Rodman the Keeper Part 25

"You think that I may starve for kisses some time?" said my friend, going on with the wiping.

"Not while I am alive," called out Edward from behind. His style of courts.h.i.+p _was_ of the sledge-hammer sort sometimes. But he did not get much for it on that day; only lofty tolerance, which seemed to amuse him greatly.

Edward played with Felipa very much as if she was a rubber toy or a little trapeze performer. He held her out at arm's length in mid-air, he poised her on his shoulder, he tossed her up into the low myrtle-trees, and dangled her by her little belt over the claret-colored pools on the barren; but he could not frighten her; she only laughed and grew wilder and wilder, like a squirrel. "She has muscles and nerves of steel," he said admiringly.

"Do put her down; she is too excitable for such games." I said in French, for Felipa seemed to divine our English now. "See the color she has."

For there was a trail of dark red over the child's thin oval cheeks which made her look unlike herself. As she caught our eyes fixed upon her, she suddenly stopped her climbing and came and sat at Christine's feet. "Some day I shall wear robes like the senora's," she said, pa.s.sing her hand over the soft fabric; "and I think," she added after some slow consideration, "that my face will be like the senora's too."

Edward burst out laughing. The little creature stopped abruptly and scanned his face.

"Do not tease her," I said.

Quick as a flash she veered around upon me. "He does not tease me," she said angrily in Spanish; "and, besides, what if he does? I like it." She looked at me with gleaming eyes and stamped her foot.

"What a little tempest!" said Christine.

Then Edward, man-like, began to explain. "You could not look much like this lady, Felipa," he said, "because you are so dark, you know."

"Am I dark?"

"Very dark; but many people are dark, of course; and for my part I always liked dark eyes," said this mendacious person.

"Do you like my eyes" asked Felipa anxiously.

"Indeed I do: they are like the eyes of a dear little calf I once owned when I was a boy."

The child was satisfied, and went back to her place beside Christine.

"Yes, I shall wear robes like this," she said dreamily, drawing the flowing drapery over her knees clad in the little linen trousers, and scanning the effect; "they would trail behind me--so." Her bare feet peeped out below the hem, and again we all laughed, the little brown toes looked so comical coming out from the silk and the snowy embroideries. She came down to reality again, looked at us, looked at herself, and for the first time seemed to comprehend the difference.

Then suddenly she threw herself down on the ground like a little animal, and buried her head in her arms. She would not speak, she would not look up: she only relaxed one arm a little to take in Drollo, and then lay motionless. Drollo looked at us out of one eye solemnly from his uncomfortable position, as much as to say: "No use; leave her to me." So after a while we went away and left them there.

That evening I heard a low knock at my door. "Come in," I said, and Felipa entered. I hardly knew her. She was dressed in a flowered muslin gown which had probably belonged to her mother, and she wore her grandmother's stockings and large baggy slippers; on her mat of curly hair was perched a high-crowned, stiff white cap adorned with a ribbon streamer; and her lank little neck, coming out of the big gown, was decked with a chain of large sea-beans, like exaggerated lockets. She carried a Cuban fan in her hand which was as large as a parasol, and Drollo, walking behind, fairly clanked with the chain of sea-sh.e.l.ls which she had wound around him from head to tail. The droll tableau and the supreme pride on Felipa's countenance overcame me, and I laughed aloud. A sudden cloud of rage and disappointment came over the poor child's face: she threw her cap on the floor and stamped on it; she tore off her necklace and writhed herself out of her big flowered gown, and, running to Drollo, nearly strangled him in her fierce efforts to drag off his sh.e.l.l chains. Then, a half-dressed, wild little phantom, she seized me by the skirts and dragged me toward the looking-gla.s.s. "You are not pretty either," she cried. "Look at yourself! look at yourself!"

"I did not mean to laugh at you, Felipa," I said gently; "I would not laugh at any one; and it is true I am not pretty, as you say. I can never be pretty, child; but, if you will try to be more gentle, I could teach you how to dress yourself so that no one would laugh at you again.

I could make you a little bright-barred skirt and a scarlet bodice: you could help, and that would teach you to sew. But a little girl who wants all this done for her must be quiet and good."

"I am good," said Felipa; "as good as everything."

The tears still stood in her eyes, but her anger was forgotten: she improvised a sort of dance around my room, followed by Drollo dragging his twisted chain, stepping on it with his big feet, and finally winding himself up into a knot around the chair-legs.

"Couldn't we make Drollo something too? dear old Drollo!" said Felipa, going to him and squeezing him in an enthusiastic embrace. I used to wonder how his poor ribs stood it: Felipa used him as a safety-valve for her impetuous feelings.

She kissed me good night, and then asked for "the other lady."

"Go to bed, child," I said; "I will give her your good night."

"But I want to kiss her too," said Felipa.

She lingered at the door and would not go; she played with the latch, and made me nervous with its clicking; at last I ordered her out. But on opening my door half an hour afterward there she was sitting on the floor outside in the darkness, she and Drollo, patiently waiting.

Annoyed, but unable to reprove her, I wrapped the child in my shawl and carried her out into the moonlight, where Christine and Edward were strolling to and fro under the pines. "She will not go to bed, Christine, without kissing you," I explained. "Funny little monkey!"

said my friend, pa.s.sively allowing the embrace.

"Me too," said Edward, bending down. Then I carried my bundle back satisfied.

The next day Felipa and I in secret began our labors; hers consisted in worrying me out of my life and spoiling material--mine in keeping my temper and trying to sew. The result, however, was satisfactory, never mind how we got there. I led Christine out one afternoon: Edward followed. "Do you like tableaux?" I said. "There is one I have arranged for you."

Felipa sat on the edge of the low, square-curbed Spanish well, and Drollo stood behind her, his great yellow body and solemn head serving as a background. She wore a brown petticoat barred with bright colors, and a little scarlet bodice fitting her slender waist closely; a chemisette of soft cream-color with loose sleeves covered her neck and arms, and set off the dark hues of her cheeks and eyes; and around her curly hair a red scarf was twisted, its fringed edges forming a drapery at the back of the head, which, more than anything else, seemed to bring out the latent character of her face. Brown moccasins, red stockings, and a quant.i.ty of bright beads completed her costume.

"By Jove!" cried Edward, "the little thing is almost pretty."

Felipa understood this, and a great light came into her face: forgetting her pose, she bounded forward to Christine's side. "I am pretty, then?"

she said with exultation; "I _am_ pretty, then, after all? For now you yourself have said it--have said it."

"No, Felipa," I interposed, "the gentleman said it." For the child had a curious habit of confounding the two ident.i.ties which puzzled me then as now. But this afternoon, this happy afternoon, she was content, for she was allowed to sit at Christine's feet and look up into her fair face unmolested. I was forgotten, as usual. "It is always so," I said to myself. But cynicism, as Mr. Aldrich says, is a small bra.s.s field-piece that eventually bursts and kills the artilleryman. I knew this, having been blown up myself more than once; so I went back to my painting and forgot the world. Our world down there on the edge of the salt-marsh, however, was a small one: when two persons went out of it there was a vacuum.

One morning Felipa came sadly to my side. "They have gone away," she said.

"Yes, child."

"Down to the beach to spend all the day."

"Yes, I know it."

"And without me!"

This was the climax. I looked up. Her eyes were dry, but there was a hollow look of disappointment in her face that made her seem old; it was as though for an instant you caught what her old-woman face would be half a century on.

"Why did they not take me?" she said. "I am pretty now: she herself said it."

"They can not always take you, Felipa," I replied, giving up the point as to who had said it.

"Why not? I am pretty now: she herself said it," persisted the child.

"In these clothes, you know: she herself said it. The clothes of the son of Pedro you will never see more: they are burned."

"Burned?"

"Yes, burned," replied Felipa composedly. "I carried them out on the barren and burned them. Drollo singed his paw. They burned quite nicely.

But they are gone, and I am pretty now, and yet they did not take me!

What shall I do?"

"Take these colors and make me a picture," I suggested. Generally, this was a prized privilege, but to-day it did not attract; she turned away, and a few moments after I saw her going down to the end of the plank-walk, where she stood gazing wistfully toward the ocean. There she staid all day, going into camp with Drollo, and refusing to come to dinner in spite of old Dominga's calls and beckonings. At last the patient old grandmother went down herself to the end of the long walk where they were, with some bread and venison on a plate. Felipa ate but little, but Drollo, after waiting politely until she had finished, devoured everything that was left in his calmly hungry way, and then sat back on his haunches with one paw on the plate, as though for the sake of memory. Drollo's hunger was of the chronic kind; it seemed impossible either to a.s.suage it or to fill him. There was a gaunt leanness about him which I am satisfied no amount of food could ever fatten. I think he knew it too, and that accounted for his resignation. At length, just before sunset, the boat returned, floating up the marsh with the tide, old Bartolo steering and managing the brown sails. Felipa sprang up joyfully; I thought she would spring into the boat in her eagerness.

What did she receive for her long vigil? A short word or two; that was all. Christine and Edward had quarreled.

How do lovers quarrel ordinarily? But I should not ask that, for these were no ordinary lovers: they were extraordinary.

"You should not submit to her caprices so readily," I said the next day while strolling on the barren with Edward. (He was not so much cast down, however, as he might have been.)

"I adore the very ground her foot touches, Kitty."