Bones to Ashes Part 46

"Phoebe is only thirteen. She disappeared while walking to dance cla.s.s."

Celine's hand paused, then resumed mas.h.i.+ng the b.u.t.t. "You got a kid?"

"No," I said.

"Me neither." Celine stared at the jar lid, but I don't think she saw it. She was looking at a place and time far removed from the little table in Le Pa.s.sage Noir. "Thirteen years old. I wanted to be a ballerina."

"This is Phoebe." I slipped a picture from Ryan's envelope and placed it on the table. "It's her seventh-grade cla.s.s photo."

Celine considered the image. I watched for a reaction, but saw none.

"Cute kid." Celine cleared her throat and looked away.

"Ever see her here?" I asked.

"No." Celine continued gazing off into s.p.a.ce.

I replaced Phoebe's photo with that of Kelly Sicard.

"How about her?"

This time there was a twitch in her lips and movement in her eyes. Nervously, she rubbed her nose with the back of a wrist.

"Celine?"

"I've seen her. But like you said, it was a long time ago."

I felt a ripple of excitement. "Here?"

Celine looked over her shoulder and around the bar.

"Mr. Bastarache has a place in Moncton. Le Chat Rouge. This kid danced there. But not for long."

"Her name was Kelly Sicard?"

"Doesn't click."

"Kitty Stanley?"

A fake pink nail came up. "Yeah. That was it. She danced as Kitty Chaton. Cute, eh? Kitty Kitten."

"When was this?"

She gave a bitter smile. "Too long ago, suns.h.i.+ne."

"Do you know what happened to her?"

Celine tapped another cigarette from her pack. "Kitty hit the lottery. Married a regular and got out of the business."

"Do you recall the man's name?"

"It's not that kind of business."

"Can you remember anything about him?"

"He was short and had a skinny a.s.s."

Celine lit up, idly waved the smoke from her face with one hand. "Wait. There is one thing. Everyone called him Bouquet Beaupre."

"Because?"

"He owned a flower shop in Sainte-Anne-de-Beaupre."

Celine's gaze was steady now, her mouth skewed with the hint of a grin. "Yeah. Kitty Kitten got out."

Looking at the woman, I felt an unexpected sadness. She'd been pretty once, might still be save for the overdone makeup and bleach.

"Thank you," I said.

"Kitty was a good kid." She flicked her ash to the floor.

"Celine," I said. "You could get out, too."

She shook her head slowly, eyes suggesting the abandonment of all illusion.

At that moment, Ryan appeared.

"Found something curious."

34.

C ELINE AND ELINE AND I I FOLLOWED FOLLOWED R RYAN THROUGH THE ILLUMINATED SORTIE SORTIE into a dim back hall. Deschenes watched our approach, heavy-lidded and bored. To his right was a small dressing room, door ajar. Through a smoky haze I could see the bartender and the kimono girls amid mirrors and makeup and sequined things that must have been costumes. into a dim back hall. Deschenes watched our approach, heavy-lidded and bored. To his right was a small dressing room, door ajar. Through a smoky haze I could see the bartender and the kimono girls amid mirrors and makeup and sequined things that must have been costumes.

A faux-wood-paneled room was on the left. Hippo was in it sorting through papers at a desk.

Celine joined her coworkers. Ryan and I joined Hippo.

"Anything?" Ryan asked.

"Doesn't look like he's used this office for a while. Bills and receipts are all at least two years old."

"I got something."

Both men looked at me.

"The blond dancer, Celine, said Kelly Sicard worked at Bastarache's place in Moncton under the name Kitty Stanley. Billed herself as Kitty Chaton. Married a florist from Sainte-Anne-de-Beaupre."

"When?"

"Celine is a bit hazy on dates."

"Shouldn't be tough to track the guy down," Ryan said.

Hippo was already digging out his phone. "I'm on it."

A side door in the office gave onto stairs. Ryan and I climbed them into a loft-style flat.

The place was one big square with sleeping, eating, and living s.p.a.ces demarcated by furniture groupings. The kitchen was separated by an island and bar stools. The parlor was a sofa-chair-lounger affair of chrome and black leather. The combo faced a flat-panel TV on a gla.s.s and steel stand. The boudoir consisted of a queen bed, a very large wooden desk, a side table, and a wardrobe. The area was bounded by an L of black metal filing cabinets. A corner bath was sectioned off with walls and a door.

Two CSU techs were doing what CSU techs do. Dusting for prints. Rifling closets. Looking for anything suspicious or illegal. It appeared they hadn't found much.

"I want you to listen to this."

Ryan led me to the desk and hit a b.u.t.ton on the phone. A mechanical voice reported no new messages, thirty-three old ones, and admonished that the mailbox was full. Ryan hit "1" as instructed for old voice mail.

Twenty-nine callers had answered an ad about a Lexus. A woman had phoned twice to reschedule a housecleaning service. A man named Leon wanted Bastarache to go fis.h.i.+ng.

The last voice was female, the French clearly chiac chiac.

"It is not a good day. I need the prescription. Ob-"

The tape cut off.

"Was she saying Obeline?" Ryan asked.

"I think so." I felt totally jazzed. "Play it back."

Ryan did. Twice.

"It sounds like Obeline, but I can't be sure. Why didn't the jerk empty his mailbox?"

"Check this out," Ryan said. "The phone has caller ID. Unless blocked by the dialer, names or numbers are displayed, along with the time and date the connection was made. If blocked, the call comes up 'private number.'" Ryan began scrolling through the list, pausing on private-number records. "Notice the times and dates."

"A 'private number' phones at roughly seven each evening," I said.

"The truncated message was the last one to enter the mailbox. It came up 'private,' and was left at seven-oh-eight last night."

"Obeline may be alive," I said, realizing the implication. "And checking in every evening."

"Exactly. But why?"

"If it is Obeline, why the staged suicide?" I asked. "And where is she?"

"Shrewd questions, Dr. Brennan. We'll get a trace."

I noticed the CSU tech working the kitchen. "Are they finding anything to tie Bastarache to Quincy or Sicard? Or to Cormier?"

"Doesn't look like Bastarache spent much time living in this place."

"That jives. Celine said she hardly ever saw him. So where's he living?"

"The shrewdness never ends." Ryan smiled.

It slayed me. Ryan's smile always does.

I began to wander, opening closets, cupboards, and drawers already dusted for prints. Ryan was right. In addition to frozen shrimp and a carton of badly crystallized Ben & Jerry's, the refrigerator contained olives, clamato juice, a half-eaten jar of pickled herring, a dried-out lemon, and some fuzzy green chunks that were probably cheese. Save for aspirin, Gillette Foamy, and a Bic, the medicine cabinet was bare.

We'd been in the flat twenty minutes when Hippo bounded up the stairs.

"Got Sicard. Married name's Karine Pitre. Hubby's still hawking lilies and tulips in Sainte-Anne-de-Beaupre."

"Sonovab.i.t.c.h," Ryan said.

"She'll be at a cafe on Route 138 at eleven."

Ryan and I must have looked surprised.

"Lady's got kids. Prefers to discuss her good times in show biz away from the fam."

Le Cafe Sainte-Anne was a typical Quebec truck stop. Counter. Vinyl booths. Sun-faded curtains. Tired waitress. At that time of night the place was pretty much empty.

Though she was older, and the amber hair was short, Kelly was recognizable from her pictures. Same blue eyes and Brooke s.h.i.+elds brows. She was in a back booth, a half cup of hot chocolate on the table before her. She wasn't smiling.

Ryan flashed his badge. Kelly nodded without bothering to look.

Ryan and I sat. He began in French.

"A lot of people have been looking for you, Kelly."

"It's Karine now. Karine Pitre." She answered in English, barely above a whisper.

"We're not interested in jamming you up."

"Yeah? My past makes the papers, it won't be real easy setting up play dates."

"You know what they say about reaping and sowing."

"I was young and stupid. I've been out of that life for almost eight years. My daughters know nothing about it." As she spoke her eyes scanned the cafe. I could tell she was jumpy and on edge.