The Home Life of Poe Part 10

"Am I right, dearest Helen, in the impression that you are ambitious? If so, and if you will have faith in me, I can and will satisfy your wildest desires. It would be a glorious triumph for us, darling--for you and me ... to establish in America the sole unquestionable aristocracy--that of the intellect; to secure its supremacy, to lead and control it. All this I can do, Helen, and will--if you bid me _and aid me_."

Aware of her belief in occult and spiritual influences, he tells her that once, on hearing a lady repeat certain utterances of hers which appeared but the secret reflex of his own spirit, his soul seemed suddenly to become one with hers. "From that hour I loved you. I have never seen or heard your name without a s.h.i.+ver, half of delight, half of anxiety. The impression left upon my mind was that you were still a wife." (No such scruple had disturbed him in the case of Mrs. Osgood and others.) He goes on thus artfully to explain the incident of his declining Mrs. Osgood's offer of an introduction to Mrs. Whitman while in Providence. "For this reason I shunned your presence. You may remember that once, when I pa.s.sed through Providence with Mrs. Osgood, I positively refused to accompany her to your house. I dared neither go, or say why I could not. I dared not speak of you, much less see you.

_For years_ your name never pa.s.sed my lips, while my soul drank in with a delirious thirst all that was uttered in my presence respecting you."

It will be observed that he is here speaking of a time when his wife, whom he "loved as man never before loved," was yet living; and also when he was giving himself up to his unreasoning pa.s.sion for Mrs. Osgood, whom he had followed to Providence.

After this, who shall undertake to defend Poe from the charge of insincerity and dissimulation?

Mrs. Osgood calls Poe's letters "divinely beautiful." We cannot tell how Mrs. Whitman was affected by them, but certainly her whole course exhibits her in a constant struggle between her own inclination and the influence of friends who desired to save her from the match with Poe. As early as January 21, 1848, it was known to the public that an engagement existed between the two, and I have the authority of Mrs. Kellogg for the statement that during the summer of that year Mrs. Whitman three times renewed this engagement and was as often compelled to break it, owing to his unfortunate habits. The last engagement was made on his solemnly vowing reformation; on which a day was fixed for the marriage and the services of a clergyman bespoken by Poe himself, who thereupon wrote to Mrs. Clemm desiring her to be ready to receive himself and his bride--at Fordham!

One may imagine the dismay of poor Mrs. Clemm when she read this letter and looked around the humble home with its low-ceiled upstairs room, which had been Virginia's; the pine kitchen table and her dozen pieces of crockery. For once her strong mind and resourceful talent must have failed her. How was she to accommodate the fastidious bride of her most inconsiderate son-in-law? How even provide a wedding repast against their arrival? But happily she was spared the horror of such an experience, for on the appointed day Poe arrived at Fordham alone, though in a state of nervous excitement, which necessitated days and even weeks of careful nursing on the part of his patient and long-suffering mother-in-law.

This final separation between the two--for they never again met--was caused by Poe's intemperance at his hotel in Providence on the day previous to that appointed for his marriage. He had delivered a lecture which was enthusiastically applauded, and on his return to the hotel he found himself surrounded by an admiring crowd, whose hospitalities he at first resolutely declined, but with his usual weakness of will, finally yielded to. Of the stormy scene when, on the following day, Mrs. Whitman finally and decisively refused to marry him, she has herself given an account, representing Poe as alternately pleading and "raving" in his unwillingness to accept her decision. But there can be no question but that he was at this time either in some degree mentally unbalanced or in such a state physically as that the least excess would serve to excite his mind beyond its normal condition and render him partly irresponsible. Of this we have proof in the fact of his intention of taking his proposed bride to Fordham.

That Mrs. Whitman was really interested in her gifted and eccentric suitor is evident, and in her heart she was loyal to him, as is shown by her defence of him after his death, and also by the lines which she addressed to him some months after their separation, ent.i.tled, "_The Isle of Dreams_." Most of her poems written after this time had some reference to him; and it is worthy of note that no woman whom Poe professed to love ever lost her interest in him. The fascination which he exerted over them must have been something extraordinary.

As regards Poe's feelings toward Mrs. Whitman, it is evident from the beginning that there was no real love on his part. He expressed no regret at the ending of his "divine dream of love," but seems rather to have experienced toward her a degree of resentment which thus found expression in a letter to a friend:

"From this day forth I shun the pestilential society of literary women.

They are a heartless, unnatural, venomous, dishonorable set, with no guiding principle but inordinate self-esteem. Mrs. Osgood is the only exception I know of."

This tirade was doubtless excited partly by a scandal just now started by one of the literary set in question concerning Poe and a young married lady of Lowell. While delivering a lecture in that city he had been hospitably entertained at her home, where he spent several days, with the usual result of contracting a sentimental friends.h.i.+p with the charming hostess, whom he calls "Annie." During the latter part of his engagement to Mrs. Whitman his visits and attentions to this lady did not escape the notice of the "literary set," and a scandal was at once started by one of them, who drew the attention of "Annie's" husband to the matter. He accepted Poe's explanation and his proposal rather to give up the society of these friends than to be the cause of trouble to them, saying:

"I cannot and will not have it upon my conscience that I have interfered with the domestic happiness of _the only being on earth whom I have loved at the same time with purity and with truth_."

Certainly an extraordinary avowal to be made to the lady's husband; and we ask ourselves to how many women had he made a similar declaration?

We have seen that when Poe for the last time left Mrs. Whitman's he went direct to Fordham, where, said Mrs. Clemm, he raved about "Annie," and even sent to her, reminding her of the "holy promise which he had exacted from her in their hour of parting, that she would come to him on his bed of death," and now claiming the fulfilment of that promise.

Whether or not she complied does not appear; but it is more than likely that the lines, "_For Annie_," were suggested by his fever-dreams of her presence, first written while still half-delirious, and subsequently slightly altered to their present form. This piece, with the lines, "_To My Mother_," after being declined by all the more prominent magazines, finally appeared in the cheap "_Boston Weekly_," and must have been a surprise to "Annie" and her husband.

But there was one woman of the "literary set" who showed that she at least was not deserving of the sweeping condemnation wherewith the irate poet had visited them. This was Mrs. Anna Estelle Lewis, a young poetess who, with her husband, was on friendly terms with Poe, and whose poems he had favorably noticed. Poe was still, mentally and physically, in a state which rendered him incapable of writing, and the condition at Fordham was deplorable. Suspecting this state of things, Mrs. Lewis and her husband invited Poe to visit them at their home in Brooklyn, and Mr.

Lewis says that thenceforth they frequently had both himself and Mrs.

Clemm to stay with them. It was this kindly couple that R. H. Stoddard so sharply satirizes in his "_Reminiscences_" of Poe, while accepting an evening's hospitality at their home after the poet's death. On this occasion he met with Mrs. Clemm, of whom he has given a pen picture of which we instinctively recognize the life-likeness. We can see the good lady seated serenely among the company in her "black bombazine and conventional widow's cap," lightly fingering her eye-gla.s.ses, as was her company habit, and with her strongly marked features wearing that "benevolent" smile which was characteristic of her most amiable moods.

"She a.s.sured me," says Stoddard, "that she had often heard her Eddie speak of me--which I doubted--and that she believed she had also heard him speak of the stripling by my side--which was an impossibility....

She regretted that she had no more autographs to dispose of, but hinted that she could manufacture them, since she could exactly imitate her Eddie's handwriting; and this she told as though it had been to her credit."

Deeply chagrined at the ending of his affair with Mrs. Whitman, and consequent disappointment in regard to the _Stylus_, Poe now, encouraged by his mother-in-law, again turned his thoughts to Mrs. Shelton.

It was in July that he and Mrs. Clemm left Fordham, he to proceed to Richmond, and she, having let their rooms until his return, to stay with the Lewises. Mr. Lewis says that it was at his front door that Poe took an affectionate leave of them all; Mrs. Clemm, ever watchful and careful against possible temptation or pitfalls by the way, accompanying him to the boat to see him off. In parting from her he spoke cheeringly and affectionately. "G.o.d bless you, my own darling Muddie. Do not fear for Eddie. See how good I will be while away; and I will come back to love and comfort you."[8]

[8] Ingram.

And so, smiling and hopeful, the devoted mother stood upon the pier and watched to the last the receding form which she was never again to behold.

CHAPTER XXVII.

AGAIN IN RICHMOND.

When Poe came to Richmond on this visit, he went first to Duncan Lodge, but afterward, for sake of the convenience of being in the city, took board at the old _Swan Tavern_, on Broad street, once a fas.h.i.+onable hostelry, but at this time little more than a cheap, though respectable, boarding-house for business men. Broad street--so named from its unusual width--extended several miles in a straight line from Chimberazo Heights and Church Hill on the east, where Mrs. Shelton had her residence, to the western suburbs, where Duncan Lodge and our own home of "_Talavera_"

were situated. This was the route which Poe traversed in his visits to Mrs. Shelton. There were no street cars in those days, hacks were expensive, and the walk from "the Swan" to Church Hill was long and fatiguing. Poe would break his journey by stopping to rest at the office of Dr. John Carter, a young physician who had recently hung out his sign, about half-way between those two points.

During the three months of his stay in Richmond we saw a good deal of Poe. He appeared at first to be in not very good health or spirits, but soon brightened up and was invariably cheerful, seeming to be enjoying himself. I do not know to what it was to be attributed, unless to his increased fame as a poet, but certainly his reception in Richmond at this time was very different from what it had been two years previously.

He became the fas.h.i.+on; and was _feted_ in society and discussed in the papers. His friend, Mrs. Julia Mayo Cabell--a first cousin of Mrs.

Allan--inaugurated the evening entertainments to which people were invited "to meet Mr. Poe." It was generally expected that at these gatherings he would recite _The Raven_, and this he was often obliging enough to do, though we knew that it was to him an unwelcome task. In our own home, no matter who were the visitors, we would never allow this request to be made of him after he had on one occasion gratified us by a recital. I remember on this occasion being disappointed in his manner of delivery. I had expected some little graceful and expressive action, but he sat motionless as a statue except that at the line,

"_Prophet! cried I, thing of evil!_"

he slightly erected his head; and again, in repeating:

"Get thee back into the tempest and the night's plutonian sh.o.r.e!"

he turned his face suddenly though slightly toward the outer darkness of the open window near which he sat, each time raising his voice. He explained his own idea to be that any action served to attract the attention of the audience from the poem to the speaker, thus detracting from the effect of the former. I was told how, at one of these entertainments, Poe was embarra.s.sed by the persistent attentions of a moth or beetle, until a sympathetic old lady took a seat beside him and, with wild wavings of a huge fan, kept the troublesome insect at a distance. This mingling of the comic with the tragic element rather spoiled the effect of the latter, and though Poe preserved his dignity, he was perceptibly annoyed.

I never saw Mr. Poe in a large company, but was told that on such occasions he invariably a.s.sumed his mask of cold and proud reserve, not untouched by an expression of sadness, which was natural to his features when in repose. It was then that he "looked every inch a poet." In general companies he disliked any attempt to draw him out, never expressing himself freely, and at times manifesting a shyness amounting almost to an appearance of diffidence, which was very noticeable.

A marked peculiarity was that he never, while in Richmond, either in society or elsewhere, made any advance to acquaintance, or sought an introduction, even to a lady. Aware of the estimation in which his character was held by some persons, he stood aloof, in proud independence, though responding with ready courtesy to any advance from others. Ladies who desired Mr. Poe's acquaintance would be compelled to privately seek an introduction from some friend, since he himself never requested it, and it was observed that he preferred the society of mature women to that of the youthful belles, who were enthusiastic over the author of _Lenore_ and _The Raven_.

Mr. Poe spent his mornings in town, but in the evenings would generally drive out to Duncan Lodge with some of the Mackenzies. He liked the half-country neighborhood, and would sometimes join us in our sunset rambles in the romantic old Hermitage grounds. Those were pleasant evenings at Duncan Lodge and Talavera, with no lack of company at either place.

CHAPTER XXVIII.

A MORNING WITH POE AND "THE RAVEN."

(A Leaf from a Journal.)

One pleasant though slightly drizzly morning in the latter part of September I sat in our parlor at Talavera at a table on which were some new magazines and a vase of tea roses freshly gathered. Opposite me sat Mr. Poe. A basket of grapes--his favorite fruit--had been placed between us; and as we leisurely partook of them we chatted lightly.

He inquired at length what method I pursued in my writing. The idea was new to me, and on my replying that I wrote only on the impulse of a newly conceived idea, he proceeded to give me some needed advice. I must make a _study_ of my poem, he said, line by line and word by word, and revise and correct it until it was as perfect as it could be made. It was in this way that he himself wrote. And then he spoke of _The Raven_.

He had before told me of the difficulties which he had experienced in writing this poem and of how it had lain for more than _ten years_ in his desk unfinished, while he would at long intervals work on it, adding a few words or lines, altering, omitting and even changing the plan or idea of the poem in the endeavor to make of it something which would satisfy himself.

His first intention, he said, had been to write a short poem only, based upon the incident of an _Owl_--a night-bird, the bird of wisdom--with its ghostly presence and inscrutable gaze entering the window of a vault or chamber where he sat beside the bier of the lost _Lenore_. Then he had exchanged the Owl for the Raven, for sake of the latter's "_Nevermore_"; and the poem, despite himself, had grown beyond the length originally intended.

Does not this explain why the Raven--though not, like the Owl, a night-bird--should be represented as attracted by the lighted window, and, perching "upon the _bust of Pallas_," which would be more appropriate to the original Owl, Minerva's bird? Also, we recognize the latter in the lines:

"By the grave and stern decorum of the countenance it wore."[9]

[9] As by also:

"And its eyes have all the seeming Of a demon that is dreaming."