Of Human Bondage Part 96

Philip, silent still, returned to the photograph of Toledo, which seemed to him the most arresting picture of them all. He could not take his eyes off it. He felt strangely that he was on the threshold of some new discovery in life. He was tremulous with a sense of adventure. He thought for an instant of the love that had consumed him: love seemed very trivial beside the excitement which now leaped in his heart. The picture he looked at was a long one, with houses crowded upon a hill; in one corner a boy was holding a large map of the town; in another was a cla.s.sical figure representing the river Tagus; and in the sky was the Virgin surrounded by angels. It was a landscape alien to all Philip's notion, for he had lived in circles that wors.h.i.+pped exact realism; and yet here again, strangely to himself, he felt a reality greater than any achieved by the masters in whose steps humbly he had sought to walk. He heard Athelny say that the representation was so precise that when the citizens of Toledo came to look at the picture they recognised their houses. The painter had painted exactly what he saw but he had seen with the eyes of the spirit. There was something unearthly in that city of pale gray. It was a city of the soul seen by a wan light that was neither that of night nor day. It stood on a green hill, but of a green not of this world, and it was surrounded by ma.s.sive walls and bastions to be stormed by no machines or engines of man's invention, but by prayer and fasting, by contrite sighs and by mortifications of the flesh. It was a stronghold of G.o.d. Those gray houses were made of no stone known to masons, there was something terrifying in their aspect, and you did not know what men might live in them. You might walk through the streets and be unamazed to find them all deserted, and yet not empty; for you felt a presence invisible and yet manifest to every inner sense. It was a mystical city in which the imagination faltered like one who steps out of the light into darkness; the soul walked naked to and fro, knowing the unknowable, and conscious strangely of experience, intimate but inexpressible, of the absolute. And without surprise, in that blue sky, real with a reality that not the eye but the soul confesses, with its rack of light clouds driven by strange breezes, like the cries and the sighs of lost souls, you saw the Blessed Virgin with a gown of red and a cloak of blue, surrounded by winged angels. Philip felt that the inhabitants of that city would have seen the apparition without astonishment, reverent and thankful, and have gone their ways.

Athelny spoke of the mystical writers of Spain, of Teresa de Avila, San Juan de la Cruz, Fray Luis de Leon; in all of them was that pa.s.sion for the unseen which Philip felt in the pictures of El Greco: they seemed to have the power to touch the incorporeal and see the invisible. They were Spaniards of their age, in whom were tremulous all the mighty exploits of a great nation: their fancies were rich with the glories of America and the green islands of the Caribbean Sea; in their veins was the power that had come from age-long battling with the Moor; they were proud, for they were masters of the world; and they felt in themselves the wide distances, the tawny wastes, the snow-capped mountains of Castile, the suns.h.i.+ne and the blue sky, and the flowering plains of Andalusia. Life was pa.s.sionate and manifold, and because it offered so much they felt a restless yearning for something more; because they were human they were unsatisfied; and they threw this eager vitality of theirs into a vehement striving after the ineffable. Athelny was not displeased to find someone to whom he could read the translations with which for some time he had amused his leisure; and in his fine, vibrating voice he recited the canticle of the Soul and Christ her lover, the lovely poem which begins with the words en una noche oscura, and the noche serena of Fray Luis de Leon. He had translated them quite simply, not without skill, and he had found words which at all events suggested the rough-hewn grandeur of the original. The pictures of El Greco explained them, and they explained the pictures.

Philip had cultivated a certain disdain for idealism. He had always had a pa.s.sion for life, and the idealism he had come across seemed to him for the most part a cowardly shrinking from it. The idealist withdrew himself, because he could not suffer the jostling of the human crowd; he had not the strength to fight and so called the battle vulgar; he was vain, and since his fellows would not take him at his own estimate, consoled himself with despising his fellows. For Philip his type was Hayward, fair, languid, too fat now and rather bald, still cheris.h.i.+ng the remains of his good looks and still delicately proposing to do exquisite things in the uncertain future; and at the back of this were whiskey and vulgar amours of the street. It was in reaction from what Hayward represented that Philip clamoured for life as it stood; sordidness, vice, deformity, did not offend him; he declared that he wanted man in his nakedness; and he rubbed his hands when an instance came before him of meanness, cruelty, selfishness, or l.u.s.t: that was the real thing. In Paris he had learned that there was neither ugliness nor beauty, but only truth: the search after beauty was sentimental. Had he not painted an advertis.e.m.e.nt of chocolat Menier in a landscape in order to escape from the tyranny of prettiness?

But here he seemed to divine something new. He had been coming to it, all hesitating, for some time, but only now was conscious of the fact; he felt himself on the brink of a discovery. He felt vaguely that here was something better than the realism which he had adored; but certainly it was not the bloodless idealism which stepped aside from life in weakness; it was too strong; it was virile; it accepted life in all its vivacity, ugliness and beauty, squalor and heroism; it was realism still; but it was realism carried to some higher pitch, in which facts were transformed by the more vivid light in which they were seen. He seemed to see things more profoundly through the grave eyes of those dead n.o.blemen of Castile; and the gestures of the saints, which at first had seemed wild and distorted, appeared to have some mysterious significance. But he could not tell what that significance was. It was like a message which it was very important for him to receive, but it was given him in an unknown tongue, and he could not understand. He was always seeking for a meaning in life, and here it seemed to him that a meaning was offered; but it was obscure and vague. He was profoundly troubled. He saw what looked like the truth as by flashes of lightning on a dark, stormy night you might see a mountain range. He seemed to see that a man need not leave his life to chance, but that his will was powerful; he seemed to see that self-control might be as pa.s.sionate and as active as the surrender to pa.s.sion; he seemed to see that the inward life might be as manifold, as varied, as rich with experience, as the life of one who conquered realms and explored unknown lands.

Lx.x.xIX

The conversation between Philip and Athelny was broken into by a clatter up the stairs. Athelny opened the door for the children coming back from Sunday school, and with laughter and shouting they came in. Gaily he asked them what they had learned. Sally appeared for a moment, with instructions from her mother that father was to amuse the children while she got tea ready; and Athelny began to tell them one of Hans Andersen's stories. They were not shy children, and they quickly came to the conclusion that Philip was not formidable. Jane came and stood by him and presently settled herself on his knees. It was the first time that Philip in his lonely life had been present in a family circle: his eyes smiled as they rested on the fair children engrossed in the fairy tale. The life of his new friend, eccentric as it appeared at first glance, seemed now to have the beauty of perfect naturalness. Sally came in once more.

"Now then, children, tea's ready," she said.

Jane slipped off Philip's knees, and they all went back to the kitchen.

Sally began to lay the cloth on the long Spanish table.

"Mother says, shall she come and have tea with you?" she asked. "I can give the children their tea."

"Tell your mother that we shall be proud and honoured if she will favour us with her company," said Athelny.

It seemed to Philip that he could never say anything without an oratorical flourish.

"Then I'll lay for her," said Sally.

She came back again in a moment with a tray on which were a cottage loaf, a slab of b.u.t.ter, and a jar of strawberry jam. While she placed the things on the table her father chaffed her. He said it was quite time she was walking out; he told Philip that she was very proud, and would have nothing to do with aspirants to that honour who lined up at the door, two by two, outside the Sunday school and craved the honour of escorting her home.

"You do talk, father," said Sally, with her slow, good-natured smile.

"You wouldn't think to look at her that a tailor's a.s.sistant has enlisted in the army because she would not say how d'you do to him and an electrical engineer, an electrical engineer, mind you, has taken to drink because she refused to share her hymn-book with him in church. I shudder to think what will happen when she puts her hair up."

"Mother'll bring the tea along herself," said Sally.

"Sally never pays any attention to me," laughed Athelny, looking at her with fond, proud eyes. "She goes about her business indifferent to wars, revolutions, and cataclysms. What a wife she'll make to an honest man!"

Mrs. Athelny brought in the tea. She sat down and proceeded to cut bread and b.u.t.ter. It amused Philip to see that she treated her husband as though he were a child. She spread jam for him and cut up the bread and b.u.t.ter into convenient slices for him to eat. She had taken off her hat; and in her Sunday dress, which seemed a little tight for her, she looked like one of the farmers' wives whom Philip used to call on sometimes with his uncle when he was a small boy. Then he knew why the sound of her voice was familiar to him. She spoke just like the people round Blackstable.

"What part of the country d'you come from?" he asked her.

"I'm a Kentish woman. I come from Ferne."

"I thought as much. My uncle's Vicar of Blackstable."

"That's a funny thing now," she said. "I was wondering in Church just now whether you was any connection of Mr. Carey. Many's the time I've seen 'im. A cousin of mine married Mr. Barker of Roxley Farm, over by Blackstable Church, and I used to go and stay there often when I was a girl. Isn't that a funny thing now?"

She looked at him with a new interest, and a brightness came into her faded eyes. She asked him whether he knew Ferne. It was a pretty village about ten miles across country from Blackstable, and the Vicar had come over sometimes to Blackstable for the harvest thanksgiving. She mentioned names of various farmers in the neighbourhood. She was delighted to talk again of the country in which her youth was spent, and it was a pleasure to her to recall scenes and people that had remained in her memory with the tenacity peculiar to her cla.s.s. It gave Philip a queer sensation too.

A breath of the country-side seemed to be wafted into that panelled room in the middle of London. He seemed to see the fat Kentish fields with their stately elms; and his nostrils dilated with the scent of the air; it is laden with the salt of the North Sea, and that makes it keen and sharp.

Philip did not leave the Athelnys' till ten o'clock. The children came in to say good-night at eight and quite naturally put up their faces for Philip to kiss. His heart went out to them. Sally only held out her hand.

"Sally never kisses gentlemen till she's seen them twice," said her father.

"You must ask me again then," said Philip.

"You mustn't take any notice of what father says," remarked Sally, with a smile.

"She's a most self-possessed young woman," added her parent.

They had supper of bread and cheese and beer, while Mrs. Athelny was putting the children to bed; and when Philip went into the kitchen to bid her good-night (she had been sitting there, resting herself and reading The Weekly Despatch) she invited him cordially to come again.

"There's always a good dinner on Sundays so long as Athelny's in work,"

she said, "and it's a charity to come and talk to him."

On the following Sat.u.r.day Philip received a postcard from Athelny saying that they were expecting him to dinner next day; but fearing their means were not such that Mr. Athelny would desire him to accept, Philip wrote back that he would only come to tea. He bought a large plum cake so that his entertainment should cost nothing. He found the whole family glad to see him, and the cake completed his conquest of the children. He insisted that they should all have tea together in the kitchen, and the meal was noisy and hilarious.

Soon Philip got into the habit of going to Athelny's every Sunday. He became a great favourite with the children, because he was simple and unaffected and because it was so plain that he was fond of them. As soon as they heard his ring at the door one of them popped a head out of window to make sure it was he, and then they all rushed downstairs tumultuously to let him in. They flung themselves into his arms. At tea they fought for the privilege of sitting next to him. Soon they began to call him Uncle Philip.

Athelny was very communicative, and little by little Philip learned the various stages of his life. He had followed many occupations, and it occurred to Philip that he managed to make a mess of everything he attempted. He had been on a tea plantation in Ceylon and a traveller in America for Italian wines; his secretarys.h.i.+p of the water company in Toledo had lasted longer than any of his employments; he had been a journalist and for some time had worked as police-court reporter for an evening paper; he had been sub-editor of a paper in the Midlands and editor of another on the Riviera. From all his occupations he had gathered amusing anecdotes, which he told with a keen pleasure in his own powers of entertainment. He had read a great deal, chiefly delighting in books which were unusual; and he poured forth his stores of abstruse knowledge with child-like enjoyment of the amazement of his hearers. Three or four years before abject poverty had driven him to take the job of press-representative to a large firm of drapers; and though he felt the work unworthy his abilities, which he rated highly, the firmness of his wife and the needs of his family had made him stick to it.

XC

When he left the Athelnys' Philip walked down Chancery Lane and along the Strand to get a 'bus at the top of Parliament Street. One Sunday, when he had known them about six weeks, he did this as usual, but he found the Kennington 'bus full. It was June, but it had rained during the day and the night was raw and cold. He walked up to Piccadilly Circus in order to get a seat; the 'bus waited at the fountain, and when it arrived there seldom had more than two or three people in it. This service ran every quarter of an hour, and he had some time to wait. He looked idly at the crowd. The public-houses were closing, and there were many people about.

His mind was busy with the ideas Athelny had the charming gift of suggesting.

Suddenly his heart stood still. He saw Mildred. He had not thought of her for weeks. She was crossing over from the corner of Shaftesbury Avenue and stopped at the shelter till a string of cabs pa.s.sed by. She was watching her opportunity and had no eyes for anything else. She wore a large black straw hat with a ma.s.s of feathers on it and a black silk dress; at that time it was fas.h.i.+onable for women to wear trains; the road was clear, and Mildred crossed, her skirt trailing on the ground, and walked down Piccadilly. Philip, his heart beating excitedly, followed her. He did not wish to speak to her, but he wondered where she was going at that hour; he wanted to get a look at her face. She walked slowly along and turned down Air Street and so got through into Regent Street. She walked up again towards the Circus. Philip was puzzled. He could not make out what she was doing. Perhaps she was waiting for somebody, and he felt a great curiosity to know who it was. She overtook a short man in a bowler hat, who was strolling very slowly in the same direction as herself; she gave him a sidelong glance as she pa.s.sed. She walked a few steps more till she came to Swan and Edgar's, then stopped and waited, facing the road. When the man came up she smiled. The man stared at her for a moment, turned away his head, and sauntered on. Then Philip understood.

He was overwhelmed with horror. For a moment he felt such a weakness in his legs that he could hardly stand; then he walked after her quickly; he touched her on the arm.

"Mildred."

She turned round with a violent start. He thought that she reddened, but in the obscurity he could not see very well. For a while they stood and looked at one another without speaking. At last she said:

"Fancy seeing you!"

He did not know what to answer; he was horribly shaken; and the phrases that chased one another through his brain seemed incredibly melodramatic.

"It's awful," he gasped, almost to himself.

She did not say anything more, she turned away from him, and looked down at the pavement. He felt that his face was distorted with misery.

"Isn't there anywhere we can go and talk?"

"I don't want to talk," she said sullenly. "Leave me alone, can't you?"