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The Postmaster's Daughter Part 6

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The superintendent walked a few yards in silence. Even when he spoke, his gaze was introspective, and seemed to ignore his companion.

"I'm inclined to agree with you, Robinson," he said, speaking very slowly. "We have a big case in our hands, a very big case. We must tread warily. You, in particular, mixing with the village folk, should listen to all but say nothing. Don't depend on your memory. Write down what you hear and see. People's actual words, and the exact time of an occurrence, often have an extraordinarily illuminating effect when weighed subsequently. But don't let Mr. Grant think you suspect him. There is no occasion for that--yet."

Mr. Fowler could be either blunt or cryptic in speech at will. In one mood he was the straightforward, outspoken official; in another the potential lawyer. P.C. Robinson, though unable to describe his chief's erratic qualities, was unpleasantly aware of them. He was not quite sure, for instance, whether the superintendent was encouraging or warning him, but, being a dogged person, resolved to "take his own line," and stick to it.

Grant pa.s.sed a distressful day. Work was not to be thought of, and reading was frankly impossible. His mind dwelt constantly on the tragedy which had come so swiftly and completely into his ordered life. He could not wholly discard the nebulous theory suggested by Superintendent Fowler, but the more he surveyed it the less reasonable it seemed. The one outstanding fact in a chaos of doubt was that someone had deliberately done Adelaide Melhuish to death. The murderer had been actuated by a motive. What was that motive? Surely, in a place like Steynholme no man could come and go without being seen, and the murderer must be a stranger to the district, because it was ridiculous to imagine that he was one of the residents.

Yet that was exactly what a dunderheaded policeman believed. P.C.



Robinson had revealed himself by many a covert glance and p.r.i.c.k-eared movement. Grant squirmed uneasily at the cra.s.s conceit, as there was no denying that circ.u.mstances tended towards a certain doubt, if no more, in regard to his own a.s.sociation with the crime.

The admission called for a fierce struggle with his pride, but he forced himself to think the problem out in all its bearings, and the folly of adopting the legendary policy of the chased ostrich became manifest.

What, then, should he do? He thought, at first, of invoking the aid of a barrister friend, who could watch the inquest in his behalf.

Nevertheless, he shrank from that step, which, to his super-sensitive nature, implied the need of legal protection, and he fiercely resented the mere notion of such a thing. But something must be done. Once the murderer was laid by the heels his own troubles would vanish, and the storm raised by the unhappy fate of Adelaide Melhuish would subside into a sad memory.

He was wrestling with indecision when a newspaper reporter called. Grant received the journalist promptly, and told him all the salient facts, suppressing only the one-time prospect of a marriage between himself and the famous actress.

The reporter went with him to the river, and scrutinized the marks, now rapidly becoming obliterated, of the body having been drawn ash.o.r.e.

"The rope and iron staple, I understand, were taken from the premises of a man who lets boats for hire on the dam quarter of a mile away," he said casually.

Grant was astounded at his own failure to make any inquiry whatsoever concerning this vital matter. He laughed grimly.

"You can imagine the state of my mind," he said, "when I a.s.sure you that, until this moment, it never occurred to me even to ask where these articles came from or what had become of them."

"I can sympathize with you," said the journalist. "A brutal murder seems horribly out of place in this environment. It is a mysterious business altogether. I wonder if Scotland Yard will take it up."

Grant surprised him by clapping him on the back.

"By Jove, my friend, the very thing! Of course, such an investigation requires bigger brains than our local police are endowed with. Scotland Yard _must_ take it up. I'll wire there at once. If necessary, I'll pay all expenses."

The newspaper man had his doubts. The "Yard," he said, acted in the provinces only if appealed to by the authorities directly concerned. But Grant was not to be stayed by a trifle like that. He hurried to the post office, hoping that Doris Martin might walk back with him.

The girl and her father were busy behind the counter when he entered. He noticed that Doris was rather pale. She was about to attend to him, but Mr. Martin intervened. It struck Grant that the postmaster was purposely preventing his daughter from speaking to him.

For some inexplicable reason, he felt miserably tongue-tied, and was content to write a message to the Chief Commissioner of Police, London, asking that a skilled detective should be sent forthwith to Steynholme.

Mr. Martin read it gravely, stated the cost, and procured the requisite stamps. In the event, Grant quitted the place without exchanging a word with Doris, while her father, usually a chatty man, said not a syllable beyond what was barely needed.

As he pa.s.sed down the hill and by the side of the Green he was aware of being covertly watched by many eyes. He saw P.C. Robinson peering from behind a curtained window. Siddle, the chemist, came to the shop door, and looked after him. Hobbs, the butcher, ceased sharpening a knife and gazed out. Tomlin, landlord of the Hare and Hounds Inn, surveyed him from the "snug."

These things were not gracious. Indeed, they were positively maddening.

He went home, gave an emphatic order that no one, except Miss Martin, if she called, was to be admitted and savagely buried himself in a treatise on earth-tides.

But that day of events had not finished for him yet. He had, perforce, eaten a good meal, and was thinking of going to the post office in order to clear up an undoubted misapprehension in Mr. Martin's mind, when Minnie Bates came with a card.

"If you please, sir," said the girl, "this gentleman is very pressing.

He says he's sure you'll give him an interview when you see his name."

So Grant looked, and read:--

MR. ISIDOR G. INGERMAN

_Prince's Chambers, London, W._

CHAPTER IV

A CABAL

Grant stared again at the card. A tiny silver bell seemed to tinkle a sort of warning in a recess of his brain. The name was not engraved in copper-plate, but printed in heavy type. Somehow, it looked ominous. His first impression was to bid Minnie send the man away. He distrusted any first impression. It was the excuse of mediocrity, a sign of weakness.

Moreover, why shouldn't he meet Isidor G. Ingerman?

"Show him in," he said, almost gruffly, thus silencing shy intuition, as it were. He threw the card on the table.

Mr. Ingerman entered. He did not offer any conventional greeting, but nodded, or bowed. Grant could not be sure which form of salutation was intended, because the visitor promptly sat down, uninvited.

Minnie hesitated at the door. Her master's callers were usually cheerful Bohemians, who chatted at sight. Then she caught Grant's eye, and went out, banging the door in sheer nervousness.

Still Mr. Ingerman did not speak. If this was a pose on his part, he erred. Grant had pa.s.sed through a trying day, but he owned the muscles and nerves of an Alpine climber, and had often stared calmly down a wall of rock and ice which he had just conquered, when the least slip would have meant being dashed to pieces two thousand feet below.

There was some advantage, too, in this species of stage wait. It enabled him to take the measure of Adelaide Melhuish's husband, if, indeed, the visitor was really the man he professed to be.

At first sight, Isidor G. Ingerman was not a prepossessing person.

Indeed, it would be safe to a.s.sume that if, by some trick of fortune, he and not Grant were the tenant of The Hollies, P.C. Robinson would have haled him to the village lock-up that very morning. It was not that he was villainous-looking, but rather that he looked capable of villainy. He was a tall, slender, rather stooping man, with a decidedly well-molded, if hawk-like, face. His aspect might be described as saturnine. Possibly, when he smiled, this morose expression would vanish, and then he might even win a favorable opinion. He had brilliant black eyes, close set, and an abundant crop of black hair, turning gray, which, in itself, lent an air of distinction. His lips were thin, his chin slightly prominent. He was well dressed, and managed a hat, stick, and gloves with ease.

Altogether, he reminded Grant of a certain notable actor who is invariably cast for the role of a gentlemanly scoundrel, but who, in private life, is a most excellent fellow and good citizen. Oddly enough, Grant recognized in him, too, the type of man who would certainly have appealed to Adelaide Melhuish in her earlier and impressionable years.

Meanwhile, the visitor, finding that the clear-eyed young man seated in an easy chair (from which he had not risen) could seemingly regard him with blank indifference during the next hour, thought fit to say something.

"Is my name familiar to you, Mr. Grant?" he inquired.

The voice was astonis.h.i.+ngly soft and pleasant, and the accent agreeably refined. Evidently, there were surprising points about Mr. Ingerman. Long afterwards, Grant learned, by chance, that the man had been an actor before branching off into that mysterious cosmopolitan profession known as "a financier."

"No," said Grant. "I have heard it very few times. Once, about three years ago, and today, when I mentioned it to the police."

The other man's sallow cheeks grew a shade more sallow. Grant supposed that this slight change of color indicated annoyance. Of course, the a.s.sociation of ideas in that curt answer was intolerably rude. But Grant had been tried beyond endurance that day. He was in a mood to be brusque with an archbishop.

"We can disregard your confidences, or explanations, to the police," said Ingerman smoothly. "Three years ago, I suppose, my wife spoke of me?"

"If you mean Miss Adelaide Melhuish--yes."

"I do mean her. To be exact, I mean the lady who was murdered outside this house last night."

Grant realized instantly that Isidor G. Ingerman was a foeman worthy of even a novelist's skill in repartee. Thus far, he, Grant, had been merely uncivil, using a bludgeon for wit, whereas the visitor was making play with a finely-tempered rapier.

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The Postmaster's Daughter Part 6 summary

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