must fare farther on and find another hamlet. "Not here, O Apollo!" will become his song. Thus Trouville and, the other day, St.

Raphael were lost to the arts. Curious and not always edifying are the s.h.i.+fts that the French student uses to defend his lair; like the cuttlefish, he must sometimes blacken the waters of his chosen pool; but at such a time and for so practical a purpose Mrs. Grundy must allow him licence. Where his own purse and credit are not threatened, he will do the honours of his village generously. Any artist is made welcome, through whatever medium he may seek expression; science is respected; even the idler, if he prove, as he so rarely does, a gentleman, will soon begin to find himself at home. And when that essentially modern creature, the English or American girl-student, began to walk calmly into his favourite inns as if into a drawing-room at home, the French painter owned himself defenceless; he submitted or he fled. His French respectability, quite as precise as ours, though covering different provinces of life, recoiled aghast before the innovation. But the girls were painters; there was nothing to be done; and Barbizon, when I last saw it and for the time at least, was practically ceded to the fair invader. Paterfamilias, on the other hand, the common tourist, the holiday shopman, and the cheap young gentleman upon the spree, he hounded from his villages with every circ.u.mstance of contumely.

This purely artistic society is excellent for the young artist. The lads are mostly fools; they hold the latest orthodoxy in its crudeness; they are at that stage of education, for the most part, when a man is too much occupied with style to be aware of the necessity for any matter; and this, above all for the Englishman, is excellent. To work grossly at the trade, to forget sentiment, to think of his material and nothing else, is, for awhile at least, the king's highway of progress. Here, in England, too many painters and writers dwell dispersed, uns.h.i.+elded, among the intelligent bourgeois. These, when they are not merely indifferent, prate to him about the lofty aims and moral influence of art. And this is the lad's ruin. For art is, first of all and last of all, a trade.

The love of words and not a desire to publish new discoveries, the love of form and not a novel reading of historical events, mark the vocation of the writer and the painter. The arabesque, properly speaking, and even in literature, is the first fancy of the artist; he first plays with his material as a child plays with a kaleidoscope; and he is already in a second stage when he begins to use his pretty counters for the end of representation. In that, he must pause long and toil faithfully; that is his apprentices.h.i.+p; and it is only the few who will really grow beyond it, and go forward, fully equipped, to do the business of real art-to give life to abstractions and significance and charm to facts. In the meanwhile, let him dwell much among his fellow-craftsmen. They alone can take a serious interest in the childish tasks and pitiful successes of these years. They alone can behold with equanimity this fingering of the dumb keyboard, this polis.h.i.+ng of empty sentences, this dull and literal painting of dull and insignificant subjects. Outsiders will spur him on.

They will say, "Why do you not write a great book? paint a great picture?" If his guardian angel fail him, they may even persuade him to the attempt, and, ten to one, his hand is coa.r.s.ened and his style falsified for life.

And this brings me to a warning. The life of the apprentice to any art is both unstrained and pleasing; it is strewn with small successes in the midst of a career of failure, patiently supported; the heaviest scholar is conscious of a certain progress; and if he come not appreciably nearer to the art of Shakespeare, grows letter-perfect in the domain of A-B, ab.

But the time comes when a man should cease prelusory gymnastic, stand up, put a violence upon his will, and, for better or worse, begin the business of creation. This evil day there is a tendency continually to postpone: above all with painters. They have made so many studies that it has become a habit; they make more, the walls of exhibitions blush with them; and death finds these aged students still busy with their horn-book. This cla.s.s of man finds a congenial home in artist villages; in the slang of the English colony at Barbizon we used to call them "Snoozers." Continual returns to the city, the society of men farther advanced, the study of great works, a sense of humour or, if such a thing is to be had, a little religion or philosophy, are the means of treatment. It will be time enough to think of curing the malady after it has been caught; for to catch it is the very thing for which you seek that dream-land of the painters' village. "Snoozing" is a part of the artistic education; and the rudiments must be learned stupidly, all else being forgotten, as if they were an object in themselves.

Lastly, there is something, or there seems to be something, in the very air of France that communicates the love of style. Precision, clarity, the cleanly and crafty employment of material, a grace in the handling, apart from any value in the thought, seem to be acquired by the mere residence; or if not acquired, become at least the more appreciated. The air of Paris is alive with this technical inspiration. And to leave that airy city and awake next day upon the borders of the forest is but to change externals. The same spirit of dexterity and finish breathes from the long alleys and the lofty groves, from the wildernesses that are still pretty in their confusion, and the great plain that contrives to be decorative in its emptiness.

II

In spite of its really considerable extent, the forest of Fontainebleau is hardly anywhere tedious. I know the whole western side of it with what, I suppose, I may call thoroughness; well enough at least to testify that there is no square mile without some special character and charm.

Such quarters, for instance, as the Long Rocher, the Bas-Breau, and the Reine Blanche, might be a hundred miles apart; they have scarce a point in common beyond the silence of the birds. The two last are really conterminous; and in both are tall and ancient trees that have outlived a thousand political vicissitudes. But in the one the great oaks prosper placidly upon an even floor; they beshadow a great field; and the air and the light are very free below their stretching boughs. In the other the trees find difficult footing; castles of white rock lie tumbled one upon another, the foot slips, the crooked viper slumbers, the moss clings in the crevice; and above it all the great beech goes spiring and casting forth her arms, and, with a grace beyond church architecture, canopies this rugged chaos. Meanwhile, dividing the two cantons, the broad white causeway of the Paris road runs in an avenue: a road conceived for pageantry and for triumphal marches, an avenue for an army; but, its days of glory over, it now lies grilling in the sun between cool groves, and only at intervals the vehicle of the cruising tourist is seen far away and faintly audible along its ample sweep. A little upon one side, and you find a district of sand and birch and boulder; a little upon the other lies the valley of Apremont, all juniper and heather; and close beyond that you may walk into a zone of pine trees. So artfully are the ingredients mingled. Nor must it be forgotten that, in all this part, you come continually forth upon a hill-top, and behold the plain, northward and westward, like an unrefulgent sea; nor that all day long the shadows keep changing; and at last, to the red fires of sunset, night succeeds, and with the night a new forest, full of whisper, gloom, and fragrance. There are few things more renovating than to leave Paris, the lamplit arches of the Carrousel, and the long alignment of the glittering streets, and to bathe the senses in this fragrant darkness of the wood.

In this continual variety the mind is kept vividly alive. It is a changeful place to paint, a stirring place to live in. As fast as your foot carries you, you pa.s.s from scene to scene, each vigorously painted in the colours of the sun, each endeared by that hereditary spell of forests on the mind of man who still remembers and salutes the ancient refuge of his race.

And yet the forest has been civilised throughout. The most savage corners bear a name, and have been cherished like antiquities; in the most remote, Nature has prepared and balanced her effects as if with conscious art; and man, with his guiding arrows of blue paint, has countersigned the picture. After your farthest wandering, you are never surprised to come forth upon the vast avenue of highway, to strike the centre point of branching alleys, or to find the aqueduct trailing, thousand-footed, through the brush. It is not a wilderness; it is rather a preserve. And, fitly enough, the centre of the maze is not a hermit's cavern. In the midst, a little mirthful town lies sunlit, humming with the business of pleasure; and the palace, breathing distinction and peopled by historic names, stands smokeless among gardens.

Perhaps the last attempt at savage life was that of the harmless humbug who called himself the hermit. In a great tree, close by the highroad, he had built himself a little cabin after the manner of the Swiss Family Robinson; thither he mounted at night, by the romantic aid of a rope ladder; and if dirt be any proof of sincerity, the man was savage as a Sioux. I had the pleasure of his acquaintance; he appeared grossly stupid, not in his perfect wits, and interested in nothing but small change; for that he had a great avidity. In the course of time he proved to be a chicken-stealer, and vanished from his perch; and perhaps from the first he was no true votary of forest freedom, but an ingenious, theatrically-minded beggar, and his cabin in the tree was only stock-in-trade to beg withal. The choice of his position would seem to indicate so much; for if in the forest there are no places still to be discovered, there are many that have been forgotten, and that lie unvisited. There, to be sure, are the blue arrows waiting to reconduct you, now blazed upon a tree, now posted in the corner of a rock. But your security from interruption is complete; you might camp for weeks, if there were only water, and not a soul suspect your presence; and if I may suppose the reader to have committed some great crime and come to me for aid, I think I could still find my way to a small cavern, fitted with a hearth and chimney, where he might lie perfectly concealed. A confederate landscape-painter might daily supply him with food; for water, he would have to make a nightly tramp as far as to the nearest pond; and at last, when the hue and cry began to blow over, he might get gently on the train at some side station, work round by a series of junctions, and be quietly captured at the frontier.

Thus Fontainebleau, although it is truly but a pleasure-ground, and although, in favourable weather, and in the more celebrated quarters, it literally buzzes with the tourist, yet has some of the immunities and offers some of the repose of natural forests. And the solitary, although he must return at night to his frequented inn, may yet pa.s.s the day with his own thoughts in the companionable silence of the trees. The demands of the imagination vary; some can be alone in a back garden looked upon by windows; others, like the ostrich, are content with a solitude that meets the eye; and others, again, expand in fancy to the very borders of their desert, and are irritably conscious of a hunter's camp in an adjacent county. To these last, of course, Fontainebleau will seem but an extended tea-garden: a Rosherville on a by-day. But to the plain man it offers solitude: an excellent thing in itself, and a good whet for company.

III

I was for some time a consistent Barbizonian; _et ego in Arcadia vixi_, it was a pleasant season; and that noiseless hamlet lying close among the borders of the wood is for me, as for so many others, a green spot in memory. The great Millet was just dead, the green shutters of his modest house were closed; his daughters were in mourning. The date of my first visit was thus an epoch in the history of art: in a lesser way, it was an epoch in the history of the Latin Quarter. The _Pet.i.t Cenacle_ was dead and buried; Murger and his crew of sponging vagabonds were all at rest from their expedients; the tradition of their real life was nearly lost; and the petrified legend of the _Vie de Boheme_ had become a sort of gospel, and still gave the cue to zealous imitators. But if the book be written in rose-water, the imitation was still farther expurgated; honesty was the rule; the innkeepers gave, as I have said, almost unlimited credit; they suffered the seediest painter to depart, to take all his belongings, and to leave his bill unpaid; and if they sometimes lost, it was by English and Americans alone. At the same time, the great influx of Anglo-Saxons had begun to affect the life of the studious.

There had been disputes; and, in one instance at least, the English and the Americans had made common cause to prevent a cruel pleasantry. It would be well if nations and races could communicate their qualities; but in practice when they look upon each other, they have an eye to nothing but defects. The Anglo-Saxon is essentially dishonest; the French is devoid by nature of the principle that we call "Fair Play." The Frenchman marvelled at the scruples of his guest, and, when that defender of innocence retired over-seas and left his bills unpaid, he marvelled once again; the good and evil were, in his eyes, part and parcel of the same eccentricity; a shrug expressed his judgment upon both.