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Madcap Part 5

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CHAPTER IV

MAROONED

In the course of an early pilgrimage in search of an unfrequented spot where he might work out of doors undisturbed in June before going to Normandy, Markham had stumbled quite by accident on Thimble Island.

There, to his delight, he had discovered the exact combination of rocks, foliage and barren he was looking for--the painter's landscape.

The island was separated from the mainland by an arm of the sea, wide enough to keep at a safe distance the fas.h.i.+onable cottagers in the adjacent community.

Fire had destroyed the large frame cottage which the Westfields had occupied, but there was a small bark bungalow of two rooms and a kitchen that had been used, he learned, as quarters for extra guests, which would exactly suit his purposes. Somewhat doubtfully, he made inquiries upon the mainland and communicated with the agents of Mrs. Westfield in New York, with whom, to his delight, he managed to make the proper arrangements pending the rebuilding of the house.

He had established himself bag and baggage and at the end of two weeks a row of canvases along the wall of his room bore testimony to his diligence. To Markham they had been weeks of undiluted happiness. He was working out in his own way some theses of color which would in time prove to others that he knew Nature as well as he knew humanity; that the brutal truths people saw in his portraits were only brutal because they were true; and to prove to himself that somewhere in him, deeply hidden, was a vein of tenderness which now sought expression.

Every day he was learning something. This morning for instance he had risen before daylight to try an effect in grays that he had missed two days before.

The day had just begun and Markham stood before his tripod facing to the westward painting madly, trying, in the few short moments that remained to him before sunrise, to put upon his canvas the evanescent tints of the dawn. He painted madly because the canvas was not yet covered and because he knew that within twenty minutes at the most the sun would rise behind him and the witching mystery of the half-light be gone. He stood upright painting at arm's length with a full brush and broad sweep of wrist and arm. Gobs of paint from the tubes melted into pearly-grays and purples in the middle of his palette to be quickly transposed and placed tone beside tone like a pale mosaic enriched and blended by the soft fingers of Time. His motive was simple--a rock, some trees, a stretch of sandy waste, backed by a rugged hill and a glimpse of sea, all bathed in mist; and his brush moved decisively, heavily at times, lightly, caressingly at others as the sketch grew to completion, while his dark eyes glowed behind their hideous goggles, and the firm lines at his mouth relaxed in a smile.

For this moment at least he was tasting immortality--and it was good.

High above him in the air there moved a speck, growing larger with every moment, but he did not see it or hear the faint staccato sounds which proclaimed its ident.i.ty. The speck moved toward the sea and then, making a wide turn over the beach, swept inland near the earth noiselessly, and deposited itself with a quivering groan which startled him, directly in the unfinished foreground of the painter, throwing its occupant in a huddled heap upon the ground.

It had been a lovely foreground of sand and stubble, iridescent with the dew, rich with the broken grays and violets of the reflected heavens. And now--

He dropped his palette and brushes and ran forward, suddenly alive to the serious nature of the interruption. Upon the gra.s.s, stretched p.r.o.ne, face downward, lay a figure in leather cap, blouse and leggings. But as his hand touched the leather shoulder, the aviator moved and then sat upright, facing him. At the same moment the sun, which had been hesitating for some moments on the brink of the horizon, came up with a rush and bathed the face of the small person before him in liquid gold. The leather cap had fallen backward and a ma.s.s of golden hair which now tumbled about the face proclaimed with startling definiteness the s.e.x of Markham's unexpected guest.

"Sorry to bother you," said the guest weakly. "She missed fire and I had to 'plane' down."

"Are you hurt?" he asked.

"No, I think not," she replied, running her fingers over her leather jerkin to rea.s.sure herself as to the fact. "Just shaken up a little--that's all."

Markham stood up and watched her, his arms a-kimbo, a tangle at his brow. It was quite evident to Hermia Challoner that he hadn't the slightest recollection of her.

"What are you doing out at this time of day?" he asked. "Don't you know you might have drowned yourself? Where did you come from? Where are you going?" The tone of his voice was not unkind--it was even solicitous for her welfare, but it reminded her unpleasantly of his att.i.tude toward her the last time they had met.

[Ill.u.s.tration: "Markham stood up and watched her, his arms a-kimbo, a tangle at his brow."]

"That," she replied, getting rather unsteadily to her feet, "is a matter of no importance."

The effort in rising cost her trouble and as she moved toward the machine her face went white, and she would have fallen had not Markham caught her by the arm.

"Oh, I'm all right," she faltered. But he led her up the hill to the cabin where he put her on a couch and gave her some whisky and water.

"Here, drink this," he said gently. "It will do you good."

She glanced around the room at the piles of canvases against the wall, at the tin coffee pot on the wooden table, and then back at his unshorn face and shock of disorderly hair, the color rising slowly to her cheeks. But she obeyed him, and drank what remained in the gla.s.s without question, sinking back upon the pillow, her lips firmly compressed, her gaze upon the ceiling.

"I--I'm sorry to put you to so much trouble," she murmured.

"Oh, that's all right," he muttered. "You got a bad shock. But there are no bones broken. You'll be all right soon. Go to sleep if you can."

She tried to sit up, thought better of it and lay back again with eyes closed, while Markham moved on tiptoe around the room putting things to rights, all the while swearing silently. What in the name of all that was unpleasant did this philandering little idiot mean by trying to destroy herself on the front lawn of his holiday house? Surely the world was big enough, the air broad enough. He glanced at her for a moment, then crept over on tip-toe and peered at her secretively. He straightened and scratched his head, fumbling for his pipe, puzzled.

She resembled somebody he knew or whom he had met. Where? When? He gave it up at last and strolled out of doors--lighted his pipe and sauntered down the hill toward the devilish thing of canvas and wire that had brought her here. He knew nothing of a?roplanes, but even to his unskilled eye it was apparent that without repairs the thing would fly no more, for the canvas covering flapped suggestively in the wind. A broken wing! And the bird was in his cage. His situation--and hers--began to a.s.sume unpleasant definiteness. For three days at least, until his supply boat arrived, from the mainland, they would be prisoners here together. A pretty prospect!

He strolled to his belated canvas and stood for a while puffing at his pipe, his mind still pondering gloomily over his neglected foreground.

then regretfully, tenderly, he undid the clips that fastened the canvas, unlooped the cords from his stone anchors, wiped his brushes, shut his paint-box and moved slowly up the hill toward the house, his mind protestingly adjusting itself to the situation. What was he to do with this surprising female until the boat arrived. Common decency demanded hospitality, and of course he must give it to her, his bed, his food, his time. That was the thing he begrudged her most--the long wonderful daylight hours in this chosen spot, the hourly calls of sea and sky in his painters' paradise. Silly little fool! If she had had to tumble why couldn't she have done it on the West sh.o.r.e where there were women, doctors and medicines?

He placed the canvas and easel against the corner of his house, knocked out his pipe on the heel of his boot and cautiously peered around the jamb of the door to find his unwelcome guest sitting on the edge of the bed smoking a cigarette. He straightened sheepishly, not knowing whether to grin or to scowl. Neither of them spoke for a moment.

"Feeling better?" he asked at last, for the silence embarra.s.sed him.

"Oh, yes, thanks."

She rose and flicked her cigarette out of the window.

"Where are you going?" he asked again.

"Home--to breakfast."

"Impossible!"

"Why?"

"You're not fit--"

"Oh, yes I am--"

"Besides, you can't--"

"Why not?"

"Your a?roplane--it won't fly?"

She stopped in the doorway and glanced anxiously down the slope where her Bleriot had fallen.

"One wing is broken, you see."

She went down the hill, Markham following. She stood before the broken machine and looked at it dejectedly.

"Well?" he asked.

"I'm afraid you're right. It will have to be repaired. I'll go back by boat."

He smiled.

"Of course. But in the meanwhile I'm afraid you'll have to trust to my hospitality--such as it is."

She turned toward him quickly.

"You mean--"

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Madcap Part 5 summary

You're reading Madcap. This manga has been translated by Updating. Author(s): George Gibbs. Already has 591 views.

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