The Banshee Part 9

But for O'Connell that was not all. When he arrived home he found that during his absence his mother had died suddenly, and, in all probability, at the very moment when Mrs Broderick and the boatman had heard the Banshee.

CHAPTER X

ALLEGED COUNTERPARTS OF THE BANSHEE

No country besides Ireland possesses a Banshee, though some countries possess a family or national ghost somewhat resembling it. In Germany, for example, popular tradition is full of rumours of white ladies who haunt castles, woods, rivers, and mountains, where they may be seen combing their yellow hair, or playing on harps or spinning. They usually, as their name would suggest, wear white dresses, and not infrequently yellow or green shoes of a most dainty and artistic design. Sometimes they are sad, sometimes gay; sometimes they warn people of approaching death or disaster, and sometimes, by their beauty, they blind men to an impending peril, and thus lure them on to their death. When beautiful, they are often very beautiful, though nearly always of the same type--golden hair and long blue eyes; they are rarely dark, and their hair is never of that peculiar copper and golden hue that is so common among Banshees. When ugly, they are generally ugly indeed--either repulsive old crones, not unlike the witches in Grimm's Fairy Tales, or death-heads mockingly arrayed in the paraphernalia of the young; but their ugliness does not seem to embrace that ghastly satanic mockery, that diabolical malevolence that is inseparable from the malignant form of Banshee, and which inspires in the beholders such a peculiar and unparalleled horror.

It is not my intention in this work to do more than briefly refer to a few of the most famous of the German hauntings in their relation to the Banshee; and, since it is the best known, I would first of all call attention to the White Lady, that restricts its unwelcome attentions to Royalty, and more especially, perhaps, to that branch of it known as the House of Hohenzollern. Between this White Lady family phantasm and the Banshee there is undoubtedly something in common. They are both exclusively a.s.sociated with families of really ancient lineage, which they follow about from town to town, province to province, and country to country; and the purpose of their respective missions is generally the same, namely, to give warning of some approaching death or calamity, which in the case of the White Lady is usually of a national order.

Occasionally, too, the German family ghost, like the Banshee, is heard playing on a harp, but here I think the likeness ends. There are no very striking characteristics in the appearance of the White Lady of the Hohenzollerns, she would seem to be neither very beautiful nor the reverse; nor does she convey the impression of belonging to any very remote age; on the contrary, she might well be the earth-bound spirit of someone who died in the Middle Ages or even later.

In December, 1628, she was seen in the Royal Palace in Berlin, and was heard to say, "_Veni, judica vivos et mortuos; judic.u.m mihi adhuc superest_"--that is to say, "Come judge the quick and the dead--I wait for judgment." She also manifested herself to one of the Fredericks of Prussia, who regarded her advent as a sure sign of his approaching death, which it was, for he died shortly afterwards. We next read of her appearing in Bohemia at the Castle of Neuhaus. One of the princesses of the royal house was trying on a new head-gear before a mirror, and, thinking her waiting-maid was near at hand, she inquired of her the time.

To the Princess's horror, however, instead of the maid answering her, a strange figure all in white, which her instincts told her was the famous national ghost, stepped out from behind a screen and exclaimed, "_Zehn uhr ist es irh Liebden!_" "It is ten o'clock, your love"; the last two words being the mode of address usually adopted in Germany and Austria by Royalties when speaking to one another. The Princess was soon afterwards taken ill and died.

A faithful account of the appearance of the White Lady was published in _The Iris_, a Frankfort journal, in 1829, and was vouched for by the editor, George Doring. Doring's mother, who was companion to one of the ladies at the Prussian Court, had two daughters, aged fourteen and fifteen, who were in the habit of visiting her at the Palace. On one occasion, when the two girls were alone in their mother's sitting-room, doing some needlework, they were immeasurably surprised to hear the sounds of music, proceeding, so it seemed to them, from behind a big stove that occupied one corner of the apartment. One girl got up, and, taking a yard measure, struck the spot where she fancied the music was coming from; whereupon the measure was instantly s.n.a.t.c.hed from her hand, the music, at the same time, ceasing. She was so badly frightened that she ran out of the room and took refuge in someone else's apartment.

On her return some minutes later, she found her sister lying on the floor in a dead faint. On coming to, this sister stated that directly the other had quitted the apartment, the music had begun again and, not only that, but the figure of a woman, all in white, had suddenly risen from behind the stove and began to advance towards her, causing her instantly to faint with fright.

The lady in whose house the occurrence took place, on being acquainted with what had happened, had the flooring near the stove taken up; but, instead of discovering the treasure which she had hoped might be there, a quant.i.ty of quick-lime only was found; and the affair eventually getting to the King's ears, he displayed no surprise, but merely expressed his belief that the apparition the girl had seen was that of the Countess Agnes of Orlamunde, who had been bricked up alive in that room.

She had been the mistress of a former Margrave of Brandenburg, by whom she had had two children, and when the Margrave's legitimate wife died the Countess hoped he would marry her. This, however, he declined to do on the plea that her offspring, at his death, would very probably dispute the heirs.h.i.+p to the property with the children of his lawful marriage. The Countess then, in order to remove this obstacle to her union, poisoned her two children, which act so disgusted the Margrave that he had her walled up alive in the room where she had committed the crimes. The King went on to explain that the phantasm appeared about every seven years, but more often to children, to whom it was believed to be very much attached, than to adults.

Against this explanation, however, is the more recent one that the White Lady is Princess Bertha or Perchta von Rosenberg. This theory is founded on the discovery of a portrait of Princess Bertha, which was identified by someone as the portrait of the White Lady whom they had just seen.

In support of this theory it was pointed out that once when certain charities which the Princess had stated in her will should be doled out annually to the poor were neglected, not only was the White Lady seen, but music and all kinds of other sounds were heard in the house where the Princess had died. Very possibly, however, in neither of these theories is there any truth, and the secret of the White Lady's activity lies in some subtle and, perhaps, entirely unsuspected fact. It is, I think, quite conceivable that she is no earth-bound soul, but some impersonating elemental, which--like the Banshee--has, for some strange and wholly inexplicable reason, attached itself to the unfortunate Hohenzollerns, and their relatives and kinsmen.

Ballinus and Erasmus Francisci, in their published works, give numerous accounts of the appearance of this same apparition; whilst Mrs Crowe a.s.serts that it was seen shortly before the publication of her "Night Side of Nature." It would be interesting to know whether it appeared to the ex-Kaiser Wilhelm, or to any of his family, before this last greatest and most signally disastrous of all wars.

William Brereton in his "Travels" (i. 33) gives rather a different description of this ghost. He says that the Queen of Bohemia told him "that at Berlin--the Elector of Brandenberg's house--before the death of anyone related in blood to that house, there appears and walks up and down that house like unto a ghost in a white sheet, which walks during the time of their sickness until their death."

In this account it will be noticed that there is no mention of s.e.x, so that the reader can only speculate as to whether the apparition was the ghost of a man or a woman. Its appearance, however, according to this account, strongly suggests a ghost of the sepulchral and death-head type--an ordinary species of elemental--which suggestion is not apparent in any other description of it that we have hitherto come across. Other ancient German and Austrian families, besides those of the ruling houses, possess their family ghosts, and here again, as in the parallel case of the Irish and their Banshee, the family ghost of the Germans or Austrians is by no means confined to the "White Lady." In some cases of German family haunting, for example, the phenomenon is a roaring lion, in others a howling dog; and in others a bell or gong, or sepulchral toned clock striking at some unusual hour, and generally thirteen times. In all instances, however, no matter whether the family ghost be German, Irish, or Austrian, the purpose of its manifestations is the same--to predict death or some very grave calamity.[12]

In the notes to the 1844 edition of Thomas Crofton Croker's "Fairy Legends and Traditions of the South of Ireland," we find this paragraph taken from the works of the Brothers Grimm and ma.n.u.script communications from Dr Wilhelm Grimm:

"In the Tyrol they believe in a spirit which looks in at the window of a house in which a person is to die (Deutsche Sagen, No. 266), the White Woman with a veil over her head answers to the Banshee, but the tradition of the Klage-weib (mourning woman) in the Lunchurger Heath (Spiels Archiv.

ii. 297) resembles it more. On stormy nights, when the moon s.h.i.+nes faintly through the fleeting clouds, she stalks of gigantic stature with death-like aspect, and black, hollow eyes, wrapt in grave clothes which float in the wind, and stretches her immense arm over the solitary hut, uttering lamentable cries in the tempestuous darkness. Beneath the roof over which the Klage-weib has leaned, one of the inmates must die in the course of a month."

In Italy there are several families of distinction possessing a family ghost that somewhat resembles the Banshee. According to Cardau and Henningius Grosius the ancient Venetian family of Donati possess a ghost in the form of a man's head, which is seen looking through a doorway whenever any member of the family is doomed to die. The following extract from their joint work serves as an ill.u.s.tration of it:

"Jacopo Donati, one of the most important families in Venice, had a child, the heir to the family, very ill. At night, when in bed, Donati saw the door of his chamber opened and the head of a man thrust in. Knowing that it was not one of his servants, he roused the house, drew his sword, went over the whole palace, all the servants declaring that they had seen such a head thrust in at the doors of their several chambers at the same hour; the fastenings were found all secure, so that no one could have come in from without. The next day the child died."

Other families in Italy, a branch of the Paoli, for example, is haunted by very sweet music, the voice of a woman singing to the accompaniment of a harp or guitar, and invariably before a death.

Of the family ghost in Spain I have been able to gather but little information. There, too, some of the oldest families seem to possess ghosts that follow the fortunes, both at home and abroad, of the families to which they are attached, but with the exception of this one point of resemblance there seems to be in them little similarity to the Banshee.

In Denmark and Sweden the likeness between the family ghost and the Banshee is decidedly p.r.o.nounced. Quite a number of old Scandinavian families possess attendant spirits very much after the style of the Banshee; some very beautiful and sympathetic, and some quite the reverse; the most notable difference being that in the Scandinavian apparition there is none of that ghastly mixture of the grave, antiquity, and h.e.l.l that is so characteristic of the baleful type of Banshee, and which would seem to distinguish it from the ghosts of all other countries. The beautiful Scandinavian phantasms more closely resemble fairies or angels than any women of this earth, whilst the hideous ones have all the grotesqueness and crude horror of the witches of Andersen or Grimm. There is nothing about them, as there so often is in the Banshee, to make one wonder if they can be the phantasms of any long extinct race, or people, for example, that might have hailed from the missing continent of Atlantis, or have been in Ireland prior to the coming of the Celts.

The Scandinavian family ghosts are frankly either elementals or the earth-bound spirits of the much more recent dead. Yet, as I have said, they have certain points in common with the Banshee. They prognosticate death or disaster; they scream and wail like women in the throes of some great mental or physical agony; they sob or laugh; they occasionally tap on the window-panes, or play on the harp; they sometimes haunt in pairs, a kind spirit and an evilly disposed one attending the fortunes of the same family; and they keep exclusively to the very oldest families. Oddly enough at times the Finnish family ghost a.s.sumes the guise of a man.

Burton, for example, in his "Anatomy of Melancholy," tells us "that near Rufus Nova, in Finland, there is a lake in which, when the governor of the castle dies, a spectrum is seen in the habit of Orion, with a harp, and makes excellent music, like those clocks in Ches.h.i.+re which (they say) presage death to the masters of the family; or that oak in Lanthadran Park in Cornwall, which foreshadows so much."

I will not dwell any longer, however, on Scandinavian ghosts, as I purpose later on to publish a volume on the same, but will pa.s.s on to the family apparitions of Scotland, England, and Wales.

Beginning with Scotland, Sir Walter Scott was strong in his belief in the Banshee, which he described as one of the most beautiful superst.i.tions of Europe. In his "Letters on Demonology" he says: "Several families of the Highlands of Scotland anciently laid claim to the distinction of an attendant spirit, who performed the office of the Irish Banshee," and he particularly referred to the ghostly cries and lamentations which foreboded death to members of the Clan of MacLean of Lochbery. But though many of the Highland families do possess such a ghost, unlike the Banshee, it is not restricted to the feminine s.e.x, nor does its origin, as a rule, date back to anything like such remote times. It would seem, indeed, to belong to a much more ordinary species of phantasm, a species which is seldom accompanied by music or any other sound, and which by no means always prognosticates death, although on many occasions it has done so.

In addition to the MacLean, some of the best known cases of Scottish family ghosts are as follows:

The Bodach au Dun, or Ghost of the Hills, which haunts the family of Grant Rothiemurcus, and the Llam-dearg, or spectre of the b.l.o.o.d.y Hand, which pursues the fortunes of the Clan Kinchardine. According to Sir Walter Scott in the Macfarlane MSS. this spirit was chiefly to be seen in the Glenmore, where it took the form of a soldier with one hand perpetually dripping with blood. At one time it invariably signalled its advent in the manner which, I think, has no parallel among ghosts--it challenged members of the Kinchardine Clan to fight a duel with it, and whether they accepted or not they always died soon afterwards. As lately as 1669, says Sir Walter Scott, it fought with three brothers, one after another, who immediately died therefrom.

Then there is the Clan of Gurlinbeg which is haunted by Garlin Bodacher; the Turloch Gorms who, according to Scott, are haunted by Mary Moulach, or the girl with the hairy left hand;[13] and the Airlie family, whose seat at Cortachy is haunted by the famous drummer, whose ghostly tattoos must be taken as a sure sign that a member of the Ogilvie Clan--of which the Earl of Airlie is the recognised head--will die very shortly.

Mr Ingram, in his "Haunted Houses and Family Legends," quotes several well authenticated instances of manifestations by this apparition, the last occurring, according to him, in the year 1899, though I have heard from other reliable sources that it has been heard at a much more recent date. The origin of this haunting is generally thought to be comparatively modern, and not to date further back than two or three hundred years, if as far, which, of course, puts it on quite a different category from that of the Banshee, though its mission is, without doubt, the same. According to Mr Ingram, a former Lord Airlie, becoming jealous of one of his retainers or emissaries who was a drummer, had him thrust in his drum and hurled from a top window of the castle into the courtyard beneath, where he was dashed to pieces. With his dying breath the drummer cursed not only Lord Airlie, but his descendants, too, and ever since that event his apparition has persistently haunted the family.

Other Highland families that possess special ghosts are a branch of the Macdonnells, that have a phantom piper, whose mournful piping invariably means that some member or other of the clan is shortly doomed to die; and the Stanleys who have a female apparition that signalises her advent by shrieking, weeping, and moaning before the death of any of the family.

Perhaps of all Scottish ghosts this last one most closely resembles the Banshee, though there are distinct differences, chiefly with regard to the appearance of the phantoms--the Scottish one differing essentially in her looks and attire from the Irish ghost--and their respective origins, that of the Stanley apparition being, in all probability, of much later date than the Banshee.

Then, again, there is the Bodach Glas, or dark grey man, in reference to which Mr Henderson, in his "Folk-lore of Northern Countries," p. 344, says: "Its appearance foretold death in the Clan of ----, and I have been informed on the most credible testimony of its appearance in our own day.

The Earl of E----, a n.o.bleman alike beloved and respected in Scotland, was playing on the day of his decease on the links of St Andrew's at golf.

Suddenly he stopped in the middle of the game, saying, 'I can play no longer, there is the Bodach Glas. I have seen it for the third time; something fearful is going to befall me.' That night he fell down dead as he was giving a lady her candlestick on her way up to bed."

Another instance, still, of a Scottish family ghost is that of the willow tree at Gordon Castle, which is referred to by Sir Bernard Bourke in his "Anecdotes of the Aristocracy." Sir Bernard a.s.serts that whenever any accident happens to this tree, if, for example, a branch is blown down in a storm, or any part of it is struck by lightning, then some dire misfortune is sure to happen to some member of the family.

There are other old Scottish family ghosts, all very distinct from the Banshee, though a few bear some slight resemblance to it, but as my s.p.a.ce is restricted, I will pa.s.s on to family ghosts of a more or less similar type that are to be met with in England.

To begin with, the Oxenhams of Devons.h.i.+re the heiress of Sir James Oxenham, and the bride that is invariably seen before the death of any member of the family. According to a well-known Devons.h.i.+re ballad, a bird answering to this description flew over the guests at the wedding of the heiress of Sir James Oxenham, and the bride was killed the following day by a suitor she had unceremoniously jilted.

The Arundels of Wardour have a ghost in the form of two white owls, it being alleged that whenever two birds of this species are seen perched on the house where any of this family are living, some one member of them is doomed to die very shortly.

Equally famous is the ghost of the Cliftons of Nottinghams.h.i.+re, which takes the shape of a sturgeon that is seen swimming in the river Trent, opposite Clifton Hall, the chief seat of the family, whenever one of the Cliftons is on the eve of dying.

Then, again, there is the white hand of the Squires of Worcesters.h.i.+re, a family that is now practically extinct. According to local tradition this family was for many generations haunted by the very beautiful hand of a woman, that was always seen protruding through the wall of the room containing that member of the family who was fated to die soon. Most ghost hands are said to be grey and filmy, but this one, according to some eye-witnesses, appears to have borne an extraordinary resemblance to that of a living person. It was slender and perfectly proportioned, with very tapering fingers and very long and beautifully kept filbert nails--the sort of hand one sees in portraits of women of bygone ages, but which one very rarely meets with in the present generation.

Other families that possess ghosts are the Yorks.h.i.+re Middletons, who are always apprised of the death of one of their members by the appearance of a nun; and the Byrons of Newstead Abbey, who, according to the great poet of that name, were haunted by a black Friar that used to be seen wandering about the cloisters and other parts of the monasterial building before the death of any member of the family.

In England, there seems to be quite a number of White Lady phantoms, most of them, however, haunting houses and not families, and none of them bearing any resemblance to the Banshee. Indeed, there is a far greater dissimilarity between the English and Irish types of family ghosts than there is between the Irish and those of any of the nations I have hitherto discussed.

Lastly, with regard to the Welsh family ghosts, Mr Wirt Sikes, in his "British Goblins," quite erroneously, I think, likens the Banshee in appearance to the Gwrach y Rhibyn, or Hag of the Dribble, which he describes as hideous, with long, black teeth, long, lank, withered arms, leathern wings, and cadaverous cheeks, a description that is certainly not in the least degree like that of any Banshee I have ever heard of. He goes on to add that it comes in the stillness of the night, utters a blood-curdling howl, and calls on the person doomed to die thus: "Da-a-a-vy! De-i-i-o-o-ba-a-a-ch." If it is in the guise of a male it says, in addition, "Fy mlentyn, fy mlentyn bach!" which rendered into English is, "My child, my little child"; but if in the form of a woman, "Oh! Oh! fy ngwr, fy ngwr"--"My husband! my husband!" As a rule it flaps its wings against the window of the room in which the person who is doomed is sleeping, whilst occasionally it appears either to the ill-fated one himself or to some member of his family in a mist on the mountainside.

Mr Sikes gives a very graphic description of the appearance of this apparition to a peasant farmer near Cardiff, a little over forty years ago. To be precise, it was on the evening of the 14th November, 1877. The farmer was on a visit to an old friend at the time, and was awakened at midnight by the most ghastly screaming and a violent shaking of the window-frame. The noise continued for some seconds, and then terminated in one final screech that far surpa.s.sed all the others in intensity and sheer horror. Greatly excited--though Mr Sikes affirms he was not frightened--the old man leaped out of bed, and, throwing open the window, saw a figure like a frightful old woman, with long, dishevelled, red hair, and tusk-like teeth, and a startling white complexion, floating in mid-air. She was enveloped in a long, loose, flowing kind of black robe that entirely concealed her body. As he gazed at her, completely dumbfounded with astonishment, she peered down at him and, throwing back her dreadful head, emitted another of the very wildest and most harrowing of screams. He then heard her flap her wings against a window immediately underneath his, after which he saw her fly over to an inn almost directly opposite him, called the "Cow and Snuffers," and pa.s.s right through the closed doorway.

After waiting some minutes to see if she came out again, he at length got back into bed, and on the morrow learned that Mr Llewellyn, the landlord of the "Cow and Snuffers," had died in the night about the same time as the apparition, which he, the old farmer, now concluded must have been the Gwrach y Rhibyn, had appeared.

There is, of course, this much in common between the Gwrach y Rhibyn and the Banshee: both are harbingers of death; both signalise their advent by shrieks, and both confine their hauntings to really ancient Celtic families; but here, it seems to me, the likeness ends. The Gwrach y Rhibyn is more grotesque than horrible, and would seem to belong rather to the order of witches in fairy lore than to the denizens of the ghost world.

Another ghostly phenomenon of the death-warning type that is, I believe, to be met with in Wales, is the Canhywllah Cyrth, or corpse candle, so called because the apparition resembles a material candlelight, saving for the fact that it vanishes directly it is approached, and reforms speedily again afterwards. The following descriptions of the Canhywllah Cyrth are taken from Mr T. C. Charley's "News from the Invisible World," pp. 121-4.