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From sketch-book and diary Part 2

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What a treat, to put it in that way, it was to rove about in the reality of the true East, to meet beauty of form and colour and light and shade and movement wherever one's eyes turned, without being brought up with a nasty jar by some modern hideosity or other. This was contentment. You know what a bit of colour in sun or luminous shade does for me. Think of my feelings when I walked through the narrow streets where the rays of the sun slanted down through gaps in the masonry, or, as in some, through c.h.i.n.ks in the overhead matting--now on a white turban, now on a rose-coloured robe relieved against the rich dark background of some cavernous open doorway, now on a bit of bra.s.s-work. The soft tones of the famous Carpet Bazaar in noon-day twilight, with that richness of colour that tells you the invisible suns.h.i.+ne is somewhere, fulfilled--yea, over-filled--my expectations, and close by in real working trim were the bra.s.s-workers tinkering and tapping musically, the while smoking their hubble-bubbles in very truth. The goldsmiths, in their own particular alley, were sitting in the rich chiaroscuro of their little shops waiting for me.

Added to those feasts for the eyes were the sounds which pictures could not give me--the warning shouts of the donkey-and camel-drivers, the "by your leave" in Arabic, followed by the shuffling sound of hoof and foot in the soft tan; the tinkling of the water-sellers' bra.s.s saucers; the cries, like wild songs in the minor, of hawkers of all kinds of things. Then the scents, also unpaintable. Incense, gums, tan, ripe fruit, wood-smoke. And the smells? Ah, yes, well--the smells, goaty and otherwise. They were all bound up together in that entirety which I would not have deleted.

There was one particular angle of street in front of I forget what ripe old mosque, before which I would have liked to establish myself all day.

The two streams of pa.s.sers-by, human and animal, ceaselessly jostling each other, came at one particular hour into a shaft of sunlight just at the turn where I could see them in perspective. Now a splendid figure in yellow robe and white turban, accentuating the streak of gold to perfection, occupied the centre of the composition and I would make a mental note: "daffodil yellow and white in intense sunlight; dull crimson curtain in shade behind; man in half-shade in dark brown, boy in indigo in reflected light"--when in the shaft of light now appeared a snow-white robe and rosy turban, putting out the preceding scheme, till a _hadji_ in a turban of soft bluey-green and pale-blue drapery came to suggest a very delicate emphasis to the rich and subdued surroundings.

In the first fresh days how mysterious these covered streets appear, these indoor thoroughfares, m.u.f.fled with tan, where towering camels and shuffling donkeys and curvetting horses seem so astonis.h.i.+ngly out of place.



Anglo-Egyptians who have to live in Cairo smile at my enthusiasm, and tell me they get tired of all this in time, and they are certainly helping to attenuate the charm. A late high official, on leaving Egypt, in his farewell speech told his audience that that day had been the happiest in his life, for he had seen the first "sandwich man" in the streets of Cairo. Since then another charming form of advertis.e.m.e.nt from the go-ahead West has appeared over the minarets of the alcohol-abhorring Moslems--a "sky sign" flas.h.i.+ng out against the stars the excellence of somebody's whisky. Can they now say "the changeless East"? And what a whirlpool of intensely Western amus.e.m.e.nts you may be sucked into if you are not wary. You may hide in the bazaars but you cannot live there, and teas, gymkanas, dances, and dinners will claim you for their own as though you were at Monte Carlo or still nearer home. In fact I have found New Cairo a little London and Monte Carlo rolled into one.

[Ill.u.s.tration: THE CAMEL CORPS]

One glimpse of the vanis.h.i.+ng Past which I got on a certain Friday at Cairo has left a queer impression on my mind, not at all a happy one. I am told the howling and dancing Dervishes have been lately suppressed, and I am dubious as to the fitness of us Christians being witnesses of those performances. However, I went, and saw what one can no longer see in Cairo. I found it difficult to believe those men were in real earnest, otherwise I should have felt more painfully impressed, but even as it was it was a disagreeable sight to witness the frenzied creatures flinging themselves backwards and forwards in time with the ever-increasing rapidity of the tom-toms till their long hair swept the floor at one moment and flew up straight on end towards the great vaulted interior of the mosque the next. Gasping shouts as of dying men escaped them rhythmically, and when the bewildering music had reached its climax it stopped, and so did they, and the priest, with gestures of loving commiseration and encouragement, very gracefully fell on their necks and gave them a drink of water each in turn. All this went on in a faint light from the hanging lamps, and the heat became suffocating. Mrs. C. put her hand on my shoulder, and pointing upwards asked me, "What is that?" A little white figure had appeared on a ledge high up under the drum of the dome. Whether man, woman, monkey, or goblin, I never saw a more impish figure, and it squatted there looking down from under its hood. I saw many very queer beings in Egypt as time went on, and decidedly the British occupation has not exorcised all the old magic of the Egyptians. But I have never played with it as some do.

Not from fear, but from dislike. I am told in sober truth, people who came to scoff have begged to be let go when spell-bound with horror at what they have seen in a drop of enchanted ink spilled on a table.

We have sometimes played tricks on those people with imitation magic, but never more successfully than did our friend Sir James Dormer out in the Great Desert, when he struck the Bedouins dumb by taking out his gla.s.s eye, which they, of course, believed to be his own, tossing it in the air, and replacing it. He had great power over them, I should say, for ever after. Brave man, he was killed shortly after in India by the wild animal he had wounded and who sprang on him on his blind side. I think a man with a single eye is doubly brave who goes out tiger-shooting in the jungle.

A much wholesomer diversion than the Dervishes was provided by the then General in command at Cairo a few days later, when some three hundred of the Native Camel Corps were put through a series of splendid manuvres out in the great open s.p.a.ces of Aba.s.sieh, beyond the Tombs of the Mameluks. I got out of the carriage when warned that the final charge was about to be delivered, and stood so as to see them coming nearly "stem on." It was a sight worth seeing, and surprising to me, who, before I landed, had never seen a camel worthy of the name. When the "halt!" was sounded, down fell the three hundred bellowing creatures on their knees in mid-career, close up to us, and the panting riders leapt off, their accoutrements in most admired disorder, and their puttees for the most part streaming along the ground. I was in a hurry to get back to Shepheard's to take the impression down, for I was greatly struck by so novel a sight. The red morocco-leather saddle covers were most effective, and very sorry I was on my next visit to Egypt to find they had gone the way of all "effective" bits of military equipment, and were replaced by dull brown subst.i.tutes. Henceforth I was an enthusiastic admirer of that most picturesque of animals, and though I approached the camel at first with diffidence and apprehension, I soon found him much easier to draw than the horse. What you would _like_ to do with a horse to give him movement and action, but _mustn't_, you _may_ do with a camel. You can twist his neck almost indefinitely and brandish his great coa.r.s.e head as you like, and his long legs give you _carte-blanche_ for producing speed. I found out a curious fact as time went on and I had dogged dozens of camels about the desert and made orderlies walk them up and down for me--namely, that the camel moves his legs _in the walk_ precisely like the horse, but when he falls into a trot he moves the legs of the same side forward together. He walks like a horse and trots like a camel! As to the gallop, a more dislocating performance I never saw. Lady ---- once told me she had, by an unlucky chance, got on a baggage camel with a hard mouth, or rather _nose_, and it ran away with her in the wide, wide desert. She hauled in the nose rope with the strength of despair, till the detestable animal's face was twisted back taut into her lap and was _looking at her_, and still the body galloped forward without the remotest check. She artistically left the end of the adventure untold.

As to the camel's noises, I don't think I ever got to the end of them.

The snarl and the grunt I was prepared for--the horrible querulous and sickening sound that some one has likened to the roar of a lion and the grunt of a pig combined; but one day, as I was making a study of one of these ungracious creatures for a big picture, I thought I heard a sweet lark warbling somewhere, and I marvelled at its presence over the Egyptian desert. The warblings came from the camel's throat, and there was a look in his eye that seemed to warn me that he considered the sitting had lasted long enough. The length of his neck suggested that I was within measurable distance of a bite, and I dismissed my sitter and his lanky rider with prompt.i.tude.

Of all the figures that delighted me in Cairo those of the syces soon became first favourites. The dress, the springing run, the beauty of the movements--I don't think the human figure could be more charmingly shown off. The English General's syces alone wear the scarlet jacket, and deep indigo blue or maroon are the usual colours for the liveries of those mercuries. Our fast-trotting horses now try them too much, and we don't let them run very far, but take them up after a little while. They were intended to trot before the ambling horses or donkeys of Pashas, to clear the way with shouts and sticks through the crowded bazaars. I saw a lady (alas!) driving a very fast English horse past Shepheard's in a rakish T-cart, and the unfortunate syce was constantly on the point of being knocked down by the high-stepper. It did _not_ add to the smartness of this turn-out to see this panting creature looking over his shoulder every minute in terror of the horse, and sometimes, when flagging in his run, being overtaken and having to run alongside. I levelled mental epithets at the thoughtless driver, and wondered how such a thing could be. Some of us are curiously inconsiderate. I am afraid she was but a type of many. Witness the suffering horses bitted up with tight bearing-reins standing for hours outside shops and smart houses where "at homes" are going on, when a word from the fair owners to their ignorant coachmen might procure ease for their miserable beasts. I am not enthusiastic about motors, but I am thankful for the fact that they are greatly reducing the sufferings of our poor "gees." I hope by and by the motor will be made noiseless and odourless, for at present I cannot enjoy its country driving. The scents of the country are replaced by smell and the sounds by noise.

You are better friends with the motor than I am, and have gathered much advantage from its audacity in taking you up, for instance, such rugged heights as those about Tivoli, well within a morning's outing from Rome, which I have looked at as inaccessible, and only to be admired from a lowly distance; those remote cones crowned with mediaeval towns that figure in the backgrounds of many an "Adoration of the Magi" and "Flight into Egypt."

I am, like you, of two minds about very rapid travel. There is something to say for and against it. "For" it, the freshness with which the mind, untrammelled with the bodily weariness of "diligence" or "vetturino"

jogging, receives impressions of points of interest; "against" it, the hustling of venerable monuments and reverenced natural features which should be approached with more ceremony. There is too much hustling nowadays. I don't know that I enjoyed my last visit to Venice quite as much as usual, feeling apologetic and guilty in partic.i.p.ating in the "b.u.mping" of the gondolas by the electric boats, whose back-wash sends them hopping and lurching in such an undignified manner. The sedate, gracious gondola, too well-bred ever to be in a hurry, "knocked out of time" by a fussing little electric launch, which is always in a hurry, with or without reason! What with the hurry, and the whistlings, and puffings, and syren-bellowings, the powers that be are actually succeeding in making Venice noisy. But I have got off the Egyptian track a long way.

After a visit to Sakkara and to the Pyramids and the Sphinx I shall launch out upon Old Nile at once. Our Sakkara day was typical of many I was to experience in this strangest of lands--full of the delights, then new to me, of donkey-riding through the fresh winter air of the desert, but donkey-riding over tombs. Sakkara is the necropolis of Memphis, itself long buried, that capital of the Pyramid Period that looms dark far behind the nearer glories of Thebes and the Temples.

My hilarity induced by the sun, the breeze, the absurd goings-on of the donkeys of our party was constantly damped by the weird reminders we constantly came upon. Those Sakkara pyramids lack the majesty of _the_ Pyramids, and one looks at the amorphous heaps in an oppressed silence.

The Tomb of Ti raised one's spirits by its vivid frescoes showing the every-day life of that Prime Minister's _menage_: it was cheery to see the poulterer in brilliant colours bringing in the goose to the cook, but the final extinguisher fell when we were conducted along an avenue--a sandy causeway--lined on either side with I forget how many sarcophagi of sacred bulls. Each granite sarcophagus was, as far as my memory could say, of exactly the same dimensions and of almost the same shape as that of the great Napoleon at the "Invalides"! And all for bulls.

It was crus.h.i.+ng; but well for me was the scamper back to the Cairo train. You cannot afford to be pensive riding a donkey at that pace with an Arab saddle to which you are not yet accustomed.

[Ill.u.s.tration: THE ENGLISH GENERAL'S SYCES]

I am not going to dare to try to say anything new about the Pyramids of Gizeh or the Sphinx; nothing new in any shape can come in contact with these monuments. One feels overcome with h.o.a.riness oneself by their mere proximity and silenced by the weight of ages. I am not going to ask you to follow me into any interiors, for I did not go in myself; and indeed, in my progress through this land of tombs, I protested more or less successfully against burrowing into sepulchres, shuffling in thick gloom through pungent and uncanny mummy dust, in bat-scented atmosphere, while above-ground the blessed light of that matchless sky and the uplifting air of the desert were being wasted. Polite compulsion on certain social and festive (!) excursions alone forced me to forego for a while the joy of that "to-day" above-ground for the mould of the dead Aeons below.

I refer to a letter for my first visit to the Pyramids. That first sight of anything one has read of and pictured in one's child's mind in the course of education is a most precious occurrence, to be chronicled and set down at the moment.

_30th November '85._--"A sweet gentle morning; limpid air, lovely fresh clouds in a soft blue sky. We started at 11 in a carriage, with our dragoman, and were soon taken at the usual hand gallop over the big iron bridge with the colossal green lions at each end which spans the wide Nile, into the acacia-shaded road which runs for a long distance in an imposing straight line to almost the very base of the great Pyramid. As we sped towards the ill.u.s.trious group which we saw rising grey and stern at the very edge of the desert where it meets the bright green of the cultivated land we alternately looked ahead at what was awaiting us and at the ever-interesting groups of men, women, children, and animals which we pa.s.sed, and at the mud villages with their palms and rude domes and minarets which lay in the well-watered, low-lying land on either side of the road. From the first moment I saw the Pyramids afar off I knew I was not destined to be disappointed, and my apprehensions caused by some travellers' descriptions vanished at the outset. It is difficult to put my feelings into words as I came nearer and nearer to these wonders of man's work, so pathetic in their antiquity and in the evidence they give of their builders' colossal failure to ensure for their poor bodies absolute safety during the long waiting for the Resurrection. The seals are broken, the secret places found out, the contents gone to the winds!

"My beloved father was constantly in my mind to-day, for he it was who with such patience taught us the value and fascinating interest of old Egyptian history, and here were some of the scenes he used to read to us of so often, but which he himself was not allowed to see.

"Mrs. C---- and I, on getting out of the carriage, first made the circuit of the Great Pyramid--a s.p.a.ce of 'thirteen statute acres,' I remember Menzies telling us. I found that the most striking point from which to feel the immensity of the Pyramids is in the centre of the base, not the angles.

"We hear of 'weeping stone.' Here is stone that has wept blood and tears! Each succeeding year of the king's reign forced an additional coating to his tomb, and prolonged the slave-toil under the lash--all to safeguard a little dust that has now vanished. This age of ours is about the time the old Egyptians looked to for the Great Awakening, for which all their poor mummies were embalmed.

"How intolerable these three Pyramids must have looked when new and entirely coated with white marble. Their glitter under the blinding sunlight and the hardness of their repellent shapes make me shudder as I realise the effect. Seen in the rough, as they now are, they do not jar, but only oppress the mind by their ponderous immensity, and the eye takes great pleasure in their tawny colouring.

"We next went down to the Sphinx and rested a long while in its broad shadow. The gaze of the eyes is exceedingly impressive, and though the face is so mutilated one would not have it restored. Strange that one should prefer the broken nose and the hare-lip! It would not be _the_ Sphinx if it had the universal Sphinx face as originally carved.

Originally! When? It was there long before the Pyramids, and it now appears that more than the 'forty centuries' looked down upon Napoleon's army from their summits. Sixty centuries, some say now. Time is annihilated as one stands confronted with the Sphinx, and a feeling of annihilation swirls around one's own microscopic personality.

"This annihilation of Time is one of the sensations of Egypt. Look at Rameses the Great in his gla.s.s coffin in the Cairo Museum. There, more than ever, the intervening cycles are as though they had never been as one stands face to face with Sesostris. More appalling than the Sphinx--a chimera in stone--here is the Man. Not his effigy, not his mask taken after death, but the _Man_! There is his hair, rusted by the Ages, his teeth still in their sockets, the gash across his forehead cleft in battle. His father lies in the next gla.s.s case, his grandfather on the other side, and many other Pharaohs similarly enclosed in gla.s.s and docketed lie around, all torn out of their hiding-places, stripped of their mult.i.tudinous envelopes, and exposed to the stare of the pa.s.sers-by. Their mortuary jewels are ticketed in other gla.s.s cases, and only a few shreds of winding-sheet adhere to their bodies. They were religiously preserved, at infinite pains, for this.

"From the entrance to the Great Pyramid in the north face I had an enchanting view of Cairo on the right, in sun and shadow with a sky of most beautiful cloud-forms, and on the left the lovely pearly and rosy desert stretching away into the golden West. How cheerily, how consolingly the wholesome, refres.h.i.+ng Present receives us back after those wanderings down the corridors of the dead Ages! Let us wash our faces and smile again and feel young. The drive back was exhilarating and full of living interest. We overtook shepherds guiding their flocks along the road and carrying tired lambs on their shoulders. There were buffaloes and oxen and ploughmen going home from work in the tender after-glow, and then as soon as we were over the big iron bridge and in the suburbs again it was dark, and the gas lamps were being lighted, and 'Tommy Atkins' was about, and British officers were riding in from polo, and the _cafes_ of this Parisianized quarter were full and noisy, and I felt I had leapt back into To-day by crossing an iron bridge that spanned six thousand years. My thoughts lingered long amongst the most ancient, most pathetic, most solemn monuments of the pre-Christian world."

[Ill.u.s.tration]

[Ill.u.s.tration]

CHAPTER II

THE UPPER NILE

And now for Luxor. Of all the modes of travel there is none, to my mind, so enjoyable as that by water--fresh water, be it understood--and if you can do this in a house-boat with your home comforts about you, what more can you desire? We had the "Post Boat" to Luxor, and the sailing dahabieh after that. Travelling thus on the Nile you see the life of the people on the banks, you look into their villages, yet a few yards of water afford you complete immunity from that nearer contact which travel by road necessitates; and in the East, as you know, this is just as well. Not that I really allow the drawbacks of the East to interfere with my own enjoyment, but the isolation of the boat is best, especially with little children on board.

I had read many books of travel on the Nile and knew what to look for.

Is there not a charm in knowing that some city, some temple, some natural feature you have tried to realize in your mind is about to appear in very truth just round that bend of road or river? You are going to see in a few minutes that historic thing itself, not its counterfeit in a book, but _it_. And so, as we neared Luxor towards evening, I looked out for Karnac on the left, and lo! the first pylon glided by. My first pylon! How many like it I was to see before I had done with Old Nile. They are not beautiful in shape, nor can any Egyptian architecture, as far as form goes, be called beautiful; the shapes are barbaric--I had almost said brutal--stupidly powerful and impressive by mere bulk. The beauty lies in the colouring. What a feast these ruins afford to the eye by their colour, what a revel of blues, greens, and low-toned reds in their unfaded paintings! Taken as bits of colour only, without dwelling too much on the forms, all in such light, the shadows filled with golden reflections--taken thus, or deeply tinged with the l.u.s.trous after-glow, or the golden moonlight, they are all-satisfying.

[Ill.u.s.tration: REGISTERING FELLAHEEN FOR THE CONSCRIPTION]

I will not, however, burden you with these ponderous pylons and mammoth monoliths; they can only be enjoyed _in situ_, illuminated and glorified by the climate of their homes. Indeed, I felt often very oppressed and tired by them, but never did I weary of the landscape, the people, the animals, the river.

One very saddening glimpse of fellah life was afforded Mrs. C---- and myself at Luxor by the English Consul (a negro), who arranged that we should see the registering of the young fellaheen for the conscription.

I think the British have changed all this lately, so we were lucky in seeing a bit of the vanis.h.i.+ng Past--a remnant of the Oriental Past which no one can regret. We worked our way, led by the Consul, through the Arab crowd in the village till we came to the entrance of the courtyard where the drama was about to open. At the gate was a scuffling ma.s.s of indescribably hideous old hags--the mothers and aunts and grannies of the young fellahs inside, wailing and jerking out their lamentations with marionette-like action of their shrivelled arms. As though by one accord they would stop dead for a minute and look at each other, and then all together begin again the skeleton chorus, throwing dust on their heads. The unsavoury group came in with us pell-mell when the gate was opened, and we found ourselves hoisted rather than conducted to a divan prepared for us under a shed, from whence we could see all that pa.s.sed.

[Ill.u.s.tration: "NO MOORING TO-NIGHT!"]

Three Circa.s.sian inspectors, looking horrid in European clothes, were at the head of a long rickety table, covered with a white cloth, in front of us. This white cloth, in combination with the surging groups, made a wonderfully good blank s.p.a.ce in the composition of what I thought would make a striking picture. The sketch I insert here is in no particular arranged by me, but everything is exactly as I saw it. I noted everything down in my sketch-book on the spot. The sheiks, stately men in silken robes, who had brought each his quota of recruits from his district, sat chatting over their coffee at the farther end of the table, and the doctor at once set to to examine the miserable youths that came up for registration. Fathers pleaded exemption for their sons on one pretext or another, such as leprous heads, blindness, weak chests, and so forth; the mothers, aunts, and grannies aforesaid went on jibbering and clacking their jaws in the background, no one paying the least attention to them. If a fellah was pa.s.sed by the doctor a gendarme gripped him and pummelled him all the way to the standard, where he was measured. If satisfactory, the woe-begone creature received a sounding box on the ear, just in fun, from the gendarme, and was shoved into the pen where the successful (!) candidates were interned; if he was below the mark, all the same he got his blow, and was pushed and cuffed back to his friends and relatives. One mother had crept forward while her son was having his lanky leg straightened by the doctor, the father pleading the boy's lameness (Erckmann-Chatrian's _Conscript_ orientalised!): a gendarme sprang forward and knocked her down, then hauled her off by her arms, which were so very thin and suggestive of a mummy that I could not look any longer; he was so rough I really thought he would pull them out of their sockets. My friend was crying, and if I had not been so concentrated on my pencil notes I should have cried too.

"Surely," she said, "that can't be his mother, she looks a hundred at least." "A hundred!" I exclaimed, "she is four thousand years old--a mummy!" I felt very sick as well as sorry. We were politely offered coffee in jewelled cups, which we could not taste, and surrept.i.tiously emptied behind the divan.

The English have worked wonders since those days with the Egyptian army.

Taking the young men in the right way our officers have turned them into remarkably smart-looking soldiers, and their terror of the service, I am told, has vanished.

This was altogether a day which showed us the seamy side of Egyptian life, for in the evening we and all the guests of the hotel went to see the dancing at the _cafe_, a sort of mud cave full of wood smoke. It was all very ugly and repulsive, and the music was impish and quite in keeping. I was glad to have this experience, but once is enough. Talking of music, I don't know anything more appealing in its local sentiment than the song of our crew when they were hauling and poling on calm nights later on. Strange, unaccustomed intervals, and the key always in the minor. In the pauses we heard the beetles and crickets on the banks chiming in in a cheerful major.

Our sojourn at Luxor was a time of deep enjoyment, for we made almost daily excursions on both banks of the Nile, excursions beginning in the very early mornings, at sunrise, and ending in gallops home on our donkeys in the after-glow, or trips on board the ferry-boat, from Thebes, in a crowd of splendid Arabs, whose heads, figures, and blue and white robes, or brown striped camel's hair burnouses, added greatly to the charm of the landscape. It was a joy merely to breathe that desert air. All that was wholesome and not too tiring, nor risky from the sun, was enjoyed by the children with us, but I kept them chiefly in the paradisaical hotel garden as the safest place. One had to be very careful. I cannot say that "black care" did not sometimes ride on my donkey's crupper, for I knew W. was pressing the enemy harder every day, and that a battle was imminent. At last the great telegram came. Ginniss was fought and won, and all the enemy's guns and standards taken. He sent me the message from the field. We might now come up. It took a day or two to get the "_Fostat_" ready--the dahabieh which he had sent down for us. Some wounded officers from the front brought news of the battle, and, strange to relate, the only officer killed at Ginniss was son of one of Mrs. C.'s oldest friends! What strange things happen in life. I had met young Soltau the year before at her house on Dartmoor, and she and I were destined to hear together of his death in battle on the Upper Nile.

We set sail in the first week of '86 for a.s.souan, where W. was to meet us, and I witnessed the daily development of the Nile's beauties with the deepest pleasure, and a mind no longer over-shadowed.

I wonder how many people who have been to Egypt recognise the fact that all its beauty is reflected? It is either the sun or the moon or the stars that make Egypt glorious. Under thick cloudy skies it would be nothing. But the co-operation of the illuminated objects is admirable, and the two powers combined produce the Egypt we admire. W. and I came to the same conclusion, that much of the glory of the moonlights is owing to the response of the desert, especially the golden desert of Nubia.

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From sketch-book and diary Part 2 summary

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