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She and I Volume I Part 1

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She and I.

Volume 1.

by John Conroy Hutcheson.

CHAPTER ONE.

AT FIRST SIGHT.

"I muse, as in a trance, when e'er The languors of thy love-deep eyes Float on me. I would I were So tranced, so wrapt in ecstasies, To stand apart, and to adore, Gazing on thee for evermore!"

I saw her first in church.

Do you happen to know a quaint, dreamy old region in the west of London, which bricks and mortar have not, as yet, overtaken, nor newfangled villas vulgarised?

A region of innumerable market gardens that are princ.i.p.ally laid out in long, narrow beds, lost into nothingness as they dwindle down in the dim vista of perspective, and which are planted with curly endive, piquante- looking lettuces, and early cabbages; squat rows of gooseberry bushes and currant trees, with a rose set here and there in between; and sweet- smelling, besides, of hidden violets and honeysuckles, and the pink and white hawthorn of the hedges in May:--

A region of country lanes, ever winding and seemingly never ending, leading down to and past and from the whilom silent, whilom bustling river, that never heeds their tortuous intricacies, but hurries by on its way through the busy city towards the sea below; lanes wherein are to be occasionally met with curious old stone houses, of almost historical antecedents and dreamy as the region in which they lie, scattered about in the queerest situations without plan or precedent, on which the casual pedestrian comes when he least expects:--

Do you know this quaint old region, this fleeting oasis in the Sahara of the building-mad suburban metropolis? I do, well; its market gardens, its circ.u.mambient lanes, its old, antiquarian stone houses, and all!

Many a time have I wandered through them; many a time watched the heavy waggons as they went creaking on their way to town and the great emporium at Covent Garden, groaning beneath the wealth and weight of the vegetable produce they carried, and laden so high with cunningly- arranged nests of baskets on baskets, that one believed each moment that they would topple over, and held the breath for fear of hastening their fall; many a time sought to trace each curving lane to its probable goal, or tried to hunt out the hidden histories which lay concealed within the crumbling walls of the old dwellings on which I might happen to light in my walks.

But my favourite ramble, eclipsing all others now in pleasant recollections of by-gone days, was through the Prebend's Walk, bordered with its n.o.ble grove of stately lime trees and oaks and elms on either hand; and pa.s.sing by open fields, that are, in spring, rich with yellow b.u.t.tercups and star-spangled daisies, and, in summer, ripe with the aromatic odours of new-mown hay.

The Prebend's Walk, beyond where the lime-grove ends, whence the prebend's residence can be faintly distinguished through the cl.u.s.tering ma.s.ses of tree-foliage, merges into the open, commanding the river in front; but it is still marked out by a stray elm or horse-chestnut, placed at scanty intervals, to keep up the idea of the ancient avenue beyond.

Here, turning to the right and crossing a piece of unkempt land, half copse, half meadow, the scene again changed.

You came to a stile. That surmounted and left behind, a narrow by-path led you through its twisting turns until you reached a tiny, rustic stone bridge--such a tiny, little bridge! This was over the sluice and aqueduct from the adjacent river, which supplied the fosse that in olden times surrounded the prebend's residence, when there were such things as sieges and besiegements in this fair land of ours.

The prebend's residence was then a castle, protected, probably, by battlements and mantlets and turreted walls, and with its keep and its drawbridge, its postern and its fosse--simple works of defence that were armed for retaliation, with catapult and mangonel, the canon raye of the period, besides arquebuse and other hand weapons wielded, no doubt, by mighty men at arms, mail-clad and helmeted, who knew how to give and take with the best of them; now, it was but a peaceful priest's dwelling, inhabited by as true a clergyman and gentleman as ever lived, although it was still a fine old house.

As for the fosse, it sank long ages ago to the level and capacity of a common ditch, and was almost hidden from view by the overhanging boughs and branches of the park trees on the opposite side, and the half- decayed trunks of former monarchs of the forest that filled its bed--a ditch covered with a superstratum of slimy, green water, lank weeds, and rank vegetation; and wherein, at flood time, urchin anglers could fish for eels and sticklebats, and, at ebb, the village ducks disport themselves and mudlarks play.

Along this fosse, the path continued. Further on, it widened into a broader way, which led you direct to the churchyard of Saint Canon's.

So studded is it with weatherworn tombstones, inclining at all angles like so many miniature leaning towers of Pisa, ivy-wreathed obelisks and quaintly-fas.h.i.+oned, railed-in monuments, that you can scarcely make out the lower b.u.t.tresses of the ancient church that stands up from amongst their midst.

With its whitish-grey walls, time-stained and rain-eaten, its severe- looking, square Norman tower, and its generally-formal style of architecture, that edifice does not present a very imposing appearance from without; but, within, the case is different.

Lofty, pointed, stained-gla.s.s windows light it. The chancel bears the stamp of the Restoration. Oaken beams; carved galleries, curiously contrived to fit into every available s.p.a.ce; high, upright box pews--of the sort inst.i.tuted, in the reign of Anne, by the renowned Bishop Burnett to restrain the roving eyes of the congregation and make gallants better attend to their devotions; all these, in addition to the memorial slabs and tablets, and weeping angels over cinereal urns, tend to give the church that air of ugliness and comfort which the modern churchman detests.

Dear old church!

I love its old walls, its old chancel, its old pews, its form of wors.h.i.+p, and all; for it was there that I first saw her,--my own, my darling!

O, Min, Min! can I ever forget that time?

Can I!

One Sunday--it is not so long ago that my hair is grey, nor so recently as to prevent my having a story to tell--I was in Saint Canon's church, sitting in one of its old, square box pews, where one was, as it were, shut up in a small, private house, away from all connection with the outer world; for you could not see anything when the door was closed, with the exception of the roof overhead, and, mayhap, the walls around.

I was listening to the varied fugue introitus that the organist was playing from the gallery beyond the pulpit,--playing with the full wind power of the venerable reed instrument he skilfully manipulated, having all the stops out,--diapasons, trumpet, vox humana, and the rest. The music was from Handel, a composer of whom the maestro was especially fond; so fond, indeed, that any of the congregation who might have the like musical proclivities need seldom fear disappointment. They could reckon upon hearing the Hallelujah Chorus at least once a fortnight, and the lesser morceaux of _Israel in Egypt_ at intervals in between.

Presently, just before the vicar and curate made their customary processional entry, ere the service began, two ladies were ushered into the large pew which I occupied alone in solitary state. There was room enough, in all conscience. It could have accommodated a round dozen, and that without any squeezing.

Both the ladies were dressed in half-mourning, which attracted my attention and made me observe them more closely than I might otherwise have done. My mind was soon engaged wondering, as one is apt to do-- when in church, more particularly--who and what they were. One, I saw, was middle-aged: the other had not, probably, as yet reached her eighteenth year; and what a charming face she had,--what an expression!

I could not take my eyes off her.

How shall I describe her? I had ample opportunity of taking a study, as she faced me on the opposite side of the pew, seated beside the other and elder lady, who, I could see at a glance, was her mother, from the striking likeness between them--although, there was a wonderful difference the while.

Have you never observed the slight, yet unmistakable traits of family resemblance, and the various points in which they are displayed? They may sometimes be only traceable in a single feature, a smile, a look, or in some peculiar mannerism of speech, or action, or even thought; but there they are; and, however indistinct they may be, however faint on casual inspection, a practised eye can seldom fail to perceive them and distinguish the relations.h.i.+p betwixt father and son, or mother and daughter:--the kins.h.i.+p of brothers and sisters is not so evident to strangers. In the present case no one could doubt: the younger lady must certainly be the daughter of the other.

But, what was she like, you ask?

Well, she was not beautiful. She was not even what empty-headed people, unaware of the real signification of the term, call "pretty." She was interesting--will that word suit?

No. The description would not give you the least idea of what her face really was like--much less of her expression, in which consisted its great charm.

Shall I endeavour to picture her to you as I saw her for that first time in church, before Love's busy fingers had woven a halo of romance around her, only allowing me to behold her through a sort of fairy glamour; and making me forget everything concerning her, save that she was "Min," and that I loved her, and that she was the darling of my heart?

I will.

Her figure seemed to me then a trifle below the middle height, but so well-proportioned that one could not easily tell, unless standing beside her, whether she was actually short or tall. Her features were Grecian in outline, as regarded the upper portion of her face, and irregular below; with such a delightful little dimple in her curving chin, and full, pouting lips. Her eyes, calm, steady, quiet, loving, grey eyes,-- eyes symbolical of faith and constancy, and unswerving fidelity of purpose: eyes that looked like tranquil depths through which you could see the soul-light reflected from below; and which only wanted the stirring power of some great motive or pa.s.sion to illumine them with a myriad irradiating gems.

But,--pshaw! How can I describe her? It is sacrilege thus to weigh and consider the points and merits of one we love. Besides, even the most perfect and faultlessly-beautiful face in the world would be unable to stand the test of minute examination in detail. As Thomson sings, to put his poetry into prose, how can you "from the diamond single out each ray, when all, though trembling with ten thousand hues, effuse one dazzling undivided light?"

It is impossible. No words of mine could put before you what her face really was like, as it appeared to me then and afterwards when I had learnt to watch and decipher every versatile look and expression it wore. Sometimes, when in repose, it reminded me of one of Raphael's angels. At other times, when moved by mirth and with arch glances dancing in the deep, grey eyes,--and they could make merry when they willed,--it was a witching, teasing, provoking little face. Or, again, if changed by grief,--under which aspect, thank G.o.d! I seldom saw it,-- a n.o.ble, resolute face, bearing that indescribable look of calm, set, high resolve, which the face of the heart-broken daughter of Lear, or the deep-suffering mother of the Gracchi might have borne. You may say, perhaps, that this is rhapsody; but what is love without rhapsody?-- what, a love story?

I determined at first, before I had studied it more attentively, that her face lacked expression; but I made a grievous error. I quickly altered my opinion on seeing it in profile and upturned; for I marked the embodiment of devotion it betrayed during the service, when her voice was raised in the praise of her Maker. She looked now exactly like the picture of Saint Cecilia; and her appearance recalled to my mind what one of the American essayists, I forget who it is, observes quaintly somewhere, that it is no wonder that Catholics pay their vows to the queen of heaven, for "the unpoetical side of Protestantism is, that it has no woman to be wors.h.i.+pped."

Of course I had fallen in love with her,--love at first sight; and, although you may not credit the a.s.sertion, allow me to put you right upon the point and inform you that such a thing is not only possible, but much more probable, and of more frequent occurrence than a good many people imagine or believe. Love is sometimes the growth of degrees: it may also bound into existence in a moment; for there is a certain sympathetic attraction between some persons, as there is between others an antipathetical, repulsive force. Understand, pa.s.sion is not here alluded to. That is, of the senses. What I mean is, the essence or spirit of love, as pure as that which may subsist amongst the angels above.

I felt such love growing within me, as I looked at her, with her downcast eyes bent over her Bible, or as she sat, with head upraised and attentive ear, drinking in the words of spiritual wisdom addressed us by our good old pastor, of which at the time _I_ took but little heed. She did not seem at all conscious that she was being observed; although she doubtless knew that I was looking at her, in that instinctive way common to her s.e.x, in which they manage to take cognisance of everything going on around them, without so much as raising an eyelid. Indeed, she told me afterwards that she had been well aware of my watch, and added that she thought me "very rude, too;" but, just now, she took no notice of my looks and longings, as far as I could see.

It was not until the close of the service, and when she and her mother were leaving the pew, that I obtained a glance, a look, which dwelt in my memory for days and days. She had brought with her into church a tiny spray of mignonette, and this she left behind her on the seat close to where she had been sitting. I perceived it, and taking it up, made as if to restore it to its lawful owner.

A half smile faintly played across her slightly parted lips, as she looked at me for an instant, an amused sparkle in her clear, grey eyes, and then turned away with a polite inclination and shake of her little head, in refusal of the mignonette, which I have kept ever since. But that smile!

Her whole face lit up, gaining just the colour and expression which it appeared to lack. My fate was sealed; and, as the organ pealed forth the grand prayer from _Mose in Egitto_ for the exodus of the congregation, and I slowly paced down the aisle after my enchantress, my soul expanded into a very heaven of adoration and love!

CHAPTER TWO.

EXPECTATION.

"With what a leaden and r.e.t.a.r.ding weight, Does expectation load the wing of time!"

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She and I Volume I Part 1 summary

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