Joe Wilson and His Mates Part 8

'Take the blankets off me, fahver--Jim's sick!' (They'd been teaching him to say father.)

I was scared now. I remembered a neighbour of ours had a little girl die (she swallowed a pin), and when she was going she said--

'Take the blankets off me, muvver--I'm dying.'

And I couldn't get that out of my head.

I threw back a fold of the 'possum rug, and felt Jim's head--he seemed cool enough.

'Where do you feel bad, sonny?'

No answer for a while; then he said suddenly, but in a voice as if he were talking in his sleep--

'Put my boots on, please, daddy. I want to go home to muvver!'

I held his hand, and comforted him for a while; then he slept--in a restless, feverish sort of way.

I got the bucket I used for water for the horses and stood it over the fire; I ran to the creek with the big kerosene-tin bucket and got it full of cold water and stood it handy. I got the spade (we always carried one to dig wheels out of bogs in wet weather) and turned a corner of the tarpaulin back, dug a hole, and trod the tarpaulin down into the hole, to serve for a bath, in case of the worst. I had a tin of mustard, and meant to fight a good round for Jim, if death came along.

I stooped in under the tail-board of the waggon and felt Jim. His head was burning hot, and his skin parched and dry as a bone.

Then I lost nerve and started blundering backward and forward between the waggon and the fire, and repeating what I'd heard Mary say the last time we fought for Jim: 'G.o.d! don't take my child! G.o.d! don't take my boy!' I'd never had much faith in doctors, but, my G.o.d! I wanted one then. The nearest was fifteen miles away.

I threw back my head and stared up at the branches, in desperation; and--Well, I don't ask you to take much stock in this, though most old Bushmen will believe anything of the Bush by night; and--Now, it might have been that I was all unstrung, or it might have been a patch of sky outlined in the gently moving branches, or the blue smoke rising up. But I saw the figure of a woman, all white, come down, down, nearly to the limbs of the trees, point on up the main road, and then float up and up and vanish, still pointing. I thought Mary was dead! Then it flashed on me----

Four or five miles up the road, over the 'saddle', was an old shanty that had been a half-way inn before the Great Western Line got round as far as Dubbo and took the coach traffic off those old Bush roads. A man named Brighten lived there. He was a selector; did a little farming, and as much sly-grog selling as he could. He was married--but it wasn't that: I'd thought of them, but she was a childish, worn-out, spiritless woman, and both were pretty 'ratty' from hards.h.i.+p and loneliness--they weren't likely to be of any use to me. But it was this: I'd heard talk, among some women in Gulgong, of a sister of Brighten's wife who'd gone out to live with them lately: she'd been a hospital matron in the city, they said; and there were yarns about her. Some said she got the sack for exposing the doctors--or carrying on with them--I didn't remember which. The fact of a city woman going out to live in such a place, with such people, was enough to make talk among women in a town twenty miles away, but then there must have been something extra about her, else Bushmen wouldn't have talked and carried her name so far; and I wanted a woman out of the ordinary now. I even reasoned this way, thinking like lightning, as I knelt over Jim between the big back wheels of the waggon.

I had an old racing mare that I used as a riding hack, following the team. In a minute I had her saddled and bridled; I tied the end of a half-full chaff-bag, shook the chaff into each end and dumped it on to the pommel as a cus.h.i.+on or buffer for Jim; I wrapped him in a blanket, and scrambled into the saddle with him.

The next minute we were stumbling down the steep bank, clattering and splas.h.i.+ng over the crossing, and struggling up the opposite bank to the level. The mare, as I told you, was an old racer, but broken-winded--she must have run without wind after the first half mile. She had the old racing instinct in her strong, and whenever I rode in company I'd have to pull her hard else she'd race the other horse or burst. She ran low fore and aft, and was the easiest horse I ever rode. She ran like wheels on rails, with a bit of a tremble now and then--like a railway carriage--when she settled down to it.

The chaff-bag had slipped off, in the creek I suppose, and I let the bridle-rein go and held Jim up to me like a baby the whole way. Let the strongest man, who isn't used to it, hold a baby in one position for five minutes--and Jim was fairly heavy. But I never felt the ache in my arms that night--it must have gone before I was in a fit state of mind to feel it. And at home I'd often growled about being asked to hold the baby for a few minutes. I could never brood comfortably and nurse a baby at the same time. It was a ghostly moonlight night. There's no timber in the world so ghostly as the Australian Bush in moonlight--or just about daybreak. The all-shaped patches of moonlight falling between ragged, twisted boughs; the ghostly blue-white bark of the 'white-box' trees; a dead naked white ring-barked tree, or dead white stump starting out here and there, and the ragged patches of shade and light on the road that made anything, from the shape of a spotted bullock to a naked corpse laid out stark. Roads and tracks through the Bush made by moonlight--every one seeming straighter and clearer than the real one: you have to trust to your horse then. Sometimes the naked white trunk of a red stringy-bark tree, where a sheet of bark had been taken off, would start out like a ghost from the dark Bush. And dew or frost glistening on these things, according to the season. Now and again a great grey kangaroo, that had been feeding on a green patch down by the road, would start with a 'thump-thump', and away up the siding.

The Bush seemed full of ghosts that night--all going my way--and being left behind by the mare. Once I stopped to look at Jim: I just sat back and the mare 'propped'--she'd been a stock-horse, and was used to 'cutting-out'. I felt Jim's hands and forehead; he was in a burning fever. I bent forward, and the old mare settled down to it again. I kept saying out loud--and Mary and me often laughed about it (afterwards): 'He's limp yet!--Jim's limp yet!' (the words seemed jerked out of me by sheer fright)--'He's limp yet!' till the mare's feet took it up. Then, just when I thought she was doing her best and racing her hardest, she suddenly started forward, like a cable tram gliding along on its own and the grip put on suddenly. It was just what she'd do when I'd be riding alone and a strange horse drew up from behind--the old racing instinct.

I FELT the thing too! I felt as if a strange horse WAS there! And then--the words just jerked out of me by sheer funk--I started saying, 'Death is riding to-night!... Death is racing to-night!... Death is riding to-night!' till the hoofs took that up. And I believe the old mare felt the black horse at her side and was going to beat him or break her heart.

I was mad with anxiety and fright: I remember I kept saying, 'I'll be kinder to Mary after this! I'll take more notice of Jim!' and the rest of it.

I don't know how the old mare got up the last 'pinch'. She must have slackened pace, but I never noticed it: I just held Jim up to me and gripped the saddle with my knees--I remember the saddle jerked from the desperate jumps of her till I thought the girth would go. We topped the gap and were going down into a gully they called Dead Man's Hollow, and there, at the back of a ghostly clearing that opened from the road where there were some black-soil springs, was a long, low, oblong weatherboard-and-s.h.i.+ngle building, with blind, broken windows in the gable-ends, and a wide steep verandah roof slanting down almost to the level of the window-sills--there was something sinister about it, I thought--like the hat of a jail-bird slouched over his eyes. The place looked both deserted and haunted. I saw no light, but that was because of the moonlight outside. The mare turned in at the corner of the clearing to take a short cut to the shanty, and, as she struggled across some marshy ground, my heart kept jerking out the words, 'It's deserted!

They've gone away! It's deserted!' The mare went round to the back and pulled up between the back door and a big bark-and-slab kitchen. Some one shouted from inside--

'Who's there?'

'It's me. Joe Wilson. I want your sister-in-law--I've got the boy--he's sick and dying!'

Brighten came out, pulling up his moleskins. 'What boy?' he asked.

'Here, take him,' I shouted, 'and let me get down.'

'What's the matter with him?' asked Brighten, and he seemed to hang back. And just as I made to get my leg over the saddle, Jim's head went back over my arm, he stiffened, and I saw his eyeb.a.l.l.s turned up and glistening in the moonlight.

I felt cold all over then and sick in the stomach--but CLEAR-HEADED in a way: strange, wasn't it? I don't know why I didn't get down and rush into the kitchen to get a bath ready. I only felt as if the worst had come, and I wished it were over and gone. I even thought of Mary and the funeral.

Then a woman ran out of the house--a big, hard-looking woman. She had on a wrapper of some sort, and her feet were bare. She laid her hand on Jim, looked at his face, and then s.n.a.t.c.hed him from me and ran into the kitchen--and me down and after her. As great good luck would have it, they had some dirty clothes on to boil in a kerosene tin--dish-cloths or something.

Brighten's sister-in-law dragged a tub out from under the table, wrenched the bucket off the hook, and dumped in the water, dish-cloths and all, s.n.a.t.c.hed a can of cold water from a corner, dashed that in, and felt the water with her hand--holding Jim up to her hip all the time--and I won't say how he looked. She stood him in the tub and started das.h.i.+ng water over him, tearing off his clothes between the splashes.

'Here, that tin of mustard--there on the shelf!' she shouted to me.

She knocked the lid off the tin on the edge of the tub, and went on splas.h.i.+ng and spanking Jim.

It seemed an eternity. And I? Why, I never thought clearer in my life. I felt cold-blooded--I felt as if I'd like an excuse to go outside till it was all over. I thought of Mary and the funeral--and wished that that was past. All this in a flash, as it were. I felt that it would be a great relief, and only wished the funeral was months past. I felt--well, altogether selfish. I only thought for myself.

Brighten's sister-in-law splashed and spanked him hard--hard enough to break his back I thought, and--after about half an hour it seemed--the end came: Jim's limbs relaxed, he slipped down into the tub, and the pupils of his eyes came down. They seemed dull and expressionless, like the eyes of a new baby, but he was back for the world again.

I dropped on the stool by the table.

'It's all right,' she said. 'It's all over now. I wasn't going to let him die.' I was only thinking, 'Well it's over now, but it will come on again. I wish it was over for good. I'm tired of it.'

She called to her sister, Mrs Brighten, a washed-out, helpless little fool of a woman, who'd been running in and out and whimpering all the time--

'Here, Jessie! bring the new white blanket off my bed. And you, Brighten, take some of that wood off the fire, and stuff something in that hole there to stop the draught.'

Brighten--he was a nuggety little hairy man with no expression to be seen for whiskers--had been running in with sticks and back logs from the wood-heap. He took the wood out, stuffed up the crack, and went inside and brought out a black bottle--got a cup from the shelf, and put both down near my elbow.

Mrs Brighten started to get some supper or breakfast, or whatever it was, ready. She had a clean cloth, and set the table tidily. I noticed that all the tins were polished bright (old coffee- and mustard-tins and the like, that they used instead of sugar-basins and tea-caddies and salt-cellars), and the kitchen was kept as clean as possible. She was all right at little things. I knew a haggard, worked-out Bushwoman who put her whole soul--or all she'd got left--into polis.h.i.+ng old tins till they dazzled your eyes.

I didn't feel inclined for corned beef and damper, and post-and-rail tea. So I sat and squinted, when I thought she wasn't looking, at Brighten's sister-in-law. She was a big woman, her hands and feet were big, but well-shaped and all in proportion--they fitted her. She was a handsome woman--about forty I should think. She had a square chin, and a straight thin-lipped mouth--straight save for a hint of a turn down at the corners, which I fancied (and I have strange fancies) had been a sign of weakness in the days before she grew hard. There was no sign of weakness now. She had hard grey eyes and blue-black hair. She hadn't spoken yet. She didn't ask me how the boy took ill or I got there, or who or what I was--at least not until the next evening at tea-time.

She sat upright with Jim wrapped in the blanket and laid across her knees, with one hand under his neck and the other laid lightly on him, and she just rocked him gently.

She sat looking hard and straight before her, just as I've seen a tired needlewoman sit with her work in her lap, and look away back into the past. And Jim might have been the work in her lap, for all she seemed to think of him. Now and then she knitted her forehead and blinked.

Suddenly she glanced round and said--in a tone as if I was her husband and she didn't think much of me--

'Why don't you eat something?'

'Beg pardon?'

'Eat something!'

I drank some tea, and sneaked another look at her. I was beginning to feel more natural, and wanted Jim again, now that the colour was coming back into his face, and he didn't look like an unnaturally stiff and staring corpse. I felt a lump rising, and wanted to thank her. I sneaked another look at her.

She was staring straight before her,--I never saw a woman's face change so suddenly--I never saw a woman's eyes so haggard and hopeless. Then her great chest heaved twice, I heard her draw a long shuddering breath, like a knocked-out horse, and two great tears dropped from her wide open eyes down her cheeks like rain-drops on a face of stone. And in the firelight they seemed tinged with blood.

I looked away quick, feeling full up myself. And presently (I hadn't seen her look round) she said--

'Go to bed.'