The Setons Part 15

Thomas looked dissatisfied.

"Couldn't I say to Mamma you would like us to come to dinner? Then we could come just after breakfast. You see, there's that house we're building----"

"I'm going to buy nails with my Sat.u.r.day penny," said Billy.

"By all means come to dinner," said Elizabeth, "if Mamma doesn't mind.

Good-night, sonnies--now run."

She opened the front-door for them, and watched them scud across the road to their own gate--then she went back to the drawing-room.

"I must be going too," said Miss Christie, sitting back more comfortably in her chair.

"It's Band of Hope night," said Elizabeth.

Buff had been marching up and down the room, with Launcelot in his arms, telling himself a story, but he now came and leant against his sister. She stroked his hair as she asked, "What's the matter, Buffy boy?"

"I wish," said Buff, "that I lived in a house where people didn't go to meetings."

"But I'm not going out till you're in bed. We shall have time for reading and everything. Say good-night to Christina, and see if Ellen has got your bath ready. And, Buff," she said, as he went out of the door, "pay particular attention to your knees--scrub them with a brush; and don't forget your fair large ears, my gentle joy."

"Those boys are curiosities," said Miss Christie. "What house is this they're building?"

"It's a Shelter for Homeless Cats," said Elizabeth, "made of orange boxes begged from the grocer. I think it was Buff's idea to start with, but Thomas has the clever hands. Must you go?"

"These chairs are too comfortable," said Miss Christie, as she rose; "they make one lazy. If I were you, Elizabeth, I wouldn't let Buff talk to himself and tell himself stories. He'll grow up queer.... You needn't laugh."

"I'm very sorry, Christina. I'm afraid we're a frightfully eccentric family, but you'll come and see us all the same, won't you?"

Miss Christie looked at her tall friend, and a quizzical smile lurked at the corner of her rather dour mouth. "Ay, Elizabeth," she said, "you sound very humble, but I wouldn't like to buy you at your own valuation, my dear."

Elizabeth put her hands on Christina's shoulders as she kissed her good-night. "You're a rude old Kirsty," she said, "but I dare say you're right."

_CHAPTER VI_

"How now, sir? What are you reasoning with yourself?

Nay, I was rhyming; 'tis you that have the reason."

_Two Gentlemen of Verona_.

About a fortnight later--it was Sat.u.r.day afternoon--an April day strayed into November, and James Seton walked in his garden and was grateful.

He had his next day's sermon in his hand and as he walked he studied it, but now and again he would lift his head to look at the blue sky, or he would stoop and touch gently the petals of a Christmas-rose, flowering bravely if sootily in the border. Behind the hedge, on the drying green, Thomas and Billy and Buff disported themselves. They had been unusually quiet, but now the sound of raised voices drew Mr. Seton to the scene of action. Looking over the hedge, he saw an odd sight.

Thomas lay grovelling on the ground; Billy, with a fierce black moustache sketched on his cherubic face, sat on the roof of the ash-pit; while Buff, a bulky sack strapped on his back, struggled in the arms of Marget the cook.

"Gie me that bag, ye ill laddie," she was saying.

"What's the matter, Marget?" Mr. Seton asked mildly.

Buff was b.u.t.ting Marget wildly with his head, but hearing his father's voice, he stopped to explain.

"It's my sins, Father," he gasped.

"It's naething o' the kind, sir; it's ma bag o' claes-pins. Stan' up, David, this meenit. D'ye no' see ye're fair sc.r.a.pin' it i' the mud?"

Thomas raised his head.

"We're pilgrims, Mr. Seton," he explained. "I'm Hopeful, and Buff's Christian. This is me in Giant Despair's dungeon;" and he rolled on his face and realistically chewed the gra.s.s to show the extent of his despair.

"But you've got your facts wrong," said Mr. Seton. "Christian has lost his load long before he got to Doubting Castle."

"Then," said Buff, picking himself up and wriggling out of the straps which tied the bag to his person--"then, Marget, you can have your old clothes-pins."

"Gently, my boy," said his father. "Hand the bag to Marget and say you're sorry."

"Sorry, Marget," said Buff in a very casual tone, as he heaved the bag at her.

Marget received it gloomily, prophesied the probable end of Buff, and went indoors.

Buff joined Thomas in the dungeon of Doubting Castle.

"Why is Billy sitting up there?" asked Mr. Seton.

"He's Apollyon," said Thomas, "and he's coming down in a minute to straddle across the way. By rights, I should have been Apollyon----"

Mr. Seton's delighted survey of the guileless fiend on the ash-pit roof was interrupted by Ellen, who came with a message that Mr. Stevenson had called and would Mr. Seton please go in.

In the drawing-room he found Elizabeth conversing with a tall young man, and from the fervour with which she welcomed his appearance he inferred that it was not altogether easy work.

"Father," said Elizabeth, "you remember I told you about meeting Mr.

Stevenson at the Thomsons' party? He has brought us such a treasure of a ballad book to look over. Do let my father see it, Mr. Stevenson."

James Seton greeted the visitor in his kind, absent-minded way, and sat down to discuss ballads with him, while Elizabeth, having, so to speak, laboured in rowing, lay back and studied Mr. Stevenson. That he was an artist she knew. She also knew his work quite well and that it was highly thought of by people who mattered. He had a nice face, she thought; probably not much sense of humour, but tremendously decent.

She wondered what his people were like. Poor, she imagined--perhaps a widowed mother, and he had educated himself and made every inch of his own way. She felt a vicarious stir of pride in the thought.

As a matter of fact she was quite wrong, and Stewart Stevenson's parents would have been much hurt if they had known her thoughts.

His father was a short, fat little man with a bald head, who had dealt so successfully in b.u.t.ter and ham that he now occupied one of the largest and reddest villas in Maxwell Park (Lochnagar was its name) and every morning was whirled in to business in a Rolls-Royce car.

For all his worldly success Mr. Stevenson senior remained a simple soul. His only real pa.s.sion in life (apart from his sons) was for what he called "time-pieces." Every room in Lochnagar contained at least two clocks. In the drawing-room they had alabaster faces and were supported by gilt cupids; in the dining-room they were of dignified black marble; the library had one on the mantelpiece and one on the writing-table--both of mahogany with New Art ornamentations. Two grandfather-clocks stood in the hall--one on the staircase and one on the first landing. Mr. Stevenson liked to have one minute's difference in the time of each clock, and when it came to striking the result was nerve-shattering. Mrs. Stevenson had a little nut-cracker face and a cross look which, as her temper was of the mildest, was most misleading. Her toque--she wore a toque now instead of a bonnet--was always a little on one side, which gave her a slightly distracted look.

Her clothes were made of the best materials and most expensively trimmed, but somehow nothing gave the little woman a moneyed look. Even the Russian sables her husband had given her on her last birthday looked, on her, more accidental than opulent. Her husband was her oracle and she hung on his words, invariably capping all his comments on life and happenings with "Ay. That's it, Pa."

Their pride in their son was touching. His height, his good looks, his accent, his "gentlemanly" manners, his love of books, his talent as an artist, kept them wondering and amazed. They could not imagine how they had come to have such a son. It was certainly disquieting for Mr.

Stevenson who read nothing but the newspapers on week-days and _The British Weekly_ on the Sabbath, and for his wife who invariably fell asleep when she attempted to dally with even the lightest form of literature, to have a son whose room was literally lined with books and who would pore with every mark of enjoyment over the dullest of tomes.

His artistic abilities were not such a phenomenon, and could be traced back to a sister of Mr. Stevenson's called Lizzie who had sketched in crayons and died young.