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'My likeness?' cried Edmund, in the greatest amazement. 'How did you come by it, uncle?'
Every trace of colour had faded from the Baron's face, but it was only for a moment. He felt how much was at stake. By a strenuous effort of his will he succeeded in recovering outward calm, and taking advantage of the error, replied:
'You seem surprised. Why should I not possess a portrait of you?'
As he spoke, he made an attempt to take the case from the young man's hand, but the latter stepped back, and declined to surrender it.
'But I never sat for this portrait, and what is the meaning of this uniform, which I have never worn?'
'Edmund, give me back that case,' said Heideck authoritatively, stretching out his hand for it again--but in vain. Had it not been for that previous occurrence in the Countess's room, Edmund would probably have allowed himself to be deceived by any pretext invented on the spur of the moment, for suspicion and distrust were far removed from his open, ingenuous nature. But now both had been inoculated, now he knew that some secret, some baneful secret, was being kept from him.
His instinct told him that it had some connection with this picture, and he obstinately clung to the clue thus obtained, little dreaming as yet, it is true, whither it would lead.
'How did you come by the picture, uncle?' he asked again, this time in a somewhat louder key.
'That I will tell you when you have restored it to me,' was the sharp reply.
For all answer, Edmund stepped from the centre of the room, growing dark in the gathering twilight, to the window, where he could still see clearly, and began to study the picture, trait by trait, and line by line, as Oswald had studied it on the preceding day.
A long and troubled pause ensued.
Heideck convulsively grasped the back of the chair from which he had sprung. He had no choice but to look on in silence; for he told himself that any false step now, any attempt at forcible interference, might be the ruin of them all; but the ordeal of suspense was hard to bear.
'Are you satisfied?' he asked, when some minutes had elapsed; 'and do you intend to restore to me my property?'
Edmund turned.
'That is not my portrait,' he said slowly, emphasising each word; 'but it bears an extraordinary resemblance to myself, one which deceives at the first glance. Whom does it represent?'
Baron Heideck had foreseen the question, and was prepared for it. So he answered without hesitation:
'A relation of ours who has been dead many years.'
'An Ettersberg?'
'No; a member of my family.'
'Indeed. And why have I never heard of this relative, and of the wonderful resemblance existing between him and me?'
'By mere accident, probably. Good heavens, you need not stare at the picture so persistently! Such likenesses are frequent enough among relations.'
'Frequent?' repeated Edmund mechanically. 'Was this the fatal souvenir which must disappear to-day? Had you destined it to be consumed by those flames? Was it for this you had the fire lighted?'
The young Count's deadly pallor, the faint accents of his voice, showed that he felt himself to be nearing an abyss, though as yet he could not fathom its depth. Heideck saw this, and made a last desperate effort to drag him from the brink.
'Edmund, my patience is now thoroughly exhausted,' he said, taking refuge in simulated anger. 'You cannot seriously suppose that I shall make reply to this folly, or try to solve all the mad fancies of your brain.'
'I demand that the secret of this portrait be made known to me,' cried Edmund, summoning up all his energy. 'You must give me an answer, uncle, now--at once, or you will drive me to extreme measures.'
Heideck racked his brain in vain to find a way out of the dilemma. He was not skilful in lying, and felt, moreover, that his nephew would no longer be deceived. The one chance left him was to gain time.
'You shall hear the story later on,' he said evasively. 'At this moment you are too excited, you are still suffering from the effects of your wound. This is not a fitting time to discuss such matters.'
'So you refuse to answer me,' Edmund broke out, with sudden fierce vehemence. 'You cannot, or will not, reply. So be it. I will apply to my mother, she shall give me an account of this.'
He rushed out of the room, and was down the stairs before his uncle could check him. The Baron hastened after the young man, but the pursuit was fruitless. When he reached his sister's room, Edmund had already entered, and closed the door of the boudoir behind him. It was impossible even to hear what was going on in the inner apartment.
Heideck saw that he must abstain from further interference. The matter was taking its fated course.
'There will be a catastrophe,' he said to himself hoa.r.s.ely. 'Poor Constance! I fear that your punishment may prove greater than your offence.'
CHAPTER XI.
Next morning brought inclement autumn weather. Fog and drizzling rain obscured the landscape, and bushes and flowers bore evidences of the first nipping frost.
All the Ettersberg servants had their heads together, and were asking each other what could possibly have happened. That something had happened was as clear as day.
But the afternoon before, when the visitors from Brunneck had been at the castle, perfect union and cheerfulness had reigned; but shortly afterwards, from the moment the young master had left his mother's apartments, there had been disturbance throughout the house.
Since then the Count had remained invisible, shut up in his own room.
The Countess was very ill, so her maid reported; but she would see no one, and had even forbidden that a doctor should be sent for.
Baron Heideck had made two attempts that morning to gain access to his nephew. To him, as to all others, admittance was refused. Family scenes being things quite unfamiliar to this household, imagination had the greater scope, and supplied various explanations, none of which, however, approached the truth.
It was almost noon. Heideck had made a third essay to reach the young Count, but once more without avail. Old Everard, dismayed and helpless, stood in the presence of the Baron, who was saying, with great determination of tone:
'I must see my nephew, cost what it may. It is impossible that he can be deaf to all this calling and knocking. Something must have happened to him.'
'I heard the Count pacing incessantly up and down all night,' timidly remarked Everard. 'He has only been quiet for the last half-hour.'
'No matter,' declared Heideck. 'He may have had a fresh hemorrhage from his wound and have fainted. I have no alternative but to force open the door.'
'There may, perhaps, be another way,' said Everard hesitatingly. 'The small tapestried door, which leads from the Count's dressing-room to his bedroom, is generally kept unlocked. If we----'
'Why did you not tell me this before?' Heideck interrupted him, with some heat. 'Why did I not hear of this the first thing this morning?
Show me the door at once.'
The old servant suffered the rebuke in silence. He did not believe in the fainting or the hemorrhage, the fear of which was to serve as a pretext for a forcible intrusion. He had distinctly heard his young master's footsteps all the night through, but had felt that the latter desired to be left absolutely alone. Now, however, no choice was left him; he must point out the door of which he had spoken. It proved to be unlocked, as he had supposed.
Heideck motioned to the old man to remain outside, and went in alone to his nephew. The bedchamber was empty, the bed untouched. With rapid steps, the Baron pa.s.sed on into the adjoining sitting-room, and an exclamation of relief escaped his lips as he caught sight of Edmund.
For the last few minutes he had feared the worst.
'Edmund, it is I,' he said, in a low voice.
No answer came. The young Count seemed to have noticed neither his words nor his approach. He was lying on the sofa with his face buried in the cus.h.i.+ons, having, as it seemed, thus thrown himself down from sheer fatigue. His att.i.tude betrayed that utter exhaustion which comes as a reaction after any great tension of mind or body.