The Moving Picture Girls at Oak Farm Part 32

"I tried to get him to tell me just where it was, for I had heard rumors that he had hidden quite a pile before he went crazy. But he was either too cunning to tell me, or his mind failed him at the critical moment. All I could learn was that it was hidden somewhere about the corner of the old barn on the Apgar place.

"Well, he kept on getting worse until he died, and I made up my mind to have a try for the money box. I gave up my job in the asylum, and came here. And since then I've been looking around, trying to make the discovery, and claim a reward.

"I spent a good deal of time in the barn, but I never thought there could be a secret room. I thought it might be buried somewhere around the place. I didn't have much chance to hunt, though, after the moving picture people got here," he added.

"And was it you who made the queer noises in the barn, and scared the girls?" asked Sandy.

"It was. I didn't mean to scare 'em, though. I was trying to crawl up between two beams one day, when I slipped and fell. I rattled some loose boards where I had lifted some up to have a place to hide. I hurt myself, too, and I guess I groaned. The fall made me lame for a while."

"That accounts for your limp," said Sandy. "How did you come to go to the cabin?"

"Oh, I wanted some place to stay near your barn, and as no one used the cabin, I took up my quarters there. Before that I often used to sleep in a secret place in your old barn. But I didn't mean any harm.

Of course I didn't want it known who I was, for if it was learned that I had been Mr. Apgar's keeper in the asylum everybody would have guessed my object. So I ran whenever I saw anybody from Oak Farm. But you finally caught me. I'm not sorry, for I was getting tired of the game. And so you found the hidden box? Well, I wish it could have been me."

"Did you steal that dog, too?' asked Sandy.

"No, I did not. I found him wandering about and took a notion to him.

I guess maybe he had been stolen, but I didn't do it. If I had known who he belonged to I might have got a reward from them."

"The owner is known," Sandy said, "and she may reward you. I feel so happy that I don't wish anybody bad luck. Now Squire, I suppose the foreclosure is off; ain't it? I've got more than the four thousand dollars."

"The old farm is safe, Sandy," the Squire answered, "and I'm glad of it, for your sake. You may have thought me hard and grasping, but I had to do the business for my clients. Now we'll have to decide what to do with this man. I reckon we can let him go, seeing that he didn't really do anything except take the auto, and I guess the doctor won't press that charge."

This proved to be the case, and that day Monk Freck was released.

Mrs. Delamont was to over-joyed to get her dog back that she gave Freck a substantial reward, for the former asylum keeper had been kind to Rex III, and insisted that he had found him after the dog had gotten away from the real thief.

CHAPTER XXV

THE FIRE FILM

"All ready now, Russ!"

"All ready, Mr. Pertell."

"Then start off. Be ready with the torch there, Sandy, and touch off the pile of hay and straw inside the barn when I give the word. Then come out for the bucket brigade."

"Yes, sir."

It was the day after the finding of the money box, for there had been so much excitement attending that episode, that Mr. Pertell thought it wise to postpone the fire scene. But now all was in readiness for it.

"All ready now!" called the manager, and the play began. There were several preliminary scenes before the final one of the burning barn, and these were successfully run off, Russ filming them one after the other.

There was no hitch, so well had the play been rehea.r.s.ed. Now came the time when Ruth and Alice were to take refuge in the barn, the action being supposed to occur after a chase when they wished to escape from a rascally guardian.

The firing of the barn (in the play) was supposed to be done by an enemy of the farmer, and was not done to entrap the girls, of whose presence the incendiary supposedly knew nothing.

But the girls were locked in the barn when the fire broke out, and necessarily must be rescued.

"Touch her off!" cried the manager at the proper point, and Sandy set fire to a pile of hay and straw inside the barn. This would make considerable smoke, and smoke always shows up well in moving pictures.

"Get ready with the water now!" called Mr. Pertell. "I want a lively bucket brigade scene here!"

Sandy and his force, of whom Wellington Bunn was one, ran back and forth from the water barrel, carrying the filled buckets and splas.h.i.+ng the contents on the flames.

The fire was now at its height.

"All ready for the rescue!" ordered the manager. "Up with the ladder and get after the girls, Paul. Mr. Sneed, you're in on this."

Up the ladder climbed Paul, and with an axe he began chopping away at the roof. This was the place prepared beforehand, and Ruth and Alice were to be drawn up through the hole that went down into the secret room where the money box had been found.

"Quick!" cried Paul, as he made the splinters fly. This was only for the effect, as the section on the roof was all ready to come away.

"Hurry up, Sneed!" called the young fellow. "It's getting pretty hot here. We'll have to follow each other closely down the ladder."

"We can't get away from here any too soon for me," the other answered. "This is the worst yet."

In another moment the secret room was exposed. Ruth and Alice were in it, a little afraid, after all, that something might happen.

"Come on!" cried Paul reaching down his hands. Alice climbed up on a chair in the room, and Paul lifted her out on the roof. Then Mr.

Sneed did the same for Ruth.

Putting the girls over their shoulders, in the manner in which firemen make rescues, the two started down the ladder.

In spite of Mr. Sneed's fear, nothing happened. The rescue went off finely, and even those not taking part in it applauded as it came to a close and Ruth and Alice, who were supposed to have fainted, were revived.

Then their parts ended, for that particular scene, but the barn continued to burn, as was intended, and soon it was a glowing heap of embers and ashes. The work of the bucket brigade had not been successful, nor had it been intended that it should be.

The final scenes of the play--away from the fire--were made, and then the players could rest.

"I hope it's a success," said the manager, with a sigh. "We have worked hard enough over it."

And a few days later word came back from New York, whither the film had been sent, that it was a great success, and one of the best dramas the Comet Company had ever put over. The scenes where Alice and Ruth were rescued were particularly fine.

"Well, I wonder what sort of 'stunts' we'll have to do next, Ruth?"

remarked Alice as they were in their room in the old farm house one morning, about a week after the barn fire.

"There is no telling," was the answer. "Mr. Pertell has some plans, but I don't believe they are ready yet."

"Yes they are, my dears!" exclaimed Mr. DeVere, as he entered the room. "We have just received word that the entire company will spend some months in the backwoods, getting pictures of winter scenes."

"Oh, the woods in winter!" cried Alice. "I'll just love that; won't you, Ruth?"

"I think I shall. But I do hope we won't have so much excitement as we've had here."