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'Hus.h.!.+' I exclaimed authoritatively; 'let us have no flippancy, I beg.'

And so, with a dead lift as it were, I got rid of him. He left the room muttering, 'But to read it through--three times, ten times, for all one's life?' And I was obliged to confess to myself that such a prolonged course of study, even of 'Don Quixote,' would have been wearisome.

Rabelais is another article of our literary faith, that is certainly subscribed to much more often than believed in. In a certain poem of Mr.

Browning's (_I_ call it the Burial of the Book, since the Latin name he has given it is unp.r.o.nounceable, even if it were possible to recollect it), charmingly humorous, and which is also remarkable for impersonating an inanimate object in verse as d.i.c.kens does in prose, there occur these lines:

'Then I went indoors, brought out a loaf, Half a cheese and a bottle of Chablis, Lay on the gra.s.s, and forgot the oaf Over a jolly chapter of Rabelais.'



Yet I have known some wonder to be expressed (confidentially) as to where he found the 'jolly chapter,' and the looking for the beauties of Rabelais to be likened to searching in a huge dung-heap for a few heads of asparagus.

I have no quarrel with Bias and Company (though they stick at nothing, and will presently say that I don't care for these books myself), but I venture to think that they are wrong in making dogmas of what are, after all, but matters of literary taste; it is their vehemence and exaggeration which drive the weak to take refuge in falsehood.

A good woman in the country once complained of her stepson, 'He will not love his learning, though I beats him with a jack-chain;' and from the application of similar aids to instruction, the same result takes place in London. Only here we dissemble and pretend to love it. It is partly in consequence of this that works, not only of acknowledged but genuine excellence, such as those I have been careful to select, are, though so universally praised, so little read. The poor student attempts them, but failing--from many causes no doubt, but also sometimes from the fact of their not being there--to find those unrivalled beauties which he has been led to expect in every sentence, he stops short, where he would otherwise have gone on. He says to himself, 'I have been deceived,' or 'I must be a born fool;' whereas he is wrong in both suppositions. I am convinced that the want of popularity of Walter Scott among the rising generation is partly due to this extravagant laudation; and I am much mistaken if another great author, more recently deceased, will not in a few years be added to the ranks of those who are more praised than read from the same cause.

The habit of mere adhesion to received opinion in any matter is most mischievous, for it strikes at the root of independence of thought; and in literature it tends to make the public taste mechanical. It is very seldom that what is called the verdict of posterity (absurdly enough, for are not _we_ posterity?) is ever reversed; but it has chanced to happen in a certain case quite lately. The production of 'The Iron Chest' upon the stage has once more brought into fas.h.i.+on 'Caleb Williams.' Now that is a work, though by no means belonging to the same rank as those to which I have referred, which has a fine old crusted reputation. Time has hallowed it. The great world of readers (who have never read it) used to echo the remark of Bias and Company, that this and that modern work of fiction reminded them--though at an immense distance, of course--of G.o.dwin's masterpiece. I remember Le Fanu's 'Uncle Silas,' for example (from some similarity, more fanciful perhaps than real, in the isolation of its hero), being thus compared with it.

Now 'Caleb Williams' is founded on a very fine conception--one that could only have occurred, perhaps, to a man of genius; the first part of it is well worked out, but towards the middle it grows feeble, and it ends in tediousness and drivel; whereas 'Uncle Silas' is good and strong from first to last. Le Fanu has never been so popular as, in my humble judgment, he deserves to be, but of course modern readers were better acquainted with him than with G.o.dwin. Yet nine out of ten were always heard repeating this cuckoo cry about the latter's superiority, until the 'Iron Chest' came out, and Fas.h.i.+on induced them to read G.o.dwin for themselves; which has very properly changed their opinion.

I remember, in my own case, that, from that reverence for authority which I hope I share with my neighbours, I used to speak of 'Headlong Hall' and 'Crotchet Castle'--both great favourites of our fore-fathers--with much respect, until one wet day in the country I found myself shut up with them. I won't say what I suffered; better judges of literature than myself admire them still, I know. I will only remark that _I_ don't admire them. I don't say they are the dullest novels ever printed, because that would be invidious, and might do wrong to works of even greater pretensions; but to my mind they are dull.

When Dr. Johnson is free to confess that he does not admire Gray's 'Elegy,' and Macaulay to avow that he sees little to praise in d.i.c.kens and Wordsworth, why should not humbler folks have the courage of their own opinions? They cannot possibly be more wrong than Johnson and Macaulay were, and it is surely better to be honest, though it may expose one to some ridicule, than to lie. The more we agree with the verdict of the generations before us on these matters, the more, it is quite true, we are likely to be right; but the agreement should be an honest one. At present very extensive domains in literature are, as it were, enclosed and denied to the public in respect to any free expression of their opinion. 'They are splendid, they are faultless,'

cries the general voice, but the general eye has not beheld them.

Nothing, of course, could be more futile than that, with every new generation, our old authors who have won their fame should be arraigned anew at the bar of public criticism; but, on the other hand, there is no reason why the mouths of us poor moderns should be muzzled, and still less that we 'should praise with alien lips.'

'Until Caldecott's charming ill.u.s.trations of it made me laugh so much,'

said a young lady to me the other day, 'I confess--though I know it's very stupid of me--I never saw much fun in "John Gilpin."' She evidently expected a reproof, and when I whispered in her ear, 'Nor I,' her lovely features a.s.sumed a look of positive enfranchis.e.m.e.nt.

'But am I right?' she inquired.

'You are certainly right, my dear young lady,' said I, 'not to pretend admiration where you don't feel it; as to liking "John Gilpin," that is a matter of taste. It has, of course, simplicity to recommend it; but in my own case, though I'm fond of fun, it has never evoked a smile. It has always seemed to me like one of Mr. Joe Miller's stories put into tedious verse.'

I really almost thought (and hoped) that that young lady would have kissed me.

'Papa always says it is a free country,' she exclaimed, 'but I never felt it to be the case before this moment.'

For years this beautiful and accomplished creature had locked this awful secret in her innocent breast--that she didn't see much fun in 'John Gilpin.' 'You have given me courage,' she said, 'to confess something else. Mr. Caldecott has just been ill.u.s.trating in the same charming manner Goldsmith's "Elegy on a Mad Dog," and--I'm very sorry--but I never laughed at _that_ before, either. I have pretended to laugh, you know,' she added, hastily and apologetically, 'hundreds of times.'

'I don't doubt it,' I replied; 'this is not such a free country as your father supposes.'

'But am I right?'

'I say nothing about "right,"' I answered, 'except that everybody has a right to his own opinion. For my part, however, I think the 'Mad Dog'

better than 'John Gilpin' only because it is shorter.'

Whether I was wrong or right in the matter is of no consequence even to myself; the affection and grat.i.tude of that young creature would more than repay me for a much greater mistake, if mistake it is. She protests that I have emanc.i.p.ated her from slavery. She has since talked to me about all sorts of authors, from Sir Philip Sidney to Was.h.i.+ngton Irving, in a way that would make some people's blood run cold; but it has no such effect upon me--quite the reverse. Of Irving she navely remarks that his strokes of humour seem to her to owe much of their success to the rarity of their occurrence; the flashes of fun are spread over pages of dulness, which enhance them, just as a dark night is propitious to fireworks, or the atmosphere of the House cf Commons, or of a Court of Law, to a joke. She is often in error, no doubt, but how bright and wholesome such talk is as compared with the plat.i.tudes and commonplaces which one hears on all sides in connection with literature!

As a rule, I suppose, even people in society ('the drawing-rooms and the clubs') are not absolutely base and yet one would really think so, to judge by the fear that is entertained by them of being natural. 'I vow to heaven,' says the prince of letter-writers, 'that I think the Parrots of Society are more intolerable and mischievous than its Birds of Prey.

If ever I destroy myself, it will be in the bitterness of having those infernal and d.a.m.nable "good old times" extolled.' One is almost tempted to say the same--when one hears their praises come from certain mouths--of the good old books. It is not everyone, of course, who has an opinion of his own upon any subject, far less on that of literature, but everyone can abstain from expressing an opinion that is not his own. If one has no voice, what possible compensation can there be in becoming an echo? No one, I conclude, would wish to see literature discoursed about in the same pinchbeck and affected style as are painting and music;[3]

yet that is what will happen if this prolific weed of sham admiration is permitted to attain its full growth.

[3] The slang of art-talk has reached the 'young men' in the furniture warehouses. A friend of mine was recommended a sideboard the other day as not being a Chippendale, but as 'having a Chippendale _feeling_ in it.'

_THE PINCH OF POVERTY_.

In these days of reduction of rents, or of total abstinence from rent-paying, it is, I am told, the correct thing to be 'a little pressed for money.' It is a sign of connection with the landed interest (like the banker's e.j.a.c.u.l.a.t.i.o.n in 'Middlemarch') and suggests family acres, and entails, and a position in the county. (In which case I know a good many people who are landlords on a very extensive scale, and have made allowances for their tenants the generosity of which may be described as Quixotic.) But as a general rule, and in times less exceptionally hard, though Shakespeare tells us 'How apt the poor are to be proud,' they are not proud of being poor.

'Poverty,' says the greatest of English divines, 'is indeed despised and makes men contemptible; it exposes a man to the influences of evil persons, and leaves a man defenceless; it is always suspected; its stories are accounted lies, and all its counsels follies; it puts a man from all employment; it makes a man's discourses tedious and his society troublesome. This is the worst of it.' Even so poverty seems pretty bad, but, begging Dr. Jeremy Taylor's pardon, what he has stated is by no means 'the worst of it.' To be in want of food at any time, and of firing in winter time, is ever so much worse than the inconveniences he enumerates; and to see those we love--delicate women and children perhaps--in want, is worse still. The fact is, the excellent bishop probably never knew what it was to go without his meals, but took them 'reg'lar' (as Mrs. Gamp took her Brighton ale) as bishops generally do.

Moreover, since his day, Luxury has so universally increased, and the value of Intelligence has become so well recognised (by the publishers) that even philosophers, who profess to despise such things, have plenty to eat, and good of its kind too. Hence it happens that, from all we hear to the contrary from the greatest thinkers, the deprivation of food is a small thing: indeed, as compared with the great spiritual struggles of n.o.ble minds, and the doubts that beset them as to the supreme government of the universe, it seems hardly worth mentioning.

In old times, when folks were not so 'cultured,' starvation was thought more of. It is quite curious, indeed, to contrast the high-flying morality of the present day (when no one is permitted, either by Evolutionist or Ritualist, however dire may be his necessity, so much as to jar his conscience) with the shocking laxity of the Holy Scriptures.

'Men do not despise a thief if he steal to satisfy his soul when he is hungry,' says Solomon, after which stretch of charity, strange to say, he goes on to speak of marital infidelity in terms that, considering the number of wives he had himself, strike one as severe.

It is certain, indeed, that the sacred writers were apt to make great allowances for people with empty stomachs, and though I am well aware that the present profane ones think this very reprehensible, I venture to agree with the sacred writers. The sharpest tooth of poverty is felt, after all, in the bite of hunger. A very amusing and graphic writer once described his experience of a whole night pa.s.sed in the streets; the exhaustion, the pain, the intolerable weariness of it, were set forth in a very striking manner; the sketch was called 'The Key of the Street,'

and was thought by many, as Browning puts it, to be 'the true d.i.c.kens.'

But what are even the pangs of sleeplessness and fatigue compared with those of want? Of course there have been fanatics who have fasted many days; but they have been supported by the prospect of spiritual reward.

I confess I reserve my pity for those who have no such golden dreams, and who fast perforce. It is exceedingly difficult for mere worldlings--such as most of us are--not to eat, if it is possible, when we are hungry. I have known a great social philosopher who flattered himself that he was giving his sons an experience of High Thinking and Low Living by restricting their pocket-money to two s.h.i.+llings a day, out of which it was understood they were to find their own meals. I don't know whether the spirit in their case was willing, but the flesh was decidedly weak, for one of them, on this very moderate allowance, used to contrive to always have a pint of dry champagne with his luncheon.

The fact is, that of the iron grip of poverty, people in general, by no means excepting those who have written about it, have had very little experience; whereas of the pinch of it a good many people know something. It is the object of this paper--and the question should be an interesting one, considering how much it is talked about--to inquire briefly where it lies.

It is quite extraordinary how very various are the opinions entertained on this point, and, before sifting them, one must be careful in the first place to eliminate from our inquiry the cases of that considerable cla.s.s of persons who pinch themselves. For, however severely they do it, they may stop when they like and the pain is cured. There is all the difference in the world between pulling one's own tooth out, and even the best and kindest of dentists doing it for one. How gingerly one goes to work, and how often it strikes one that the tooth is a good tooth, that it has been a fast friend to us for ever so many years and never 'fallen out' before, and that after all it had better stop where it is!

To the truly benevolent mind, indeed, nothing is more satisfactory than to hear of a miser denying himself the necessaries of life a little too far and ridding us of his presence altogether. Our confidence in the average virtue of humanity a.s.sures us that his place will be supplied by a better man. The details of his penurious habits, the comfortless room, the scanty bedding, the cheese-rinds on his table, and the fat banking-book under his thin bolster, only inspire disgust: if he were pinched to death he did it himself, and so much the better for the world in general and his heir in particular.

Again, the people who have a thousand a year, and who try to persuade the world that they have two thousand, suffer a good deal of inconvenience, but it can't be called the pinch of poverty. They may put limits to their was.h.i.+ng-bills, which persons of cleanlier habits would consider unpleasantly narrow; they may eat cold mutton in private for five days a week in order to eat turtle and venison in public (and with the air of eating them every day) on the sixth; and they may immure themselves in their back rooms in London throughout the autumn in order to persuade folks that they are still at Trouville, where for ten days they did really reside and in splendour; but all their stint and self-incarceration, so far from awakening pity, only fill us with contempt. I am afraid that even the complaining tones of our City friend who tells us that in consequence of 'the present unsettled state of the markets' he has been obliged to make 'great retrenchments'--which it seems on inquiry consist in putting down one of his carriages and keeping three horses instead of six--fail to draw the sympathising tear.

Indeed, to a poor man this pretence of suffering on the part of the rich is perhaps even more offensive than their boasts of their prosperity.

On the other hand, when the rich become really poor their case is hard indeed; though, strange to say, we hear little of it. It is like drowning; there is a feeble cry, a little ineffectual a.s.sistance from the bystanders, and then they go under. It is not a question of pinch with _them_; they have fallen into the gaping mouth of ruin, and it has devoured them. If we ever see them again, it is in the second generation as waiters (upon Providence), or governesses, and we say, 'Why, dear me, that was Bullion's son (or daughter), wasn't it?' using the past tense, as if they were dead. 'I remember him when he lived in Eaton Square.'

This cla.s.s of cases rarely comes under the head of 'genteel poverty.'

They were at the top, and hey presto! by some malignant stroke of fate they are at the bottom; and there they stick.

I don't believe in bachelors ever experiencing the pinch of poverty; I have heard them complaining of it at the club, while ordering Medina oysters instead of Natives, but, after all, what does it signify even if they were reduced to c.o.c.kles? They have no appearances to keep up, and if they cannot earn enough to support themselves they must be poor creatures indeed.

It is the large families of moderate income, who are delicate, and have delicate tastes, that feel the twinge: and especially the poor girls. I remember a man, with little care for his personal appearance, of small means but with a very rich sense of humour, describing to me his experiences when staying at a certain ducal house in the country, where his feelings must have been very similar to those of Christopher Sly. In particular he drew a charming picture of the magnificent attendant who in the morning _would_ put out his clothes for him, which had not been made by Mr. Poole, nor very recently by anybody. The contempt which he well understood his Grace's gentleman must have felt for him afforded him genuine enjoyment. But with young ladies, in a similar position, matters are very different; they have rarely a sense of humour, and certainly none strong enough to counteract the force of a personal humiliation. I have known some very charming ones, compelled to dress on a very small allowance, who, in certain mansions where they have been occasionally guests, have been afraid to put their boots outside their door, because they were not of the newest, and have trembled when the officious lady's-maid has meddled with their scanty wardrobe. A philosopher may think nothing of this, but, considering the tender skin of the sufferer, it may be fairly called a pinch.

In the investigation of this interesting subject, I have had a good deal of conversation with young ladies, who have given me the fullest information, and in a manner so charming, that, if it were common in witnesses generally, it would make Blue-Books very pretty reading.

'I consider it to be "a pinch,"' says one, 'when I am obliged to put on black mittens on occasions when I know other girls will have long white kid gloves.' I must confess I have a prejudice myself against mittens; they are, so to speak, 'gritty' to touch; so that the pinch, if it be one, experienced by the wearer, is shared by her ungloved friends. The same thing may be said of that drawing-room fire which is lit so late in the season for economical reasons, and so late in the day at all times: the pinch is felt as much by the visitors as by the members of the household. These things, however, are mere nips, and may be placed in the same category with the hards.h.i.+ps complained of by my friend Quiverfull's second boy. 'I don't mind having papa's clothes cut up for me,' he says, 'but what I do think hard is getting Bob's clothes' (Bob being his elder brother), 'which have been papa's first; however, I am in great hopes that I am out-growing Bob.'

A much more severe example of the pinch of poverty than these is to be found in railway travelling; no lady of any sense or spirit objects to travel by the second, or even the third cla.s.s, if her means do not justify her going by the first. But when she meets with richer friends upon the platform, and parts with them to journey in the same compartment with their man-servant, she suffers as acutely as though, when the guard slams the door of the carriage with the vehemence proportioned to its humble rank, her tender hand had been crushed in it.

Of course it is very foolish of her; but it demands democratic opinions, such as almost no woman of birth and breeding possesses, not to feel _that_ pinch. Her knowledge that it is also hard upon the man-servant, who has never sat in her presence before, but only stooped over her shoulder with ''Ock, miss,' serves but to increase her pain.

A great philosopher has stated that the worst evil of poverty is, that it makes folks ridiculous; by which, I hope, he only means that, as in the above case, it places them in incongruous positions. The man, or woman, who derives amus.e.m.e.nt from the lack of means of a fellow-creature, would jeer at a natural deformity, be cruel to children, and insult old age. Such people should be whipped and then hanged. Nevertheless there are certain little pinches of poverty so slight, that they tickle almost as much as they hurt the victim. A lady once told me (interrupting herself, however, with pleasant bursts of merriment) that as a young girl her allowance was so small that when she went out to spend the evening at a friend's, her promised pleasure was darkened by the presentiment (always fulfilled) that the cabman was sure to charge her more than the proper fare. The extra expense was really of consequence to her, but she never dared dispute it, because of the presence of the footman who opened the door.

Some young ladies--quite as lady-like as any who roll in chariots--cannot even afford a cab. 'What _I_ call the pinch of poverty,' observed an example of this cla.s.s, 'is the waiting for omnibus after omnibus on a wet afternoon and finding them all full.'

'But surely,' I replied with gallantry, 'any man would have given up his seat to you?'

She shook her head with a smile that had very little fun in it. 'People in omnibuses,' she said, 'don't give up their seats to others.' Nor, I am bound to confess, do they do so elsewhere; if I had been in their place, perhaps I should have been equally selfish; though I do think I should have made an effort, in this instance at least, to make room for her close beside me.[4]

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Some Private Views Part 3 summary

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