The Uttermost Farthing Part 14

There was a pause. Then he heard a question asked, a murmured answer of which the sense evaded him, and then a refusal,--not, he fancied, a very decided refusal,--followed by a discreet attempt to discover his name, his nationality, his address, with a suggestion that Madame d'Elphis would be at his disposal the next morning.

A touch of doubt in the quick, hesitating accents of the unseen woman emboldened Vanderlyn. He conveyed, civilly and clearly, that he was quite prepared to offer a very special fee for the favour he was asking; and he indicated that, though he had been told the usual price of a seance was fifty francs, he--the mysterious stranger who was speaking to Madame d'Elphis through the telephone--was so exceedingly anxious to be received by her that evening that he would pay a fancy fee,--in fact as much as a thousand francs,--for the privilege of consulting the famous fortune-teller.

To Vanderlyn's vexation and surprise, there followed a long pause.

At last came the answer, the expected a.s.sent; but it was couched in words which surprised and vaguely disquieted him.

"Very well, sir, my sister will be ready to receive you at eight o'clock to-night; but she is going out, so she will not be able to give you a prolonged seance."

Then he had not been speaking to the soothsayer herself? Vanderlyn felt vaguely disquieted and discomfited. He had counted on having to take but one person into his half-confidence; and then--well, he had told himself while at the telephone that he would not find it difficult to conclude the bargain he desired to make with the woman whose highly-pitched, affected voice had given him, or so he had thought, the clue to a venal personality.

It was with a feeling of considerable excitement and curiosity that the diplomatist, that same evening, walked up the quiet, now deserted, streets where dwelt the most famous of Parisian fortune-tellers.

Madame d'Elphis had chosen a prosaic setting for the scene of her mysteries, for the large white house looked very new, a huge wedge of modern ugliness in the pretty old street, its ugliness made the more apparent by its proximity to one of those leafy gardens which form oases of fragrant stillness in the more ancient quarters of the town.

A curt answer was given by the concierge in reply to Vanderlyn's enquiry for Madame d'Elphis. "Walk through the courtyard; the person you seek occupies the entresol of the house you will see there."

And then he saw that lying back, quite concealed from the street, was another and very different type of dwelling, and one far more suited to the requirements of even a latter-day soothsayer.

As he made his way over the dimly-lighted, ill-paved court which separated the new building, that giving onto the street, from the seventeenth-century mansion, Vanderlyn realised that his first impression had been quite erroneous. Madame d'Elphis had evidently gauged, and that very closely, the effect she desired to produce on her patrons. Even in the daytime the mansarded house which now gloomed before him must look secret, mysterious. Behind such narrow latticed windows might well have dwelt Cagliostro, or, further back, the more sinister figure of La Voison.

But something of this feeling left him as he pa.s.sed through the door which gave access to the old house; and, as he began to walk up the shabby gas-lit staircase, he felt that his repugnant task would be an easy one. The woman who, living here, allowed herself the luxury of such a lover as was the Marquis de Florac, would not--nay, could not--hesitate before such an offer as ten thousand francs.

There was but one door on the entresol, and on its panel was inscribed in small gold letters the word "d'Elphis." As Vanderlyn rang the bell, the odd name gleamed at him in the gas-light.

There followed a considerable delay, but at last he saw a face peering at him through the little grating--significantly styled a _Judas_, and doubtless dating from the Revolution,--still to be found in many an old-fas.h.i.+oned Parisian front-door.

The inspection having apparently proved satisfactory, the door opened, and Vanderlyn was admitted, by a young _bonne a tout faire_, into a hall filled with a strong smell of cooking, a smell that made it clear that Madame d'Elphis and her family--her _smalah_, as Jacques de Lera had called them--had the true Southern love of garlic.

Without asking his name or business, the servant showed him straight into a square, gold-and-white salon. Standing there, forgetful for a moment of his distasteful errand, Vanderlyn looked about him with mingled contempt and disgust, for his eyes, trained to observe, had at once become aware that the note of this room was showy vulgarity. The furniture was a mixture of imitation Louis XV. and sham Empire. On the woven tapestry sofa lay a child's toy, once costly, but now broken.

How amazing the fact that here, amid these pretentiously ugly and commonplace surroundings, innumerable human beings had stood, and would stand, trembling with fear, suspense, and hope! Vanderlyn reminded himself that here also Tom Pargeter, a man accustomed to measure everything by the money standard, had waited many a time in the sure belief that this was the ante-chamber to august and awe-inspiring mysteries; here, all unknowing of what the future held, he would come to-morrow morning, to learn, for once, the truth--the terrible truth--from the charlatan to whom he, poor fool, pinned his faith.

Suddenly a door opened, and Vanderlyn turned round with eager curiosity, a curiosity which became merged in astonishment. The woman advancing towards him made her vulgar surroundings sink into blurred insignificance; for Madame d'Elphis, with her slight, sinuous figure, draped in a red peplum, her pale face lit by dark tragic eyes, looked the sybil to the life....

Vanderlyn bowed, with voluntary deference. "Monsieur," she said, in a low, deep voice, "I must ask you to follow me; this is my sister's _appartement_. I live next door."

She preceding him, they walked through an untidy dining-room of which the furniture--the sham Renaissance chairs and walnut-wood buffet--looked strangely alien to Vanderlyn's guide, into a short, ill-lighted pa.s.sage, which terminated in a locked, handleless door.

The woman whom he now knew to be Madame d'Elphis turned, and, facing Vanderlyn, for the first time allowed her melancholy eyes to rest full on her unknown visitor.

"You have your stick, your hat?" she asked. "Yes?--that is well; for when our seance is over, you will leave by another way, a way which leads into the garden, and so into the street."

She unlocked the door, and he followed her into a large book-lined study--masculine in its sober colouring and simple furnis.h.i.+ngs. Above the mantelpiece was arranged a trophy of swords and fencing-sticks; opposite hung a superb painting by Henner. Vanderlyn remembered having seen this picture exhibited in the Salon some five years before. It had been shown under the t.i.tle "The Crystal-Gazer," and it was even now an admirable portrait of his hostess, for so, unconsciously, had Vanderlyn begun to regard the woman who was so little like what he had expected to find her.

Madame d'Elphis beckoned to him to follow her into yet another, and a much smaller, room. Ah! This was evidently the place where she pursued her strange calling; for here--so Vanderlyn, trying to combat the eerie impression she produced on him, sardonically told himself--were the stage properties of her singular craft.

The high walls were hung with red cloth, against which gleamed innumerable plaster casts of hands. The only furniture consisted of a round, polished table, which took up a good deal of the s.p.a.ce in the room; on the table stood an old-fas.h.i.+oned lamp, and in the middle of the circle of light cast by the lamp on its s.h.i.+ning surface, a round crystal ball. Two chairs were drawn up to the table.

An extraordinary sensation of awe--of vague disquiet--crept over Laurence Vanderlyn; he suddenly remembered the tragic story of Jeanne de Lera. Was it here that the sinister interview with the doomed girl had taken place?

It was Madame d'Elphis who broke the long silence:--

"I must ask you, Monsieur," she said, stiffly, "to depose the fee on the table. It is the custom."

Vanderlyn's thin nervous hand shot up to his mouth to hide a smile; the eerie feeling which had so curiously possessed him dropped away, leaving him slightly ashamed.

"Poor woman," he said to himself, "she cannot even divine that I am an honest man!"

He bent his head gravely, and took the roll of notes with which he had come provided out of his pocket. He placed a thousand-franc note on the table. "What a fool she must think me!" he mentally exclaimed; then came the consoling reflection, "But she won't think me a fool for long."

Madame d'Elphis scarcely glanced at the thousand-franc note; she left it lying where Vanderlyn had put it. "Will you please sit down, Monsieur?"

she said.

Vanderlyn rather reluctantly obeyed her. As she seated herself opposite to him, he was struck by the sad intensity of her face; he told himself that she had once been--nay, that she was still--beautiful, but it was the tortured beauty of a woman who lives by and through her emotions.

He also realised that his task would not be quite as easy as he had hoped it would be; the manner of La d'Elphis was cold, correct, and ladylike--no other word would serve--to the point of severity. He saw that he would have to word his offer of a bribe in as least offensive a fas.h.i.+on as was possible. But while he was trying to find a sentence with which to embark on the delicate negotiation, he suddenly felt his left hand grasped and turned over, with a firm and yet impersonal touch.

The centre of the soothsayer's cool palm rested itself on the ring--his mother's wedding ring--loosely encircling his little finger, and then Madame d'Elphis began speaking in a low, quiet, and yet hesitating, voice,--a voice which suddenly recalled to her listener her Southern birth and breeding; it was strangely unlike the accents in which she had asked him to produce the promised fee.

Surprise, a growing, ever-deepening surprise, kept Vanderlyn silent. He soon forgot completely, for the time being, the business which had brought him there.

"For you the crystal," she whispered, "for others the Grand Jeu. You have not come, as others do, to learn the future; you do not care what happens to you--now."

She waited a moment, then, "the ring brings with it two visions," she said, fixing her eyes on the polished depths before her. "Visions of love and death--of pain and parting; one, if clear, yet recedes far into the past...."

She raised her voice, and began speaking in a monotonous recitative:

"I see you with a woman standing in a garden; behind you both is a great expanse of water. She is so like you that I think she must be your mother. She wears her grey hair in Madonna bands; she puts her arms round your neck; as she does so, I see on her left hand one ring--the ring which you are now wearing, and which I am now touching. She, your mother, is bidding you good-bye, she knows that she will never see you again, but you do not know it, so she smiles, for she is a brave woman----"

Madame d'Elphis stopped speaking. Vanderlyn stared at her with a sense of growing excitement and amazement; he was telling himself that this woman undoubtedly possessed the power of reading not only the minds, but even the emotional memories, of those who came to consult her.... Yes, it was true; his last parting with his mother had been out of doors, in the garden of their own family house on the sh.o.r.es of Lake Champlain.

As he looked fixedly at the crystal-gazer's downcast eyes, his own emotions seemed to become reflected in her countenance. She grasped his hand with a firmer, a more convulsive pressure.

"I see you again," she exclaimed, "and again with a woman! This vision is very clear; it evokes the immediate past--almost the present. The woman is young; her hair is fair, and in a cloud about her head. You are together on a journey. It is night----"

Madame d'Elphis stopped speaking abruptly; she looked up at Vanderlyn, and he saw that her dark eyes were br.i.m.m.i.n.g with tears, her mouth quivering.

"Do you wish me to describe what I see?" she asked, in an almost inaudible voice.

"No," said Vanderlyn, hoa.r.s.ely,--he seemed to feel Peggy's arms about his neck, her soft lips brus.h.i.+ng his cheek.

The soothsayer bent down till her face was within a few inches of the polished surface into which she was gazing.

"Now she is lying down," she whispered. "Her face is turned away. Is she asleep? No, she is dead!--dead!"