Bradbury Stories 100 of His Most Celebrated Tales Part 83

Something like a breath stirred behind the shut wound of the man's mouth.

"Yesssss . . . ssss."

Her grip tightened on his wrist, probing for some pulse: "You are from some middle European country, yes? Somewhere where the nights are long and when the wind blows, people listen? But now things have changed, and you have tried to escape by travel, but . . ."

Just then, a party of young, wine-filled tourists bustled along the outer corridor, firing off their laughter.

The ghastly pa.s.senger withered.

"How do . . . you . . ." he whispered, ". . . know . . . thissss?"

"I am a special nurse with a special memory. I saw, I met, someone like you when I was six-"

"Saw?" the pale man exhaled.

"In Ireland, near Kileshandra. My uncle's house, a hundred years old, full of rain and fog and there was walking on the roof late at night, and sounds in the hall as if the storm had come in, and then at last this shadow entered my room. It sat on my bed and the cold from his body made me cold. I remember and know it was no dream, for the shadow who came to sit on my bed and whisper . . .was much . . . like you."

Eyes shut, from the depths of his arctic soul, the old sick man mourned in response: "And who . . . and what . . .am I?"

"You are not sick. And you are not dying. . . .You are-"

The whistle on the Orient Express wailed a long way off.

"-a ghost," she said.

"Yesssss!" he cried.

It was a vast shout of need, recognition, a.s.surance. He almost bolted upright.

"Yes!"

At which moment there arrived in the doorway a young priest, eager to perform. Eyes bright, lips moist, one hand clutching his crucifix, he stared at the collapsed figure of the ghastly pa.s.senger and cried, "May I-?"

"Last rites?" The ancient pa.s.senger opened one eye like the lid on a silver box. "From you? No." His eye s.h.i.+fted to the nurse. "Her!"

"Sir!" cried the young priest.

He stepped back, seized his crucifix as if it were a parachute ripcord, spun, and scurried off.

Leaving the old nurse to sit examining her now even more strange patient until at last he said: "How," he gasped, "can you nurse me?"

"Why-" she gave a small self-deprecating laugh. "We must find a way."

With yet another wail, the Orient Express encountered more mileages of night, fog, mist, and cut through it with a shriek.

"You are going to Calais?" she said.

"And beyond, to Dover, London, and perhaps a castle outside Edinburgh, where I will be safe-"

"That's almost impossible-" She might as well have shot him through the heart. "No, no, wait, wait!" she cried. "Impossible . . . without me! I will travel with you to Calais and across to Dover."

"But you do not know me!"

"Oh, but I dreamed you as a child, long before I met someone like you, in the mists and rains of Ireland. At age nine I searched the moors for the Baskerville Hound."

"Yes," said the ghastly pa.s.senger. "You are English and the English believe!"

"True. Better than Americans, who doubt. French? Cynics! English is best. There is hardly an old London house that does not have its sad lady of mists crying before dawn."

At which moment the compartment door, shaken by a long curve of track, sprang wide. An onslaught of poisonous talk, of delirious chatter, of what could only be irreligious laughter poured in from the corridor. The ghastly pa.s.senger wilted.

Springing to her feet, Minerva Halliday slammed the door and turned to look with the familiarity of a lifetime of sleep-tossed encounters at her traveling companion.

"You, now," she asked, "who exactly are you?"

The ghastly pa.s.senger, seeing in her face the face of a sad child he might have encountered long ago, now described his life: "I have 'lived' in one place outside Vienna for two hundred years. To survive, a.s.saulted by atheists as well as true believers, I have hidden in libraries in dust-filled stacks there to dine on myths and moundyard tales. I have taken midnight feasts of panic and terror from bolting horses, baying dogs, catapulting tomcats . . . crumbs shaken from tomb lids. As the years pa.s.sed, my compatriots of the unseen world vanished one by one as castles tumbled or lords rented out their haunted gardens to women's clubs or bed-and-breakfast entrepreneurs. Evicted, we ghastly wanderers of the world have sunk in tar, bog, and fields of disbelief, doubt, scorn, or outright derision. With the populations and disbeliefs doubling by the day, all of my specter friends have fled. I am the last, trying to train across Europe to some safe, rain-drenched castle-keep where men are properly frightened by soots and smokes of wandering souls. England and Scotland for me!"

His voice faded into silence.

"And your name?" she said, at last.

"I have no name," he whispered. "A thousand fogs have visited my family plot. A thousand rains have drenched my tombstone. The chisel marks were erased by mist and water and sun. My name has vanished with the flowers and the gra.s.s and the marble dust." He opened his eyes.

"Why are you doing this?" he said. "Helping me?"

And at last she smiled, for she heard the right answer fall from her lips: "I have never in my life had a lark."

"Lark!"

"My life was that of a stuffed owl. I was not a nun, yet never married. Treating an invalid mother and a half-blind father, I gave myself to hospitals, tombstone beds, cries at night, and medicines that are not perfume to pa.s.sing men. So, I am something of a ghost myself, yes? And now, tonight, sixty-six years on, I have at last found in you a patient, magnificently different, fresh, absolutely new. Oh, Lord, what a challenge. A race! I will pace you, to face people off the train, through the crowds in Paris, then the trip to the sea, off the train, on to the ferry! It will indeed be a-"

"Lark!" cried the ghastly pa.s.senger. Spasms of laughter shook him.

"Larks? Yes, that is what we are!"

"But," she said, "in Paris, do they not eat larks even while they roast priests?"

He shut his eyes and whispered, "Paris? Ah, yes."

The train wailed. The night pa.s.sed.

And they arrived in Paris.

And even as they arrived, a boy, no more than six, ran past and froze. He stared at the ghastly pa.s.senger and the ghastly pa.s.senger shot back a remembrance of antarctic ice floes. The boy gave a cry and fled. The old nurse flung the door wide to peer out.

The boy was gibbering to his father at the far end of the corridor. The father charged along the corridor, crying: "What goes on here? Who has frightened my-?"

The man stopped. Outside the door he now fixed his gaze on this ghastly pa.s.senger on the slowing, braking Orient Express. He braked his own tongue. "-my son," he finished.

The ghastly pa.s.senger looked at him quietly with fog-gray eyes.

"I-" The Frenchman drew back, sucking his teeth in disbelief. "Forgive me!" He gasped. "Regrets!"

And he turned to run, shove at his son. "Troublemaker. "Get!" Their door slammed.

"Paris!" echoed through the train.

"Hush and hurry!" advised Minerva Halliday as she bustled her ancient friend out on to a platform milling with bad tempers and misplaced luggage.

"I am melting!" cried the ghastly pa.s.senger.

"Not where I'm taking you!" She displayed a picnic hamper and flung him forth to the miracle of a single remaining taxi. And they arrived under a stormy sky at the Pere Lachaise cemetery. The great gates were swinging shut. The nurse waved a handful of francs. The gate froze.

Inside, they wandered at peace among ten thousand monuments. So much cold marble was there, and so many hidden souls, that the old nurse felt a sudden dizziness, a pain in one wrist, and a swift coldness on the left side of her face. She shook her head, refusing this. And they walked on among the stones.

"Where do we picnic?" he said.

"Anywhere," she said. "But carefully! For this is a French cemetery! Packed with cynics! Armies of egotists who burned people for their faith one year only to be burned for their faith the next! So, pick. Choose!" They walked. The ghastly pa.s.senger nodded. "This first stone. Beneath it: nothing. Death final, not a whisper of time. The second stone: a woman, a secret believer because she loved her husband and hoped to see him again in eternity . . . a murmur of spirit here, the turning of a heart. Better. Now this third gravestone: a writer of thrillers for a French magazine. But he loved his nights, his fogs, his castles. This stone is a proper temperature, like a good wine. So here we shall sit, dear lady, as you decant the champagne and we wait to go back to the train."

She offered a gla.s.s, happily. "Can you drink?"

"One can try." He took it. "One can only try."

The ghastly pa.s.senger almost "died" as they left Paris. A group of intellectuals, fresh from seminars about Sartre's "nausea," and hot-air ballooning about Simone de Beauvoir, streamed through the corridors, leaving the air behind them boiled and empty.

The pale pa.s.senger became paler.

The second stop beyond Paris, another invasion! A group of Germans surged aboard, loud in their disbelief of ancestral spirits, doubtful of politics, some even carrying books t.i.tled Was G.o.d Ever Home?

The Orient ghost sank deeper in his X-ray image bones.

"Oh, dear," cried Miss Minerva Halliday, and ran to her own compartment to plunge back and toss down a cascade of books.

"Hamlet!" she cried, "his father, yes? A Christmas Carol. Four ghosts! Wuthering Heights. Kathy returns, yes? To haunt the snows? Ah, The Turn of the Screw, and . . . Rebecca! Then-my favorite! The Monkey's Paw! Which?"

But the Orient ghost said not a Marley word. His eyes were locked, his mouth sewn with icicles.

"Wait!" she cried.

And opened the first book . . .

Where Hamlet stood on the castle wall and heard his ghost-of-a-father moan and so she said these words: "'Mark me . . . my hour is almost come . . . when I to sulfurous and tormenting flames . . . must render up myself . . .'"

And then she read: "'I am thy father's spirit,/Doomed for a certain term to walk the night . . .'"

And again: "'. . . If thou didst ever thy dear father love . . . O, G.o.d! . . . Revenge his foul and most unnatural murder . . .'"

And yet again: "'. . . Murder most foul . . .'"

And the train ran in the night as she spoke the last words of Hamlet's father's ghost: "'. . . Fare thee well at once . . .'"

"'. . . Adieu, adieu! Remember me.'"

And she repeated: "'. . . remember me!'"

And the Orient ghost quivered. She pretended not to notice but seized a further book: "'. . . Marley was dead, to begin with . . .'"

As the Orient train thundered across a twilight bridge above an unseen stream.

Her hands flew like birds over the books.

"'I am the Ghost of Christmas Past!'"

Then: "'The Phantom Rickshaw glided from the mist and clop-clopped off into the fog-'"

And wasn't there the faintest echo of a horse's hooves behind, within the Orient ghost's mouth?

"'The beating beating beating, under the floorboards of the Old Man's Telltale Heart!'" she cried, softly.

And there! like the leap of a frog. The first faint pulse of the Orient ghost's heart in more than an hour.

The Germans down the corridor fired off a cannon of disbelief.

But she poured the medicine: "'The Hound bayed out on the Moor-'"

And the echo of that bay, that most forlorn cry, came from her traveling companion's soul, wailed from his throat.

And the night grew on and the moon arose and a Woman in White crossed a landscape, as the old nurse said and told, and a bat that became a wolf that became a lizard scaled a wall on the ghastly pa.s.senger's brow.

And at last the train was silent with sleeping, and Miss Minerva Halliday let the last book drop with the thump of a body to the floor.

"Requiescat in pace?" whispered the Orient traveler, eyes shut.

"Yes." She smiled, nodding. "Requiescat in pace." And they slept.

And at last they reached the sea.

And there was mist, which became fog, which became scatters of rain, like a proper drench of tears from a seamless sky.

Which made the ghastly pa.s.senger open, ungum his mouth, and murmur thanks for the haunted sky and the sh.o.r.e visited by phantoms of tide as the train slid into the shed where the mobbed exchange would be made, a full train becoming a full boat.

The Orient ghost who stood well back, the last figure on a now self-haunted train.

"Wait," he cried, softly, piteously. "That boat! There's no place on it to hide! And the customs!"

But the customs men took one look at the pale face snowed under the dark cap and earm.u.f.fs, and swiftly flagged the wintry soul on to the ferry.

To be surrounded by dumb voices, ignorant elbows, layers of people shoving as the boat shuddered and moved and the nurse saw her fragile icicle melt yet again.