The Works of Honore de Balzac Part 3

On a solemn occasion, when he was setting out on an expedition to Germany, Henri II. proclaimed Catherine Regent during his absence, as also in the event of his death--on March 25, 1552. Catherine's bitterest enemy, the author of the _Discours merveilleux sur les deportements de Catherine II._, admits that she acquitted herself of these functions to the general approbation, and that the King was satisfied with her administration. Henri II. had men and money at the right moment. And after the disastrous day of Saint-Quentin, Catherine obtained from the Parisians considerable sums, which she forwarded to Compiegne, whither the King had come.

In politics Catherine made immense efforts to acquire some little influence. She was clever enough to gain over to her interests the Connetable de Montmorency, who was all-powerful under Henri II. The King's terrible reply to Montmorency's insistency is well known. This answer was the result of the good advice given by Catherine in the rare moments when she was alone with the King, and could explain to him the policy of the Florentines, which was to set the magnates of a kingdom by the ears and build up the sovereign authority on the ruins--Louis XI.'s system, subsequently carried out by Richelieu. Henri II., who saw only through the eyes of Diane and the Connetable, was quite a feudal King, and on friendly terms with the great Houses of the realm.

After an ineffectual effort in her favor made by the Connetable, probably in the year 1556, Catherine paid great court to the Guises, and schemed to detach them from Diane's party so as to set them in opposition to Montmorency. But, unfortunately, Diane and the Connetable were as virulent against the Protestants as the Guises were. Hence their antagonism lacked the virus which religious feeling would have given it. Besides, Diane boldly defied the Queen's plans by coquetting with the Guises and giving her daughter to the Duc d'Aumale. She went so far that she has been accused by some writers of granting more than smiles to the gallant Cardinal de Lorraine.[E]

The signs of grief and the ostentatious regret displayed by Catherine on the King's death cannot be regarded as genuine. The fact that Henri II. had been so pa.s.sionately and faithfully attached to Diane de Poitiers made it inc.u.mbent on Catherine that she should play the part of a neglected wife who idolized her husband; but, like every clever woman, she carried on her dissimulation, and never ceased to speak with tender regret of Henri II.

Diane herself, it is well known, wore mourning all her life for her husband, Monsieur de Breze. Her colors were black and white, and the King was wearing them at the tournament when he was fatally wounded. Catherine, in imitation no doubt of her rival, wore mourning for the King to the end of her life.

On the King's death, the d.u.c.h.esse de Valentinois was shamelessly deserted and dishonored by the Connetable de Montmorency, a man in every respect beneath his reputation. Diane sent to offer her estate and Chateau of Chenonceaux to the Queen. Catherine then replied in the presence of witnesses, "I can never forget that she was all the joy of my dear Henri; I should be ashamed to accept, I will give her an estate in exchange. I would propose that of Chaumont-on-the-Loire." The deed of exchange was, in fact, signed at Blois in 1559. Diane, whose sons-in-law were the Duc d'Aumale and the Duc de Bouillon, kept her whole fortune and died peacefully in 1566 at the age of sixty-six. She was thus nineteen years older than Henri II.

These dates, copied from the epitaph on her tomb by an historian who studied the question at the end of the last century, clear up many historical difficulties; for many writers have said she was forty when her father was sentenced in 1523, while others have said she was but sixteen.

She was, in fact, four-and-twenty.

After reading everything both for and against her conduct with Francis I., at a time when the House of Poitiers was in the greatest danger, we can neither confirm nor deny anything. It is a pa.s.sage of history that still remains obscure. We can see by what happens in our own day how history is falsified, as it were, in the making.

Catherine, who founded great hopes on her rival's age, several times made an attempt to overthrow her. On one occasion she was very near the accomplishment of her hopes. In 1554, Madame Diane, being ill, begged the King to go to Saint-Germain pending her recovery. This sovereign coquette would not be seen in the midst of the paraphernalia of doctors, nor bereft of the adjuncts of dress. To receive the King on his return, Catherine arranged a splendid _ballet_, in which five or six young ladies were to address him in verse. She selected for the purpose Miss Fleming, related to her uncle, the Duke of Albany, and one of the loveliest girls imaginable, fair and golden-haired; then a young connection of her own, Clarissa Strozzi, with magnificent black hair and rarely fine hands; Miss Lewiston, maid of honor to Mary Stuart; Mary Stuart herself; Madame Elizabeth de France, the unhappy Queen of Spain; and Madame Claude. Elizabeth was nine years old, Claude eight, and Mary Stuart twelve. Obviously, the Queen aimed at showing off Clarissa Strozzi and Miss Fleming without other rivals in the King's eyes. The King succ.u.mbed: he fell in love with Miss Fleming, and she bore him a son, Henri de Valois, Comte d'Angouleme, Grand Prior of France.

But Diane's influence and position remained unshaken. Like Madame de Pompadour later with Louis XV., the d.u.c.h.esse de Valentinois was forgiving.

But to what sort of love are we to ascribe this scheme on Catherine's part?

Love of power or love of her husband? Women must decide.

A great deal is said in these days as to the license of the press; but it is difficult to imagine to what a pitch it was carried when printing was a new thing. Aretino, the Voltaire of his time, as is well known, made monarchs tremble, and foremost of them all Charles V. But few people know perhaps how far the audacity of pamphleteers could go. This Chateau of Chenonceaux had been given to Diane, nay, she was entreated to accept it, to induce her to overlook one of the most horrible publications ever hurled at a woman, one which shows how violent was the animosity between her and Madame d'Etampes. In 1537, when she was eight-and-thirty, a poet of Champagne, named Jean Voute, published a collection of Latin verses, and among them three epigrams aimed at her. We must conclude that the poet was under high patronage from the fact that his volume is introduced by an _eulogium_ written by Simon Macrin, the King's First Gentleman of the Bedchamber. Here is the only pa.s.sage quotable to-day from these epigrams, which bear the t.i.tle: _In Pictaviam, anum aulicam_. (Against _la Poitiers_, an old woman of the Court.)

"Non trahit esca ficta praedam."

"A painted bait catches no game," says the poet, after telling her that she paints her face and buys her teeth and hair; and he goes on: "Even if you could buy the finest essence that makes a woman, you would not get what you want of your lover, for you would need to be living, and you are dead."

This volume, printed by Simon de Colines, was dedicated "To a Bishop!"--To Francois Bohier, the brother of the man who, to save his credit at Court and atone for his crime, made an offering on the accession of Henri II. of the chateau of Chenonceaux, built by his father, Thomas Bohier, Councillor of State under four Kings: Louis XI., Charles VIII., Louis XII., and Francis I. What were the pamphlets published against Madame de Pompadour and Marie Antoinette in comparison with verses that might have been written by Martial! Voute must have come to a bad end. Thus the estate and chateau of Chenonceaux cost Diane nothing but the forgiveness of an offence--a duty enjoined by the Gospel. Not being a.s.sessed by a jury, the penalties inflicted on the Press were rather severer then than they are now.

The widowed Queens of France were required to remain for forty days in the King's bedchamber, seeing no light but that of the tapers; they might not come out till after the funeral. This inviolable custom annoyed Catherine greatly; she was afraid of cabals. She found a way to evade it. The Cardinal de Lorraine coming out one morning--at such a time! at such a juncture!--from the house of "the fair Roman," a famous courtesan of that day, who lived in the Rue Culture-Sainte-Catherine, was roughly handled by a party of roisterers. "Whereat his Holiness was much amazed," says Henri Estienne, "and gave it out that heretics were lying in wait for him."--And on this account the Court moved from Paris to Saint-Germain. The Queen would not leave the King her son behind, but took him with her.

The accession of Francis II., the moment when Catherine proposed to seize the reins of power, was a disappointment that formed a cruel climax to the twenty-six years of endurance she had already spent at the French Court.

The Guises, with incredible audacity, at once usurped the sovereign power.

The Duc de Guise was placed in command of the army, and the Connetable de Montmorency was shelved. The Cardinal took the control of the finances and the clergy.

Catherine's political career opened with one of those dramas which, though it was less notorious than some others, was not the less horrible, and initiated her no doubt into the agitating shocks of her life. Whether it was that Catherine, after vainly trying the most violent remedies, had thought she might bring the King back to her through jealousy; whether on coming to her second youth she had felt it hard never to have known love, she had shown a warm interest in a gentleman of royal blood, Francois de Vendome, son of Louis de Vendome--the parent House of the Bourbons--the Vidame de Chartres, the name by which he is known to history. Catherine's covert hatred of Diane betrayed itself in many ways, which historians, studying only political developments, have failed to note with due attention. Catherine's attachment to the Vidame arose from an insult offered by the young man to the favorite. Diane looked for the most splendid matches for her daughters, who were indeed of the best blood in the kingdom. Above all, she was ambitious of an alliance with the Royal family. And her second daughter, who became the d.u.c.h.esse d'Aumale, was proposed in marriage to the Vidame, whom Francis I., with sage policy, kept in poverty. For, in fact, when the Vidame de Chartres and the Prince de Conde first came to Court, Francis I. gave them appointments! What? the office of chamberlains in ordinary, with twelve hundred crowns a year, as much as he bestowed on the humblest of his gentlemen. And yet, though Diane offered him immense wealth, some high office under the Crown, and the King's personal favor, the Vidame refused. And then this Bourbon, factious as he was, married Jeanne, daughter of the Baron d'Estissac, by whom he had no children.

This proud demeanor naturally commended the Vidame to Catherine, who received him with marked favor, and made him her devoted friend. Historians have compared the last Duc de Montmorency, who was beheaded at Toulouse, with the Vidame de Chartres for his power of charming, his merits, and his talents.

Henri II. was not jealous; he did not apparently think it possible that a Queen of France could fail in her duty, or that a Medici could forget the honor done her by a Valois. When the Queen was said to be flirting with the Vidame de Chartres, she had been almost deserted by the King since the birth of her last child. So this attempt came to nothing--as the King died wearing the colors of Diane de Poitiers.

So, at the King's death, Catherine was on terms of gallant familiarity with the Vidame, a state of things in no way out of harmony with the manners of the time, when love was at once so chivalrous and so licentious that the finest actions seemed as natural as the most blamable. But, as usual, historians have blundered by regarding exceptional cases as the rule.

Henri II.'s four sons nullified every pretension of the Bourbons, who were all miserably poor, and crushed under the scorn brought upon them by the Connetable de Montmorency's treason, in spite of the reasons which had led him to quit the country. The Vidame de Chartres, who was to the first Prince de Conde what Richelieu was to Mazarin, a father in politics, a model, and yet more a master in gallantry, hid the vast ambition of his family under a semblance of levity. Being unable to contend with the Guises, the Montmorencys, the Princes of Scotland, the Cardinals, and the Bouillons, he aimed at distinction by his gracious manners, his elegance, and his wit, which won him the favors of the most charming women, and the heart of many he never thought about. He was a man privileged by nature, whose fascinations were irresistible, and who owed to his love affairs the means of keeping up his rank. The Bourbons would not have taken offence, like Jarnac, at la Chataignerie's scandal; they were very ready to accept lands and houses from their mistresses--witness the Prince de Conde, who had the estate of Saint-Valery from Madame la Marechale de Saint-Andre.

During the first twenty days of mourning for Henri II., a sudden change came over the Vidame's prospects. Courted by the Queen-mother, and courting her as a man may court a queen, in the utmost secrecy, he seemed fated to play an important part; and Catherine, in fact, resolved to make him useful. The Prince received letters from her to the Prince de Conde, in which she pointed out the necessity for a coalition against the Guises. The Guises, informed of this intrigue, made their way into the Queen's chamber to compel her to sign an order consigning the Vidame to the Bastille, and Catherine found herself under the cruel necessity of submitting. The Vidame died after a few months' captivity, on the day when he came out of prison, a short time before the Amboise conspiracy.

This was the end of Catherine de' Medici's first and only love affair.

Protestant writers declared that the Queen had him poisoned to bury the secret of her gallantries in the tomb.

Such was this woman's apprentices.h.i.+p to the exercise of royal power.

FOOTNOTES:

[B] See _Bayle_. Art. _Fernel_.

[C] At that time in French, as in Italian, the words _marry_ and _espouse_ were used in a contrary sense to their present meaning. _Marier_ was the fact of being married, _epouser_ was the priestly function.

[D] The old French word _cramoisi_ did not mean merely a crimson red, but denoted a special excellence of the dye. (See Rabelais.)

[E] Some satirist of the time has left the following lines on Henri II. [in which the pun on the words Sire and Cire (wax) would be lost in translation]:--

"Sire, si vous laissez, comme Charles desire, Comme Diane veut, par trop vous gouverner, Fondre, petrir, mollir, refondre, retourner, Sire, vous n'etes plus, vous n'etes plus que cire."

Charles was the Cardinal de Lorraine.

PART I

THE CALVINIST MARTYR

Few persons in these days know how artless were the dwellings of the citizens of Paris in the sixteenth century, and how simple their lives.

This very simplicity of habits and thought perhaps was the cause of the greatness of this primitive citizen cla.s.s--for they were certainly great, free and n.o.ble, more so perhaps than the citizens of our time. Their history remains to be written; it requires and awaits a man of genius.

Inspired by an incident which, though little known, forms the basis of this narrative, and is one of the most remarkable in the history of the citizen cla.s.s, this reflection will no doubt occur to every one who shall read it to the end. Is it the first time in history that the conclusion has come before the facts?

In 1560, the houses of the Rue de la Vieille-Pelleterie lay close to the left bank of the Seine, between the Pont Notre-Dame and the Pont au Change.

The public way and the houses occupied the ground now given up to the single path of the present quay. Each house, rising from the river, had a way down to it by stone or wooden steps, defended by strong iron gates, or doors of nail-studded timber. These houses, like those of Venice, had a door to the land and one to the water. At the moment of writing this sketch, only one house remains of this kind as a reminiscence of old Paris, and that is doomed soon to disappear; it stands at the corner of the Pet.i.t-Pont, the little bridge facing the guard-house of the Hotel-Dieu.

Of old each dwelling presented, on the river side, the peculiar physiognomy stamped on it either by the trade and the habits of its owners, or by the eccentricity of the constructions devised by them for utilizing or defiling the Seine. The bridges being built, and almost all choked up by more mills than were convenient for the requirements of navigation, the Seine in Paris was divided into as many pools as there were bridges. Some of these old Paris basins would have afforded delightful studies of color for the painter. What a forest of timbers was built into the cross-beams that supported the mills, with their immense sails and wheels! What curious effects were to be found in the joists that sh.o.r.ed up the houses from the river. Genre painting as yet, unfortunately, was not, and engraving in its infancy; so we have no record of the curious scenes which may still be found, on a small scale, in some provincial towns where the rivers are fringed with wooden houses, and where, as at Vendome, for instance, the pools, overgrown with tall gra.s.ses, are divided by railings to separate the various properties on each bank.

The name of this street, which has now vanished from the map, sufficiently indicates the kind of business carried on there. At that time the merchants engaged in any particular trade, far from dispersing themselves about the city, gathered together for mutual protection. Being socially bound by the guild which limited their increase, they were also united into a brotherhood by the Church. This kept up prices. And then the masters were not at the mercy of their workmen, and did not yield, as they do now, to all their vagaries; on the contrary, they took charge of them, treated them as their children, and taught them the finer mysteries of their craft. A workman, to become a master, was required to produce a masterpiece--always an offering to the patron saint of the guild. And will you venture to a.s.sert that the absence of compet.i.tion diminished their sense of perfection, or hindered beauty of workmans.h.i.+p, when your admiration of the work of the older craftsmen has created the new trade of dealers in _bric-a-brac_?

In the fifteenth and sixteenth centuries, the fur trade was one of the most flouris.h.i.+ng industries. The difficulty of obtaining furs, which, coming from the North, necessitated long and dangerous voyages, gave a high value to skins and furriers' work. Then, as now, high prices led to demand, for vanity knows no obstacles.

In France, and in other kingdoms, not only was the use of furs restricted by law to the great n.o.bility, as is proved by the part played by ermine in ancient coats-of-arms; but certain rare furs, such as _vair_, which was beyond doubt imperial sable, might be worn only by kings, dukes, and men of high rank holding certain offices. _Vair_ (a name still used in heraldry, _vair_ and _counter vair_) was sub-divided into _grand vair_ and _menu vair_. The word has within the last hundred years fallen so completely into disuse, that in hundreds of editions of Perrault's fairy tales, Cinderella's famous slipper, probably of fur, _menu vair_, has become a gla.s.s slipper, _pantoufle de verre_. Not long since a distinguished French poet was obliged to restore and explain the original spelling of this word, for the edification of his brethren of the press, when giving an account of the "Cenerentola," in which a ring is subst.i.tuted for the symbolical slipper--an unmeaning change.

The laws against the use of fur were, of course, perpetually transgressed, to the great advantage of the furriers. The high price of textiles and of furs made a garment in those days a durable thing, in keeping with the furniture, armor, and general details of the st.u.r.dy life of the time. A n.o.bleman or lady, every rich man as well as every citizen, possessed at most two dresses for each season, and they lasted a lifetime or more. These articles were bequeathed to their children. Indeed, the clauses relating to weapons and raiment in marriage contracts, in these days unimportant by reason of the small value of clothes that are constantly renewed, were at that period of great interest. High prices had led to durability.

A lady's outfit represented a vast sum of money; it was included in her fortune, and safely bestowed in those enormous chests which endanger the ceilings of modern houses. The full dress of a lady in 1840 would have been the _deshabille_ of a fine lady of 1540. The discovery of America, the facility of transport, the destruction of social distinctions, which has led to the effacement of visible distinctions, have all contributed to reduce the furrier's craft to the low ebb at which it stands, almost to nothing. The article sold by a furrier at the same price as of old--say twenty livres--has fallen in value with the money: the livre or franc was then worth twenty of our present money. The citizen's wife or the courtesan who, in our day, trims her cloak with sable, does not know that in 1440 a malignant constable of the watch would have taken her forthwith into custody, and haled her before the judge at le Chatelet. The English ladies who are so fond of ermine are unconscious of the fact that formerly none but queens, d.u.c.h.esses, and the Chancellor of France were permitted to wear this royal fur. There are at this day various enn.o.bled families bearing the name of Pelletier or Lepelletier, whose forebears were obviously wealthy furriers; for most of our citizen names were originally surnames of that kind.

This digression not only explains the long squabbles as to precedence which the Drapers' Guild carried on for two centuries with the Mercers and the Furriers, each insisting on marching first, as being the most important, but also accounts for the consequence of one Master Lecamus, a furrier honored with the patronage of the two Queens, Catherine de' Medici and Mary Stuart, as well as that of the legal profession, who for twenty years had been the Syndic of his Corporation, and who lived in this street. The house occupied by Lecamus was one of the three forming the three corners of the cross-roads at the end of the Pont au Change, where only the tower now remains that formed the fourth corner. At the angle of this house, forming the corner of the bridge and of the quay, now called the Quai aux Fleurs, the architect had placed a niche for a Madonna, before whom tapers constantly burned, with posies of real flowers in their season, and artificial flowers in the winter.

On the side towards the Rue du Pont, as well as on that to the Rue de la Vieille-Pelleterie, the house was supported on wooden pillars. All the houses of the trading quarters were thus constructed, with an arcade beneath, where foot pa.s.sengers walked under cover on a floor hardened by the mud they brought in, which made it a rather rough pavement. In all the towns of France these arcades have been called _piliers_--in England _rows_--a general term to which the name of a trade is commonly added, as "Piliers des Halles," "Piliers de la Boucherie." These covered ways, required by the changeable and rainy climate of Paris, gave the town a highly characteristic feature, but they have entirely disappeared. Just as there now remains one house only on the river-bank, so no more than about a hundred feet are left of the old _Piliers_ in the market, the last that have survived till now; and in a few days this remnant of the gloomy labyrinth of old Paris will also be destroyed. The existence of these relics of the Middle Ages is, no doubt, incompatible with the splendor of modern Paris. And these remarks are not intended as a lament over those fragments of the old city, but as a verification of this picture by the last surviving examples now falling into dust, and to win forgiveness for such descriptions, which will be precious in the future which is following hard on the heels of this age.