My Double Life: The Memoirs of Sarah Bernhardt Part 57

"Oh, Madame, there are about a hundred now," answered Felicie.

"Help me to take my things off then quickly," I said, "and find me a white dress."

In about five minutes I was ready, and I felt that I looked nice from head to foot. I went into the drawing-room where all these unknown persons were waiting. Jarrett came forward to meet me, but on seeing me well dressed and with a smiling face he postponed the sermon that he wanted to preach to me.

I should like to introduce Jarrett to my readers, for he was a most extraordinary man. He was then about sixty-five or seventy years of age.

He was tall, with a face like King Agamemnon, framed by the most beautiful silver-white hair I have ever seen on a man's head. His eyes were of so pale a blue that when they lighted up with anger he looked as though he were blind. When he was calm and tranquil, admiring nature, his face was really handsome, but when gay and animated his upper lip showed his teeth and curled up in a most ferocious sniff, and his grins seemed to be caused by the drawing up of his pointed ears, which were always moving as though on the watch for prey.

He was a terrible man, extremely intelligent; but from childhood he must have been fighting with the world, and he had the most profound contempt for all mankind. Although he must have suffered a great deal himself, he had no pity for others who suffered. He always said that every man was armed for his own defence. He pitied women; did not care for them, but was always ready to help them. He was very rich and very economical, but not miserly.

"I made my way in life," he often said to me, "by the aid of two weapons: honesty and a revolver. In business honesty is the most terrible weapon a man can use against rascals and crafty people. The former don't know what it is and the latter don't believe in it; while the revolver is an admirable invention for compelling scoundrels to keep their word."

He used to tell me about wonderful and terrifying adventures.

He had a deep scar under his right eye. During a violent discussion about a contract to be signed for Jenny Lind, the celebrated singer, Jarrett said to his interlocutor, pointing at the same time to his right eye: "Look at that eye, sir. It is now reading in your mind all that you are not saying."

"It doesn't know how to read, then, for it never foresaw that," said the other, firing his revolver at Jarrett's right eye.

"A bad shot, sir," replied Jarrett. "This is the way to take aim for effectually closing an eye."

And he put a ball between the two eyes of the other man, who fell down dead.

When Jarrett told this story his lip curled up and his two incisors appeared to be crunching the words with delight, and his bursts of stifled laughter sounded like the snapping of his jaws. He was an upright, honest man, though, and I liked him very much, and I like what I remember of him.

My first impression was a joyful one, and I clapped my hands with delight as I entered the drawing-room, which I had not yet seen. The busts of Racine, Moliere, and Victor Hugo were on pedestals surrounded with flowers. All round the large room were sofas laden with cus.h.i.+ons, and, to remind me of my home in Paris, there were tall palms stretching out their branches over the sofas. Jarrett introduced Knoedler, who had suggested this piece of gallantry. He was a very charming man. I shook hands with him, and we were friends from that time forth.

The visitors soon went away, but the reporters remained. They were all seated, some of them on the arms of the chairs, others on the cus.h.i.+ons.

One of them had crouched down tailor-fas.h.i.+on on a bear-skin, and was leaning back against the steam heater. He was pale and thin, and coughed a great deal. I went towards him, and had just opened my lips to speak to him, although I was rather shocked that he did not rise, when he addressed me in a ba.s.s voice.

"Which is your favourite _role_, Madame?" he asked.

"That is no concern of yours," I answered, turning my back on him. In doing so I knocked against another reporter, who was more polite.

"What do you eat when you wake in the morning, Madame?" he inquired.

I was about to reply to him as I had done to the first one, but Jarrett, who had had difficulty in appeasing the anger of the crouching man, answered quickly for me, "Oatmeal." I did not know what that dish was, but the ferocious reporter continued his questions.

"And what do you eat during the day?"

"Mussels."

He wrote down phlegmatically, "Mussels during the day."

I moved towards the door, and a female reporter in a tailor-made skirt, with her hair cut short, asked me in a clear, sweet voice, "Are you a Jewess-Catholic-Protestant-Mohammedan-Buddhist-Atheist-Zoroaster-Theist-or-Deist?"

I stood still, rooted to the spot in bewilderment. She had said all that in a breath, accenting the syllables haphazard, and making of the whole one word so wildly incoherent that my impression was that I was not in safety near this strange, gentle person. I must have looked uneasy, and as my eyes fell on an elderly lady who was talking gaily to a little group of people, she came to my rescue, saying in very good French, "This young lady is asking you, Madame whether you are of the Jewish religion or whether you are a Catholic, a Protestant, a Mohammedan, a Buddhist, an Atheist a Zoroastrian, a Theist, or a Deist."

I sank down on a couch.

"Oh, Heavens!" I exclaimed, "will it be like this in all the cities I visit?"

"Oh no," answered Jarrett placidly; "your interviews will be wired throughout America."

"What about the mussels?" I thought to myself, and then in an absent-minded way I answered, "I am a Catholic, Mademoiselle."

"A Roman Catholic, or do you belong to the Orthodox Church?" she asked.

I jumped up from my seat, for she bored me beyond endurance, and a very young man then approached timidly.

"Will you allow me to finish my sketch, Madame?" he asked.

I remained standing, my profile turned towards him at his request. When he had finished I asked to see what he had done, and, perfectly unabashed, he handed me his horrible drawing of a skeleton with a curly wig. I tore the sketch up and threw it at him, but the following day that horror appeared in the papers, with a disagreeable inscription beneath it. Fortunately I was able to speak seriously about my art with a few honest and intelligent journalists, but twenty-five years ago reporters' paragraphs were more appreciated in America than serious articles, and the public, very much less literary then than at present, always seemed ready to echo the turpitudes invented by reporters hard up for copy. I should think that no creature in the world, since the invention of reporting, has ever had as much to endure as I had during that first tour. The basest calumnies were circulated by my enemies long before I arrived in America, there was all the treachery of the friends of the Comedie, and even of my own admirers, who hoped that I should not succeed on my tour, so that I might return more quickly to the fold, humiliated, calmed down, and subdued. Then there were the exaggerated announcements invented by my _impresario_ Abbey and my representative Jarrett. These announcements were often outrageous and always ridiculous; but I did not know their real source until long afterwards, when it was too late--much too late--to undeceive the public, who were fully persuaded that I was the instigator of all these inventions. I therefore did not attempt to undeceive them. It matters very little to me whether people believe one thing or another.

Life is short, even for those who live a long time, and we must live for the few who know and appreciate us, who judge and absolve us, and for whom we have the same affection and indulgence. The rest I look upon as a mere crowd, lively or sad, loyal or corrupt, from whom there is nothing to be expected but fleeting emotions, either pleasant or unpleasant, which leave no trace behind them. We ought to hate very rarely, as it is too fatiguing; remain indifferent to a great deal, forgive often and never forget. Forgiving does not mean forgetting--at least, it does not with me. I will not mention here any of the outrageous and infamous attacks that were made upon me, as it would be doing too great an honour to the wretched people who were responsible for them, from beginning to end dipping their pen in the gall of their own souls. All I can say is that nothing kills but death, and that any one who wishes to defend himself or herself from slander can do it. For that one must live. It is not given to every one to be able to do it, but it depends on the will of G.o.d, who sees and judges.

I took two days' rest before going to the theatre, for I could feel the movement of the s.h.i.+p all the time: my head was dizzy, and it seemed to me as though the ceiling moved up and down. The twelve days on the sea had quite upset my health. I sent a line to the stage manager, telling him that we would rehea.r.s.e on Wednesday, and on that day, as soon as luncheon was over, I went to Booth's Theatre, where our performances were to take place. At the stage-door I saw a compact, swaying crowd, very much animated and gesticulating. These strange-looking individuals did not belong to the world of actors. They were not reporters either, for I knew them too well, alas! to be mistaken in them. They were not there out of curiosity either, these people, for they seemed too much occupied, and then, too, there were only men. When my carriage drew up, one of them rushed forward to the door of it and then returned to the swaying crowd. "Here she is! Here she is!" I heard, and then all these common men, with their white neckties and questionable-looking hands, with their coats flying open, and trousers the knees of which were worn and dirty-looking, crowded behind me into the narrow pa.s.sage leading to the staircase. I did not feel very easy in my mind, and I mounted the stairs rapidly. Several persons were waiting for me at the top: Mr.

Abbey, Jarrett, and also some reporters, two gentlemen and a charming and most distinguished woman, whose friends.h.i.+p I have kept ever since, although she does not care much for French people. I saw Mr. Abbey, who was usually very dignified and cold, advance in the most gracious and courteous way to one of the men who were following me. They raised their hats to each other, and, followed by the strange and brutal-looking regiment, they advanced towards the centre of the stage.

I then saw the strangest of sights. In the middle of the stage were my forty-two trunks. In obedience to a sign, twenty of the men came forward, and placing themselves each one between two trunks, with a quick movement with their right and left hands they took the covers off the trunks on the right and left of them. Jarrett, with frowns and an unpleasant grin, held out my keys to them. He had asked me that morning for my keys for the Customs.

"Oh, it's nothing," he said; "don't be uneasy," and the way in which my luggage had always been respected in other countries had given me perfect confidence about it.

The princ.i.p.al personage of the ugly group came towards me, accompanied by Abbey, and Jarrett explained things to me. The man was an official from the American Custom-house.

The Custom-house is an abominable inst.i.tution in every country, but worse in America than anywhere else. I was prepared for all this, and was most affable to the tormentor of a traveller's patience. He raised the melon which served him for a hat, and without taking his cigar out of his mouth made some incomprehensible remark to me. He then turned to his regiment of men, made an abrupt sign with his hand, and uttered some word of command, whereupon the forty dirty hands of these twenty men proceeded to forage among my velvets, satins, and laces. I rushed forward to save my poor dresses from such outrageous violation, and I ordered the lady of our company who had charge of the costumes to lift my gowns out one at a time, which she accordingly did, aided by my maid, who was in tears at the small amount of respect shown by these boors to all my beautiful, fragile things. Two ladies had just arrived, very noisy and businesslike. One of them was short and stout: her nose seemed to begin at the roots of her hair; she had round, placid-looking eyes, and a mouth like a snout; her arms she was hiding timidly behind her heavy flabby bust, and her ungainly knees seemed to come straight out of her groin. She looked like a seated cow. Her companion was like a terrapin, with her little black evil-looking head at the end of a neck which was too long and very stringy. She kept shooting it out of her boa and drawing it back with the most incredible rapidity. The rest of her body bulged out flat. These two delightful persons were the dressmakers sent for by the Custom-house to value my costumes. They glanced at me in a furtive way, and gave a little bow full of bitterness and jealous rage at the sight of my dresses; and I was quite aware that two more enemies had now come upon the scene. These two odious shrews began to chatter and argue, pawing and crumpling my dresses and cloaks at the same time.

They kept exclaiming in the most emphatic way, "Oh, how beautiful! What magnificence! What luxury! All our customers will want gowns like these, and we shall never be able to make them! It will be the ruin of all the American dressmakers." They were working up the judges into a state of excitement for this chiffon court-martial. They kept lamenting, then going into raptures and asking for "justice" against foreign invasion.

The ugly band of men nodded their heads in approval, and spat on the ground to affirm their independence. Suddenly the Terrapin turned on one of the inquisitors:

"Oh, isn't it beautiful? Show it! show it!" she exclaimed, seizing on a dress all embroidered with pearls, which I wore in _La Dame aux Camelias_.

"This dress is worth at least ten-thousand dollars," she said; and then, coming up to me, she asked, "How much did you pay for that dress, Madame?"

I ground my teeth together and would not answer, for just at that moment I should have enjoyed seeing the Terrapin in one of the saucepans in the Albemarle Hotel kitchen. It was nearly half-past five, and my feet were frozen. I was half dead, too, with fatigue and suppressed anger. The rest of the examination was postponed until the next day, and the ugly band of men offered to put everything back in the trunks, but I objected to that. I sent out for five hundred yards of blue tarletan to cover over the mountain of dresses, hats, cloaks, shoes, laces, linen, stockings, furs, gloves, &c. &c. They then made me take my oath to remove nothing, for they had such charming confidence in me, and I left my steward there in charge. He was the husband of Felicie, my maid, and a bed was put up for him on the stage. I was so nervous and upset that I wanted to go somewhere far away, to have some fresh air, and to stay out for a long time. A friend offered to take me to see Brooklyn Bridge.

"That masterpiece of American genius will make you forget the petty miseries of our red tape affairs," he said gently, and so we set out for Brooklyn Bridge.

Oh, that bridge! It is insane, admirable, imposing; and it makes one feel proud. Yes, one is proud to be a human being when one realises that a brain has created and suspended in the air, fifty yards from the ground, that fearful thing which bears a dozen trains filled with pa.s.sengers, ten or twelve tramcars, a hundred cabs, carriages, and carts, and thousands of foot pa.s.sengers; and all that moving along together amidst the uproar of the music of the metals--clanging, clas.h.i.+ng, grating, and groaning under the enormous weight of people and things. The movement of the air caused by this frightful tempestuous coming and going caused me to feel giddy and stopped my breath.

I made a sign for the carriage to stand still, and I closed my eyes. I then had a strange, undefinable sensation of universal chaos. I opened my eyes again when my brain was a little more tranquil, and I saw New York stretching out along the river, wearing its night ornaments, which glittered as much through its dress with thousands of electric lights as the firmament with its tunic of stars.

I returned to the hotel reconciled with this great nation.

I went to sleep, tired in body but rested in mind, and had such delightful dreams that I was in a good humour the following day. I adore dreams, and my sad, unhappy days are those which follow dreamless nights.

My great grief is that I cannot choose my dreams. How many times I have done all in my power at the end of a happy day to make myself dream a continuation of it. How many times I have called up the faces of those I love just before falling asleep; but my thoughts wander and carry me off elsewhere, and I prefer that a hundred times over to the absolute negation of thought.

When I am asleep my body has an infinite sense of enjoyment, but it is torture to me for my thoughts to slumber.

My vital forces rebel against such negation of life. I am quite willing to die once for all, but I object to slight deaths such as those of which one has the sensation on dreamless nights. When I awoke my maid told me that Jarrett was waiting for me to go to the theatre so that the valuation of my costumes could be terminated. I sent word to Jarrett that I had seen quite enough of the regiment from the Custom-house, and I asked him to finish everything without me, as Madame Guerard would be there. During the next two days the Terrapin, the Seated Cow, and the Black Band made notes for the Custom-house, took sketches for the papers and patterns of my dresses for customers. I began to get impatient, as we ought to have been rehearsing. Finally, I was told on Thursday morning that the business was over, and that I could not have my trunks until I had paid twenty-eight thousand francs for duty. I was seized with such a violent fit of laughing that poor Abbey, who had been terrified, caught it from me, and even Jarrett showed his cruel teeth.