Beauty Part 17

Still farther to increase the capacity of the lower part of the body, woman has the loins more extended than man. This portion of her body is in every way enlarged at the expense of neighboring parts. Hence, the chest is shorter above; and the thighs and legs are shorter below.

The thigh-bones of woman are also more separated superiorly; the knees are more approximated; the feet are smaller; and the base of support is less extended.

The reader desirous of thoroughly understanding these matters, should compare the beautiful plates of the male and female skeletons by Albinus and Soemmerring.

Beauty of the locomotive system in woman, depends especially upon these fundamental facts, and those tendencies of structure which thus distinguish her from man.

In the woman possessing THIS SPECIES of beauty, therefore, the face is generally somewhat bony and oblong;--the neck, less connected with the nutritive system, is rather long and tapering;--the shoulders, without being angular, are sufficiently broad and definite for muscular attachments;--the bosom, a vital organ, is of but moderate dimensions;--the waist, enclosing smaller nutritive organs, is remarkable for fine proportion, and resembles, in some respects, an inverted cone;--the haunches, for the same reason, are but moderately expanded;--the thighs are proportional;--the arms, as well as the limbs, being formed chiefly of locomotive organs, are rather long and moderately tapering;--the hands and feet are moderately small;--the complexion, owing to the inferiority of the nutritive system, is often rather dark;--and the hair is frequently dark and strong.--The whole figure is precise, striking, and often brilliant.--From its proportions, it sometimes seems almost aerial; and we would imagine, that, if our hands were placed under the lateral parts of the tapering waist of a woman thus characterized, the slightest pressure would suffice to throw her into the air.

To this cla.s.s belong generally the more firm, vigorous, and even actively-impa.s.sioned women: though it may doubtless boast many of greatly modified character.

_First Variety or Modification of this Species of Beauty._

It may here be observed, that the varieties or modifications of each species of beauty naturally correspond with the greater or less development of some one of the various organs on which the species is founded. Thus, the modifications of beauty of the locomotive system correspond with the greater or less development of the bones, the ligaments, or the muscles; those of the nutritive system correspond with the greater or less development of the absorbents, the bloodvessels, or the glands; and those of the thinking system correspond with the greater or less development of the organs of sense, the brain, or the cerebel. A little reflection will show, that some of these modifications will be more, and others less beautiful.

To understand the present variety, the bony structure on which it especially depends, must now be more minutely described.

Commencing with the trunk of the body--the chest in woman is shorter but more expanded; the breast-bone is shorter but wider; the two upper ribs are flatter; the collar-bones are more straight or less curved, and do not present that prominent relief which appears on the chest of man; the shoulders are carried farther back, and project less from the trunk.

The haunches, as already stated, are proportionally wider in woman than in man, and the interior cavity of the pelvis, which is between them, being adapted to gestation, is more capacious. This greater capacity of the pelvis arises from the lateral parts having in woman more convexity outward; from the bones called ossa pubis, which form the anterior part, touching at a smaller number of points, and running obliquely or forming a greater angle, to enlarge the s.p.a.ce which is between them and the inferior extremity of the posterior part of the pelvis; from the arch of the pubis being larger; from the greater concavity and breadth of the os sacrum or posterior bone of the pelvis, its posterior part forming a greater prominence outward; and from the whole pelvis being thus wider and less deep, its circ.u.mference approaching more to the circular form. The cavities, it may be added, in which the heads of the thigh-bones are received, are of course farther apart: they are also oblique and less deep.

The arms of woman are shorter than in man.--As these members are well marked in beauty of the locomotive system, they may the more fully be considered here.--The arms, and especially their extremities, are susceptible of a degree of beauty of which we see few examples. Their bases, the bones, ligaments, and muscles, belong to the locomotive system; and their fundamental beauty consequently depends upon its proportions; but to the nutritive system are owing the circ.u.mstances that, in woman, the arm is fatter and more rounded, has softer forms and more flowing and purer outlines. The hand in woman is smaller, more plump, more soft, and more white. It is peculiarly beautiful when full; when it is gently dimpled over the first joints; when the fingers are long, round, tapering toward the ends; when the other joints are marked by slight reliefs and shadows; and when the fingers are delicate and flexible. Beauty of the hand becomes the more precious, because it is the princ.i.p.al organ of a sense which may be considered as the most valuable of all.

In regard to the lower extremities, it has been observed, that the lateral convexity of the pelvis causes the bones of the thighs attached to them to be farther separated from each other; and this separation of the bones of the thighs causes an increase of the size of the haunches. It is over the posterior part of the s.p.a.ce thus produced, that we observe the reliefs which the inferior members present superiorly, and which unite them with the trunk, by forms so beautifully rounded. The thighs are also proportionally larger, on account of this separation: they are more rounded, as well as much more voluminous: they are also more curved before than in man. At their inferior part, they approximate; and the knees project a little inward. It has been truly observed, that this conformation manifests, relatively to gestation and parturition, advantages of which the exterior expression is not found in the women who are commonly regarded as well made, and who, however, are not so, if the best conformation or beauty result from a direct and well-marked relation between the form of the organs and their functions. It is owing to the thighs of woman being thus carried more inward when she walks, that the change of the point of gravity which marks each step, is in her much more remarkable. All the other parts of the inferior members are in general distinguished by forms more softly rounded; the leg is remarkable for its delicacy; the long line of the anterior bone is entirely hid under its envelope; its inferior part is shaped with more elegance; the foot is smaller; and the base of support is less extended. The feet, like the hands, are susceptible of a kind of beauty of which nature is sparing.

From all this it appears that the only bones which nature tends to enlarge in woman are those of the pelvis; that all the rest are small; and that they proportionally diminish in size, as we pa.s.s from that central part to the extremities.

The FIRST MODIFICATION, therefore, of this species of beauty, is that in which the development of the bones, those of the pelvis excepted, is proportionally small.

This character will be especially apparent where the long bones approach the surface; as in the arm immediately above the wrist, and, in the leg, immediately above the ankle. Its effect will be proportionally delicate and feminine.

Various subordinate modifications of this kind of beauty are found in various countries, and under the influence of various circ.u.mstances.

The women of Rome, we are told, present beauty of the shoulders in the highest degree, when they arrive at that period of life in which plumpness succeeds to juvenile elasticity.

It has been suggested, that the Greek or Ionian women, whose arms were of so perfect a form, owed that beauty in some measure to the custom of leaving them nude, or covered only by loose drapery: as in that case, no pressure constricted the roundness of the fleshy parts, and prevented their development; no ligature, binding the upper part of the arm, altered the color of the skin; and the arm, being always uncovered, received at the toilet the same attention as other parts. Hence, it is supposed antique statuary has left us such admirable models of the beauty of this part.

It is certainly not improbable that we may attribute the absence of this beauty, in some measure, to a custom which, in many cases, medicine may approve, but which is unfavorable to the arm, that of wearing long sleeves; but want of exercise is its great cause.

The form of the hand often announces the occupation of the person to whom it belongs, and sometimes even her particular capabilities. There certainly are hands that we may call intellectual; and there are others that we may call foolish or stupid. Of the hand, Lavater says, that, whether in movement or in repose, its expression cannot be mistaken: its most tranquil position indicates our natural dispositions; its flexions, our actions and our pa.s.sions.

The ancients, it has been observed, attached much importance to the form of the feet: the philosophers did not neglect it in the general view of the physiognomy; and the historians as well as the poets made mention of their beauty, in speaking of Polyxene, Aspasia, and others; as they did of their deformities in speaking of the emperor Domitian.

Perfection or deformity of the feet is no doubt in general hereditary; but good management will preserve the former of these, and repair the latter.

We commonly deform these parts by means of our shoes: the second toe, observes a writer on this subject, which naturally projects most, as we see from the antique, is arrested in its development, and the foot, which ought, in the outline of its extremity, to approach to the elegant form of the ellipsis, is rounded without beauty, and is disfigured by our ridiculous compressions.[33]

_Second Variety or Modification of this Species of Beauty._

The joints generally are small in woman, and especially so in the extremities. The elbow joint is softly rounded; and the various joints of the fingers are marked chiefly by little reliefs and faint shadows. The articulation of the knee is feebly indicated; the ankles are disposed in such a manner as to offer only agreeable outlines; and there are dimples over the first joints of the toes, with exceedingly gentle indications of the other joints.

The SECOND MODIFICATION, therefore, of this species of beauty, is that in which the development of the ligaments and the articulations they form, is proportionally small.

This conformation will be especially apparent--in the arm, at the wrist--and, in the leg, at the ankle. Its effect will be proportionally handsome.

_Third Variety or Modification of this Species of Beauty._

The muscles of women are more slender and feeble than those of man; their bundles are rounder; their fibres are finer, more humid, soft, and delicate, and less compact; their central parts or bellies are less prominent; their reliefs do not appear in any strength at the surface of the body; but being, on the contrary, surrounded on all sides by a loose cellular tissue, they only render that surface beautifully rounded.

Although, however, the muscular system of woman is weaker, and the muscles proportionally smaller, yet, as already said, in some parts the muscular system is more developed than in man. This, owing to the magnitude of the pelvis, is most remarkable about the thighs. The muscles of these parts having larger origins from the pelvis, and being less compressed by reciprocal contact, have more liberty to extend themselves. It is from this, that results much of the delicacy of the female form, as well as the ease, suppleness, and capability of grace in its movements.

It is otherwise in all parts remote from the pelvis. Women, accordingly, can less be said to have calves, than legs which, like their arms and fingers, gently taper.

The THIRD MODIFICATION, therefore, of this species of beauty, is that in which the development of the muscles is proportionally large around the pelvis, and delicate elsewhere.

This conformation being concealed by the drapery, may nevertheless be conjectured from the imperfect view of the hip, or of the calf of the leg, or more accurately by means of the external indications of forms which are given in a subsequent chapter. Its effect will be proportionally elegant.

Woman's power of muscular motion being thus limited to the vicinity of the pelvis, that of her extremities is generally feeble.

Other causes contribute to this. Thus, with regard to the upper extremities, it has been observed, that the collar-bone, not separating so much the arm from the axis of the body, the extent of its movements is limited; and this circ.u.mstance explains why women, who wish to overcome great resistances with the superior members, experience difficulty in doing so--why, for example, when they wish to throw a stone, they are obliged to turn the body on the foot opposite to the arm with which they throw.

Thus also the largeness of the pelvis, and the approximation of the knees, influence the gait of woman, and render it vacillating and unsteady.

Conscious of this, women, in countries where the nutritive system in general and the pelvis in particular are large, affect a greater degree of this vacillation and unsteadiness. An example of this is seen in the lateral and rotary motion which is given to the pelvis in walking, by certain cla.s.ses of the women of London.

For the same reason, united to a smaller foot, and some other circ.u.mstances, women, it is observed, who execute gentle and light movements with so much skill, do not attempt with advantage great evolutions, run with difficulty and without grace, and fly--in order to be caught, as Rousseau has said.

In woman, however, the muscular fibre is thus soft, yielding, feeble, and incapable of great evolutions, because it is necessary that it should easily adapt itself to remarkable changes.

From all this, from women having more address in the use of their fingers, from their apt.i.tude for little and light domestic works, the care of children, and sedentary occupations, it is evident that they cannot devote themselves to toilsome labors without struggling against their organization, and suffering proportionally.

The voice being connected with the motive organs, it may here be noticed that the larynx or flute part of the throat in woman is more contracted and less prominent than in man; that the glottis does not enlarge in the same proportion; that the tongue-bone is much smaller; and that the tongue, its muscles, and the organs of speech in general, being, like all the other parts, more mobile, young girls articulate and p.r.o.nounce much more quickly. Their voice is also so much more acute, that if man and woman sing in unison, there is always between them the relation of an octave, which forms the most natural and most agreeable consonance.

It is evidently the UNION of all that is good in these varieties which renders beauty in the locomotive system perfect.

This is perfectly represented in the Diana of Grecian sculpture, in which, with admirable taste, it is neither the nutritive nor the thinking, but the locomotive system, which is developed.

I have already said, that the temperaments of the ancients are only partial views of some of the varieties I am now describing. The _athletic temperament_ falls under the _last of these varieties_; and it is the only one that falls under this species. Happily, it does not occur in woman.

This temperament results from a great development of the bones and muscles, and it is that of mere physical strength. It is marked by all the outward signs of strength: the head is small, the neck thick behind, the shoulders broad, the chest expanded, the haunches firm, the intervals of the muscles deeply marked, the tendons apparent through the skin, and all the joints not covered by muscles, seemingly small.

In this temperament, muscular strength prevails over the functions of the other organs, and especially usurps the energies necessary to the production of thought; the perceptions are deficient in quickness, delicacy, accuracy, and strength; and all the mental functions are with difficulty excited; but the body is capable of great exertion, and it surmounts great physical resistance when roused.

The Farnese Hercules, says a French physiologist, exhibits a model of the physical attributes of this const.i.tution; and that which fabulous antiquity relates of the exploits of this demi-G.o.d, gives us the idea of the moral dispositions that accompany it. In the history of his twelve labors, without reflection, and as by instinct, we see him courageous, because he is strong, seeking obstacles to conquer them, certain of overwhelming whatever resists him, but joining to such strength so little subtlety, that he is cheated by all the kings he serves, and by all the women he loves.