The Mating of Lydia Part 50

What did she hope to do with him? The plight of his wife and daughter had roused her strongest and most indignant sympathy. The cry of wrong or injustice had always found her fiercely responsive. Whatever an outsider could do to help Melrose's local victims she had done, not once but many times. Her mind was permanently in revolt against him, both as a man and a landlord. She had watched and judged him for years. Yet, now that yet another of his misdeeds was to bring her again into personal contact with him, her pulse quickened; some memory of the old ascendency survived.

It was a still and frosty evening. As the motor drew up in the walled enclosure before the Tower, the noise of its brakes echoed through the profound silence in which the Tower was wrapped. No sign of life in the dark front; no ray of light anywhere from its shuttered windows.

Yet, to her astonishment, as she alighted, and before she had rung the bell, the front door was thrown open, and Dixon with a couple of dogs at his heels ran down the steps.

At sight however of the veiled and cloaked lady who had descended from the motor, the old man stopped short, evidently surprised. With an exclamation Victoria did not catch, he retreated to the threshold of the house.

She mounted rapidly, not noticing that a telegraph boy on a bicycle had come wheeling into the forecourt behind her.

"Is Mr. Melrose at home?"

As she threw back her veil, Dixon stared at her in dumb amazement. Then she suddenly perceived behind him a tall figure advancing. She made a few steps forward through the dimly lighted hall, and found herself within a foot of Edmund Melrose himself.

He gave a start--checked himself--and stood staring at her. He wore spectacles, and was leaning on a stick. She had a quick impression of physical weakness and decay.

Without any visible embarra.s.sment she held out her hand.

"I am lucky to have found you at home, Mr. Melrose. Will you give me twenty minutes' conversation on some important business?"

"Excuse me!" he said with a profound bow, and a motion of the left hand toward the stick on which he supported himself--"or rather my infirmities."

Victoria's hand dropped.

His glittering eyes surveyed her. Dixon approached him holding out a telegram.

"Allow me," said Melrose, as he tore open the envelope and perused the message. "Ah! I thought so! You were mistaken, Lady Tatham--for another visitor--one of those foreign fellows who waste so much of my time--coming to see a few little things of mine. Shut the door, Dixon--the man has missed his train. Now, Lady Tatham!--you have some business to discuss with me. Kindly step this way."

He turned toward the gallery. Victoria followed, and Dixon was left in the hall, staring after them in a helpless astonishment.

The gallery lit by hanging lamps made a swift impression of splendid s.p.a.ce and colour on Lady Tatham as she pa.s.sed through it in Melrose's wake. He led the way without a word, till he reached the door of his own room.

She pa.s.sed into the panelled library which has been already described in the course of this narrative. On this October evening, however, its aspect was not that generally presented by Melrose's "den." Its ordinary hugger-mugger had been cleared away--pushed back into corners and out of sight. But on the splendid French bureau, and on various other tables and cabinets of scarcely less beauty, there stood ranged in careful order a wealth of glorious things. The light of a blazing fire, and of many lamps played on some fifty or sixty dishes and vases from the great days of Italian majolica--specimens of Gubbio, Faenza, Caff.a.giolo, of the rarest and costliest quality. The room glowed and sparkled with colour.

The gold of Italian suns.h.i.+ne, the azure of Italian skies, the purple of Italian grapes seemed to have been poured into it, and to have taken shape in these l.u.s.trous ewers and plaques, in their glistering greens and yellows, their pale opalescence, their superb orange and blue. While as a background to the show, a couple of curtains--Venetian cut-velvet of the seventeenth century, of faded but still gorgeous blue and rose--had been hung over a tall screen.

"What marvellous things!" cried Victoria, throwing up her hands and forgetting everything else for the moment but the pleasure of a trained eye.

Melrose smiled.

"Pray take that chair!" he said, with exaggerated deference. "Your visits are rare, Lady Tatham! Is it--twenty years? I regret I have no drawing-room in which to receive you. But Mr. Faversham and I talk of furnis.h.i.+ng it before long. You are, I believe, acquainted with Mr.

Faversham?"

He waved his hand, and suddenly Victoria became aware of another person in the room. Faversham standing tall and silent, amid the show of majolica, bowed to her formally, and Victoria slightly acknowledged the greeting. It seemed to her that Melrose's foraging eyes travelled maliciously between her and the agent.

"Mr. Faversham and I only unpacked a great part of this stuff yesterday,"

said Melrose, with much apparent good humour. "It has been shut up in one of the north rooms ever since a sale in Paris at which I bought most of the pieces. Crockett wished to see it" (he named the most famous American collector of the day). "He shall see it. I understand he will be here to-morrow, having missed his train to-day. He will come no doubt with his check-book. It amuses me to lead these fellows on, and then bid them good morning. They have the most infernal a.s.sumptions. One has to teach them that an Englishman is a match for any American!"

Victoria sat pa.s.sive. Faversham took up a pile of letters and moved toward the door. As he opened it, he turned and his eyes met Victoria's.

She wavered a moment under the pa.s.sionate and haughty resentment they seemed to express, no doubt a reflection of the reply to his letter sent him by Harry that morning. Then the door shut and she was alone with Melrose.

That gentleman leant back in his chair observing her. He wore the curious cloaklike garment of thin black stuff, in which for some years past he had been accustomed to dress when indoors; and the skullcap on his silvery white hair gave added force to the still splendid head and aquiline features. A kind of mocking satisfaction seemed to flicker through the wrinkled face; and the general aspect of the man was still formidable indeed. And yet it was the phantom of a man that she beheld.

He had paled to the diaphanous whiteness of the Catholic ascetic; his hand shook upon his stick; the folds of the cloak barely concealed the emaciation of his body. Victoria, gazing at him, seemed to perceive strange intimations and presages, and, in the deep harsh eyes, a spirit at bay.

She began quietly, bending forward:

"Mr. Melrose, I have come to speak to you on behalf of your wife."

"So I imagined. I should not allow any one else, Lady Tatham, to address me on the subject."

"Thank you. I resolved--as you see--to appeal once more to our old--"

"Friends.h.i.+p?" he suggested.

"Yes--friends.h.i.+p," she repeated, slowly. "It might have been called so--once."

"Long ago! So long ago that--I do not see how anything practical can come of appealing to it," he said, pointedly. "Moreover, the manner in which the friends.h.i.+p was trampled on--by you--not once, but twice, not only destroyed it, but--if I may say so--replaced it."

His hollow eyes burned upon her. Wrapped in his cloak, his white hair gleamimg amid the wonderful ewers and dishes, he had the aspect of some wizard or alchemist, of whom a woman might ask poison for her rival, or a philter for her lover. Victoria, fascinated, was held partly by the apparition before her, partly by an image--a visualization in the mind.

She saw the ballroom in that splendid house, now the British Emba.s.sy in Paris, and once the home of Pauline Borghese. She saw herself in white, a wreath of forget-me-nots in her hair. She has just heard, and from a woman friend, a story of l.u.s.t and cruelty in which Edmund Melrose was the princ.i.p.al actor. He comes to claim her for a dance; she dismisses him, in public, with a manner and in words that scathe--that brand. She sees his look of rage, as of one struck in the face--she feels again the shudder pa.s.sing through her--a shudder of release, horror pa.s.sing into thanksgiving.

But--what long tracts of life since then!--what happiness for her!--what decay and degeneracy for him! A pang of sheer pity, not so much for him as for the human lot, shot through her, as she realized afresh to what evening of life he had come, from what a morning.

At any rate her manner in reply showed no resentment of his tone.

"All these things are dead for both of us," she said quietly.

He interrupted her.

"You are right--or partly right. Edith is dead--that makes it easier for you and me to meet."

"Yes. Edith is dead," she said, with sudden emotion. "And in her last days she spoke to me kindly of you."

He made no comment. She resumed:

"I desire, if I can--and if you will allow me--to recall to you the years when we were cousins and friends together--blotting out all that has happened since. If you remember--twenty years ago, when you and your wife arrived to settle here, I then came to ask you to bury the feud between us, and to let us meet again at least as neighbours and acquaintances.

You refused. Then came the breakdown of your marriage. I was honestly sorry for it."

He smiled. She was quite conscious of the mockery in the smile; but she persevered.

"And now, for many years, I have not known--n.o.body here has known, whether your wife was alive or dead. Suddenly, a few days ago, she and your daughter arrived at Duddon, to ask me to help them."

"Precisely. To make use of you, in order to bring pressure to bear on me!

I do not mean to lend myself to the proceeding!"

Victoria flushed.

"In attempting to influence me, Mrs. Melrose, I a.s.sure you, had no weapon whatever but her story. And to look at her was to see that it was true.

She admits--most penitently--that she was wrong to leave you--"

"And to rob me! You forget that."