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REMARKABLE.
CREATURES.
TRACY CHEVALIER.
Different from all the rocks on the beach.
Lightning has struck me all my life. Just once was it real. I shouldn't remember it, for I was little more than a baby. But I do remember. I was in a field, where there were horses and riders performing tricks. Then a storm blew in, and a woman-not Mam-picked me up and brought me under a tree. As she held me tight I looked up and saw the pattern of black leaves against a white sky.
Then there was a noise, like all the trees falling down round me, and a bright, bright light, which was like looking at the sun. A buzz run right through me. It was as if I'd touched a hot coal, and I could smell singed flesh and sense there was pain, yet it weren't painful. I felt like a stocking turned inside out.
Others begun pulling at me and calling, but I couldn't make a sound. I was carried somewhere, then there was warmth all round, not a blanket, but wet. It was water and I knew water-our house was close to the sea, I could see it from our windows. Then I opened my eyes, and it feels like they haven't been shut since.
The lightning killed the woman holding me, and two girls standing next to her, but I survived. They say I was a quiet, sickly child before the storm, but after it I grew up lively and alert. I cannot say if they're right, but the memory of that lightning still runs through me like a s.h.i.+ver. It marks powerful moments of my life: seeing the first crocodile skull Joe found, and finding its body myself; discovering my other monsters on the beach; meeting Colonel Birch. Other times I'll feel the lightning strike and wonder why it's come. Sometimes I don't understand, but accept what the lightning tells me, for the lightning is me. It entered me when I was a baby and never left.
I feel an echo of the lightning each time I find a fossil, a little jolt that says, "Yes, Mary Anning, you are different from all the rocks on the beach." That is why I am a hunter: to feel that bolt of lightning, and that difference, every day.
An unladylike pursuit, dirty and mysterious.
Mary Anning leads with her eyes. That was clear even the first time we met, when she was but a girl. Her eyes are b.u.t.ton brown, and bright, and she has a fossil hunter's tendency always to be looking for something, even when on the street or in a house where there is no possibility of finding anything of interest. It makes her appear vigorous, even when she is still. I have been told by my sisters that I too glance about rather than hold a steady gaze, yet they do not mean it as a compliment as I do with Mary.
I have long noted that people tend to lead with one particular feature, a part of the face or body. My brother, John, for instance, leads with his eyebrows. It is not just that they form prominent tufts above his eyes, but they are the part of his face that moves the most, tracing the course of his thoughts as his brow furrows and clears. He is the second eldest of the five Philpot siblings, and the only son, which made him responsible for four sisters after our parents' death. Such circ.u.mstances will move anyone's eyebrows, though even as a boy he was serious.
My youngest sister, Margaret, leads with her hands. Though small, their fingers are proportionately long and elegant, and she plays the piano better than the rest of us. She is given to waving her hands about as she dances, and when she sleeps she throws her arms above her head, even when the room is cold.
Frances has been the only Philpot sister to marry, and leads with her bosom-which I suppose explains that. We Philpots are not known for our beauty. Our frames are bony, our features strong. Moreover, there was really only family money enough for one sister to marry with ease, and Frances won the race, leaving Red Lion Square to become the wife of an Ess.e.x merchant.
I have always admired most those who lead with their eyes, like Mary Anning, for they seem more aware of the world and its workings. That is why I get on best with my eldest sister, Louise. She has grey eyes, like all the Philpots, and says little, but when her eyes fix on you, you take notice.
I have always wanted to lead with my eyes as well, but I have not been so fortunate. I have a prominent jaw, and when I grit my teeth-more often than I ought, for the world frustrates me-it tenses and sharpens like an axe blade. At a ball once I overheard a potential suitor say he did not dare ask me to dance for fear of cutting himself on my face. I have never really recovered from that remark. It explains why I am a spinster, and why I dance so seldom.
I have longed to move from jaw to eye, but I have noticed that people do not change which feature they lead with, any more than they change in character. And so I am stuck with my strong jaw that puts people off, set in stone like the fossils I collect. Or so I have thought.
I met Mary Anning in Lyme Regis, where she has lived all her life. It was certainly not where I expected to live. London was, of course, specifically Red Lion Square, where we Philpots grew up. Though I had heard of Lyme, as one does of seaside resorts when they become fas.h.i.+onable, we had never visited. We usually went to Suss.e.x towns such as Brighton or Hastings during the summer. When she was alive our mother was keen for us to breathe the fresh air and bathe in the sea, for she subscribed to the views of Doctor Richard Russell, who had written a dissertation about the benefit of sea water, to bathe in and to drink as well. I refused to drink sea water, but I did swim sometimes. I was at home by the sea, though I never thought that would become a literal truth.
Two years after our parents' death, however, my brother announced at dinner one evening his engagement to the daughter of one of our late father's solicitor friends. We kissed and congratulated John, and Margaret played a celebratory waltz on the piano. But in bed that night I wept, as I suspected my sisters did as well, for our London lives as we knew them were over. Once our brother married there would be neither the place nor the money for us all to live at Red Lion Square. The new Mrs Philpot would of course want to be mistress of her own home, and fill the house with children. Three sisters was a surfeit, especially when we were unlikely to marry. For Louise and I both knew we were destined to remain spinsters. Because we had little money, our looks and characters were meant to attract husbands, yet ours were too irregular to help us. Though her eyes lifted and brightened her face, Louise was very tall-far taller than most men could manage-and had large hands and feet. Moreover, she was so quiet that suitors were unnerved by her, thinking she was judging them. She probably was. As for me, I was small and bony and plain, and I could not flirt, but would try to talk about serious things, and that drove the men away too.
We were to be moved on, then, like sheep s.h.i.+fted from one cropped field to another. And John must be our shepherd.
The next morning he laid on the breakfast table a book he had borrowed from a friend. "I thought for your summer holiday you might like to go somewhere new rather than visit our aunt and uncle in Brighton again," he suggested. "A little tour, if you like, along the south coast. With the war with France cutting off travel to the Continent, so many more coastal resorts are springing up. There may be places you will like even more than Brighton. Eastbourne, perhaps, or Worthing. Or further afield, to Lymington, or the Dorset coast: Weymouth or Lyme Regis." John was reciting these places as if going down a list in his head, placing a little tick beside each one as he named it. That was how his tidy solicitor's mind worked. He had clearly thought through where he wanted us to go, though he would herd us there gently. "Have a look to see what you fancy." John tapped the book. Although he said nothing, we all knew we were looking not simply for a holiday destination, but for a new home, where we could live in gently diminished circ.u.mstances rather than as London paupers.
When he had gone out to his chambers, I picked up the book. "A Guide to All the Watering and Sea-Bathing Places for 1804," I read out, for Louise and Margaret's benefit. Flipping through it, I found entries on English towns in alphabetical order. Fas.h.i.+onable Bath had the longest entry, of course-forty-nine pages, along with a large map and a pull-out panoramic view of the city, with its even, elegant facades cupped by surrounding hills. Our beloved Brighton had twenty-three pages and a glowing report. I looked up the towns our brother had mentioned, some of which were little more than glorified fis.h.i.+ng villages, warranting only two pages of indifferent plat.i.tudes. John had made a dot in the margin of each. I expect he had read every entry in the book and chosen those that suited best. He had done his research.
"What's wrong with Brighton?" Margaret demanded.
I was reading about Lyme Regis then, and grimaced. "Here is your answer." I handed her the guide. "Look at what John has marked."
"'Lyme is frequented princ.i.p.ally by persons in the middle cla.s.s of life'," Margaret read aloud, "'who go there, not always in search of their lost health, but as frequently perhaps to heal their wounded fortunes, or to replenish their exhausted revenues'." She let the book drop in her lap. "Brighton is too expensive for the Philpot sisters, then, is it?"
"You could stay here with John and his wife," I suggested in a burst of generosity. "They could manage one of us, I expect. We may as well not all be banished to the coast."
"Nonsense, Elizabeth, we shan't be separated," Margaret declared with a loyalty that made me hug her.
That summer we toured the coast as John had suggested, accompanied by our aunt and uncle, our future sister-in-law and her mother, and John when he could manage it. Our companions made comments like "What glorious gardens! I envy those who live here all year round and can walk in them any time they like," or "This circulating library is so well stocked you would think you were in London," or "Isn't the air here so soft and fresh? I wish I could breathe this every day of the year." It was galling to have others judge our future so casually, especially our sister-in-law, who would be taking over the Philpot house and didn't seriously have to consider living in Worthing or Hastings. Her comments became so irritating that Louise began excusing herself from group outings, and I made more and more tetchy remarks. Only Margaret enjoyed the novelty of the new places, even if only to laugh at the mud at Lymington or the rustic theatre at Eastbourne. She liked Weymouth best, for King George's love of the town made it more popular than the others, with several coaches a day from London and Bath, and a constant influx of fas.h.i.+onable people.
As for myself, I was out of sorts throughout much of the tour. Knowing you may be forced to move somewhere can ruin it as a place for a holiday. It was difficult to view a resort as anything but inferior to London. Even Brighton and Hastings, places that previously I had loved to visit, seemed lacking in spirit and grace.
By the time we reached Lyme Regis, only Louise, Margaret and I were left: John had had to return to his chambers, and had taken his fiancee and her mother back with him, and our uncle's gout had caught up with him, sending him and our aunt limping back to Brighton. We were escorted to Lyme by the Durhams, a family we'd met in Weymouth, who accompanied us on the coach and helped us to get settled at lodgings in Broad Street, the town's main thoroughfare.
Of all the places we visited that summer, I found Lyme the most appealing. It was September by then, which is a lovely month anywhere. With its mildness and golden light, it will soften even the grimmest resort. We were blessed with good weather, and with freedom from the expectations of our family. At last I could form my own opinion of where we might live.
Lyme Regis is a town that has submitted to its geography rather than forced the land to submit to it. The hills into town are so steep that coaches cannot travel down them-pa.s.sengers are left at the Queen's Arms at Charmouth or the crossroads at Uplyme and brought down in carts. The narrow road leads down to the sh.o.r.e, and then quickly turns its back on the sea and heads up hill again, as if it wants merely to glimpse the waves before fleeing. The bottom, where the tiny River Lym pours into the sea, forms the square in the centre of town. The Three Cups-the main inn-is there, across from the Customs House and from the a.s.sembly Rooms that, while modest, boast three gla.s.s chandeliers and a fine bay window overlooking the sh.o.r.e. Houses spread out from the centre, along the coast and up the river, and shops and the Shambles market stalls march up Broad Street. It is not planned, like Bath or Cheltenham or Brighton, but wriggles this way and that, as if trying to escape the hills and sea, and failing.
But that is not all there is to Lyme. It is as if there are two villages side by side, connected by a small, sandy beach where the bathing machines are lined up, awaiting an influx of visitors. The other Lyme, at the west end of the beach, doesn't shun, but embraces the sea. It is dominated by the Cobb, a long grey stone wall that curves like a finger out into the water and shelters the sh.o.r.e, creating a tranquil harbour for the fis.h.i.+ng boats and the trading s.h.i.+ps that come from all over. The Cobb is several feet high, and wide enough for three to walk along arm in arm, which many visitors do, for it gives a fine view back to the town and the dramatic sh.o.r.eline beyond of rolling hills and cliffs in green, grey and brown.
Bath and Brighton are beautiful despite their surroundings, the even buildings with their smooth stone creating an artifice that pleases the eye. Lyme is beautiful because of its surroundings, and despite its indifferent houses. It appealed to me immediately.
My sisters were also pleased with Lyme, for different reasons. For Margaret it was simple: she was the belle of Lyme's b.a.l.l.s. At eighteen she was fresh and lively, and as pretty as a Philpot was ever going to be. She had lovely ringlets of dark hair and long arms she liked to hold aloft so that people could admire their graceful lines. If her face was a little long, her mouth a little thin, and the tendons in her neck a little prominent, that did not matter when she was eighteen. It would matter later. At least she didn't have my hatchet jaw, or Louise's unfortunate height. There were few to match her in Lyme that summer, and the gentlemen gave her more attention than at Weymouth or Brighton, where she had more compet.i.tors. Margaret was happy to live from ball to ball, filling the days in between with cards and tea at the a.s.sembly Rooms, bathing in the sea, and strolling up and down the Cobb with the new friends she had made.
Louise did not care about b.a.l.l.s and cards, but early on she discovered an area near the cliffs to the west of town with surprising flora and wild, secluded paths shaped by fallen rock and covered with ivy and moss. This pleased both her botanical interest and her retiring nature.
As for myself, I found my Lyme pursuit on a walk one morning along Monmouth Beach, to the west of the Cobb. We had joined our Weymouth friends the Durhams to search out a peculiar stone ledge along the beach called the Snakes' Graveyard, which was only uncovered at low tide. It was farther than we'd thought, and the stony beach was difficult to walk on in thin pumps. I had to keep my eyes cast down so as not to trip on the rocks. As I stepped between two stones, I noticed an odd pebble decorated with a striped pattern. I bent over and picked it up-the first of thousands of times I would do so in my life. It was spiral shaped, with ridges at even intervals around the spine, and it looked like a snake curled in on itself, the tip of the tail in the centre. Its regular pattern was so pleasing to the eye that I felt I must keep it, though I had no idea what it was. I only knew that it could not be a pebble.
I showed it to Louise and Margaret, and then to the Weymouth family. "Ah, that is a snakestone," Mr Durham declared.
I almost dropped it, despite logic telling me the snake could not be alive. It could not be just a stone, though. Then I realised. "It is a-fossil, isn't it?" I used the word hesitantly, for I wasn't sure the Weymouth family would be familiar with it. Of course I had read about fossils, and seen some displayed in a cabinet at the British Museum, but I didn't know they could be found so easily on the beach.
"I expect so," Mr Durham said. "People often find such things here. Some of the locals sell them as curiosities. They call them curies."
"Where is its head?" Margaret asked. "It looks as if it's been chopped off."
"Perhaps it has fallen off," Miss Durham suggested. "Where did you find the snakestone, Miss Philpot?"
I pointed out the spot, and we all looked but couldn't see the head of a snake lying about. Soon the others lost interest and walked on. I searched a little longer, then followed the party, opening my hand now and then to gaze at this, my first specimen of what I would learn to call an ammonite. It was odd to be holding the body of a creature, whatever it was, and yet it pleased me too. Gripping its solid form was a comfort, like holding on to a walking stick or a staircase banister.
At the end of Monmouth Beach, just before Seven Rocks Point, where the sh.o.r.eline turned out of sight, we found the Snakes' Graveyard. It was a smooth ledge of limestone in which there were spiral impressions, white lines against the grey stone, of hundreds of creatures like that which I held, except that they were enormous, each the size of a dinner plate. It was such a strange, bleak sight that we all stared in silence.
"Those must be boa constrictors, don't you think?" Margaret said. "They're enormous!"
"But boa constrictors don't live in England," Miss Durham said. "How did they get here?"
"Perhaps they did live here, a few hundred years ago," Mrs Durham suggested.
"Or even a thousand years ago, or five thousand," Mr Durham ventured. "They could be that old. Perhaps the boa constrictors then migrated to other parts."
They did not look like snakes to me, or any other animal I knew of. I walked out onto the ledge, stepping with care so as not to tread on the creatures, even if they were clearly long dead and not so much corporeal bodies but sketches in the rock. It was difficult to imagine them as alive once. They looked permanent, as if they'd always been in the stone.
If we lived here, I could come and see this whenever I liked, I thought. And find smaller snakestones, and other fossils as well, on the beach. It was something. It was enough, for me.
Our brother was delighted with our choice. Apart from Lyme being economical, William Pitt the Younger had stayed in the town as a youth to recover his health; John found it comforting that a British Prime Minister would think highly of the place he was banis.h.i.+ng his sisters to. We moved to Lyme the following spring, with John securing for us a cottage high above the shops and beach, at the top of Silver Street, which is what Broad Street becomes further up the hill leading out of town. Soon after, John and his new wife sold our Red Lion Square home and, with the help of her family's money, bought a newly built house on nearby Montague Street, next to the British Museum. We had not meant our choice to cut us off from our past, but it did. We had only the present and the future to think of in Lyme.
Morley Cottage was a shock at first, with its small rooms, low ceilings, and uneven floors so different from the London house we had grown up in. It was made of stone, with a slate roof, and had a parlour, dining room and kitchen on the ground floor, with two bedrooms above as well as a room in the eaves for our servant, Bessy. Louise and I shared one room, giving Margaret the other, for she complained when we stayed up late reading-Louise her botany books, I my works on natural history. There was not enough room in the cottage to fit our mother's piano or sofa or mahogany dining table. We had to leave them behind in London and buy smaller, plainer furniture in nearby Axminster, and a tiny piano in Exeter. The physical reduction of s.p.a.ce and furnis.h.i.+ngs mirrored our own contraction, from a substantial family with several servants and plenty of visitors, to a reduced household with one servant to cook and clean, in a town with many fewer families whom we could socialise with.
We soon grew used to our new home, however. Indeed, after a time our old London house seemed too big. Its high ceilings and huge windows had made it hard to heat, and its dimensions had been larger than a person truly required; the grandeur false if you were not grand yourself. Morley Cottage was a lady's home, the size of a lady's character and expectations. Of course, we never had a man live there and so it is easy to think that way, but I believe a man of our position in society would have been uncomfortable. John was whenever he visited; he was always b.u.mping his head on the beams, tripping over uneven door sills, ducking his head to look out of the low windows, wavering on the steep stairs. Only the hearth in the kitchen was bigger than the grates in Bloomsbury.
We also grew used to the smaller social circle of Lyme. It is a solitary place-the nearest city of any size is Exeter, twenty-five miles to the west. As a result its residents, while conforming to the social expectations of the time, are peculiar and unpredictable. They can be smallminded, yet tolerant as well. It is not surprising that there are several Dissenting sects in the town. Of course the main church, St Michaels, is still the Church of England, but there are other chapels too that serve those who question the traditional doctrine: Methodists, Baptists, Quakers, Congregationalists.
I found a few new friends in Lyme, but it was more the stubborn spirit of the place as a whole that appealed to me rather than specific people-until I got to know Mary Anning, that is. To the town we Philpots were for years considered London transplants, to be viewed with some suspicion and a little indulgence too. We were not well off-150 per annum does not allow three spinsters many treats-but we were certainly better off than many in Lyme, and our background as educated Londoners from a solicitor's family brought us a degree of respect. That we all three were without men I am sure gave people plenty of mirth, but at least they aimed their smirks at our backs rather than our faces.
Although Morley Cottage was unremarkable, it did offer stupendous views of Lyme Bay and the string of eastern hills along the coast, punctuated by the highest peak, Golden Cap, and ending, on clear days, with the Isle of Portland lurking off land like a crocodile, submerged but for its long flat head. I often rose early and sat at the window with my tea, watching the sun rise and give Golden Cap its name, and the sight softened the sting I still felt at having moved to this remote, shabby watering hole on England's southwest coast, far from the busy, vital world of London. When the sun drenched the hills I felt I could accept and even benefit from our isolation here. When it was cloudy, however, blowing a gale or simply a monotonous grey, I despaired.
We had not long been installed in Morley Cottage before I grew certain that fossils were to be my pa.s.sion. For I had to find a pa.s.sion: I was twenty-five years old, unlikely ever to marry, and in need of a hobby to fill my days. It is so tedious being a lady sometimes.
My sisters had already claimed their territories. Louise was on her hands and knees in the Silver Street garden, pulling up hydrangeas, which she thought vulgar. Margaret was indulging her love of cards and dancing at Lyme's a.s.sembly Rooms. She persuaded Louise and me to go with her whenever she could, though she soon found younger accomplices. There is nothing to put off potential suitors more than old spinster sisters in the background, making dry remarks behind their gloves. Margaret had just turned nineteen, and still had great hopes for her prospects at the a.s.sembly Rooms, though she did complain of the provincial quality of the dancing and frocks.
For myself, it took only the early discovery of a golden ammonite, glittering on the beach between Lyme and Charmouth, for me to succ.u.mb to the seductive thrill of finding unexpected treasure. I began frequenting the beaches more and more, though at the time few women took an interest in fossils. It was seen as an unladylike pursuit, dirty and mysterious. I didn't mind. There was no one I wanted to impress with my femininity.
Certainly fossils are a peculiar pleasure. They do not appeal to everyone, for they are the remains of creatures. If you think on it too much, you would wonder at holding in your hands a long dead body. Then too, they are not of this world, but from a past very difficult to imagine. That is why I am drawn to them, but also why I prefer to collect fossilised fish, with their striking patterns of scales and fins, for they resemble fish we eat every Friday, and so seem more a part of the present.
It was fossils that first brought me in contact with Mary Anning and her family. I had hardly collected a handful of specimens before I decided I needed a cabinet in which to display them properly. I have always been the organiser amongst the Philpots-the arranger of Louise's flowers in vases, the one to set out the china Margaret brought from London. This need to put things in order led me to Richard Anning's cellar workshop in c.o.c.kmoile Square at the bottom of the town. Square is far too grand a word for the tiny open s.p.a.ce about the size of a good family's drawing room. Though just around the corner from the town's main square, where fas.h.i.+onable folk went, c.o.c.kmoile Square was made up of shabby houses where tradesmen lived and worked. One corner of the square held the town's tiny gaol, with stocks sitting out front.
Though Richard Anning had been recommended to me as a decent cabinet maker, I would soon have been drawn there anyway, if only to compare my fossils to those at the table young Mary Anning tended outside the workshop. She was a tall, lean child, with the hard limbs of a girl used to working rather than playing with her dollies. She had a rather plain, flat face, made interesting by bold brown eyes like pebbles. As I approached, she was sifting through a basket of specimens, picking out pieces of ammonites and tossing them into different bowls as if playing a game. Even at that early age she was able to tell apart the various types of ammonites by comparing the suture lines around their spiralled bodies. She glanced up from her sorting, her look spirited and full of curiosity. "You want to buy curies, ma'am? We got some nice ones here. Look, here's a pretty sea lily, only a crown." She held up a beautiful piece of crinoid, its long fronds spread out indeed like a lily. I do not like lilies. I find their sweet scent too cloying, and prefer sharper scents: I have Bessy dry my sheets on the rosemary bush in Morley Cottage's garden, while she hangs my sisters' over lavender. "Do you like it, ma'am-miss?" Mary persisted.
I flinched. Was it so very obvious that I was not married? Of course it was. For one thing, I had no husband with me, looking after and indulging me. But there was something else about married women that I noticed, their solid smugness at not having to worry about the course of their future. Married women were set like jelly in a mould, whereas spinsters like me were formless and unpredictable.
I patted my basket. "I have my own fossils, thank you. I am here to see your father. Is he in?" Mary nodded towards steps that led down to an open door. I ducked into a dim, filthy room crammed with wood and stone, the floor covered with shavings and gritty stone dust. It smelled so strongly of varnish that I almost backed out, but I could not, for Richard Anning was staring at me, his sharp, shapely nose pinning me to the spot like a dart. I never like people who lead with their noses: they pull everything to the centre of their faces, and I feel trapped by their concentration.
He was a lithe man of medium height, with dark, l.u.s.trous hair and a strong jaw. His eyes were the kind of dark blue that hides things. It always annoyed me how handsome he was, given his harsh, teasing nature and his sometimes rough manners. He did not pa.s.s on his looks to his daughter, who might have had more use for them.
He was perched over a small cabinet with gla.s.s doors, holding a brush coated with varnish. I took against Richard Anning from the start because he did not even set down the brush, and barely glanced at my specimens as I described what I wanted. "A guinea," he announced.
It was an outrageous figure for a specimen cabinet. Did he think he could take advantage of a London spinster? Perhaps he thought I was well off. For a moment, as I glared at his handsome face, I considered waiting for my brother to deal with him when he next came down from London. But that could be many months, and besides, I could not rely on my brother for everything. I was going to have to make my way in Lyme without the tradesmen laughing behind my back.
It was clear to me from looking around his shop that Richard Anning needed the business. I should use that to my advantage. "It is a pity that you have suggested such an exorbitant sum," I said, wrapping my fossils in muslin and placing them back in my basket. "I would have made your name prominent on each case, and everyone who looked at my collection would have seen it. Now, however, I shall have to go elsewhere, to someone more reasonable."
"You going to show them to others?" Richard Anning nodded at my basket, his incredulity deciding me: I would find someone in Axminster, or even Exeter if I had to, rather than give this man my business. I knew I would never like him.
"Good day to you, sir," I said, turning to sweep up the steps. I was thwarted in my dramatic departure, however, by Mary, standing square in the entrance and blocking my way. "What curies you got?" she demanded, her eyes on my basket.
"Clearly nothing that would be of interest to you," I muttered, pus.h.i.+ng past her and out to the square. I hated being stung by Richard Anning's tone. Why should I care for a cabinet maker's opinion? In truth, I'd thought my bits and pieces rather fine, for someone new to finding fossils. I had found a complete ammonite, as well as parts of several others, and the long shaft of a belemnite, the pointed tip intact rather than broken, as they so often are. Now I could see, even as I pa.s.sed the Annings' table in my anger, that their fossils far exceeded mine in both variety and beauty. They were whole, polished, varied, and abundant. There were specimens displayed on the table I hadn't even known were fossils: bivalves of sorts, a heart-shaped rock with a pattern on it, a creature with five long waving arms.
Mary had ignored my rude remark and followed me out. "You got any verteberries?"
I paused, my back to her, the table, the whole wretched workshop. "What is a verteberry?"
I heard a rustling by the table, the clinking of stones knocked together. "From a crocodile's back," Mary said. "Some say they're the teeth, but Pa and I know better. See?"
I turned to look at the stone she held out. It was about the size of a twopence coin, though thicker, and round but with squared-off sides. Its surface was concave, the centre nipped in as if someone had pressed it between two fingers while it was soft. I recalled the skeleton of a lizard I'd seen at the British Museum.
"A vertebra," I corrected, holding the stone in my hand. "That is what you mean. But there are no crocodiles in England."
Mary shrugged. "Just not seen 'em. Perhaps they've gone somewhere else. Like to Scotland."
I could not help smiling.
When I went to hand back the vertebra, Mary glanced around to see where her father was. "Keep it," she whispered.
"Thank you. What is your name?"
"Mary."
"That is very kind of you, Mary Anning. I shall treasure it."
I did treasure it. It was the first fossil I put in my cabinet.
It is funny now to think of that, our first meeting. I would never have guessed then that I would come to care about Mary more than anyone other than my sisters. How can a twenty-five-year-old middle-cla.s.s lady think of friends.h.i.+p with a young working girl? Yet even then, there was something about her that drew me in. We shared an interest in fossils, of course, but it was more than that. Even when she was just a girl, Mary led with her eyes, and I wanted to learn how to do so myself.
Mary came to see us a few days later, having discovered where we lived. It is not hard to find anyone in Lyme Regis-there are only a few streets. She appeared at the back door as Louise and I were in the kitchen, picking the stems off the elderflowers we'd just gathered to make into a cordial. Margaret was practising a dance step around the table while trying to convince us to make the flowers into champagne instead-though she did not offer to help, which might have made me more amenable to her suggestion. Because of her clatter and chatter we did not at first notice young Mary leaning against the door frame. It was Bessy, huffing into the kitchen with the sugar we'd sent her to get at the shops, who saw her first.
"Who's that, then? Get away from there, girl!" she cried, puffing out her doughy cheeks.
Bessy had accompanied us from London, and relished complaining about her revised situation: the steep climb from the town to Morley Cottage, the sharp sea breeze that made her chesty, the impenetrable accent of the locals she met at the Shambles, the Lyme Bay crabs that brought her out in a rash. While Bessy had been a seemingly quiet, solid girl in Bloomsbury, Lyme brought out in her a bullishness she expressed with her cheeks. Behind her back we Philpots laughed at her complaints, though at times it brought us close to giving her notice as well, when she wasn't threatening to leave.
Mary didn't budge from the door sill, Bessy's temperament having no effect. "What you making?"
"Elderflower cordial," I replied.
"Elderflower champagne," Margaret corrected, with an accompanying flourish of her hand.
"Never had that," Mary said, eyeing the lacy flower heads and sniffing at the muscat bloom that filled the room.
"There is such an abundance of elderflowers here in June," Margaret said. "You should be making things out of them. Isn't that what country folk do?"
I winced at my sister's patronising words. But Mary didn't seem offended. Instead her eyes followed Margaret, who was now spinning about the room in a waltz, dipping her head over one shoulder, then the other, twisting her hands in time to her humming.
Lord help her, I thought, the girl is going to admire the silliest of us. "What is it, Mary?" I did not mean to sound so short.