Alone on a Wide Wide Sea Part 1

Alone on a Wide Wide Sea.

Michael Morpurgo.

To Lula Lea and Clare, who helped make this book with me.

My thanks to Alex Whitworth and Peter Crozier, mariners extraordinaire

and quite ancient too, whose emails while circ.u.mnavigating the world in their

yacht Berrimilla in 2004 informed and inspired this story. Thanks also to

Graham Barrett and Isabella Whitworth for all their wonderful help and

encouragement. And of course I mustn't forget Samuel Taylor Coleridge....

Contents.

Part One.

The Story of Arthur Hobhouse.

Arthur Hobhouse is a Happening.

Three Red Funnels and an Orchestra Kookaburras, c.o.c.katoos and Kangaroos.

Cooper's Station and Piggy Bacon and G.o.d's Work Suffer Little Children Wes Snarkey's Revenge.

Saints and Sinners Mrs Piggy to Ida "Only One Way Out"

"Did We Have the Children Here for This?"

"Just Watch Me"

"For She's a Jolly Good Fellow"

Wide as the Ocean "Couple of Raggedy Little Scarecrows"

Henry's Horrible Hat Hole.

I Must Go Down to the Sea Scrambled Eggs and Baked Beans "You're my Boys, Aren't You?"

Freddie Dodds One January Night.

An Orphan Just the Same Things Fall Apart The Centre Will Not Hold Oh Lucky Man!

Kitty Four Part Two.

The Voyage of the Kitty Four.

What Goes Around, Comes Around.

Two Send-offs, and an Albatross Jelly Blobbers and Red Hot Chili Peppers And Now the Storm Blast Came Just Staying Alive.

"Hey Ho Little Fish Don't Cry, Don't Cry"

Around the Horn, and with Dolphins Too!

Dr Marc Topolski "One Small Step for Man"

Alone on a Wide Wide Sea.

"London Bridge is Falling Down"

Now you've read the book.

Afterword.

Acknowledgements.

About the Author.

Part One.

The Story of Arthur Hobhouse.

Arthur Hobhouse is a Happening.

I should begin at the beginning, I know that. But the trouble is that I don't know the beginning. I wish I did. I do know my name, Arthur Hobhouse. Arthur Hobhouse had a beginning, that's for certain. I had a father and a mother too, but G.o.d only knows who they were, and maybe even he doesn't know for sure. I mean, G.o.d can't be looking everywhere all at once, can he? So where the name Arthur Hobhouse comes from and who gave it to me I have no idea. I don't even know if it's my real name. I don't know the date and place of my birth either, only that it was probably in Bermondsey, London, sometime in about 1940.

The earliest memories I have are all confused somehow, and out of focus. For instance, I've always known I had a sister, an older sister. All my life she's been somewhere in the deepest recesses either of my memory or my imagination sometimes I can't really be sure which and she was called Kitty. When they sent me away, she wasn't with me. I wish I knew why. I try to picture her, and sometimes I can. I see a pale delicate face with deep dark eyes that are filled with tears. She is giving me a small key, but I don't remember what the key is for. It's on a piece of string. She hangs it round my neck, and tells me I'm to wear it always. And then sometimes I hear her laugh, an infectious giggle that winds itself up into a joyous cackle. My sister cackles like a kookaburra. She comes skipping into my dreams sometimes, singing London Bridge is Falling Down, and I try to talk to her, but she never seems to be able to hear me. Somehow we're always just out of reach of one another.

All my earliest memories are very like dreams. I know that none of them are proper memories, none that I could really call my own anyway. I feel I've come out of half-forgotten, half-remembered times, and I'm sure I've often filled the half-forgotten times with made-up memories. Perhaps it's my mind trying to make some sense of the unknown. So I can't know for certain where the made-up ones end and the real ones begin. All the earliest childhood memories must be like that for everyone I suppose, but maybe mine are more blurred than most, and maybe that's because I have no family stories to support them, no hard facts, no real evidence, no certificates, not a single photograph. It's almost as if I wasn't born at all, that I just happened. Arthur Hobhouse is a happening. I've been a happening for sixty-five years, or thereabouts, and the time has come now for me to put my life down on paper. For me this will be the birth certificate I never had. It's to prove to me and to anyone else who reads it that at least I was here, that I happened.

I am a story as well as a happening, and I want my story to be known, for Kitty to know it if she's still alive. I want her to know what sort of a brother she had. I want Zita to know it too, although she knows me well enough already, I reckon, warts and all. Most of all I want Allie to know it, and for her children to know it, when they come along, and her children's children too. I want them all to know who I was, that I was a happening and I was a story too. This way I'll live on in them. I'll be part of their story, and I won't be entirely forgotten when I go. That's important to me. I think that's the only kind of immortality we can have, that we stay alive only as long as our story goes on being told. So I'm going to sit here by the window for as long as it takes and tell it all just as I remember it.

They say you can't begin a story without knowing the end. Until recently I didn't know the end, but now I do. So I can begin, and I'll begin from the very first day I can be sure I really remember. I'd have been about six years old. Strange that the memories of youth linger long, stay vivid, perhaps because we live our young lives more intensely. Everything is fresh and for the first time, and unforgettable. And we have more time just to stand and stare. Strange too that events of my more recent years, my adult years, are more clouded, less distinct. Time gathers speed as we get older. Life flashes by all too fast, and is over all too soon.

Three Red Funnels and an Orchestra.

There were dozens of us on the s.h.i.+p, all ages, boys and girls, and we were all up on deck for the leaving of Liverpool, gulls wheeling and crying over our heads, calling goodbye. I thought they were waving goodbye. None of us spoke. It was a grey day with drizzle in the air, the great sad cranes bowing to the s.h.i.+p from the docks as we steamed past. That's all I remember of England.

The deck shuddered under our feet. The engines thundered and throbbed as the great s.h.i.+p turned slowly and made for the open sea ahead, the mist rolling in from the horizon. The nuns had told us we were off to Australia, but it might as well have been to the moon. I had no idea where Australia was. All I knew at the time was that the s.h.i.+p was taking me away, somewhere far away over the ocean. The s.h.i.+p's siren sounded again and again, deafening me even though I had my hands over my ears. When it was over I clutched the key around my neck, the key Kitty had given me, and I promised myself and promised her I'd come back home one day. I felt in me at that moment a sadness so deep that it has never left me since. But I felt too that just so long as I had Kitty's key, it would be lucky for me, and I would be all right.

I suppose we must have gone by way of the Suez Ca.n.a.l. I know that most of the great liners bound for Australia did in those days. But I can't say I remember it. There's a lot I do remember though: the three pillar-box-red funnels, the sound of the orchestra playing from first cla.s.s where we weren't allowed to go once they even played London Bridge is Falling Down and I loved that because it always made me happy when I heard it. I remember mountainous waves, higher than the deck of the s.h.i.+p, green or grey, or the deepest blue some days, schools of silver dancing dolphins, and always, even in the stormiest weather, seabirds skimming the waves, or floating high above the funnels. And there was the wide wide sea all around us going on it seemed to me for ever and ever, as wide as the sky itself. It was the wideness of it all I remember, and the stars at night, the millions of stars. But best of all I saw my first albatross. He flew out of a s.h.i.+ning wave one day, came right over my head and looked down deep into my eyes. I've never forgotten that.

The s.h.i.+p was, in a way, my first home, because it was the first home I can remember. We slept two to a bunk, a dozen or more of us packed into each cabin, deep down in the bowels of the s.h.i.+p, close to the pounding rhythm of the engines. It was cramped and hot down there and reeked of diesel and damp clothes, and there was often the stench of vomit too, a lot if it mine. I was in with a lot of other lads all of whom were older than me, some a lot older.

I was in trouble almost from the start. They called me a "softie" because I'd rock myself to sleep at night, humming London Bridge is Falling Down, and because I cried sometimes. Once one of them found out I wet my bed too, they never let me forget it. They gave me a hard time, a lot of grief. They'd thump me with pillows, hide my clothes, hide my shoes. But sending me to Coventry was the worst, just refusing to speak to me, not even acknowledging my existence. I really hated them for that. They reserved this particular punishment for when I was at my most miserable, when I'd been sick in the cabin.

Sea-sickness was my chief dread. It came upon me often and violently. To begin with I'd do what everyone else seemed to do, I'd vomit over the rail if I could get there in time. It was while I was doing this one day that I first met Marty. We were vomiting together side by side, caught one another's eye, and shared each other's wretchedness. I could see in his eyes that it was just as bad for him. It helped somehow to know that. That was how our friends.h.i.+p began. Some kindly sailor came along and took pity on us both. He gave us some advice: when it gets rough, he told us, you should go below, as far down as you can go. It's the best place, because down there you don't feel the roll of the s.h.i.+p so much. So that's what we did, and it worked mostly. Marty came down to my cabin, or I'd go to his. But sometimes I'd get caught out and find myself having to be sick on the cabin floor. I'd clean it up, but I couldn't clean up the smell of it, so if I'd done it in my cabin they'd send me to Coventry again. It was to avoid having to face them that I sought out Marty's company more and more. I think it was because I felt safe with him. He was a fair bit older than me, about ten he was, older even than the boys in my cabin and taller too the tallest of all of us, and tall was important. I never asked him to protect me, not as such. But I knew somehow he might, and as it turned out, he did.

We were up on deck, the two of us, watching an albatross gliding over the waves like me, Marty loved albatross when a gang of these lads from my cabin were suddenly there behind us. They were northern lads, all of them sometimes I could hardly understand what they said. One of them, their ringleader Wes Snarkey, started calling me names and taunting me, I can't remember why. I was "nowt but a poxy c.o.c.kney!" Marty stared at Wes for a moment. He just walked right up to him and knocked him flat. One punch. Then he said very quietly, "I'm a c.o.c.kney too." They all slunk away, and after that life got a whole lot easier for me down in the cabin. It might have been just as hot and sticky, just as crowded and smelly, but at least they more or less left me alone. All Marty's doing.

It was Marty too who explained it all to me why we were on the s.h.i.+p, where we were going and why. I don't know how much, if anything, I had understood before. We were going to Australia, that was all I knew for certain. All of us, Marty said, had been specially chosen from all the orphans in England to go out and live in Australia that's what he'd been told. Australia, he said, was a brand new country where there hadn't been a war, where there hadn't been bombings and rationing, where there was lots of food to eat, huge parks to play in, and beaches too. We'd be able to go swimming whenever we liked. I told him I couldn't swim, and he said he'd teach me, that I'd soon learn. And, he explained, we weren't ever going to be sent to an orphanage again like the ones we'd grown up in, but instead we were all going to live in families who wanted to look after us. So, with all that to look forward to, it was worth being sea-sick for a while, wasn't it? Nothing was worth being sea-sick for, I said, and I promised I would never ever set foot on a s.h.i.+p or a boat again, not for all the tea in China. It was a promise I singularly failed to keep often.

During that whole long voyage into an uncertain future, Marty cheered my spirits. He became like a big brother to me, which was why I confided in him about Kitty, about how she'd been left behind and how much I missed her. I showed him the lucky key she'd given me. I could never think of her or even say her name without crying, but Marty never seemed to mind me crying. But he did mind me humming London Bridge is Falling Down, said I was always doing it, and couldn't I hum another tune? I said I didn't know any others. He told me that, like as not, Kitty would probably be coming out to Australia on another s.h.i.+p, that there wasn't room on this one, which was why they hadn't let her on, that I'd see her again soon enough. That was Marty through and through, always hopeful, always so certain things would work out. But Marty, as I discovered later, didn't just hope things would get better, he'd do all he could to make sure they did too.

You need people like Marty just to keep you going. Even if things don't seem to be working out quite as you'd like them to, you need to feel they're going to, that all will be well in the end. If you don't believe that, and sometimes in my life I haven't, then there's a deep black hole waiting for you, a black hole I came to know only too well later on. I learned a lot from Marty on that s.h.i.+p, about hope, about friends.h.i.+p. Mighty Marty everyone called him, and it was a nickname that suited him perfectly.

Kookaburras, c.o.c.katoos and Kangaroos.

In my time I've sailed into dozens of harbours all over the world. None is more impressive than Sydney. Liverpool had been grim and grey when we left, Sydney was blue and balmy and bright and beautiful. It was an arrival I shall never forget. We came in to port in the morning in our grand red-funnelled s.h.i.+p, the s.h.i.+p's horn sounding to announce us proudly. And I felt part of all this new glory. Marty and I stood there leaning on the s.h.i.+p's rail, gazing in wonder agog is the best word for it, I think. Everything about the place was new and marvellous to me, the warmth of the breeze, the hundreds of sailing boats out in the bay, white sails straining, the majesty of Sydney Harbour Bridge, the red-roofed houses on the hillsides all around, and the sea I never knew blue could be so blue. Nowhere could have been more perfect. I knew without question that we were steaming into paradise. And as the s.h.i.+p crept in, ever closer, I could see that everyone was waving up at us and smiling. We waved back. And Marty put his fingers in his mouth and whistled. I was filled with sudden hope. I was aglow with happiness, and so was Marty. He had his arm around my shoulder. "I told you, Arthur, didn't I?" he said. "A brand-new country. We'll be all right now."

In all the bustle and chaos on the dockside they gathered all of us children together, gave us a roll call, and then, without telling us why, began to split us up into groups. When I saw what was happening I stayed as close to Marty as I could. The last thing I wanted was to get separated from him. But that's just what they tried to do. Marty grabbed my arm, held on to it, and told me to stay right where I was beside him. Quick as a flash, he said, "Him and me, Mister, we're cousins. Where Arthur goes, I go. Where I go, Arthur goes." The man ticking our names off his list said it was quite impossible, that arrangements had already been made and couldn't be changed. He was adamant, and bad-tempered too. He shouted at Marty to b.u.t.ton his lip and do as he was told. Like everyone else on the dockside, he spoke English, but it didn't sound the same language as it had in England at all. I recognised the words, some of them, but the sounds they made were different and strange.

Marty didn't shout back and scream. He didn't jump up and down. Marty, I discovered, had his own very individual way of dealing with authority. He spoke very quietly, perfectly politely, fixing the man with a steady stare. "We're staying together, Mister," he said. And we did too, which was why I found myself later that morning sitting beside Marty on a bus, heading out of Sydney and into open country. There were ten of us on that bus, all boys, and as I looked around me I was relieved to see that only one of the boys from my cabin was there. It was Wes Snarkey, the one Marty had thumped that day on deck he'd never given me any trouble since, so that didn't bother me. Lady Luck really had smiled on me that's what I thought at the time anyway.

The driver, who seemed a chatty, cheerful sort of bloke, told us he was taking us to Cooper's Station, a big farm over 300 miles away. It would take us all day to get there. Best to settle down and sleep, he said. But we didn't. None of us did. There was too much to look at, too many wonders I'd never seen before. For a start, there were the wide open s.p.a.ces, hardly a house in sight, hardly any people either. But that wasn't all that amazed me that first day in Australia. All the animals and birds were as different and strange to us as the country itself. The bus driver told us what they were and it turned out their names were about as odd as they were themselves kookaburras and c.o.c.katoos and kangaroos and possums. They didn't even have the same trees we had back home in England. They had gum trees and wattle trees instead. This wasn't just a different country we were in, it was more like a different planet. And the scrubby surface of this planet seemed to go on and on, flat on every side as far as the horizon, which s.h.i.+mmered blue and brown and green. And the towns we drove through were like no towns I'd seen before. They had great wide dusty streets, and all the houses were low. If you saw another car it was a surprise.

I was hot and dusty and thirsty on that bus, and I thought the journey would never end, but I was happy. I was happy to have arrived, happy not to be sea-sick any more. Tired though we were, we were buoyed up by the excitement of it all. This was a new adventure in a new world. We were on a bus ride into wonderland and we were loving it, every single moment of it.

Evening was coming on by the time we got to Cooper's Station, but we could still see enough. We could see it was a place on its own, way out in the bush, and we could tell it was a farm. I mean you could smell it straightaway, the moment we clambered down off the bus. There were huge sheds all around, and you could hear cattle moving and s.h.i.+fting around inside. And from further away in the gloom there was the sound of a running creek, and ducks quacking raucously. A gramophone record was playing from the nearby farmhouse, which had a tin roof and a verandah all around it. I thought at first that was where we'd all be living, but we were led past it, carrying our suitcases, down a dirt track and into a compound with a fence all around. In the centre of this was a long wooden shed with steps at one end and a verandah.

"Your new home," the man told us, opening the door. I didn't take much notice of him, not then. I was too busy looking around me. The gramophone needle got stuck as I stood there. I can never think of Cooper's Station without that stuttering s.n.a.t.c.h of a hymn repeating itself remorselessly in my head, "What a friend we have in Jesus, have in Jesus, have in Jesus, have in Jesus". I wasn't to know it then, but it was the eerie overture that heralded the darkest years of my life.

Cooper's Station and Piggy Bacon and G.o.d's Work I think it was from the moment they first shut us in the dormitory block at Cooper's Station, and we heard the door bolted behind us, that I have hated walls about me and locked doors. I never lock the doors of my house even now never. Ever since Cooper's Station, doors and walls have made me feel like a prisoner. I was about to find out, as we all were, not what it was like to be a prisoner, but what it was to be a prisoner. Worse still we were slaves too.

I've had a lot of time to think things over since. I'm still angry about Cooper's Station, about what they did to us there. But we weren't the first. Two hundred years or so before we were sent out from England to Australia, others had made the same journey we did. They had come in chains in the stinking bowels of transport s.h.i.+ps. We may have come in a beautiful s.h.i.+p, with pillar-box-red funnels and an orchestra, but we were prisoners just like them. And they must have very soon discovered, as we did, that you weren't just a prisoner, you were a slave as well, and that when you're a slave they don't just take away your freedom, they take away everything else as well because they own you. They own you body and soul. And the soul, we were about to find out, was particularly important to our owners.

I can't pretend I had any understanding of all this then, lying there clutching my lucky key in the sweltering darkness of the dormitory during my first night at Cooper's Station, but I knew already that the dream had died. Marty lay in the bunk next to me, stunned to silence like the rest of us. He cried that night, the only time I ever heard Marty cry. I knew now this brand-new country we had come to was not a paradise after all. It was, as we were soon to discover, a h.e.l.l on earth a h.e.l.l specially devised for children by Mr Bacon, Piggy Bacon we called him, who was to be our gaoler, slave-master, preacher and brand-new father, all in one.

I can honestly say that Piggy Bacon was the only person in all my life that I ever wanted to kill. But to be fair to him, he did at least tell it to us straight. That first morning at Cooper's Station, after was.h.i.+ng from the buckets lined up out on the verandah, after our breakfast of lukewarm, lumpy porridge, he told us exactly why we were there. We were all gathered there s.h.i.+vering outside the dormitory block. Mrs Bacon was at his side in her blue dungarees and flowery ap.r.o.n, tiny alongside his great bulk. He was a great thickset bull of a man, red-faced with short, cropped ginger hair and a clipped ginger moustache, and little pink eyes even his eyelashes were ginger. He always seemed to me like a man on fire and about to explode. His vast stomach looked as if it was only just held in by his checked s.h.i.+rt and broad belt, a belt every one of us would have good cause to fear as the months pa.s.sed. He wore knee-length boots which he'd whack irritably from time to time with the stick he used to carry the same stick he would use for punctuating his speeches speeches which, like this one,always turned into sermons. Sometimes he'd carry a whip for cracking at the dogs, at the cattle or the horses, or us if he felt like it. Stick or whip, it didn't matter to us we came to fear both just as much.

Mrs Bacon smiled the same fixed nervous smile that day that I so often saw afterwards. We didn't know the reason she was nervous, not then. She seemed shrunk inside her dungarees I think she always wore the same blue dungarees, only the ap.r.o.ns changed. I sensed from the first that Mrs Bacon was frightened, that she was hiding something. Her face was drained of all colour. I never in my life saw a woman look more weary. She stood there, her eyes downcast, as Piggy Bacon told us all the whys and wherefores, the do's and don'ts of Cooper's Station.

"You can count yourselves very lucky," he began, "that Mrs Bacon and I have taken you in. No one else would, you know. We did it out of the kindness of our hearts, didn't we, Mrs Bacon? Out of the kindness of our hearts, that's what it was. You are the little ones no one else wanted. You are the little ones thrown out of the nest, rejected and with no home to go to, no one to look after you, no one even to feed you. But we will, won't we, Mrs Bacon? We will feed you and house you, we will clothe you and teach you about hard work and the ways of G.o.d. What more could a child ever want? Mrs Bacon and I are G.o.d fearin' folk, Christian folk. We were brought up to know our duty. 'Suffer little children to come unto me,' the good Lord said. So we are doing his will, and this we shall train you to do as well. A child is born sinful and must be bent to the will of G.o.d. That is now our task.

"So we have offered to take you in, at our own expense mind, out of good Christian charity. We have built you this home for your shelter your shelter from the storm of life. You will help us make a garden of Eden, a paradise out of this wilderness. Mrs Bacon and I will be like a mother and father to you, won't we, Mrs Bacon? And your training in the ways of the Lord will begin right now. There will be no swearing, no idleness I promise you, you will be kept too busy ever to be idle. You will work to earn your keep. And you will work because the Devil makes work for idle hands. If you work we shall feed you well. If you work well you may play for one hour at the end of each day, the last hour before sundown.

"Look out there!" he roared suddenly, waving his stick towards the horizon. "Look! Do you see? Nothing. Nothing but wilderness as far as the eye can see, and that nothing goes on for miles and miles north, south, east and west. So don't you ever think of running off. You'd go round in circles out there. You'd die of thirst, be shrivelled up by the sun. The snakes would bite you, the crocs would eat you up, or the dingo dogs would tear you to pieces. And even if you survived all that, the black fellows would soon find you they always do what I say and they'd just bring you right back here to Cooper's Station. Isn't that right, Mrs Bacon?"

Mrs Bacon did not respond. She just stayed there beside him, eyes still lowered, while he ranted on.

When she thought he'd finished she walked away towards the farmhouse, followed closely by her dun-coloured dog, a furtive frightened creature like his mistress, who slunk along behind her, his tail between his legs. But Piggy Bacon had not finished, not quite. He glared after her, and then slapped his boot with his stick. "It's G.o.d's work we're doing," he said. "G.o.d's work. Always remember that."

And so to G.o.d's work we went.

Suffer Little Children.

Piggy Bacon kept his promise to us faithfully: he did indeed always keep us too busy ever to be idle. From that day on anything that needed doing on the farm we children did it. We were the slaves that tried to carve his paradise out of the wilderness for him. The work was either smelly or back-breaking and often both at the same time. There were thirty milk cows and their calves and a hundred bullocks or more on that station. We fed them, watered them, drove them,cleaned up after them. And before long we were milking the cows too. I ached from my fingers to my shoulders with the work of it. Then there were Piggy Bacon's chickens he had hundreds of them and his pigs and his horses too.

Mornings were spent mostly refilling the wash buckets from the pump, shovelling muck, wheeling it out to the dung heap from the calf sheds, or spreading it on the paddocks. And always the flies found you, every fly in Australia. They were all around you, in your eyes, in your hair, up your nose even, and they were biting ones too. And if you swallowed one and you often did you'd try to retch it up, but you never could. We couldn't escape them any more than the animals could.

Lunch was soup and bread brought to our long trestle table in the dormitory and ladled out into our bowls by Mrs Bacon, who scarcely ever spoke to us. We lived on soup and bread in that place. Then in the afternoons we'd be set to clearing the paddocks of stones, or we'd be fetching and carrying water to the troughs, and blocks of salt too. These buckets almost pulled my arms out of my sockets they were so heavy. You had to fill them right up too, because if ever Piggy Bacon caught you carrying a half-empty bucket you were in big trouble, and trouble always meant the strap. So we filled them up full to the brim every time. And when all the water-carrying was done, we'd be digging up weeds or filling in potholes in the tracks, or pulling out tree roots, all of us straining together on the ropes.

Our hands blistered, our feet blistered. Bites and sores festered. None of that mattered to Piggy Bacon. Once one job was done there was always another waiting. We worked hard because he'd stop our food just like that if we didn't. We worked hard because he'd strap us if we didn't. We worked hard because if we didn't he'd cancel our evening playtime and make us work an hour extra at the end of the day. I so longed for that hour off we all did and we hated to miss it. That promise of an hour's playtime was what kept me going when every bone in my body ached with tiredness.

Feeding up the animals was the last task of the day, the only work I really enjoyed. Chickens, cows, pigs, horses it didn't matter I loved to see them come running when they saw us with our sacks of feed. I loved to watch them loving it. But the milking I never liked. My fingers couldn't cope. They swelled easily and I couldn't sleep afterwards for the pain. Marty and I we always tried to be in the same work party would feed a few by hand if we could, if Piggy Bacon wasn't around to catch us. The chickens tickled you when they pecked the corn out of your hand, and the horses' noses felt warm and soft as they snuffled up their feed you had to watch out in case they snuffled up your fingers as well.

There was one horse in particular Marty and I loved more than all the others. He was huge, a giant of a horse, s.h.i.+ning black all over except for one white sock. Big Black Jack he was called, and whenever we were lucky enough to get to feed him, Marty and I made sure he had all the food and water he needed, and then some. I'd crouch there by his bucket, watching him drink deep, listening to his slurping, laughing at his dribbling when he lifted his head out of the bucket. I'd sing London Bridge is Falling Down to him, and he'd like that. He was Piggy Bacon's plough-horse, and Piggy treated him just as he treated us, worked him to the bone, till his head hung down with exhaustion. Horses, I discovered, when they're tired or sad, sigh just like people do. Big Black Jack used to do that often. We'd look one another in the eye and I'd know just how he felt and he'd know just how I felt too.

Whatever job we were doing, whenever we were out on the farm, we could be sure Piggy Bacon would turn up sooner or later. He would appear suddenly, out of nowhere. He only ever came for one reason, and that was to pick on someone for something. Each time I hoped and prayed it was someone else he'd pick on. But sooner or later my turn would come around. We either weren't working fast enough, or hard enough. A water bucket wasn't full enough, or he'd find a field stone we hadn't picked up any excuse would do. He wouldn't strap us there and then. Instead he'd tell us how many whacks the particular crime merited and then give us all day to think about it. That was the torture of it, the waiting.

The punishment parade would take place in the evening outside the dormitory hut just before supper and before we were locked in for the night. He'd call you out in front of the others and then p.r.o.nounce sentence on you just like a judge. And you'd stand there, hand outstretched, trembling and tearful. It happened to all of us, and often. No one escaped it. But Marty got it more than most, and you could see that when Piggy Bacon strapped Marty he did it with real venom. There was a good reason for that: Marty's look.

It was the same look he'd used on that officious man on the dockside the first day we landed in Australia. The thing was that Marty would never be cowed. He would look Piggy Bacon straight in the eye, and that always set Piggy Bacon into one of his terrible rages. The rest of us kept our heads down, just tried to keep out of trouble. Marty fought back with silent defiance. And he didn't cry out like I did, like the rest of us did, when we were strapped he wouldn't give him the satisfaction. He just stood there unflinching, his jaw set, his eyes stoney, no tears, no trembling. And to add insult to injury, he'd say thank you afterwards too, his voice as stony as his stare. I'd like to say we all took heart from that, but we didn't. We admired him though everyone did. But he wasn't the only one who fought back. We soon had another hero to admire, a most unlikely hero too Wes Snarkey.

Wes Snarkey's Revenge.