Queens of the French Stage Part 17

Clairon carried the talent of tragic declamation to a point which had never been witnessed before"; while d'Alembert writes: "Mlle. Clairon has been incomparable and beyond anything that she has yet attained to."

To the great disappointment of the public, the health of Mlle. Clairon necessitated the temporary withdrawal of the play after the thirteenth performance, and, when it was revived in the following January, the enthusiasm with which it was received was almost indescribable.

Simultaneously with her celebrity as an actress, Mlle. Clairon enjoyed a celebrity of another, and far less enviable, kind. "Love," she remarks, in her _Memoires_, "is one of Nature's needs; and I satisfied it." She did indeed. "Hardly had she appeared on the [Paris] stage," writes La Janiere to the Lieutenant of Police, in the report to which we have already had occasion to refer, "than every one began to fight for her, and the crowd of lovers was so great that, in spite of her inclination towards gallantry, she was embarra.s.sed to choose among them." There were princes and dukes; there were marquises, and barons, and counts; there were impecunious chevaliers and wealthy farmer-generals; there were das.h.i.+ng cavalry-officers and sober presidents of the Parliament; there were actors and men of letters. And few indeed--that is to say, few who possessed any pa.s.sport to her favour: high rank, a handsome presence, a pretty wit, or, best of all, a well-lined purse and a disposition to empty it at her feet,[171] seemed to have sighed in vain.

Poor M. de la Popeliniere, to whose good offices Mlle. Clairon had owed her admission to the Opera, did not long retain his proud position of _amant en t.i.tre_. He was speedily abandoned for the Prince de Soubise, who, however, was only accorded a fourth share of the lady's heart, the remainder of that priceless organ being divided between three other high and puissant _seigneurs_, the Ducs de Luxembourg and de Bouteville and the Marquis de Bissy. Next Mlle. de Camargo's old lover, the President de Rieux, succeeded in securing a monopoly of the _tragedienne's_ affections, only to lose them, however, the moment he showed a disinclination to loosen his purse-strings. Then came an a.s.sortment of admirers, drawn from the n.o.bility, the Parliament, financial circles, the stage, the army, and foreign visitors to Paris, and including the "Baron de Kervert," who is described as a rich Englishman, but whom we have failed to identify; a Polish n.o.bleman, the Comte de Brotok, "who made a brave show before he became acquainted with her, but, in less than four months, had lost coach, diamonds, and snuff-box, and was obliged to pretend that he was in mourning for one of his relations, in order to appear without shame in a black coat;" the actor Grandval, who had had more _bonnes fortunes_ than he could count, but who proved so accommodating an admirer that, after a few months of the lady's society, "his colleagues had to accord him a benefit performance in order to reestablish his affairs, which had fallen into a disastrous condition;"

and, finally, the Baron de Besenval, whose reputation for gallantry was, in later years, to compromise Marie Antoinette, and "with whom," says La Janiere, "she became infatuated."[172]

For Besenval indeed, with whom she had had a previous _liaison_ during her career in the provinces, Mlle. Clairon, to judge by her letters, appears to have entertained a genuine affection. In one epistle, "she conjures him to love her for ever"; in another, she informs him that a letter which she has just received from him has "restored her to life,"

and that, however much he may love her, his pa.s.sion must of necessity be inferior to hers; and, in a third, declares that the devotion she feels for him has "spoiled her taste" for other admirers, and that she "experiences more pleasure in being true to him, whether he desires it or not, than she formerly had in being unfaithful."[173]

But let us listen to some of the reports of the Arguseyed agents of the Lieutenant of Police, which prove what an important personage a fas.h.i.+onable actress was in those days:--

"SAINT-MARC TO BERRYER.

"_June 14, 1748._

"I have the honour to report to you that the trustworthy person whom I introduced into Mlle. Clairon's house a.s.sures me that the Prince de Monaco, since his return to his regiment, has not allowed a single day to pa.s.s without writing to Clairon; he shows much affection for her, and, among other things, he begs her constantly not to return to the stage until her health is perfectly re-established, and to remember that she has promised to take every care of her life, in order to prolong his....

"D'Hugues de Giversac, who is very much in love with Clairon, and is reputed to have enjoyed her favours, has made all sorts of attempts to gain admission to the house, but I am a.s.sured that there is no possibility of his succeeding, and that Clairon's door is closed to him.

It has been remarked that, since the departure of the prince, she has not received any one, except actors and actresses and, frequently, an old attorney, who is a friend of Clairon's father. Moreover, she does not go out, except to Ma.s.s, and, since her illness, it does not appear that the prince has any rivals. It has been said that D'Hugues was one, but the demoiselle's conduct for some time past renders that improbable.

"It has been remarked that Clairon only goes out with her father and sister, or some actors. She always makes great cheer and spends large sums on her table. She is daily expecting the arrival of the prince and his money. I continue the precautions necessary to enable me to operate successfully the moment the prince appears."

"SAINT-MARC _to_ BERRYER.

"_June 23, 1748._

"I have the honour to report to you that Mlle. Clairon received yesterday evening a letter from the Prince de Monaco, in which he informs her that he will arrive without fail at the end of next week.

But Clairon considers that this is a feint on his part, and that he will arrive sooner, in order to surprise her. Apart from that, nothing of importance has happened at this house. The demoiselle does not go out, nor does she receive any one, save the members of her troupe and the old person of whom I have spoken."

"SAINT-MARC _to_ BERRYER.

"_August 10, 1748._

"I have the honour to report to you that nothing likely to be of interest to you is taking place at the house of the demoiselle Clairon.

She often sees her comrades of the Comedie, with whom she always makes good cheer.

"There is a foreigner whose name I have not been able to ascertain, who has employed a woman called Caron, formerly an _entremetteuse_, to speak in his favour. This foreigner, although he is not acquainted with her, has sent to Clairon a piece of Indian taffeta, a great quant.i.ty of chocolate and champagne, and a service of porcelain encrusted with gold, which presents were entrusted to one of Clairon's servants, with a letter from the foreigner, promising her a considerable allowance, if she will become his mistress. The story goes that she wrote to the Prince de Monaco, to inform him of the advantageous proposal she had received from this foreigner. The prince despatched, on the instant, an old confidential servant, with instructions, in writing, enjoining on the demoiselle Clairon to return everything which she had received from this foreigner. The demoiselle found herself in an exceedingly embarra.s.sing position, inasmuch as she had disposed of more than half the presents, having converted them into cash. Since then, the prince's confidential servant has remained in Paris, to keep an eye upon her behaviour, until the moment of the arrival of his master, who has been very impatiently expected for more than a month."[174]

"MEUNIER _to_ BERRYER.

"_September 18, 1748._

"The demoiselle Clairon has for a long time been the mistress of [the Marquis] de Cindre. At the end of the month of August, she asked him for a sum of 2000 livres,[175] of which she stood in pressing need. He gave her this sum.

"Some days later, she demanded of M. de Cindre a country-house. He could refuse her nothing, and rented one for her at Pantin, which he furnished magnificently.

"M. de Cindre went to visit her one evening, and, to give her an agreeable surprise, entered by a back door, and found the demoiselle Clairon with a young man.... He withdrew, without speaking to any one, and without his presence being discovered. The following day, he sent and removed the furniture which he had placed in the house, and abandoned Mlle. Clairon.

"The young man in question is M. de Jaucourt, an officer of dragoons, who, about two months ago, was arrested for being absent from his regiment without leave."

Under date October 23, 1748, we come to an entry of considerable interest:--

"The demoiselle Clairon has dismissed the Marquis de Thibouville. She has replaced him by the sieur Marmontel, author of _Denis le Tyran_. He is not recognisable since he has devoted himself to amusing this girl."[176]

The beginning of the _liaison_ between Mlle. Clairon and the author of the _Contes moraux_, which the latter relates, with much complacency, in his ever-delightful _Memoires_, written, by the way, "for the instruction of his children," is distinctly amusing.

Marmontel had been in love with a certain Mlle. Navarre, whose heart he had stolen away from Maurice de Saxe, much to the indignation of the famous Marshal,[177] and who had made of him "the happiest of lovers and the most miserable of slaves." One day, he learned that his enchantress had jilted him, in his turn, for the Chevalier de Mirabeau, upon which he went home, "fell down like a sacrificed victim," and was for some time alarmingly ill. Mlle. Clairon came to console him, when the following conversation took place:--

"'My friend,' said she, 'your heart needs some object of love; you feel listless, because it is empty. You must interest; you must fill it. Is there not a woman in the world whom you can think agreeable?'

"'I know,' said I, 'only one who could comfort me if she chose, but would she be so generous.'

"'We must see as to that,' replied she, with a smile. 'Am I acquainted with her? I will endeavour to a.s.sist you.'

"'Yes, you know her, and have great influence over her.'

"'Well, what is her name? I will speak to her in your favour; I will say that you love with ardour and sincerity; that you can be faithful and constant; that she is sure of being happy in your love.'

"'So you really believe all this?'

"'Yes; I am fully persuaded of it.'

"'Be so good as to say it to yourself.'

"'To myself, my friend?'

"'To yourself.'

"'Ah! then it shall be my pride to comfort you.'"[178]

A connection was thus formed, which, though it did not last very long--at least the love-affair did not[179]--was not without its influence upon the professional careers of both. Marmontel tells us that his pa.s.sion for the actress had the effect of "rekindling his poetical ardour"; while, on her side, Mlle. Clairon was induced by the representations of the young author to adopt a more natural style of acting, which may be said to have given the finis.h.i.+ng touch to an art which came nearer perfection than anything yet seen on the French stage, and, moreover, opened the door for a reform the importance of which can scarcely be over-estimated.