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Five Nights Part 25

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"What did you say?" I asked her. My throat was so dry the words were hardly more than a whisper.

"He started of course on seeing me, and then rushed forwards and said, 'Darling,' or something of that sort. I hardly heard what he said. I said simply: 'I was just going when you came in. I can't stay.' Then, of course, he asked me why I had come and all that and, oh, heaps and heaps of things. You know all the usual things a man does say, and I answered if he really cared for me he would let me go at once. Then he walked to the door, shut and locked it, and put the key in his pocket."

She paused, and I looked away from her. I was in such a pa.s.sion of rage against the man, and almost also with her for putting herself in such a position, I did not care for her to see my eyes.

"Go on," I said; "what did you do?"

"I asked him why he had locked the door, and he said to prevent my going until I had told him why I had come. I said I had changed my mind in the hours I had sat there, and he answered: 'Well, you will change it again if you stay here some more hours,' and he came and sat on the chair arm beside me. You see, Trevor, it wasn't his fault a bit, for he guessed I had come with all sorts of nice feelings for him, and he felt it was only his part, as it were, to play up to the situation, that it would be impossible to do anything but seem to wish to keep me when I had come."

"Don't trouble to tell me all that," I said angrily; "I know what Lawton feels for you. I know he is wild about you. I wonder you are not murdered. Go on, what did he do?"

"He was awfully good and nice. He tried for an hour to persuade me. He wanted to kiss me, of course. I said I was in his power, but that he would kill me before I would kiss him voluntarily. I think that convinced him, for he walked straight to the door and unlocked it and threw it open. Then he said he couldn't let me go into the streets at that hour alone, and so he came with me. He walked all the way here and left me at this door. That's all."

There was silence. Such a tremendous upheaval of emotions and feelings seemed surging within me I could not speak. My voice seemed dried dead in my throat. No words came before my mind that I could use.

Dawn was creeping slowly into the room. The hideous black night was over. Pale light, very soft and grey, but overpowering, was stealing in, mingling with the electric gold glare it was so soon to kill. It seemed to me like that mysterious, impalpable spirit we call love that is overpowering, dominant over everything, before which the false glare of the fires of sense pale into nothingness.

"Trevor," she said at last, breaking the silence of the pale, misty room, "are you glad I decided as I did? You must do just what you like; I only felt I could not do anything against you."

I turned and drew her wholly into my arms, and at that warm, living contact my voice came back to me.

"You are my life, my soul, and you ask if I am glad you've come back to me? There is nothing in the world for me really but you. Everything else is dust and ashes, that can be swept away by the lightest transient wind. You are the very life in my veins, and you must be mine always, as you have been from the very first."

I pressed my lips down on hers with all the force of that fury of triumph which rose within me. I did not want her answer. I merely wanted to force my words between her lips, to drive them home to her heart. She was my regained possession, and the joy of it was like madness. She put her arms round my neck and lay quite still and pa.s.sive, close pressed against my heart, and our souls seemed to meet and hold communion with each other and there was no need of any more words.

PART FOUR

THE CRIMSON NIGHT

CHAPTER VIII

LOSS

We had left town and come down to the country. Viola had not seemed quite so well in the last three months since the night of our reconciliation, and even here in the country she did not seem to regain her colour and her usual spirits.

She declared, however, there was nothing the matter with her, and we had been intensely happy.

One morning when we came down to our rather late breakfast I found a long, thin, curiously addressed letter lying by my plate.

Viola took it up laughingly, and then I saw her suddenly turn pale, and she laid it back on the table as if the touch of it hurt her.

"Oh, Trevor, that is a letter from Suzee! I am sure it is! Why should it come now, just when we are so happy?"

I looked at her in surprise, and took up the letter to cut it open.

"What makes you think it comes from her?" I asked; "it is not at all likely."

"I know it does," she said simply; "I feel it."

I laughed and opened the letter, not in the least believing she would be right. The first line, however, my eye fell upon shewed me it was from Suzee. The queer, stiff, upright characters suggested Chinese writing, and the first words could be hers alone:

"Dear Mister Treevor,

"Do you remember me? I am in awful trouble. Husband died and also baby. I sent here to be sold for slave to rich Chinaman. Please you buy me. Send my price 500 dollars to Mrs. Hackett, address as per above.

"Dear Treevor, dear Treevor, do come to me. You remember the wood?

"I am yours not sold yet,

"SUZEE."

I read this through with a feeling of amaze. Suzee had for so long been a forgotten quant.i.ty to me, something left in the past of the Alaskan trip, like the stars of the North, that her memory, thrown back suddenly on me like this, startled me.

I handed the letter to Viola in silence. She read it through, and then pushed it away from her.

"I told you so. There is no peace in this world!"

"But it needn't affect us, dearest," I said. "Suzee is nothing to me now. I don't want her. There is nothing to distress you."

"But you'll have to do something about it, I suppose," returned Viola gloomily. She was making the tea, and I saw her hands shook.

"I believe you would like to go. It would be a new experience for you.

You would go if that letter came to you when you were living as a bachelor, wouldn't you?"

"Possibly I might. But then, of course, when one is free it is different. Everything is different."

"Free!" murmured Viola, her eyes filling. "I hate to think I am tying you."

"It is not that," I said gently; "one does not want to do the same things, nor care about them."

"You wanted Veronica and didn't have her on my account, I am not going to prevent you doing this. You must go if you want to."

She threw herself into the easy chair with her handkerchief pressed to her mouth. The tears welled up to her eyes and poured down her white face uncontrollably.

"Dearest, dear little girl," I said, drawing her into my arms, "you are upsetting yourself for nothing. I don't want to go, I shan't think of going. I am perfectly happy; you are everything to me."

She leant her soft head against me in silence, sobbing for some seconds.

"Come and have breakfast," I said, stroking her hair gently, "and don't let us think anything more about it. If fifty Suzees were calling me I should not want to go."

Viola dried her eyes and came to the table in silence. We had other letters to open, and we discussed these, and no further reference was made to Suzee then.

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Five Nights Part 25 summary

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