Jean-Christophe in Paris: The Market-Place, Antoinette, the House Part 33

A strange people! They are always called inconstant: but nothing in them changes. Olivier, looking backward, saw in Gothic statuary all the types of the provinces of to-day: and so in the drawings of a Clouet and a Dumoustier, the weary ironical faces of worldly men and intellectuals: or in the work of a Lenain the clear eyes of the laborers and peasants of ile-de-France or Picardy. And the thoughts of the men of old days lived in the minds of the present day. The mind of Pascal was alive, not only in the elect of reason and religion, but in the brains of obscure citizens or revolutionary Syndicalists. The art of Corneille and Racine was living for the people even more than for the elect, for they were less attainted by foreign influences: a humble clerk in Paris would feel more sympathy with a tragedy of the time of Louis XIV than with a novel of Tolstoi or a drama of Ibsen. The chants of the Middle Ages, the old French _Tristan_, would be more akin to the modern French than the _Tristan_ of Wagner. The flowers of thought, which since the twelfth century have never ceased to blossom in French soil, however different they may be, were yet kin one to another, though utterly different from all the flowers about them.

Christophe knew too little of France to be able to grasp how these characteristics had endured. What struck him most of all in all the wide expanse of country was the extremely small divisions of the earth. As Olivier said, every man had his garden: and each garden, each plot of land, was separated from the rest by walls, and quickset hedges, and inclosures of all sorts. At most there were only a few woods and fields in common, and sometimes the dwellers on one side of a river were forced to live nearer to each other than to the dwellers on the other. Every man shut himself up in his own house: and it seemed that this jealous individualism, instead of growing weaker after centuries of neighborhood, was stronger than ever.

Christophe thought:

"How lonely they all are!"

In that sense nothing could have been more characteristic than the house in which Christophe and Olivier lodged. It was a world in miniature, a little France, honest and industrious, without any bond which could unite its divers elements. A five-storied house, a shaky house, leaning over to one side, with creaking floors and crumbling ceilings. The rain came through into the rooms under the roof in which Christophe and Olivier lived: they had had to have the workmen in to botch up the roof as best they could: Christophe could hear them working and talking overhead. There was one man in particular who amused and exasperated him: he never stopped talking to himself, and laughing, and singing, and babbling nonsense, and whistling inane tunes, and holding long conversations with himself all the time he was working: he was incapable of doing anything without proclaiming exactly what it was:

"I'm going to put in another nail. Where's my hammer? I'm putting in a nail, two nails. One more blow with the hammer! There, old lady, that's it...."

When Christophe was playing he would stop for a moment and listen, and then go on whistling louder than ever: during a stirring pa.s.sage he would beat time with his hammer on the roof. At last Christophe was so exasperated that he climbed on a chair, and poked his head through the skylight of the attic to rate the man. But when he saw him sitting astride the roof, with his jolly face and his cheek stuffed out with nails, he burst out laughing, and the man joined in. And not until they had done laughing did he remember why he had come to the window:

"By the way," he said, "I wanted to ask you: my playing doesn't interfere with your work?"

The man said it did not: but he asked Christophe to play something faster, because, as he worked in time to the music, slow tunes kept him back. They parted very good friends. In a quarter of an hour they had exchanged more words than in six months Christophe had spoken to the other inhabitants of the house.

There were two flats on each floor, one of three rooms, the other of only two. There were no servants' rooms: each household did its own housework, except for the tenants of the ground floor and the first floor, who occupied the two flats thrown into one.

On the fifth floor Christophe and Olivier's next-door neighbor was the Abbe Corneille, a priest of some forty years old, a learned man, an independent thinker, broad-minded, formerly a professor of exegesis in a great seminary, who had recently been censured by Rome for his modernist tendency. He had accepted the censure without submitting to it, in silence: he made no attempt to dispute it and refused every opportunity offered to him of publis.h.i.+ng his doctrine: he shrank from a noisy publicity and would rather put up with the ruin of his ideas than figure in a scandal.

Christophe could not understand that sort of revolt in resignation. He had tried to talk to the priest, who, however, was coldly polite and would not speak of the things which most interested him, and seemed to prefer as a matter of dignity to remain buried alive.

On the floor below in the flat corresponding to that of the two friends there lived a family of the name of Elie Elsberger: an engineer, his wife, and their two little girls, seven and ten years old: superior and sympathetic people who kept themselves very much to themselves, chiefly from a sort of false shame of their straitened means. The young woman who kept her house most pluckily was humiliated by it: she would have put up with twice the amount of worry and exhaustion if she could have prevented anybody knowing their condition: and that too was a feeling which Christophe could not understand. They belonged to a Protestant family and came from the East of France. Both man and wife, a few years before, had been bowled over by the storm of the Dreyfus affair: both of them had taken the affair pa.s.sionately to heart, and, like thousands of French people, they had suffered from the frenzy brought on by the turbulent wind of that exalted fit of hysteria which lasted for seven years. They had sacrificed everything to it, rest, position, relations: they had broken off many dear friends.h.i.+ps through it: they had almost ruined their health. For months at a time they did not sleep nor act, but went on bringing forward the same arguments over and over again with the monotonous insistence of the insane: they screwed each other up to a pitch of excitement: in spite of their timidity and their dread of ridicule, they had taken part in demonstrations and spoken at meetings, from which they returned with minds bewildered and aching hearts, and they would weep together through the night. In the struggle they had expended so much enthusiasm and pa.s.sion that when at last victory was theirs they had not enough of either to rejoice: it left them dry of energy and broken for life. Their hopes had been so high, their eagerness for sacrifice had been so pure, that triumph when it came had seemed a mockery compared with what they had dreamed. To such single-minded creatures for whom there could exist but one truth, the bargaining of politics, the compromises of their heroes had been a bitter disappointment.

They had seen their comrades in arms, men whom they had thought inspired with the same single pa.s.sion for justice,--once the enemy was overcome, swarming about the loot, catching at power, carrying off honors and positions, and, in their turn, trampling justice underfoot. Only a mere handful of men held steadfast to their faith, and, in poverty and isolation, rejected by every party, rejecting every party, they remained in obscurity, cut off one from the other, a prey to sorrow and neurasthenia, left hopeless and disgusted with men and utterly weary of life. The engineer and his wife were among these wretched victims.

They made no noise in the house: they were morbidly afraid of disturbing their neighbors, the more so as they suffered from their neighbors' noises, and they were too proud to complain. Christophe was sorry for the two little girls, whose outbursts of merriment, and natural need of shouting, jumping about and laughing, were continually being suppressed. He adored children, and he made friendly advances to his little neighbors when he met them on the stairs. The little girls were shy at first, but were soon on good terms with Christophe, who always had some funny story to tell them or sweetmeats in his pockets: they told their parents about him: and, though at first they had been inclined to look askance at his advances, they were won over by the frank open manners of their noisy neighbor, whose piano-playing and terrific disturbance overhead had often made them curse:--(for Christophe used to feel stifled in his room and take to pacing up and down like a caged bear).--They did not find it easy to talk to him.

Christophe's rather boorish and abrupt manners sometimes made Elie Elsberger shudder. But it was all in vain for the engineer to try to keep up the wall of reserve, behind which he had taken shelter, between himself and the German: it was impossible to resist the impetuous good humor of the man whose eyes were so honest and affectionate and so free from any ulterior motive. Every now and then Christophe managed to squeeze a little confidence out of his neighbor. Elsberger was a queer man, full of courage, yet apathetic, sorrowful, and yet resigned. He had energy enough to bear a life of difficulty with dignity, but not enough to change it. It was as though he took a delight in justifying his own pessimism. Just at that time he had been offered a post in Brazil as manager of an undertaking: but he had refused as he was afraid of the climate and fearful of the health of his wife and children.

"Well, leave them," said Christophe. "Go alone and make their fortune."

"Leave them!" cried the engineer. "It's easy to see that you have no children."

"I a.s.sure you that, if I had, I should be of the same opinion."

"Never! Never!... Leave the country!... No. I would rather suffer here."

To Christophe it seemed an odd way of loving one's country and one's wife and children to sit down and vegetate with them. Olivier understood.

"Just think," he said, "of the risk of dying out there, in a strange unknown country, far away from those you love! Anything is better than the horror of that. Besides, it isn't worth while taking so much trouble for the few remaining years of life!..."

"As though one had always to be thinking of death!" said Christophe with a shrug. "And even if that does happen, isn't it better to die fighting for the happiness of those one loves than to flicker out in apathy?"

On the same landing in the smaller flat on the fourth floor lived a journeyman electrician named Aubert.--If he lived entirely apart from the other inhabitants of the house it was not altogether his fault. He had risen from the lower cla.s.s and had a pa.s.sionate desire not to sink back into it. He was small and weakly-looking; he had a harsh face, and his forehead bulged over his eyes, which were keen and sharp and bored into you like a gimlet: he had a fair mustache, a satirical mouth, a sibilant way of speaking, a husky voice, a scarf round his neck, and he had always something the matter with his throat, in which irritation was set up by his perpetual habit of smoking: he was always feverishly active and had the consumptive temperament. He was a mixture of conceit, irony, and bitterness, cloaking a mind that was enthusiastic, bombastic, and nave, while it was always being taken in by life. He was the b.a.s.t.a.r.d of some burgess whom he had never known, and was brought up by a mother whom it was impossible to respect, so that in his childhood he had seen much that was sad and degrading. He had plied all sorts of trades and had traveled much in France. He had an admirable desire for education, and had taught himself with frightful toil and labor: he read everything: history, philosophy, decadent poets: he was up-to-date in everything: theaters, exhibitions, concerts: he had a touching veneration for art, literature, and middle-cla.s.s ideas: they fascinated him. He had imbibed the vague and ardent ideology which intoxicated the middle-cla.s.ses in the first days of the Revolution. He had a definite belief in the infallibility of reason, in boundless progress,--_quo non ascendam?_--in the near advent of happiness on earth, in the omnipotence of science, in Divine Humanity, and in France, the eldest daughter of Humanity. He had an enthusiastic and credulous sort of anti-clericalism which made him lump together religion--especially Catholicism--and obscurantism, and see in priests the natural foe of light.

Socialism, individualism, Chauvinism jostled each other in his brain. He was a humanitarian in mind, despotic in temperament, and an anarchist in fact. He was proud and knew the gaps in his education, and, in conversation, he was very cautious: he turned to account everything that was said in his presence, but he would never ask advice: that humiliated him; now, though he had intelligence and cleverness, these things could not altogether supply the defects of his education. He had taken it into his head to write. Like so many men in France who have not been taught, he had the gift of style, and a clear vision: but he was a confused thinker. He had shown a few pages of his productions to a successful journalist in whom he believed, and the man made fun of him. He was profoundly humiliated, and from that time on never told a soul what he was doing. But he went on writing: it fed his need of expansion and gave him pride and delight. In his heart he was immensely pleased with his eloquent pa.s.sages and philosophic ideas, which were not worth a bra.s.s farthing. And he set no store by his observation of real life, which was excellent. It was his crank to fancy himself as a philosopher, and he wished to write sociological plays and novels of ideas. He had no difficulty in solving all sorts of insoluble questions, and at every turn he discovered America. When in due course he found that America was already discovered, he was disappointed, humiliated, and rather bitter: he was never far from scenting injustice and intrigue. He was consumed by a thirst for fame and a burning capacity for devotion which suffered from finding no means or direction of employment: he would have loved to be a great man of letters, a member of that literary elite, who in his eyes were adorned with a supernatural prestige. In spite of his longing to deceive himself he had too much good sense and was too ironical not to know that there was no chance of its coming to pa.s.s. But he would at least have hiked to live in that atmosphere of art and middle-cla.s.s ideas which at a distance seemed to him so brilliant and pure and chastened of mediocrity. This innocent longing had the unfortunate result of making the society of the people with whom his condition in life forced him to live intolerable to him. And as the middle-cla.s.s society which he wished to enter closed its doors to him, the result was that he never saw anybody. And so Christophe had no difficulty in making his acquaintance. On the contrary he had very soon to bolt and bar against him: otherwise Aubert would more often have been in Christophe's rooms, than Christophe in his. He was only too happy to find an artist to whom he could talk about music, plays, etc. But, as one would imagine, Christophe did not find them so interesting: he would rather have discussed the people with a man who was of the people. But that was just what Aubert would not and could not discuss.

In proportion as he went lower in the house relations between Christophe and the other tenants became naturally more distant. Besides, some secret magic, some _Open Sesame_, would have been necessary for him to reach the inhabitants of the third floor.--In the one flat there lived two ladies who were under the self-hypnotism of grief for a loss that was already some years old: Madame Germain, a woman of thirty-five who had lost her husband and daughter, and lived in seclusion with her aged and devout mother-in-law.--On the other side of the landing there dwelt a mysterious character of uncertain age, anything between fifty and sixty, with a little girl of ten. He was bald, with a handsome, well-trimmed beard, a soft way of speaking, distinguished manners, and aristocratic hands. He was called M. Watelet. He was said to be an anarchist, a revolutionary, a foreigner, from what country was not known, Russia or Belgium. As a matter of fact he was a Northern Frenchman and was hardly at all revolutionary: but he was living on his past reputation. He had been mixed up with the Commune of '71 and condemned to death: he had escaped, how he did not know: and for ten years he had lived for a short time in every country in Europe. He had seen so many ill-deeds during the upheaval in Paris, and afterwards, and also in exile, and also since his return, ill-deeds done by his former comrades now that they were in power, and also by men in every rank of the revolutionary parties, that he had broken with them, peacefully keeping his convictions to himself useless and untarnished. He read much, wrote a few mildly incendiary books, pulled--(so it was said)--the wires of anarchist movements in distant places, in India or the Far East, busied himself with the universal revolution, and, at the same time, with researches no less universal but of a more genial aspect, namely with a universal language, a new method of popular instruction in music. He never came in contact with anybody in the house: when he met any of its inmates he did no more than bow to them with exaggerated politeness. However, he condescended to tell Christophe a little about his musical method. Christophe was not the least interested in it: the symbols of his ideas mattered very little to him: in any language he would have managed somehow to express them. But Watelet was not to be put off, and went on explaining his system gently but firmly: Christophe could not find out anything about the rest of his life. And so he gave up stopping when he met him on the stairs and only looked at the little girl who was always with him: she was fair, pale, anemic: she had blue eyes, rather a sharp profile, a thin little figure--she was always very neatly dressed--and she looked sickly and her face was not very expressive. Like everybody else he thought she was Watelet's daughter. She was an orphan, the daughter of poor parents, whom Watelet had adopted when she was four or five, after the death of her father and mother in an epidemic. He had an almost boundless love for the poor, especially for poor children. It was a sort of mystic tenderness with him as with Vincent de Paul. He distrusted official charity, and knew exactly what philanthropic inst.i.tutions were worth, and therefore he set about doing charity alone: he did it by stealth, and took a secret joy in it. He had learned medicine so as to be of some use in the world. One day when he went to the house of a working-man in the district and found sickness there, he turned to and nursed the invalids: he had some medical knowledge and turned it to account. He could not bear to see a child suffer: it broke his heart. But, on the other hand, what a joy it was when he had succeeded in tearing one of these poor little creatures from the clutches of sickness, and the first pale smile appeared on the little pinched face! Then Watelet's heart would melt. Those were his moments of Paradise. They made him forget the trouble he often had with his proteges: for they very rarely showed him much grat.i.tude. And the housekeeper was furious at seeing so many people with dirty boots going up her stairs, and she would complain bitterly. And the proprietor would watch uneasily these meetings of anarchists, and make remarks. Watelet would contemplate leaving his flat: but that hurt him: he had his little whimsies: he was gentle and obstinate, and he put up with the proprietor's observations.

Christophe won his confidence up to a certain point by the love he showed for children. That was their common bond. Christophe never met the little girl without a catch at his heart: for, though he did not know why, by one of those mysterious similarities in outline, which the instinct perceives immediately and subconsciously, the child reminded him of Sabine's little girl. Sabine, his first love, now so far away, the silent grace of whose fleeting shadow had never faded from his heart. And so he took an interest in the pale-faced little girl whom he never saw romping, or running, whose voice he hardly ever heard, who had no little friend of her own age, who was always alone, mum, quietly amusing herself with lifeless toys, a doll or a block of wood, while her lips moved as she whispered some story to herself. She was affectionate and a little offhanded in manner: there was a foreign and uneasy quality in her, but her adopted father never saw it: he loved her too much. Alas! Does not that foreign and uneasy quality exist even in the children of our own flesh and blood?... Christophe tried to make the solitary little girl friends with the engineer's children. But with both Elsberger and Watelet he met with a polite but categorical refusal. These people seemed to make it a point of honor to bury themselves alive, each in his own mausoleum. If it came to a point each would have been ready to help the other: but each was afraid of it being thought that he himself was in need of help: and as they were both equally proud and vain,--and the means of both were equally precarious,--there was no hope of either of them being the first to hold out his hand to the other.

The larger flat on the second floor was almost always empty. The proprietor of the house reserved it for his own use: and he was never there. He was a retired merchant who had closed down his business as soon as he had made a certain fortune, the figure of which he had fixed for himself. He spent the greater part of the year in some hotel on the Riviera, and the summer at some watering-place in Normandy, living as a gentleman with private means who enjoys the illusion of luxury cheaply by watching the luxury of others, and, like them, leading a useless existence.

The smaller flat was let to a childless couple: M. and Madame Arnaud. The husband, a man of between forty and forty-five, was a master at a school.

He was so overworked with lectures, and correcting exercises, and giving cla.s.ses, that he had never been able to find time to write his thesis: and at last he had given it up altogether. The wife was ten years younger, pretty, and very shy. They were both intelligent, well read, in love with each other: they knew n.o.body, and never went out. The husband had no time for it. The wife had too much time: but she was a brave little creature, who fought down her fits of depression when they came over her, and hid them, by occupying herself as best she could, trying to learn, taking notes for her husband, copying out her husband's notes, mending her husband's clothes, making frocks and hats for herself. She would have liked to go to the theater from time to time: but Arnaud did not care about it: he was too tired in the evening. And she resigned herself to it.

Their great Joy was music. They both adored it. He could not play, and she dared not although she could: when she played before anybody, even before her husband, it was like a child strumming. However, that was good enough for them: and Gluck, Mozart, Beethoven, whom they stammered out, were as friends to them: they knew their lives in detail, and their sufferings filled them with love and pity. Books, too, beautiful, fine books, which they read together, gave them happiness. But there are few such books in the literature of to-day: authors do not worry about those people who can bring them neither reputation, nor pleasure, nor money, such humble readers who are never seen in society, and do not write in any journal, and can only love and say nothing. The silent light of art, which in their upright and religious hearts a.s.sumed almost a supernatural character, and their mutual affection, were enough to make them live in peace, happy enough, though a little sad--(there is no gainsaying that),--very lonely, a little bruised in spirit. They were both much superior to their position in life.

M. Arnaud was full of ideas: but he had neither the time nor enough courage left to write them down. It meant such a lot of trouble to get articles and books published: it was not worth it: futile vanity! Anything he could do was so small in comparison with the thinkers he loved! He had too true a love for the great works of art to want to produce art himself: it would have seemed to him pretentious, impertinent, and ridiculous. It seemed to be his lot to spread their influence. He gave his pupils the benefit of his ideas: they would turn them into books later on,--without mentioning his name of course.--n.o.body spent more money than he in subscribing to various publications. The poor are always the most generous: they do buy their books: the rich would take it as a slur upon themselves if they did not somehow manage to get them for nothing. Arnaud ruined himself in buying books: it was his weakness--his vice. He was ashamed of it, and concealed it from his wife. But she did not blame him for it: she would have spent just as much.--And with it all they were always making fine plans for saving, with a view to going to Italy some day--though, as they knew quite well, they never would go: and they were the first to laugh at their incapacity for keeping money. Arnaud would console himself. His dear wife was enough for him, and his life of work and inward joys. Was it not also enough for her?--She said it was. She dared not say how dear it would have been to her if her husband could have some reputation, which would in some sort be reflected upon herself, and brighten her life, and give her ease and comfort: inward joys are beautiful: but a little ray of light from without s.h.i.+ning in from time to time is sweet, and does so much good!...

But she never said anything, because she was timid: and besides, she knew that even if he wished to make a reputation it was by no means certain that he would succeed: it was too late!... Their greatest sorrow was that they had no children. Each hid that sorrow from the other: and they were only the more tender with each other: it was as though the poor creatures were striving to win one another's forgiveness. Madame Arnaud was kind and affectionate: she would gladly have been friends with Madame Elsberger. But she dared not: she was never approached. As for Christophe, husband and wife would have asked nothing better than to know him: they were fascinated by the music that they could hear faintly when he was playing. But nothing in the world could have induced them to make the first move: they would have thought it indiscreet.

The whole of the first floor was occupied by M. and Madame Felix Weil. They were rich Jews, and had no children, and they spent six months of the year in the country near Paris. Although they had lived in the house for twenty years--(they stayed there as a matter of habit, although they could easily have found a flat more in keeping with their fortune)--they were always like pa.s.sing strangers. They had never spoken a word to any of their neighbors, and no one knew any more about them than on the day of their arrival. But that was no reason why the other tenants should not pa.s.s judgment on them: on the contrary. They were not liked. And no doubt they did nothing to win popularity. And yet they were worthy of more acquaintance: they were both excellent people and remarkably intelligent.

The husband, a man of sixty, was an a.s.syriologist, well known through his famous excavations in Central Asia: like most of his race he was open-minded and curious, and did not confine himself to his special studies: he was interested in an infinite number of things: the arts, social questions, every manifestation of contemporary thought. But these were not enough to occupy his mind: for they all amused him, and none of them roused pa.s.sionate interest. He was very intelligent, too intelligent, too much emanc.i.p.ated from all ties, always ready to destroy with one hand what he had constructed with the other: for he was constructive, always producing books and theories: he was a great worker: as a matter of habit and spiritual health he was always patiently plowing his deep furrow in the field of knowledge, without having any belief in the utility of what he was doing. He had always had the misfortune to be rich, so that he had never had the interest of the struggle for life, and, since his explorations in the East, of which he had grown tired after a few years, he had not accepted any official position. Outside his own personal work, however, he busied himself with clairvoyance, contemporary problems, social reforms of a practical and pressing nature, the reorganization of public education in France: he flung out ideas and created lines of thought: he would set great intellectual machines working, and would immediately grow disgusted with them. More than once he had scandalized people, who had been converted to a cause by his arguments, by producing the most incisive and discouraging criticisms of the cause itself. He did not do it deliberately: it was a natural necessity for him: he was very nervous and ironical in temper, and found it hard to bear with the foibles of things and people which he saw with the most disconcerting clarity. And, as there is no good cause, nor any good man, who, seen at a certain angle or with a certain distortion, does not present a ridiculous aspect, there was nothing that, with his ironic disposition, he could go on respecting for long. All this was not calculated to make him friends. And yet he was always well-disposed towards people, and inclined to do good: he did much good: but no one was ever grateful to him: even those whom he had helped could not in their hearts forgive him, because they had seen that they were ridiculous in his eyes.

It was necessary for him not to see too much of men if he were to love them. Not that he was a misanthrope. He was not sure enough of himself to be that. Face to face with the world at which he mocked, he was timid and bashful: at heart he was not at all sure that the world was not right and himself wrong: he endeavored not to appear too different from other people, and strove to base his manners and apparent opinions on theirs. But he strove in vain: he could not help judging them: he was keenly sensible of any sort of exaggeration and anything that was not simple: and he could never conceal his irritation. He was especially sensible of the foibles of the Jews, because he knew them best: and as, in spite of his intellectual freedom, which did not admit of barriers between races, he was often brought up sharp against those barriers which men of other races raised against him,--as, in spite of himself, he was out of his element among Christian ideas, he retired with dignity into his ironic labors and the profound affection he had for his wife.

Worst of all, his wife was not secure against his irony. She was a kindly, busy woman, anxious to be useful, and always taken up with various charitable works. Her nature was much less complex than that of her husband, and she was cramped by her moral benevolence and the rather rigidly intellectual, though lofty, idea of duty that she had begotten. Her whole life, which was sad enough, without children, with no great joy nor great love, was based on this moral belief of hers, which was more than anything else the will to believe. Her husband's irony had, of course, seized on the element of voluntary self-deception in her faith, and--(it was too strong for him)--he had made much fun at her expense. He was a ma.s.s of contradictions. He had a feeling for duty no less lofty than his wife's, and, at the same time, a merciless desire to a.n.a.lyze, to criticize, and to avoid deception, which made him dismember and take to pieces his moral imperative. He could not see that he was digging away the ground from under his wife's feet: he used cruelly to discourage her. When he realized that he had done so, he suffered even more than she: but the harm was done. It did not keep them from loving each other faithfully, and working and doing good. But the cold dignity of the wife was not more kindly judged than the irony of the husband: and as they were too proud to publish abroad the good they did, or their desire to do good, their reserve was regarded as indifference, and their isolation as selfishness. And the more conscious they became of the opinion that was held of them, the more careful were they to do nothing to dispute it. Reacting against the coa.r.s.e indiscretion of so many of their race they were the victims of an excessive reserve which covered a vast deal of pride.

As for the ground floor, which was a few steps higher than the little garden, it was occupied by Commandant Chabran, a retired officer of the Colonial Artillery: he was still young, a man of great vigor, who had fought brilliantly in the Soudan and Madagascar: then suddenly, he had thrown the whole thing up, and buried himself there: he did not even want to hear the army mentioned, and spent his time in digging his flower-beds, and practising the flute without making any progress, and growling about politics, and scolding his daughter, whom he adored: she was a young woman of thirty, not very pretty, but quite charming, who devoted herself to him, and had not married so as not to leave him. Christophe used often to see them leaning out of the window: and, naturally, he paid more attention to the daughter than the father. She used to spend part of the afternoon in the garden, sewing, dreaming, digging, always in high good humor with her grumbling old father. Christophe could hear her soft clear voice laughingly replying to the growling tones of the Commandant, whose footsteps ground and scrunched on the gravel-paths: then he would go in, and she would stay sitting on a seat in the garden, and sew for hours together, never stirring, never speaking, smiling vaguely, while inside the house the bored old soldier played flourishes on his shrill flute, or, by way of a change, made a broken-winded old harmonium squeal and groan, much to Christophe's amus.e.m.e.nt--or exasperation--(which, depended on the day and his mood).

All these people went on living side by side in that house with its walled-in garden sheltered from all the buffets of the world, hermetically sealed even against each other. Only Christophe, with his need of expansion and his great fullness of life, unknown to them, wrapped them about with his vast sympathy, blind, yet all-seeing. He could not understand them. He had no means of understanding them. He lacked Olivier's psychological insight and quickness. But he loved them. Instinctively he put himself in their place. Slowly, mysteriously, there crept through him a dim consciousness of these lives so near him and yet so far removed, the stupefying sorrow of the mourning woman, the stoic silence of all their proud thoughts, the priest, the Jew, the engineer, the revolutionary: the pale and gentle flame of tenderness and faith which burned in silence in the hearts of the two Arnauds: the nave aspirations towards the light of the man of the people: the suppressed revolt and fertile activity which were stifled in the bosom of the old soldier: and the calm resignation of the girl dreaming in the shade of the lilac. But only Christophe could perceive and hear the silent music of their souls: they heard it not: they were all absorbed in their sorrow and their dreams.

They all worked hard, the skeptical old scientist, the pessimistic engineer, the priest, the anarchist, and all these proud or dispirited creatures. And on the roof the mason sang.

In the district round the house among the best of the people Christophe found the same moral solitude--even when the people were banded together.

Olivier had brought him in touch with a little review for which he wrote.

It was called _esope_, and had taken for its motto this quotation from Montaigne:

"_aesop was put up for sale with two other staves. The purchaser inquired of the first what he could do; and he, to put a price upon himself, described all sorts of marvels; the second said as much for himself, or more. When it came to aesop's turn, and he was asked what he could do:--Nothing, he said, for these two have taken everything: they can do everything._"

Their att.i.tude was that of pure reaction against "the impudence," as Montaigne says, "of those who profess knowledge and their overweening presumption!" The self-styled skeptics of the _esope_ review were at heart men of the firmest faith. But their mask of irony and haughty ignorance, naturally enough, had small attraction for the public: rather it repelled.

The people are only with a writer when he brings them words of simple, clear, vigorous, and a.s.sured life. They prefer a st.u.r.dy lie to an anemic truth. Skepticism is only to their liking when it is the covering of l.u.s.ty naturalism or Christian idolatry. The scornful Pyrrhonism in which the _esope_ clothed itself could only be acceptable to a few minds--"_aeme sdegnose_,"--who knew the solid worth beneath it. It was force absolutely lost upon action and life.

There was no help for it. The more democratic France became, the more aristocratic did her ideas, her art, her science seem to grow. Science securely lodged behind its special languages, in the depths of its sanctuary, wrapped about with a triple veil, which only the initiate had the power to draw, was less accessible than at the time of Buffon and the Encyclopedists. Art,--that art at least which had some respect for itself and the wors.h.i.+p of beauty,--was no less hermetically sealed: it despised the people. Even among writers who cared less for beauty than for action, among those who gave moral ideas precedence over esthetic ideas, there was often a strange dominance of the aristocratic spirit. They seemed to be more intent upon preserving the purity of their inward flame than to communicate its warmth to others. It was as though they desired not to make their ideas prevail but only to affirm them.

And yet among these writers there were some who applied themselves to popular art. Among the most sincere some hurled into their writings destructive anarchical ideas, truths of the distant future, which might be beneficent in a century or so, but, for the time being, corroded and scorched the soul: others wrote bitter or ironical plays, robbed of all illusion, sad to the last degree. Christophe was left in a state of collapse, ham-strung, for a day or two after he read them.