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Jean-Christophe in Paris: The Market-Place, Antoinette, the House Part 28

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I have a friend!... Oh! The delight of having found a kindred soul to which to cling in the midst of torment, a tender and sure refuge in which to breathe again while the fluttering heart beats slower! No longer to be alone, no longer never to unarm, no longer to stay on guard with straining, burning eyes, until from sheer fatigue he should fall into the hands of his enemies! To have a dear companion into whose hands all his life should be delivered--the friend whose life was delivered into his! At last to taste the sweetness of repose, to sleep while the friend watches, watch while the friend sleeps. To know the joy of protecting a beloved creature who should trust in him like a little child. To know the greater joy of absolute surrender to that friend, to feel that he is in possession of all secrets, and has power over life and death. Aging, worn out, weary of the burden of life through so many years, to find new birth and fresh youth in the body of the friend, through his eyes to see the world renewed, through his senses to catch the fleeting loveliness of all things by the way, through his heart to enjoy the splendor of living.... Even to suffer in his suffering.... Ah! Even suffering is joy if it be shared!

I have a friend!... Away from me, near me, in me always. I have my friend, and I am his. My friend loves me. I am my friend's, the friend of my friend. Of our two souls love has fas.h.i.+oned one.

Christophe's first thought, when he awoke the day after the Roussins'

party, was for Olivier Jeannin. At once he felt an irresistible longing to see him again. He got up and went out. It was not yet eight o'clock. It was a heavy and rather oppressive morning. An April day before its time: stormy clouds were hovering over Paris.



Olivier lived below the hill of Sainte-Genevieve, in a little street near the _Jardin des Plantes_. The house stood in the narrowest part of the street. The staircase led out of a dark yard, and was full of divers unpleasant smells. The stairs wound steeply up and sloped down towards the wall, which was disfigured with scribblings in pencil. On the third floor a woman, with gray hair hanging down, and in petticoat-bodice, gaping at the neck, opened the door when she heard footsteps on the stairs, and slammed it to when she saw Christophe. There were several flats on each landing, and through the ill-fitting doors Christophe could hear children romping and squalling. The place was a swarming heap of dull base creatures, living as it were on shelves, one above the other, in that low-storied house, built round a narrow, evil-smelling yard. Christophe was disgusted, and wondered what l.u.s.ts and covetous desires could have drawn so many creatures to this place, far from the fields, where at least there is air enough for all, and what it could profit them in the end to be in the city of Paris, where all their lives they were condemned to live in such a sepulcher.

He reached Olivier's landing. A knotted piece of string was his bell-pull.

Christophe tugged at it so mightily that at the noise several doors on the staircase were half opened. Olivier came to the door. Christophe was struck by the careful simplicity of his dress: and the neatness of it, which at any other time would have been little to his liking, was in that place an agreeable surprise: in such an atmosphere of foulness there was something charming and healthy about it. And at once he felt just as he had done the night before when he gazed into Olivier's clear, honest eyes. He held out his hand: but Olivier was overcome with shyness, and murmured:

"You.... You here!"

Christophe was engrossed in catching at the lovable quality of the man as it was revealed to him in that fleeting moment of embarra.s.sment, and he only smiled in answer. He moved forward and forced Olivier backward, and entered the one room in which he both slept and worked. An iron bedstead stood against the wall near the window; Christophe noticed the pillows heaped up on the bolster. There were three chairs, a black-painted table, a small piano, bookshelves and books, and that was all. The room was cramped, low, ill-lighted: and yet there was in it a ray of the pure light that shone in the eyes of its owner. Everything was clean and tidy, as though a woman's hands had dealt with it: and a few roses in a vase brought spring-time into the room, the walls of which were decorated with photographs of old Florentine pictures.

"So.... You.... You have come to see me?" said Olivier warmly.

"Good Lord, I had to!" said Christophe. "You would never have come to me?"

"You think not?" replied Olivier.

Then, quickly:

"Yes, you are right. But it would not be for want of thinking of it."

"What would have stopped you?"

"Wanting to too much."

"That's a fine reason!"

"Yes. Don't laugh. I was afraid you would not want it as much as I."

"A lot that's worried me! I wanted to see you, and here I am. If it bores you, I shall know at once."

"You will have to have good eyes."

They smiled at each other.

Olivier went on:

"I was an a.s.s last night. I was afraid I might have offended you. My shyness is absolutely a disease: I can't get a word out."

"I shouldn't worry about that. There are plenty of talkers in your country: one is only too glad to meet a man who is silent occasionally, even though it be only from shyness and in spite of himself."

Christophe laughed and chuckled over his own gibe.

"Then you have come to see me because I can be silent?"

"Yes. For your silence, the sort of silence that is yours. There are all sorts: and I like yours, and that's all there is to say."

"But how could you sympathize with me? You hardly saw me."

"That's my affair. It doesn't take me long to make up my mind. When I see a face that I like in the crowd, I know what to do: I go after it; I simply have to know the owner of it."

"And don't you ever make mistakes when you go after them?"

"Often."

"Perhaps you have made a mistake this time."

"We shall see."

"Ah! In that case I'm done! You terrify me. If I think you are watching me, I shall lose what little wits I have."

With fond and eager curiosity Christophe watched the sensitive, mobile face, which blushed and went pale by turns. Emotion showed fleeting across it like the shadows of clouds on a lake.

"What a nervous youngster it is!" he thought. "He is like a woman."

He touched his knee.

"Come, come!" he said. "Do you think I should come to you with weapons concealed about me? I have a horror of people who practise their psychology on their friends. I only ask that we should both be open and sincere, and frankly and without shame, and without being afraid of committing ourselves finally to anything or of any sort of contradiction, be true to what we feel. I ask only the right to love now, and next minute, if needs must, to be out of love. There's loyalty and manliness in that, isn't there?"

Olivier gazed at him with serious eyes, and replied:

"No doubt. It is the more manly part, and you are strong enough. But I don't think I am."

"I'm sure you are," said Christophe; "but in a different way. And then, I've come just to help you to be strong, if you want to be so. For what I have just said gives me leave to go on and say, with more frankness than I should otherwise have had, that--without prejudice for to-morrow--I love you."

Olivier blushed hotly. He was struck dumb with embarra.s.sment, and could not speak.

Christophe glanced round the room.

"It's a poor place you live in. Haven't you another room?"

"Only a lumber-room."

"Ugh! I can't breathe. How do you manage to live here?"

"One does it somehow."

"I couldn't--never."

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Jean-Christophe in Paris: The Market-Place, Antoinette, the House Part 28 summary

You're reading Jean-Christophe in Paris: The Market-Place, Antoinette, the House. This manga has been translated by Updating. Author(s): Romain Rolland. Already has 519 views.

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