The Story Girl Part 11

We did not know what a sacrilege meant, but we knew that Mr. Marwood had declared that the picture was not like G.o.d. That was enough for us. We felt as if a terrible weight had been lifted from our minds.

"I could hardly believe the Story Girl, but of course the minister KNOWS," said Dan happily.

"We've lost fifty cents because of it," said Felicity gloomily.

We had lost something of infinitely more value than fifty cents, although we did not realize it just then. The minister's words had removed from our minds the bitter belief that G.o.d was like that picture; but on something deeper and more enduring than mind an impression had been made that was never to be removed. The mischief was done. From that day to this the thought or the mention of G.o.d brings up before us involuntarily the vision of a stern, angry, old man. Such was the price we were to pay for the indulgence of a curiosity which each of us, deep in our hearts, had, like Sara Ray, felt ought not to be gratified.

"Mr. Marwood told me to burn it," said Felix.

"It doesn't seem reverent to do that," said Cecily. "Even if it isn't G.o.d's picture, it has His name on it."

"Bury it," said the Story Girl.

We did bury it after tea, in the depths of the spruce grove; and then we went into the orchard. It was so nice to have the Story Girl back again.

She had wreathed her hair with Canterbury Bells, and looked like the incarnation of rhyme and story and dream.

"Canterbury Bells is a lovely name for a flower, isn't it?" she said.

"It makes you think of cathedrals and chimes, doesn't it? Let's go over to Uncle Stephen's Walk, and sit on the branches of the big tree. It's too wet on the gra.s.s, and I know a story--a TRUE story, about an old lady I saw in town at Aunt Louisa's. Such a dear old lady, with lovely silvery curls."

After the rain the air seemed dripping with odours in the warm west wind--the tang of fir balsam, the spice of mint, the wild woodsiness of ferns, the aroma of gra.s.ses steeping in the suns.h.i.+ne,--and with it all a breath of wild sweetness from far hill pastures.

Scattered through the gra.s.s in Uncle Stephen's Walk, were blossoming pale, aerial flowers which had no name that we could ever discover.

n.o.body seemed to know anything about them. They had been there when Great-grandfather King bought the place. I have never seen them elsewhere, or found them described in any floral catalogue. We called them the White Ladies. The Story Girl gave them the name. She said they looked like the souls of good women who had had to suffer much and had been very patient. They were wonderfully dainty, with a strange, faint, aromatic perfume which was only to be detected at a little distance and vanished if you bent over them. They faded soon after they were plucked; and, although strangers, greatly admiring them, often carried away roots and seeds, they could never be coaxed to grow elsewhere.

"My story is about Mrs. Dunbar and the Captain of the f.a.n.n.y," said the Story Girl, settling herself comfortably on a bough, with her brown head against a gnarled trunk. "It's sad and beautiful--and true. I do love to tell stories that I know really happened. Mrs. Dunbar lives next door to Aunt Louisa in town. She is so sweet. You wouldn't think to look at her that she had a tragedy in her life, but she has. Aunt Louisa told me the tale. It all happened long, long ago. Interesting things like this all did happen long ago, it seems to me. They never seem to happen now. This was in '49, when people were rus.h.i.+ng to the gold fields in California.

It was just like a fever, Aunt Louisa says. People took it, right here on the Island; and a number of young men determined they would go to California.

"It is easy to go to California now; but it was a very different matter then. There were no railroads across the land, as there are now, and if you wanted to go to California you had to go in a sailing vessel, all the way around Cape Horn. It was a long and dangerous journey; and sometimes it took over six months. When you got there you had no way of sending word home again except by the same plan. It might be over a year before your people at home heard a word about you--and fancy what their feelings would be!

"But these young men didn't think of these things; they were led on by a golden vision. They made all their arrangements, and they chartered the brig _f.a.n.n.y_ to take them to California.

"The captain of the _f.a.n.n.y_ is the hero of my story. His name was Alan Dunbar, and he was young and handsome. Heroes always are, you know, but Aunt Louisa says he really was. And he was in love--wildly in love,--with Margaret Grant. Margaret was as beautiful as a dream, with soft blue eyes and clouds of golden hair; and she loved Alan Dunbar just as much as he loved her. But her parents were bitterly opposed to him, and they had forbidden Margaret to see him or speak to him. They hadn't anything against him as a MAN, but they didn't want her to throw herself away on a sailor.

"Well, when Alan Dunbar knew that he must go to California in the _f.a.n.n.y_ he was in despair. He felt that he could NEVER go so far away for so long and leave his Margaret behind. And Margaret felt that she could never let him go. I know EXACTLY how she felt."

"How can you know?" interrupted Peter suddenly. "You ain't old enough to have a beau. How can you know?"

The Story Girl looked at Peter with a frown. She did not like to be interrupted when telling a story.

"Those are not things one KNOWS about," she said with dignity. "One FEELS about them."

Peter, crushed but not convinced, subsided, and the Story Girl went on.

"Finally, Margaret ran away with Alan, and they were married in Charlottetown. Alan intended to take his wife with him to California in the _f.a.n.n.y_. If it was a hard journey for a man it was harder still for a woman, but Margaret would have dared anything for Alan's sake. They had three days--ONLY three days--of happiness, and then the blow fell.

The crew and the pa.s.sengers of the _f.a.n.n.y_ refused to let Captain Dunbar take his wife with him. They told him he must leave her behind. And all his prayers were of no avail. They say he stood on the deck of the _f.a.n.n.y_ and pleaded with the men while the tears ran down his face; but they would not yield, and he had to leave Margaret behind. Oh, what a parting it was!"

There was heartbreak in the Story Girl's voice and tears came into our eyes. There, in the green bower of Uncle Stephen's Walk, we cried over the pathos of a parting whose anguish had been stilled for many years.

"When it was all over, Margaret's father and mother forgave her, and she went back home to wait--to WAIT. Oh, it is so dreadful just to WAIT, and do nothing else. Margaret waited for nearly a year. How long it must have seemed to her! And at last there came a letter--but not from Alan.

Alan was DEAD. He had died in California and had been buried there.

While Margaret had been thinking of him and longing for him and praying for him he had been lying in his lonely, faraway grave."

Cecily sprang up, shaking with sobs.

"Oh, don't--don't go on," she implored. "I CAN'T bear any more."

"There is no more," said the Story Girl. "That was the end of it--the end of everything for Margaret. It didn't kill HER, but her heart died."

"I just wish I'd hold of those fellows who wouldn't let the Captain take his wife," said Peter savagely.

"Well, it was awful said," said Felicity, wiping her eyes. "But it was long ago and we can't do any good by crying over it now. Let us go and get something to eat. I made some nice little rhubarb tarts this morning."

We went. In spite of new disappointments and old heartbreaks we had appet.i.tes. And Felicity did make scrumptious rhubarb tarts!

CHAPTER IX. MAGIC SEED

When the time came to hand in our collections for the library fund Peter had the largest--three dollars. Felicity was a good second with two and a half. This was simply because the hens had laid so well.

"If you'd had to pay father for all the extra handfuls of wheat you've fed to those hens, Miss Felicity, you wouldn't have so much," said Dan spitefully.

"I didn't," said Felicity indignantly. "Look how Aunt Olivia's hens laid, too, and she fed them herself just the same as usual."

"Never mind," said Cecily, "we have all got something to give. If you were like poor Sara Ray, and hadn't been able to collect anything, you might feel bad."

But Sara Ray HAD something to give. She came up the hill after tea, all radiant. When Sara Ray smiled--and she did not waste her smiles--she was rather pretty in a plaintive, apologetic way. A dimple or two came into sight, and she had very nice teeth--small and white, like the traditional row of pearls.

"Oh, just look," she said. "Here are three dollars--and I'm going to give it all to the library fund. I had a letter to-day from Uncle Arthur in Winnipeg, and he sent me three dollars. He said I was to use it ANY way I liked, so ma couldn't refuse to let me give it to the fund. She thinks it's an awful waste, but she always goes by what Uncle Arthur says. Oh, I've prayed so hard that some money might come some way, and now it has. See what praying does!"

I was very much afraid that we did not rejoice quite as unselfishly in Sara's good fortune as we should have done. WE had earned our contributions by the sweat of our brow, or by the scarcely less disagreeable method of "begging." And Sara's had as good as descended upon her out of the skies, as much like a miracle as anything you could imagine.

"She prayed for it, you know," said Felix, after Sara had gone home.

"That's too easy a way of earning money," grumbled Peter resentfully.

"If the rest of us had just set down and done nothing, only prayed, how much do you s'pose we'd have? It don't seem fair to me."

"Oh, well, it's different with Sara," said Dan. "We COULD earn money and she COULDN'T. You see? But come on down to the orchard. The Story Girl had a letter from her father to-day and she's going to read it to us."

We went promptly. A letter from the Story Girl's father was always an event; and to hear her read it was almost as good as hearing her tell a story.

Before coming to Carlisle, Uncle Blair Stanley had been a mere name to us. Now he was a personality. His letters to the Story Girl, the pictures and sketches he sent her, her adoring and frequent mention of him, all combined to make him very real to us.

We FELT then, what we did not understand till later years, that our grown-up relatives did not altogether admire or approve of Uncle Blair.

He belonged to a different world from theirs. They had never known him very intimately or understood him. I realize now that Uncle Blair was a bit of a Bohemian--a respectable sort of tramp. Had he been a poor man he might have been a more successful artist. But he had a small fortune of his own and, lacking the spur of necessity, or of disquieting ambition, he remained little more than a clever amateur. Once in a while he painted a picture which showed what he could do; but for the rest, he was satisfied to wander over the world, light-hearted and content.

We knew that the Story Girl was thought to resemble him strongly in appearance and temperament, but she had far more fire and intensity and strength of will--her inheritance from King and Ward. She would never be satisfied as a dabbler; whatever her future career should be, into it she would throw all her powers of mind and heart and soul.

But Uncle Blair could do at least one thing surpa.s.singly well. He could write letters. Such letters! By contrast, Felix and I were secretly ashamed of father's epistles. Father could talk well but, as Felix said, he couldn't write worth a cent. The letters we had received from him since his arrival in Rio de Janeiro were mere scrawls, telling us to be good boys and not trouble Aunt Janet, incidentally adding that he was well and lonesome. Felix and I were always glad to get his letters, but we never read them aloud to an admiring circle in the orchard.