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Rust Dr. W. 153 and (note).
Rust F.W. 152 ff.
Rust J.L.A. 152.
SANDONI P.G. _Sonatas_: 23-4.
Scarlatti A. 77 (note), 80.
Scarlatti D. 36, 73-4, 77 (note), 80, 89, 226; _Sonatas_: 15, 16-19; Bach C.P.E. 92 and 93, Paradies, 109.
Schaffrath C. 27 and (note), 31.
Scharwenka X. 239.
Scheibe J.A. _Critischer Musikus_, 48.
Schindler A. 140 (note), 141, 142, 172, 173, 189; Conversations with Beethoven, 186-8, 190.
Schop J. 10, 11.
Schubert F. 120, 195; _Sonatas_: 198-206, 237.
Schumann R. 152, 200, 202, 206; Fantasia, 209; _Sonatas_: 208-9; Beethoven, 207.
Sherard J. 223 (note).
Shakespeare, 190, 191.
Schoelcher V. Life of Handel, 19 (note), 77 (note).
Spenser H. 191.
Spitta Dr. P. 20, 21, 54, 57, 195.
Squire W.B. 51 (note).
Stanford Dr. C.V. _Sonata_: 233-4.
Steffani A. 77 (note); _Sonatas_: 14.
Steibelt D. 192, 193 (note); sonatinas, 239; Beethoven, 194.
TARTINI G. 9, 11 (note); _Sonatas_: 12.
Telemann G.P. 48; _Sonatas_: 24-5, sonatinas, 89 (note).
Tomaschek, account of Dussek's playing, 145-6.
Turini F. 5-6; _Sonatas_, 4.
UMSTATT J. 27 and (note), 32.
VERACINI, 11 and (note), 12, 225.
Vitali G.B. 7, 223.
Vogler, Abbe, 195, 196.
WAGENSEIL G. 31 and (note), 174; _Sonatas_: 27.
Weber C.M. v. 192; _Sonatas_: 194-8.
Weber M.M. v. 194.
Weitzmann C.F. _Geschichte des Clavierspiels_, 74, Pasquini, 75.
Wesley S. 226; _Sonatas_: 229-30.
Woelfl J. 174, 192; _Ne Plus Ultra_ Sonata: 149-50, 193 (note); Beethoven, 194.
Worgan I. _Sonatas_: 228.
ZACH, 31, 32.
Zimmermann Miss A. 230.
MORRISON AND GIBB, PRINTERS, EDINBURGH
FOOTNOTES:
[1] _Musikalisches Lexicon oder musikalische Bibliothek._
[2] Among the four-movement sonatas of Op. 1, No. 6 (in B minor) has the peculiar order: Grave, Largo, Adagio, Allegro.
[3] The Preludio Adagio only consists of four chords, or two bars; the Adagio, again, only consists of four bars. The sonata, therefore, may be considered as of three movements.
[4] 1680-1762.
[5] 1693-1764.
