Chatterbox, 1906 Part 81

This particular kind of trumpet is interesting because it is the only known instrument used uninterruptedly from the earliest times to the present day.

The Shophar is first mentioned in the Old Testament, when the Lord descended upon Mount Sinai; it is frequently alluded to throughout the Bible, and takes a prominent place in the Vision of St. John, or Book of Revelation.

We must all remember, too, the description in Joshua of the downfall of Jericho, at which the mighty blast from the rams' horns, with the great shout of the Israelites, shook the walls to the ground and gave the stronghold to the conquerors.

Shophar is the Hebrew name for what is usually translated 'ram's horns.'

It simply consists of a ram's horn flattened by the force of intense heat, and blown through a very small opening or mouthpiece.

[Ill.u.s.tration: The Shophar or Ram's Horn.]

Sh.e.l.ls have in many nations been used in similar fas.h.i.+on, and to-day the ceremonies of the Buddhist religion are accompanied by the sound of these primitive trumpets.

In ancient and modern times, whether in civilised or barbarous nations, great events, such as the accession of monarchs or proclamations of war and peace, have been announced by the sound of the trumpet. The accession of the despotic rulers of Egypt many thousand years ago, and of King Edward the Seventh in our own time, was proclaimed in much the same fas.h.i.+on by herald and trumpeters. The original use of trumpets probably had its origin in Egypt, and the frequent intercourse of that country with Greece probably accounts for its introduction there. The Greeks are said to have used it first in the Trojan war, when it took the place of the rough conch sh.e.l.ls, which had in their turn replaced the ancient battle signal of the flaming torch. One of the coveted prizes of the Olympic games was awarded for the best trumpet solo, and we hear of one fortunate person, Herodotus of Megara, who gained this honour more than ten times. It must have taken real genius to have roused melody from the primitive trumpets of early days, and even with all the facilities afforded by the scientific knowledge of the present time, the trumpet requires great skill and careful playing to make it a really musical instrument. It is usually made of bra.s.s, and occasionally of silver, which is supposed to give a softer tone.

[Ill.u.s.tration: The Rehab.]

The Rehab is the violin of Palestine, and in appearance almost suggests to European eyes a dustpan and brush. The frame is of wood, covered, like a tambourine, with parchment, and placed across a handle from which hangs a single string of thick, black horsehair, very coa.r.s.e in texture.

It is played with a bow, also of horsehair, and is held much after the fas.h.i.+on of a violin, being chiefly used to accompany songs and the romances in which Eastern people delight. Playing is almost always done by professionals, for, although music is much appreciated, it is thought unreasonable to take trouble oneself when some one can take it for you.

At a Palestine Exhibition lately, amongst curiosities of great interest, the writer was given for exhibition a specimen of the Rattle used by the Jews at the Feast of Purim, held in memory of the deliverance of the Jewish nation by Queen Esther from the plot of Haman. The Rattle was made of tin; it was of the usual rattle form for twirling round and round, and its use was to scare away evil spirits from the Feast.

HELENA HEATH.

TO THE RESCUE!

A True Story.

Chirp! chirp! chirp! Twit! twit! twit! Such a noise of chirping in the ivy at the back of the house! Just like a crowd of children after a school concert; but it was a much more serious affair than a concert.

We could not at first see anything to cause the disturbance, although we could not help knowing that it was a sparrow in some sort of peril or distress. At last one of us discovered that a poor little bird had entangled itself in some stout string which dangled from the ivy, and it was swinging at the end of this in a very dangerous manner. None of us could think what to do, because it was too high up for our only ladder to reach, and too far away to get at from any one of the windows.

While we were all standing looking at it we heard another chirp, as much as to say 'Hang on, dear, and I will soon set you free,' and then we saw another sparrow fly into the ivy and try and stretch itself far enough to peck at the string. But, alas! the brave little ball of brown feathers could not reach so far. The captive was perfectly quiet, and seemed to understand that some help was coming to him; and when the second sparrow found he could not reach it, he began to talk--shall we say?--to the other. They seemed to consult, as two doctors do over a patient, what was best to be done. All this time the captive sparrow was hanging by one foot with his head downwards, except when he fluttered about and tugged at the string. After they had talked for some seconds the helper flew away, and we were very disappointed: but he had not been gone long before he appeared again with another sparrow--a much bigger one!

The first sparrow seemed to do just what the last comer told him to. It was just as if he said, 'Now, my dear boy, you stand very firmly on my back, and I will fix myself on a twig of ivy as near as I can to our friend; mind you stretch as far as you possibly can, and if you cannot reach him then, you may stand on my head. Jerk the string with your beak and perhaps that will set him free.'

Number one sparrow did exactly as he was told, and nearly over-balanced himself; he only just saved himself by spreading his wings and starting to fly, and he could not reach the string. After another talk amongst the three of them (the poor prisoner only chirped very softly now), the two helpers flew away again in different directions, making as much noise as they could; and then in a very short time a whole crowd of them came. We counted fifteen of them; they talked and talked as they sat together in the ivy, until at last, as if at a given signal, they all flew out together. They fluttered, flew round and round, and pecked at the string and gave it jerks all at once, till it shook and trembled more and more.

They did this three times, each time returning to and starting from the ivy, in perfect order, as if they had been drilled to it. At last they were successful; they shook the prisoner free! Then they adjourned to the branches of a tree, near where we were standing, and the poor mite seemed to be telling them how he got into such a sad plight. It was a beautiful lesson in kindness to us all, as well as a wonderful example of the instinct which the Creator has given these little birds, so that not one of them 'shall fall to the ground.'

FLOWERS AND COLOURS.

Some one has said that our English language is not rich in words describing colours; occasionally we have to join two words, as when we speak of something being bluish-green or reddish-brown. It is different in China, where the people have a large number of words for colours, belonging to their singular language. Many of the names of these colours have been taken from flowers. In Britain we find that colours and flowers are sometimes linked together; a plant has had its name from a colour, or that of a colour has come from a plant. This has rather an odd result now and then, because flowers may alter their colours; there are white bluebells and white violets, and gardeners can raise crimson primroses. Again, people who stroll in the lanes or fields have seen such a curious object as a white blackbird, though it is rare.

The violet has given its name to a shade of blue--really blue with a purple tinge. Some violets look decidedly red. The dog violet is usually of a lighter blue than the sweet-smelling species. It does not seem to have been called 'dog violet' because it had any connection with dogs; the word 'dog' was an expression of contempt, and forms part of the name of other English plants that were not admired. Some violets have been raised of so deep a blue as to appear nearly black. The blue wild hyacinth has given name to a colour, not very unlike the violet tint; it is sometimes called the bluebell, but pink ones may be found in woods, and garden hyacinths are of various colours. Other bluebells belong to the Campanula family.

In the olden time, one of the London street cries was, 'Fine lily-white onions!' the lily being commonly spoken of as a white flower. Yet we have several kinds of lily that are not white: 'Lent lilies' are yellow, and the showy tiger lily is red and black. Yellow is a common colour among the crocuses and plants akin to them; saffron, taken from one of these, has been used as a dye for ages. But of course our gardens show blue and white crocuses, with other hues. It is curious that Homer speaks of the dawn being 'saffron-robed.' We may notice ourselves that sometimes, at sunrise or sunset, the sky is first deep yellow, and then red.

Our gardens exhibit irises of many colours: blue, white, and brown kinds are well known, but it is thought the plant took its name from Iris, the Greek name for the messenger of the G.o.ds, and from the rainbow, because the Greeks knew a plant of this kind which had three or more colours in its flower. There is very little doubt that the Latin name of 'rosa,'

given to the queen of flowers, means red, that colour being familiar before white and yellow roses had been grown. The carnation was so called because one kind was like flesh colour, a tint of red; but many carnations are much darker. Wild and garden pinks we all have seen, but the commonest 'pink' nowadays is white. Again, we have lilacs that are white, and not of lilac colour. Lavender is a colour taking its name from the flowers of the fragrant herb; we might describe it as a sort of blue-brown. Mauve is a colour approaching the hue of the marsh-mallow.

Cerise, a French name for a colour, is really the same as our cherry.

THE GIANT OF THE TREASURE CAVES.

(_Continued from page 255._)

Jack dropped the subject of the outing, and did not again refer to it till the evening before the _fete_. Estelle had been very eager to see the dancing at the Fontaine des Eaux, which was to begin at six o'clock that evening. Mrs. Wright had consented, and both were ready to start by five. It was quite half an hour's walk, but the way being on level ground when once the village was reached, Mrs. Wright was equal to the exertion.

Estelle, dressed in well-made (Mrs. Wright was an excellent dressmaker) but quite plain, dark blue serge, was putting on a neat white sailor hat, when Jack took advantage of her absence to say,

'Don't you think she would be satisfied with this evening's amus.e.m.e.nt, Mother? Must we take her to the _fete_ to-morrow?'

'At it again, Jack? Why, what should hinder our taking her? I can't think what has come to you that you make so many objections.'

Estelle came dancing into the room, in the wildest of spirits, and Jack felt as if he were cruel to wish to disappoint her. Putting aside his feelings, he determined that, as she was to go, she should enjoy herself.

Estelle had been to the Fontaine des Eaux several times in her walks with Jack. It was a favourite spot of hers. The way lay through the village, across the rickety old bridge, and up the narrow valley to the left, following the course of the river. The green hills on each side had all the bright freshness of early spring, but the real beauty of the walk was the Fontaine des Eaux itself. Here the valley broadened out into a wild and lovely glen; the hills were wooded to their base; the river, roaring and das.h.i.+ng over its rocky bed, followed the sweep of the hills to the left, leaving a wide, gra.s.sy expanse on the right which stretched to the foot of the hills, where it was broken up by a tangle of rocks, wild flowers, and brushwood.

Here there were seats for the spectators of the dance. A rough sort of shed had been run up, and boarded for those who feared night dews, or early morning chills. Near the Fontaine, a little bubbling spring of clear water fringed with delicate ferns and 'morning glory,' was a refreshment booth, which appeared to be driving a thriving trade when the little party of English arrived.

Everybody was in gala dress; everybody beamed with joy. The white caps and beautifully embroidered bodices of the women--though their dresses were all either black or dark blue--lent a brightness to the crowd; a bright touch was added by the gay shawls of the elder dames, and the broad slouch hats and flapping white collars of the men, got up in their best.

It was a calm evening, with a silvery crescent moon, and very warm for the time of year. Though it was scarcely dark yet, the Chinese lanterns were lighted, lanterns of every shape and size and colour. The people appeared to have gone mad on the subject. Not only did lanterns hang from the trees, outline the sheds, and s.h.i.+ne from the tops of poles along the banks of the river, but some of the men carried them on their hats, or hanging from their thick walking-sticks.

Mrs. Wright was warmly greeted by her numerous friends. Many a smile was turned on her and on Jack, who had a bow and a smile for them all as he made way for his mother and Estelle. The little girl found it very bewildering and delightful after her long quiet days in the Hospice de la Providence. She thought she had never seen such kind people. They came to ask how she was, and commented on her looks with the politest of compliments. Until now she had not known what a stir her arrival, and the mystery which still surrounded her, had caused in the village. Shy though she felt, her gracious manner, and gentle way of receiving all the notice she attracted, charmed the simple people.

Jack found seats in the front row of the great shed. He chose them on the side which was nearer the exit by which they could slip away if his mother were tired. Here Estelle watched the animated scene, her chair close to Goody's, too fascinated to talk.

The circus troupe had brought a fairly good band with them, and to its music the gay, happy throng were dancing. Estelle was greatly entertained by the vigour shown. Still more delighted was she when M.

Fargis (the captain of the boat which had picked her up) insisted on Jack dancing with his daughter, to which the sailor consented. He did not wish to appear surly or stand-offish. The manly grace with which he bore off the young lady charmed Estelle, and she scarcely heard the skipper's question: 'The young lady does not dance?'

Before Mrs. Wright could answer, M. Matou, the Prefet, was bowing in front of her, his hat pressed with both hands on his chest. His son, he said--a boy of fifteen whom Estelle knew well by sight--desired to be presented to the little English lady, to pray her to give him the pleasure of the dance. M. le Prefet was quite one of the _elite_ of Tout-Pet.i.t society, and Mrs. Wright was fully conscious of the honour paid to Estelle by this invitation. The boy had often seen her during her walks with Jack, or when she accompanied Goody to market.

He had watched her from the moment she had appeared on the scene that evening. His father, noticing his abstraction, rallied him on not joining his companions, and making merry with the rest in the most inviting waltz that was ever played. M. le Prefet, on learning his son's wishes, at once offered to a.s.sist him in the accomplishment of his desire. Alas for Julien Matou's hopes! Mrs. Wright answered him as well as M. Fargis in the same breath:

'Mademoiselle cannot dance to-night. She is far from strong enough for such exertion. She has only come to look on, and will be returning home soon.'

M. le Prefet and his son were a little inclined to resent the refusal, but Mrs. Wright thanked them for the honour they had done her little girl, and Estelle smiled so prettily that they were disarmed. Drawing up a chair in front of them, M. Matou sat down to talk to Mrs. Wright, while Julien leant against the side of the shed, and, looking down at Estelle, ventured on some shy remark.