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"What a very pretty name!" He has had a half-smoked cigar behind his back all this time; now remembering it, he looks at it, and flings it far from him. "It reminds one of many things; Shakespeare, I suppose princ.i.p.ally. I hope," looking at her, "_you_ will choose the right casket."
"Thank you. That is a very kindly wish."
"How does it happen that you are here all alone?"
"I was cold; I always am. Dulcinea saw me s.h.i.+ver, I think, and ran to get a shawl or some covering for me. That is all."
"She is a long time getting it, is she not?"
"Is she?" says Portia. This speech of his piques her a little. "Does it seem long?"
"Very long, if one is to s.h.i.+ver all the time," replies he, calmly, reading her resentment in her face, but taking no notice of it. "Much too long to be out in this chilly night-air without sufficient clothing, and with a wholesome dread of possible burglars full upon you. May I stay with you till Dulce returns, and will you walk on a little? It is foolish to stand still."
"I am sorry you threw away your cigar on my account. I am sure you want it now."
"I don't believe I ever want anything," says Fabian, slowly; and then they walk on again, returning by the way she had come. The night-wallflower is flinging its perfume abroad, the seringas are making sweet the air, a light eager wind rushes softly past them.
"It was a long drive," says Fabian, presently, with all the air of a man who is determined to rouse himself--however against his will--and carry on conversation of some sort. "Are you tired?"
"It _was_ long. But everything here is so new, so fresh, so sweet, that I have forgotten to be tired."
"You are one of those, perhaps, who always find variety charming." As he speaks he carefully removes a drooping branch of roses out of her way.
"Not quite always." She smiles as she defends herself. "I like old friends, and old songs best. I am not absolutely fickle. But I have always had a great desire to live in the country."
"People who have never tried it, always do have that desire."
"You think I shall be _desillusionne_ in a week? But I shall not. When George had to return to India, I was so unhappy in the thought that perhaps I should have to live in town until his return. Of course I could have gone somewhere to live by myself, and could have found some charming old lady to take care of me, but I am not fond of my own society, and I can't bear charming old ladies."
"One feels quite sorry for the old ladies," says Fabian, absently.
"I was afraid I should have to put in my two years of waiting for George, with Auntie Maud, and that would have been terrible. It would mean seasons, and months at fas.h.i.+onable watering-places, which would be only town out of town--the same thing all over again. I was so glad when Uncle Christopher wrote to say he would like me to come here. I have often wondered since," she says, suddenly--smiling somewhat wistfully, and flus.h.i.+ng a warm crimson,--"whether all of _you_ didn't look upon my coming with disfavor."
"What put such a thought as that into your head?"
"A very natural one I think. A stranger coming to a household always makes such a difference; and you had never met me, and you might not like me, and--. Did any of you resent my coming?"
"No," says Fabian. There is no energy in his reply, yet it is impossible to doubt that he means exactly what he says. "You must not begin by thinking unkindly of us," he goes on, gently. "You may believe me when I say none of us felt anything but pleasure at the idea of your coming."
"Yes? That was very good of you all." She is longing to say, "Yet you see I kept you from dinner to-night," but after a moment's reflection leaves it unsaid.
"I hope the country will not disappoint you," he says, after a slight pause. "It is unwise to begin by expecting too much."
"How can it disappoint?" says Portia, with some intensity. She says nothing more, but she lifts her lovely face to the starry sky, and puts out her hands with a faint gesture, fraught with admiration, towards the heavy flowers, the distant lake, the statues half hidden by the drooping shrubs, and the moonlight sleeping upon all!
"There is always in the country, the sun, the flowers, and at night, the moon," she says.
"Yet, the day will come, even for you, when there will be no sun, and when the moon will refuse to give its light." He speaks peculiarly and as though his thoughts are wandering far from her to other scenes in which she holds no part.
"Still, there will always be the flowers," she says, quickly, impressed by his tone, and with a strange anxiety to prove to herself that surely all things are not in vain.
"Oh, no! They are the frailest of the three," returns he; "they are like our dearest hopes. At the very time they should prove true, when the cold Winter of our discontent is full upon us, they forsake us--never to return."
"Never? Does not the Summer bring them again?" She has stopped in the middle of the path, and is asking her question with an anxiety that astonishes even herself. "This rose bush," she says, pointing to one close beside her, "now rich in glory, and warm with golden wealth, will it not bloom again next year, in spite of the death that must pa.s.s over it?"
"It may. But you will never see again those roses over there, that you love and rejoice in now! Others may be like them, but they cannot be quite the same."
Portia makes no reply. The moonlight is full upon him, and she can see that his lips have lost their hardness, and are as full of melancholy as his eyes. She is looking curiously at him, regarding him perhaps in the light of a study--he is looking, not at her at all, but at something that surely has no place in this quiet garden, lying so calm and peaceful beneath the light of heaven.
A terrible expression, that is despair and grief commingled, covers his face. Some past horror, that has yet power to sting, is holding him captive. He has forgotten Portia, the beauty of the night, everything!
He is wrapt in some miserable memory that will not be laid. Surely, "the heart may break, yet brokenly live on."
Be he guilty (as she believes him) of this crime that has darkened his life, or only the victim of unhappy circ.u.mstances, at this moment Portia pities him with all her heart.
Voices in the distance! Roger and Dulce still high in argument; a faint perfume of cigarettes; d.i.c.ky Browne's irrepressible laugh; and then they all come round the corner, and somebody says, "Ah, here she is," and d.i.c.ky Browne places a shawl round Portia's shoulders.
"You here, Fabian?" says Dulce, gladly. "And making friends with Portia?
That's right."
"Taking a mean advantage of us all I call it," says d.i.c.ky Browne. "_We_ got introduced in the cruel glare of day, with all our imperfections on our heads. _You_ waited for moons.h.i.+ne, balmy air, scent of roses, poetical effect, and so on! That's why you stayed away from dinner. And to think none of us saw through you! Well, I always said I was very innocent; quite unfit to go about alone!"
"Not a doubt of it," said Roger, cheerfully. "But you won't have to complain of that long. We are all on the look-out for a keeper for you, and a straight waistcoat." Then, turning to Fabian, "Your headache better, old man?"
"Thank you--yes. Your cousin is tired, I think, Dulce. Take her in and make her rest herself."
"Ah! You are worn out," says Dulce to Portia, with contrition. "I have been so long getting you the shawl; but I could not help it. You must not stay up, you know, to do manners to us, you must go straight to bed this moment, and come down like a rose in the morning. Now confess you are tired."
"Well, yes, I am afraid I am," says Portia, who is feeling faintly disappointed for the first time since her arrival. Why, she scarcely knows.
"She said 'I am a-weary, a-weary; I would I were a-bed,'" quotes Mr.
Browne, feelingly. Whereupon everyone feels it his duty to take Portia at once back to the house, less Mr. Browne, by any ill-luck, should commit himself still further.
It is only when Portia is at last alone in her own room that she recollects that Fabian forgot to shake hands with her. Or was it she with Fabian?
CHAPTER V.
"Oh, how full of briars is this working-day world!"
--"AS YOU LIKE IT."
"I WISH you would _try_ to remember," says Dulce, a little hastily. She is sitting in a rather Gothic chair, and the day is ultra-hot, and the strain upon her mental powers is greater than she can bear. Hence the haste.
She is leaning back in the uneasy chair now, pencil in hand, and is looking up at Roger, who is leaning over the table, in a somewhat supercilious manner, and is plainly giving him to understand that she thinks him a very stupid person, indeed.
This is irritating, and Roger naturally resents it. A few puckers show themselves upon his forehead, and he turns over a page or two of the gardener's book before him with a movement suggestive of impatience.