Fairy Tales of Hans Christian Andersen Part 100

And the summer went by, and the autumn went by. The leaves fell from the trees, and the few flowers left had deeper colors and less scent. The gardener's boy sang in the garden, across the palings:

"Up the hill, down the dale we wend, That is life, from beginning to end."

The young fir trees in the forest began to long for Christmas, but it was a long time to Christmas yet.

"Here I am standing yet!" said the Thistle. "It is as if n.o.body thought of me, and yet I managed the match. They were betrothed, and they have had their wedding; it is now a week ago. I won't take a single step-because I can't."

A few more weeks went by. The Thistle stood there with his last single flower large and full. This flower had shot up from near the roots; the wind blew cold over it, and the colors vanished, and the flower grew in size, and looked like a silvered sunflower.

One day the young pair, now man and wife, came into the garden.

They went along by the paling, and the young wife looked across it.

"There's the great thistle still growing," she said. "It has no flowers now."

"Oh, yes, the ghost of the last one is there still," said he.

And he pointed to the silvery remains of the flower, which looked like a flower themselves.

"It is pretty, certainly," she said. "Such an one must be carved on the frame of our picture."

And the young man had to climb across the palings again, and to break off the calyx of the thistle. It p.r.i.c.ked his fingers, but then he had called it a ghost. And this thistle-calyx came into the garden, and into the house, and into the drawing-room. There stood a picture--"Young Couple." A thistle-flower was painted in the b.u.t.tonhole of the bridegroom. They spoke about this, and also about the thistle-flower they brought, the last thistle-flower, now gleaming like silver, whose picture was carved on the frame.

And the breeze carried what was spoken away, far away.

"What one can experience!" said the Thistle Bush. "My first born was put into a b.u.t.tonhole, and my youngest has been put in a frame.

Where shall I go?"

And the a.s.s stood by the road-side, and looked across at the Thistle.

"Come to me, my nibble darling!" said he. "I can't get across to you."

But the Thistle did not answer. He became more and more thoughtful--kept on thinking and thinking till near Christmas, and then a flower of thought came forth.

"If the children are only good, the parents do not mind standing outside the garden pale."

"That's an honorable thought," said the Sunbeam. "You shall also have a good place."

"In a pot or in a frame?" asked the Thistle.

"In a story," replied the Sunbeam.

THE Th.o.r.n.y ROAD OF HONOR

An old story yet lives of the "Th.o.r.n.y Road of Honor," of a marksman, who indeed attained to rank and office, but only after a lifelong and weary strife against difficulties. Who has not, in reading this story, thought of his own strife, and of his own numerous "difficulties?" The story is very closely akin to reality; but still it has its harmonious explanation here on earth, while reality often points beyond the confines of life to the regions of eternity. The history of the world is like a magic lantern that displays to us, in light pictures upon the dark ground of the present, how the benefactors of mankind, the martyrs of genius, wandered along the th.o.r.n.y road of honor.

From all periods, and from every country, these s.h.i.+ning pictures display themselves to us. Each only appears for a few moments, but each represents a whole life, sometimes a whole age, with its conflicts and victories. Let us contemplate here and there one of the company of martyrs--the company which will receive new members until the world itself shall pa.s.s away.

We look down upon a crowded amphitheatre. Out of the "Clouds" of Aristophanes, satire and humor are pouring down in streams upon the audience; on the stage Socrates, the most remarkable man in Athens, he who had been the s.h.i.+eld and defence of the people against the thirty tyrants, is held up mentally and bodily to ridicule--Socrates, who saved Alcibiades and Xenophon in the turmoil of battle, and whose genius soared far above the G.o.ds of the ancients. He himself is present; he has risen from the spectator's bench, and has stepped forward, that the laughing Athenians may well appreciate the likeness between himself and the caricature on the stage. There he stands before them, towering high above them all.

Thou juicy, green, poisonous hemlock, throw thy shadow over Athens--not thou, olive tree of fame!

Seven cities contended for the honor of giving birth to Homer--that is to say, they contended after his death! Let us look at him as he was in his lifetime. He wanders on foot through the cities, and recites his verses for a livelihood; the thought for the morrow turns his hair gray! He, the great seer, is blind, and painfully pursues his way--the sharp thorn tears the mantle of the king of poets. His song yet lives, and through that alone live all the heroes and G.o.ds of antiquity.

One picture after another springs up from the east, from the west, far removed from each other in time and place, and yet each one forming a portion of the th.o.r.n.y road of honor, on which the thistle indeed displays a flower, but only to adorn the grave.

The camels pa.s.s along under the palm trees; they are richly laden with indigo and other treasures of value, sent by the ruler of the land to him whose songs are the delight of the people, the fame of the country. He whom envy and falsehood have driven into exile has been found, and the caravan approaches the little town in which he has taken refuge. A poor corpse is carried out of the town gate, and the funeral procession causes the caravan to halt. The dead man is he whom they have been sent to seek--Firdusi--who has wandered the Th.o.r.n.y road of honor even to the end.

The African, with blunt features, thick lips, and woolly hair, sits on the marble steps of the palace in the capital of Portugal, and begs. He is the submissive slave of Camoens, and but for him, and for the copper coins thrown to him by the pa.s.sers-by, his master, the poet of the "Lusiad," would die of hunger. Now, a costly monument marks the grave of Camoens.

There is a new picture.

Behind the iron grating a man appears, pale as death, with long unkempt beard.

"I have made a discovery," he says, "the greatest that has been made for centuries; and they have kept me locked up here for more than twenty years!"

Who is the man?

"A madman," replies the keeper of the madhouse. "What whimsical ideas these lunatics have! He imagines that one can propel things by means of steam."

It is Solomon de Cares, the discoverer of the power of steam, whose theory, expressed in dark words, is not understood by Richelieu; and he dies in the madhouse.

Here stands Columbus, whom the street boys used once to follow and jeer, because he wanted to discover a new world; and he has discovered it. Shouts of joy greet him from the b.r.e.a.s.t.s of all, and the clash of bells sounds to celebrate his triumphant return; but the clash of the bells of envy soon drowns the others. The discoverer of a world--he who lifted the American gold land from the sea, and gave it to his king--he is rewarded with iron chains. He wishes that these chains may be placed in his coffin, for they witness to the world of the way in which a man's contemporaries reward good service.

One picture after another comes crowding on; the th.o.r.n.y path of honor and of fame is over-filled.

Here in dark night sits the man who measured the mountains in the moon; he who forced his way out into the endless s.p.a.ce, among stars and planets; he, the mighty man who understood the spirit of nature, and felt the earth moving beneath his feet--Galileo. Blind and deaf he sits--an old man thrust through with the spear of suffering, and amid the torments of neglect, scarcely able to lift his foot--that foot with which, in the anguish of his soul, when men denied the truth, he stamped upon the ground, with the exclamation, "Yet it moves!"

Here stands a woman of childlike mind, yet full of faith and inspiration. She carries the banner in front of the combating army, and brings victory and salvation to her fatherland. The sound of shouting arises, and the pile flames up. They are burning the witch, Joan of Arc. Yes, and a future century jeers at the White Lily.

Voltaire, the satyr of human intellect, writes "La Pucelle."

At the Thing or a.s.sembly at Viborg, the Danish n.o.bles burn the laws of the king. They flame up high, illuminating the period and the lawgiver, and throw a glory into the dark prison tower, where an old man is growing gray and bent. With his finger he marks out a groove in the stone table. It is the popular king who sits there, once the ruler of three kingdoms, the friend of the citizen and the peasant. It is Christian the Second. Enemies wrote his history. Let us remember his improvements of seven and twenty years, if we cannot forget his crime.

A s.h.i.+p sails away, quitting the Danish sh.o.r.es. A man leans against the mast, casting a last glance towards the Island Hueen. It is Tycho Brahe. He raised the name of Denmark to the stars, and was rewarded with injury, loss and sorrow. He is going to a strange country.

"The vault of heaven is above me everywhere," he says, "and what do I want more?"

And away sails the famous Dane, the astronomer, to live honored and free in a strange land.

"Ay, free, if only from the unbearable sufferings of the body!"

comes in a sigh through time, and strikes upon our ear. What a picture! Griffenfeldt, a Danish Prometheus, bound to the rocky island of Munkholm.

We are in America, on the margin of one of the largest rivers; an innumerable crowd has gathered, for it is said that a s.h.i.+p is to sail against the wind and weather, bidding defiance to the elements.

The man who thinks he can solve the problem is named Robert Fulton.

The s.h.i.+p begins its pa.s.sage, but suddenly it stops. The crowd begins to laugh and whistle and hiss--the very father of the man whistles with the rest.