Children's Literature Part 85

Benjamin Franklin (1706-1790), more than any other American, has emphasized for us the value of proverbial sayings and the significance of the symbolic story. This account of how one may pay too much for a whistle was written in 1779 while Franklin was representing the colonies at Paris, and addressed to his friend Madame Brillon. The making of apologues seemed to be a favorite sort of game in the circle in which Franklin moved, and his plain common sense is always uppermost in whatever he produces. The lesson of the whistle is always needed; we are p.r.o.ne to put aside the essential thing for the temporary and showy. More than a century ago Noah Webster put this story in his school-reader, and most school-readers since have contained it. The selection is here reprinted complete. Teachers usually omit some of the opening and closing paragraphs.

THE WHISTLE

BENJAMIN FRANKLIN

I am charmed with your description of Paradise, and with your plan of living there; and I approve much of your conclusion, that, in the mean time, we should draw all the good we can from this world. In my opinion, we might all draw more good than we do, and suffer less evil, if we would take care not to give too much for _whistles_. For to me it seems that most of the unhappy people we meet with are become so by neglect of that caution.

You ask what I mean? You love stories, and will excuse my telling one of myself.

When I was a child of seven years old, my friends, on a holiday, filled my pockets with coppers. I went directly to a shop where they sold toys for children; and being charmed with the sound of a _whistle_, that I met by the way in the hands of another boy, I voluntarily offered and gave all my money for one. I then came home, and went whistling all over the house, much pleased with my _whistle_, but disturbing all the family. My brothers, and sisters, and cousins, understanding the bargain I had made, told me I had given four times as much for it as it was worth; put me in mind what good things I might have bought with the rest of the money; and laughed at me so much for my folly, that I cried with vexation; and the reflection gave me more chagrin than the _whistle_ gave me pleasure.

This, however, was afterward of use to me, the impression continuing on my mind; so that often, when I was tempted to buy some unnecessary thing, I said to myself, _Don't give too much for the whistle_; and I saved my money.

As I grew up I thought I met with many, very many, who _gave too much for the whistle_.

When I saw one too ambitious of court favor, sacrificing his time, his repose, his liberty, his virtue, and perhaps his friends, to attain it, I have said to myself, _This man gives too much for his whistle._

When I saw another fond of popularity, constantly employing himself in political bustles, neglecting his own affairs, and ruining them by that neglect, _He pays, indeed_, said I, _too much for his whistle._

If I knew a miser, who gave up every kind of comfortable living, all the pleasure of doing good to others, all the esteem of his fellow-citizens, and the joys of benevolent friends.h.i.+p, for the sake of acc.u.mulating wealth, _Poor man_, said I, _you pay too much for your whistle._

When I met with a man of pleasure, sacrificing every laudable improvement of the mind, or of his fortune, to mere corporal sensations, and ruining his health in their pursuit, _Mistaken man_, said I, _you are providing pain for yourself, instead of pleasure; you give too much for your whistle._

If I see one fond of appearance, or fine clothes, fine houses, fine furniture, fine equipages, all above his fortune, for which he contracts debts, and ends his career in a prison, _Alas!_ say I, _he has paid dear, very dear, for his whistle._

When I see a beautiful, sweet-tempered girl married to an ill-natured brute of a husband, _What a pity_, say I, _that she should pay so much for a whistle!_

In short, I conceive that great part of the miseries of mankind are brought upon them by the false estimates they have made of the value of things, and by their _giving too much for their whistles_.

Yet I ought to have charity for these unhappy people, when I consider that, with all this wisdom of which I am boasting, there are certain things in the world so tempting, for example, the apples of King John, which happily are not to be bought; for if they were put to sale by auction, I might very easily be led to ruin myself in the purchase, and find that I had once more given too much for the _whistle_.

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"The Ephemera" was also addressed to Madame Brillon, the "amiable Brillante" of the final sentence. It is an allegorical story emphasizing the relative shortness of human life. Franklin's "Alas! art is long and life is short!" antic.i.p.ates Longfellow's "Art is long and time is fleeting." But hundreds of writers had preceded both of them in calling attention to this at the same time commonplace and significant fact. At the end, Franklin's quiet acceptance of the rather gloomy outlook suggested by the ephemeral nature of life is noteworthy, and is characteristic of his general temper.

THE EPHEMERA

_An Emblem of Human Life_

BENJAMIN FRANKLIN

You may remember, my dear friend, that when we lately spent that happy day in the delightful garden and sweet society of the Moulin Joly, I stopped a little in one of our walks, and stayed some time behind the company. We had been shown numberless skeletons of a kind of little fly, called an ephemera, whose successive generations, we were told, were bred and expired within the day. I happened to see a living company of them on a leaf, who appeared to be engaged in conversation. You know I understand all the inferior animal tongues. My too great application to the study of them is the best excuse I can give for the little progress I have made in your charming language. I listened through curiosity to the discourse of these little creatures; but as they, in their national vivacity, spoke three or four together, I could make but little of their conversation. I found, however, by some broken expressions that I heard now and then, they were disputing warmly on the merit of two foreign musicians, one a _cousin_, the other a _moscheto_; in which dispute they spent their time, seemingly as regardless of the shortness of life as if they had been sure of living a month. Happy people! thought I; you live certainly under a wise, just, and mild government, since you have no public grievances to complain of, nor any subject of contention but the perfections and imperfections of foreign music. I turned my head from them to an old grey-headed one, who was single on another leaf, and talking to himself. Being amused with his soliloquy, I put it down in writing, in hopes it will likewise amuse her to whom I am so much indebted for the most pleasing of all amus.e.m.e.nts, her delicious company and heavenly harmony.

"It was," said he, "the opinion of learned philosophers of our race, who lived and flourished long before my time, that this vast world, the Moulin Joly, could not itself subsist more than eighteen hours; and I think there was some foundation for that opinion, since, by the apparent motion of the great luminary that gives life to all nature, and which in my time has evidently declined considerably towards the ocean at the end of our earth, it must then finish its course, be extinguished in the waters that surround us, and leave the world in cold and darkness, necessarily producing universal death and destruction. I have lived seven of those hours, a great age, being no less than four hundred and twenty minutes of time. How very few of us continue so long! I have seen generations born, flourish, and expire. My present friends are the children and grandchildren of the friends of my youth, who are now, also, no more! And I must soon follow them; for, by the course of nature, though still in health, I cannot expect to live above seven or eight minutes longer. What now avails all my toil and labor in ama.s.sing honey-dew on this leaf, which I cannot live to enjoy! What the political struggles I have been engaged in, for the good of my compatriot inhabitants of this bush, or my philosophical studies for the benefit of our race in general! for, in politics, what can laws do without morals?

Our present race of ephemerae will in a course of minutes become corrupt, like those of other and older bushes, and consequently as wretched. And in philosophy how small is our progress! Alas! art is long, and life is short! My friends would comfort me with the idea of a name, they say, I shall leave behind me; and they tell me I have lived long enough to nature and to glory. But what will fame be to an ephemera who no longer exists? And what will become of all history in the eighteenth hour, when the world itself, even the whole Moulin Joly, shall come to its end, and be buried in universal ruin?"

To me, after all my eager pursuits, no solid pleasures now remain, but the reflection of a long life spent in meaning well, the sensible conversation of a few good lady ephemerae, and now and then a kind smile and a tune from the ever amiable _Brillante_.

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The brief allegory that follows is very generally regarded as the finest and n.o.blest specimen of its type. It is here reprinted approximately in the form of its first appearance, now more than two hundred years ago, as more in keeping with its spirit than a modern dress would be. The world of recent times is not so much given to this kind of writing as the eighteenth century was. Like Franklin's "Ephemera," Addison's vision grows out of "profound contemplation on the vanity of human life." The key to the symbolism is found in the "threescore and ten arches" of the bridge, representing the scriptural limit of physical existence, with some broken arches for any excess of that limit. The fact that "the bridge consisted at first of a thousand arches"

is a reference to the great number of years a.s.signed to some of the patriarchs. The splendid concluding vision in which Mirzah sees the compensations for the ills of this life suggests a very different type of mind from that of the "this-worldly" closing paragraph in Franklin's apologue. "The Vision of Mirzah" is No. 159 of the _Spectator_ (September 1, 1711).

THE VISION OF MIRZAH

JOSEPH ADDISON

When I was at Grand Cairo I picked up several oriental ma.n.u.scripts, which I have still by me. Among others I met with one ent.i.tled The Visions of Mirzah, which I have read over with great pleasure. I intend to give it to the public when I have no other entertainment for them; and I shall begin with the first vision, which I have translated word for word as follows:

On the fifth day of the moon, which according to the custom of my forefathers I always kept holy, after having washed myself, and offered up my morning devotions, I ascended the high hills of Bagdat, in order to pa.s.s the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into profound contemplation on the vanity of human life; and pa.s.sing from one thought to another, surely, said I, man is but a shadow and life a dream. Whilst I was thus musing, I cast my eyes towards the summit of a rock that was not far from me, where I discovered one in the habit of a shepherd, with a musical instrument in his hand. As I looked upon him he applied it to his lips, and began to play upon it. The sound of it was exceeding sweet, and wrought into a variety of tunes that were inexpressibly melodious, and altogether different from anything I had ever heard. They put me in mind of those heavenly airs that are played to the departed souls of good men upon their first arrival in paradise to wear out the impressions of their last agonies, and qualify them for the pleasures of that happy place. My heart melted away in secret raptures.

I had been often told that the rock before me was the haunt of a genius; and that several had been entertained with music who had pa.s.sed by it, but never heard that the musician had before made himself visible. When he had raised my thoughts by those transporting airs which he played, to taste the pleasure of his conversation, as I looked upon him like one astonished, he beckoned to me, and by the waving of his hand directed me to approach the place where he sat. I drew near with that reverence which is due to a superior nature: and as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept. The genius smiled upon me with a look of compa.s.sion and affability that familiarized him to my imagination, and at once dispelled all the fears and apprehensions with which I approached him. He lifted me from the ground, and taking me by the hand, Mirzah, said he, I have heard thee in thy soliloquies: follow me.

He then led me to the highest pinnacle of the rock, and placed me on the top of it. Cast thy eyes eastward, said he, and tell me what thou seest.

I see, said I, a huge valley and a prodigious tide of water rolling through it. The valley that thou seest, said he, is the vale of misery, and the tide of water that thou seest is part of the great tide of eternity. What is the reason, said I, that the tide I see rises out of a thick mist at one end, and again loses itself in a thick mist at the other? What thou seest, says he, is that portion of eternity which is called time, measured out by the sun, and reaching from the beginning of the world to its consummation. Examine now, said he, this sea that is thus bounded with darkness at both ends, and tell me what thou discoverest in it. I see a bridge, said I, standing in the midst of the tide. The bridge thou seest, said he, is human life; consider it attentively. Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which added to those that were entire, made up the number about an hundred. As I was counting the arches the genius told me that the bridge consisted at first of a thousand arches; but that a great flood swept away the rest, and left the bridge in the ruinous condition I now beheld it. But tell me further, said he, what thou discoverest on it. I see mult.i.tudes of people pa.s.sing over it, said I, and a black cloud hanging on each end of it. As I looked more attentively, I saw several of the pa.s.sengers dropping through the bridge, into the great tide that flowed underneath it; and upon further examination, perceived there were innumerable trap-doors that lay concealed in the bridge which the pa.s.sengers no sooner trod upon, but they fell through them into the tide and immediately disappeared. These hidden pit-falls were set very thick at the entrance of the bridge, so that the throngs of people no sooner broke through the cloud, but many of them fell into them. They grew thinner towards the middle, but multiplied and lay closer together towards the end of the arches that were entire.

There were indeed some persons, but their number was very small, that continued a kind of hobbling march on the broken arches, but fell through one after another, being quite tired and spent with so long a walk.

I pa.s.sed some time in the contemplation of this wonderful structure, and the great variety of objects which it presented. My heart was filled with a deep melancholy to see several dropping unexpectedly in the midst of mirth and jollity, and catching at everything that stood by them to save themselves. Some were looking up towards the heavens in a thoughtful posture, and in the midst of a speculation stumbled and fell out of sight. Mult.i.tudes were very busy in the pursuit of baubles that glittered in their eyes and danced before them, but often when they thought themselves within the reach of them, their footing failed and down they sank. In this confusion of objects, I observed some with scimetars in their hands, who ran to and fro upon the bridge, thrusting several persons upon trap-doors which did not seem to lie in their way, and which they might have escaped, had they not been thus forced upon them.

The genius seeing me indulge myself in this melancholy prospect, told me I had dwelt long enough upon it: take thine eyes off the bridge, said he, and tell me if thou seest anything thou dost not comprehend. Upon looking up, what mean, said I, those great flights of birds that are perpetually hovering about the bridge, and settling upon it from time to time? I see vultures, harpies, ravens, cormorants, and among many other feathered creatures several little winged boys, that perch in great numbers upon the middle arches. These, said the genius, are envy, avarice, superst.i.tion, despair, love, with the like cares and pa.s.sions that infect human life.

I here fetched a deep sigh; alas, said I, man was made in vain! How is he given away to misery and mortality! tortured in life, and swallowed up in death! The genius, being moved with compa.s.sion towards me, bid me quit so uncomfortable a prospect. Look no more, said he, on a man in the first stage of his existence, in his setting out for eternity; but cast thine eye on that thick mist into which the tide bears the several generations of mortals that fall into it. I directed my sight as was ordered, and (whether or no the good genius strengthened it with any supernatural force, or dissipated part of the mist that was before too thick for the eye to penetrate) I saw the valley opening at the farther end, and spreading forth into an immense ocean that had a huge rock of adamant running through the midst of it, and dividing it into two equal parts. The clouds still rested on one-half of it, insomuch that I could discover nothing in it; but the other appeared to me a vast ocean planted with innumerable islands, that were covered with fruits and flowers, and interwoven with a thousand little s.h.i.+ning seas that ran among them. I could see persons dressed in glorious habits with garlands upon their heads, pa.s.sing among the trees, lying down by the sides of the fountains, or resting on beds of flowers; and could hear a confused harmony of singing birds, falling waters, human voices, and musical instruments. Gladness grew in me upon the discovery of so delightful a scene. I wished for the wings of an eagle, that I might fly away to those happy seats; but the genius told me there was no pa.s.sage to them except through the gates of death that I saw opening every moment upon the bridge. The islands, said he, that lie so fresh and green before thee, and with which the whole face of the ocean appears spotted as far as thou canst see, are more in number than the sands of the sea-sh.o.r.e; there are myriads of islands behind those which thou here discoverest, reaching farther than thy eyes, or even than thine imagination, can extend itself. These are the mansions of good men after death, who, according to the degree and kinds of virtue in which they excelled, are distributed among these several islands, which abound with pleasures of different kinds and degrees, suitable to the relishes and perfections of those who are settled in them; every island is a paradise, accommodated to its respective inhabitants. Are not these, O Mirzah, habitations worth contending for? Does life appear miserable that gives the opportunities of earning such a reward? Is death to be feared that will convey thee to so happy an existence? Think not a man was made in vain who has such an eternity reserved for him. I gazed with inexpressible pleasure on these happy islands. At length, said I, Show me now, I beseech thee, the secrets that lie hid under those dark clouds which cover the ocean on the other side of the rock of adamant. The genius making me no answer, I turned about to address myself to him a second time, but I found that he had left me. I then turned again to the vision which I had been so long contemplating, but, instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long hollow valley of Bagdat, with oxen, sheep, and camels grazing upon the sides of it.

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"The Discontented Pendulum" was one of seventy-nine brief prose selections by Jane Taylor (1783-1824) which appeared first in a paper for young people and were, after the author's death, gathered together and published as _Contributions of Q. Q._ (1826). This one selection only from that volume still lives, is reprinted often in school-readers, and by virtue of its cleverness and point deserves its happy fate. The author attached to it a "Moral"

almost as long as the story itself, and that has long since fallen by the wayside. Perhaps that is because the story is too clear to need the "Moral." Here are a few sentences from it: "The _present_ is all we have to manage: the past is irrecoverable; the future is uncertain; nor is it fair to burden one moment with the weight of the next. Sufficient unto the _moment_ is the trouble thereof. . . . One moment comes laden with its own _little_ burden, then flies, and is succeeded by another no heavier than the last; if _one_ could be sustained, so can another, and another. . . . Let any one resolve to do right _now_, leaving _then_ to do as it can, and if he were to live to the age of Methuselah, he would never err. . . . Let us then, 'whatever our hands find to do, do it with all our might, recollecting that _now_ is the proper and the accepted time.'"

THE DISCONTENTED PENDULUM

JANE TAYLOR

An old clock that had stood for fifty years in a farmer's kitchen without giving its owner any cause of complaint, early one summer's morning, before the family was stirring, suddenly stopped.

Upon this, the dial-plate (if we may credit the fable) changed countenance with alarm: the hands made an ineffectual effort to continue their course; the wheels remained motionless with surprise; the weights hung speechless; each member felt disposed to lay the blame on the others. At length the dial inst.i.tuted a formal inquiry as to the cause of the stagnation; when hands, wheels, weights, with one voice, protested their innocence. But now a faint tick was heard below, from the pendulum, who thus spoke:

"I confess myself to be the sole cause of the present stoppage; and am willing, for the general satisfaction, to a.s.sign my reasons. The truth is that I am tired of ticking." Upon hearing this, the old clock became so enraged that it was on the point of _striking_.