God's Country-And the Woman Part 25

"I will return late to-morrow, or to-morrow night," resumed Jean. "It may even be the next day. But I shall travel fast--without rest. And during that time you are on guard. In my room you will find an extra rifle and cartridges. Carry it when you go about. And spend as much of your time as you can with the master of Adare. Watch Josephine. I will not see her again to-night. Warn her for me. She must not go alone in the forests--not even to the dog pit."

"I understand," said Philip.

They entered the house. Twenty minutes later, from the window of his room, Philip saw a dark figure walking swiftly back toward the forest.

Still later he heard the distant wail of a husky coming from the direction of the pit, and he knew that the first gun in the big fight had been fired--that Jean Jacques Croisset was off on his thrilling mission into the depths of the forests. What that mission was he had not asked him. But he had guessed. And his blood ran warm with a strange excitement.

CHAPTER TWENTY-ONE

Again there filled Philip the desire to be with Jean in the forest. The husky's wail told him that the half-breed had begun his journey.

Between this hour and to-morrow night he would be threading his way swiftly over the wilderness trails on his strange mission. Philip envied him the action, the exhaustion that would follow. He envied even the dogs running in the traces. He was a living dynamo, overcharged, with every nerve in him drawn to the point that demanded the reaction of physical exertion. He knew that he could not sleep. The night would be one long and tedious wait for the dawn. And Jean had told him not to sleep as long as Josephine was awake!

Was he to take that literally? Did Jean mean that he was to watch her?

He wondered if she was in bed now. At least the half-breed's admonition offered him an excuse. He would go to her room. If there was a light he would knock, and ask her if she would join him in the piano-room. He looked at his watch. It was nearly midnight. Probably she had retired.

He opened his door and entered the hall. Quietly he went to the end room. There was no light--and he heard no sound. He was standing close to it, concealed in the shadows, when his heart gave a sudden jump.

Advancing toward him down the hall was a figure clad in a flowing white night-robe.

At first he did not know whether it was Josephine or Miriam. And then, as she came under one of the low-burning lamps, he saw that it was Miriam. She had turned, and was looking back toward the room where she had left her husband. Her beautiful hair was loose, and fell in l.u.s.trous ma.s.ses to her hips. She was listening. And in that moment Philip heard a low, pa.s.sionate sob. She turned her face toward him again, and he could see it drawn with agony. In the lamp-glow her hands were clasped at her partly bared breast. She was barefoot, and made no sound as she advanced. Philip drew himself back closer against the wall. He was sure she had not seen him. A moment later Miriam turned into the corridor that led into Adare's big room.

Philip felt that he was trembling. In Miriam's face he had seen something that had made his heart beat faster. Quietly he went to the corridor, turned, and made his way cautiously to the door of Adare's room. It was dark inside, the corridor was black. Hidden in the gloom he listened. He heard Miriam sink in one of the big chairs, and from her movement, and the sound of her sobbing, he knew that she had buried her head in her arms on the table. He listened for minutes to the grief that seemed racking her soul. Then there was silence. A moment later he heard her, and she was so close to the door that he dared not move. She pa.s.sed him, and turned into the main hall. He followed again.

She paused only for an instant at the door of the room in which she and her husband slept. Then she pa.s.sed on, and scarcely believing his eyes Philip saw her open the door that led out into the night!

She was full in the glow of the lamp that hung over the door now, and Philip saw her plainly. A biting gust of wind flung back her hair. He saw her bare arms; she turned, and he caught the white gleam of a naked shoulder. Before he could speak--before he could call her name, she had darted out into the night!

With a gasp of amazement he sprang after her. Her bare feet were deep in the snow when he caught her. A frightened cry broke from her lips.

He picked her up in his arms as if she had been a child, and ran back into the hall with her, closing the door after them. Panting, s.h.i.+vering with the cold, she stared at him without speaking.

"Why were you going out there?" he whispered. "Why--like that?"

For a moment he was afraid that from her heaving bosom and quivering lips would burst forth the strange excitement which she was fighting back. Something told him that Adare must not discover them in the hall.

He caught her hands. They were cold as ice.

"Go to your room," he whispered gently. "You must not let him know you were out there in the snow--like this. You--were partly asleep."

Purposely he gave her the chance to seize upon this explanation. The sobbing breath came to her lips again.

"I guess--it must have been--that," she said, drawing her hands from him. "I was going out--to--the baby. Thank you, Philip. I--I will go to my room now."

She left him, and not until her door had closed behind her did he move.

Had she spoken the truth? Had she in those few moments been temporarily irresponsible because of grieving over the baby's death? Some inner consciousness answered him in the negative. It was not that. And yet--what more could there be? He remembered. Jean's words, his insistent warnings. Resolutely he moved toward Josephine's room, and knocked softly upon her door. He was surprised at the promptness with which her voice answered. When he spoke his name, and told her it was important for him to see her, she opened the door. She had unbound her hair. But she was still dressed, and Philip knew that she had been sitting alone in the darkness of her room.

She looked at him strangely and expectantly. It seemed to Philip as if she had been waiting for news which she dreaded, and which she feared that he was bringing her.

"May I come in?" he whispered. "Or would you prefer to go into the other room?"

"You may come in, Philip," she replied, letting him take her hand. "I am still dressed. I have been so dreadfully nervous to-night that I haven't thought of going to bed. And the moon is so beautiful through my window. It has been company." Then she asked: "What have you to tell me, Philip?"

She had stepped into the light that flooded through the window. It transformed her hair into a l.u.s.trous mantle of deep gold; into her eyes it put the warm glow of the stars. He made a movement, as if to put his arms about her, but he caught himself, and a little joyous breath came to Josephine's lips. It was her room, where she slept--and he had come at a strange hour. She understood the movement, his desire to take her in his arms, and his big, clean thoughts of her as he drew a step back.

It sent a flush of pleasure and still deeper trust into her cheeks.

"You have something to tell me?" she asked.

"Yes--about your mother."

Her hand had touched his arm, and he felt her start. Briefly he told what had happened. Josephine's face was so white that it startled him when he had finished.

"She said--she was going to the baby!" she breathed, as if whispering the words to herself. "And she was in her bare feet, with her hair down, and her gown open to the snow and wind! Oh my G.o.d!"

"Perhaps she was in her sleep," hurried Philip. "It might have been that, Josephine."

"No, she wasn't in her sleep," replied Josephine, meeting his eyes.

"You know that, Philip. She was awake. And you have come to tell me so that I may watch her. I understand."

"She might rest easier with you--if you can arrange it," he agreed.

"Your father worries over her now. It will not do to let him know this."

She nodded.

"I will bring her to my room, Philip. I will tell my father that I am nervous and cannot sleep. And I will say nothing to her of what has happened. I will go as soon as you have returned to your room."

He went to the door, and there for a moment she stood close to him, gazing up into his face. Still he did not put his hands to her.

To-night--in her own room--it seemed to him something like sacrilege to touch her. And then, suddenly, she raised her two arms up through her s.h.i.+mmering hair to his shoulders, and held her lips to him.

"Good-night, Philip!"

He caught her to him. Her arms tightened about his shoulders. For a moment he felt the thrill of her warm lips. Then she drew back, whispering again:

"Good-night, Philip!"

The door closed softly, and he returned to his room. Again the song of life, of love, of hope that pictured but one glorious end filled his soul to overflowing. A little later and he knew that Adare's wife had gone with Josephine to her room. He went to bed. And sleep came to him now, filled with dreams in which he lived with Josephine always at his side, laughing and singing with him, and giving him her lips to kiss in their joyous paradise.

CHAPTER TWENTY-TWO

Out of these dreams he was awakened by a sound that had slowly and persistently become a part of his mental consciousness. It was a tap, tap, tap at his window. At last he sat up and listened. It was in the gray gloom of dawn. Again the sound was repeated: tap, tap, tap on the pane of gla.s.s.

He slipped out of bed, his hand seeking the automatic under his pillow.

He had slept with the window partly open. Covering it with his pistol, he called:

"Who is there?"