My Double Life: The Memoirs of Sarah Bernhardt Part 21

I have regretted ever since that I did so, for nothing could have been uglier than the private rooms, with the exception of the Emperor's study and the staircases. This inspection of the Palace bored me terribly. A few of the pictures consoled me, and I stayed some time gazing at Winterhalter's portrait representing the Empress Eugenie. She looked beautiful, and I thanked Heaven that the portrait could not speak, for it served to explain and justify the wonderful good luck of her Majesty.

The rehearsal took place without any special incident. The young Prince did his utmost to prove to us his grat.i.tude and delight, for we had made it a dress rehearsal on his account, as he was not to be present at the _soiree_. He sketched my costume, and intended to have it copied for a _bal deguise_ which was to be given for the Imperial child. Our performance was in honour of the Queen of Holland, accompanied by the Prince of Orange, commonly known in Paris as "Prince Citron."

A rather amusing incident occurred during the evening. The Empress had remarkably small feet, and in order to make them look still smaller she encased them in shoes that were too narrow. She looked wonderfully beautiful that night, with her pretty sloping shoulders emerging from a dress of pale blue satin embroidered with silver. On her lovely hair she was wearing a little diadem of turquoises and diamonds, and her small feet were on a cus.h.i.+on of silver brocade. All through Coppee's piece my eyes wandered frequently to this cus.h.i.+on, and I saw the two little feet moving restlessly about. Finally I saw one of the shoes pus.h.i.+ng its little brother very, very gently, and then I saw the heel of the Empress come out of its prison. The foot was then only covered at the toe, and I was very anxious to know how it would get back, for under such circ.u.mstances the foot swells, and cannot go into a shoe that is too narrow. When the piece was over we were recalled twice, and as it was the Empress who started the applause, I thought she was putting off the moment for getting up, and I saw her pretty little sore foot trying in vain to get back into its shoe. The curtains were drawn, and as I had told Agar about the cus.h.i.+on drama, we watched through them its various phases.

The Emperor rose, and every one followed his example. He offered his arm to the Queen of Holland, but she looked at the Empress, who had not yet risen. The Emperor's face lighted up with that smile which I had already seen. He said a word to General Fleury, and immediately the generals and other officers on duty, who were seated behind the sovereigns, formed a rampart between the crowd and the Empress. The Emperor and the Queen of Holland then pa.s.sed on, without appearing to have noticed her Majesty's distress, and the Prince of Orange, with one knee on the ground, helped the beautiful sovereign to put on her Cinderella-like slipper. I saw that the Empress leaned more heavily on the Prince's arm than she would have liked, for her pretty foot was evidently rather painful.

We were then sent for to be complimented, and we were surrounded and feted so much that we were delighted with our evening.

After _Le Pa.s.sant_ and the prodigious success of that adorable piece, a success in which Agar and I had our share, Chilly thought more of me, and began to like me. He insisted on paying for our costumes, which was great extravagance for him. I had become the adored queen of the students, and I used to receive little bouquets of violets, sonnets, and long, long poems--too long to read. Sometimes on arriving at the theatre as I was getting out of my carriage I received a shower of flowers which simply covered me, and I was delighted, and used to thank my wors.h.i.+ppers. The only thing was that their admiration blinded them, so that when in some pieces I was not so good, and the house was rather chary of applause, my little army of students would be indignant and would cheer wildly, without rhyme or reason. I can understand quite well that this used to exasperate the regular subscribers of the Odeon, who were very kindly disposed towards me nevertheless, as they too used to spoil me, but they would have liked me to be more humble and meek, and less headstrong. How many times one or another of these old subscribers would come and give me a word of advice. "Mademoiselle, you were charming in _Junie_," one of them observed; "but you bite your lips, and the Roman women never did that!"

"My dear girl," another said, "you were delicious in _Francois le Champi_, but there is not a single Breton woman in the whole of Brittany with her hair curled."

A professor from the Sorbonne said to me one day rather curtly, "It is a want of respect, Mademoiselle, to turn your back on the public!"

"But, Monsieur," I replied, "I was accompanying an old lady to a door at the back of the stage. I could not walk along with her backwards."

"The artistes we had before you, Mademoiselle, who were quite as talented as you, if not more so, had a way of going across the stage without turning their back on the public."

And he turned quickly on his heel and was going away, when I stopped him.

"Monsieur, will you go to that door, through which you intended to pa.s.s, without turning your back on me?"

He made an attempt, and then, furious, turned his back on me and disappeared, slamming the door after him.

I lived some time at 16 Rue Auber, in a flat on the first floor, which was rather a nice one. I had furnished it with old Dutch furniture which my grandmother had sent me. My G.o.dfather advised me to insure against fire, as this furniture, he told me, const.i.tuted a small fortune. I decided to follow his advice, and asked _mon pet.i.t Dame_ to take the necessary steps for me. A few days later she told me that some one would call about it on the 12th.

On the day in question, towards two o'clock, a gentleman called, but I was in an extremely nervous condition, and said: "No, I must be left alone to-day. I do not wish to see any one."

I had refused to be disturbed, and had shut myself up in my bedroom in a frightfully depressed state.

That same evening I received a letter from the fire insurance company, La Fonciere, asking which day their agent might call to have the agreement signed. I replied that he might come on Sat.u.r.day.

On Friday I was so utterly wretched that I sent to ask my mother to come and lunch with me. I was not playing that day, as I never used to perform on Tuesdays and Fridays, days on which repertoire plays only were given. As I was playing every other day in new pieces, it was feared that I should be over-tired.

My mother on arriving thought I looked very pale.

"Yes," I replied. "I do not know what is the matter with me, but I am in a very nervous state and most depressed."

The governess came to fetch my little boy, to take him out for a walk, but I would not let him go.

"Oh no!" I exclaimed. "The child must not leave me to-day. I am afraid of something happening."

What happened was fortunately of a less serious nature than, with my love for my family, I was dreading.

I had my grandmother living with me at that time, and she was blind. It was the grandmother who had given me most of my furniture. She was a spectral-looking woman, and her beauty was of a cold, hard type. She was very tall indeed, six feet, but she looked like a giantess. She was thin and very upright, and her long arms were always stretched in front of her, feeling for all the objects in her way, so that she might not knock herself, although she was always accompanied by the nurse whom I had engaged for her. Above this long body was her little face, with two immense pale blue eyes, which were always open, even when asleep at night. She was generally dressed from head to foot in grey, and this neutral colour gave something unreal to her general appearance.

My mother, after trying to comfort me, went away about two o'clock. My grandmother, seated opposite me in her large Voltaire armchair, questioned me:

"What are you afraid of?" she asked. "Why are you so mournful? I have not heard you laugh all day."

I did not answer, but looked at my grandmother. It seemed to me that the trouble I was dreading would come through her.

"Are you not there?" she insisted.

"Yes, I am here," I answered; "but please do not talk to me."

She did not utter another word, but with her two hands on her lap sat there for hours. I sketched her strange, fatidical face.

It began to grow dusk, and I thought I would go and dress, after being present at the meal taken by my grandmother and the child. My friend Rose Baretta was dining with me that evening, and I had also invited a most charming and witty man, Charles Haas. Arthur Meyer came too. He was a young journalist already very much in vogue. I told them about my forebodings with regard to that day, and begged them not to leave me before midnight.

"After that," I said, "it will not be to-day, and the wicked spirits who are watching me will have missed their chance."

They agreed to humour my fancy, and Arthur Meyer, who was to have gone to some first night at one of the theatres, remained with us. Dinner was more animated than luncheon had been, and it was nine o'clock when we left the table. Rose Baretta sang us some delightful old songs. I went away for a minute to see that all was right in my grandmother's room. I found my maid with her head wrapped up in cloths soaked in sedative water. I asked what was the matter, and she said that she had a terrible headache. I told her to prepare my bath and everything for me for the night, and then to go to bed. She thanked me, and obeyed.

I went back to the drawing-room, and, sitting down to the piano, played "Il Bacio," Mendelssohn's "Bells," and Weber's "Last Thought." I had not come to the end of this last melody when I stopped, suddenly hearing in the street cries of "Fire! Fire!"

"They are shouting 'Fire!'" exclaimed Arthur Meyer.

"That's all the same to me," I said, shrugging my shoulders. "It is not midnight yet, and I am expecting my own misfortune."

Charles Haas had opened the drawing-room window to see where the shouts were coming from. He stepped out on to the balcony, and then came quickly in again.

"The fire is here!" he exclaimed. "Look!"

I rushed to the window, and saw the flames coming from the two windows of my bedroom. I ran back through the drawing-room in to the corridor, and then to the room where my child was sleeping with his governess and his nurse. They were all fast asleep. Arthur Meyer opened the hall door, the bell of which was being rung violently. I roused the two women quickly, wrapped the sleeping child in his blankets, and rushed to the door with my precious burden. I then ran downstairs, and, crossing the street, took him to Guadacelli's chocolate shop opposite, just at the corner of the Rue Caumartin.

The kind man took my little slumberer in and let him lie on a couch, where the child continued his sleep without any break. I left him in charge of his governess and his nurse, and went quickly back to the flaming house. The firemen, who had been sent for, had not yet arrived, and at all costs I was determined to rescue my poor grandmother. It was impossible to go back up the princ.i.p.al staircase, as it was filled with smoke.

Charles Haas, bareheaded and in evening dress, a flower in his b.u.t.ton-hole, started with me up the narrow back staircase. We were soon on the first floor, but when once there my knees shook; it seemed as thought my heart had stopped, and I was seized with despair. The kitchen door, at the top of the first flight of stairs, was locked with a triple turn of the key. My amiable companion was tall, slight, and elegant, but not strong. I besought him to go down and fetch a hammer, a hatchet, or something, but just at that moment, a newcomer wrenched the door open by a violent plunge with his shoulder against it. This new arrival was no other than M. Sohege, a friend of mine. He was a most charming and excellent man, a broad-shouldered Alsatian, well known in Paris, very lively and kind, and always ready to do any one a service. I took my friends to my grandmother's room. She was sitting up in bed, out of breath with calling Catherine, the servant who waited upon her. This maid was about twenty-five years of age, a big, strapping girl from Burgundy, and she was now sleeping peacefully, in spite of the uproar in the street, the noise of the fire-engines, which had arrived at last, and the wild shrieks of the occupants of the house. Sohege shook the maid, whilst I explained to my grandmother the reason of the tumult and why we were in her room.

"Very good," she said; and then she added calmly, "Will you give me the box, Sarah, that you will find at the bottom of the wardrobe? The key of it is here."

"But, grandmother," I exclaimed, "the smoke is beginning to come in here. We have not any time to lose."

"Well, do as you like. I shall not leave without my box!"

With the help of Charles Haas and of Arthur Meyer we put my grandmother on Sohege's back in spite of herself. He was of medium height, and she was extremely tall, so that her long legs touched the ground, and I was afraid she might get them injured. Sohege therefore took her in his arms, and Charles Haas carried her legs. We then set off, but the smoke stifled us, and after descending about ten stairs I fell down in a faint.

When I came to myself I was in my mother's bed. My little boy was asleep in my sister's room, and my grandmother was installed in a large armchair. She sat bolt upright, frowning, and with an angry expression on her lips. She did not trouble about anything but her box, until at last my mother was angry, and reproached her in Dutch with only caring for herself. She answered excitedly, and her neck craned forward as though to help her head to peer through the perpetual darkness which surrounded her. Her thin body, wrapped in an Indian shawl of many colours, the hissing of her strident words, which flowed freely, all contributed to make her resemble a serpent in some terrible nightmare.

My mother did not like this woman, who had married my grandfather when he had six big children, the eldest of whom was sixteen and the youngest, my uncle, five years. This second wife had never had any children of her own, and had been indifferent, even harsh, towards those of her husband; and consequently she was not liked in the family. I had taken charge of her because small-pox had broken out in the family with whom she had been boarding. She had then wished to stay with me, and I had not had courage enough to oppose her.

On the occasion of the fire, though, I considered she behaved so badly that a strong dislike to her came over me, and I resolved not to keep her with me. News of the fire was brought to us. It continued to rage, and burnt everything in my flat, absolutely everything, even to the very last book in my library. My greatest sorrow was that I had lost a magnificent portrait of my mother by Ba.s.sompierre Severin, a pastelist very much _a la mode_ under the Empire; an oil portrait of my father, and a very pretty pastel of my sister Jeanne. I had not much jewellery, and all that was found of the bracelet given to me by the Emperor was a huge shapeless ma.s.s, which I still have. I had a very pretty diadem, set with diamonds and pearls, given to me by Kalil Bey after a performance at his house. The ashes of this had to be sifted in order to find the stones. The diamonds were there, but the pearls had melted.

I was absolutely ruined, for the money that my father and his mother had left me I had spent in furniture, curiosities, and a hundred other useless things, which were the delight of my life. I had, too, and I own it was absurd, a tortoise named Chrysagere. Its back was covered with a sh.e.l.l of gold set with very small blue, pink, and yellow topazes. Oh, how beautiful it was, and how droll! It used to wander round my flat, accompanied by a smaller tortoise named Zerbinette, which was its servant, and I used to amuse myself for hours watching Chrysagere, flas.h.i.+ng with a hundred lights under the rays of the sun or the moon.

Both my tortoises died in this fire.

Duquesnel, who was very kind to me at that time, came to see me a few weeks later, for he had just received a summons from La Fonciere, the fire insurance company, whose papers I had refused to sign the day before the catastrophe. The company claimed a heavy sum of money from me for damages done to the house itself. The second storey was almost entirely destroyed, and for many months the whole building had to be propped up. I did not possess the 40,000 francs claimed. Duquesnel offered to give a benefit performance for me, which would, he said, free me from all difficulties. De Chilly was very willing to agree to anything that would be of service to me. The benefit was a wonderful success, thanks to the presence of the adorable Adelina Patti. The young singer, who was then the Marquise de Caux, had never before sung at a benefit performance, and it was Arthur Meyer who brought me the news that "La Patti" was going to sing for me. Her husband came during the afternoon to tell me how glad she was of this opportunity of proving to me her sympathy. As soon as the "fairy bird" was announced, every seat in the house was promptly taken at prices which were higher than those originally fixed. She had no reason to regret her friendly action, for never was any triumph more complete. The students greeted her with three cheers as she came on the stage. She was a little surprised at this noise of bravos in rhythm. I can see her now coming forward, her two little feet encased in pink satin. She was like a bird hesitating as to whether it would fly or remain on the ground. She looked so pretty, so smiling, and when she trilled out the gem-like notes of her wonderful voice the whole house was delirious with excitement.