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"That needn't concern you. Get your party in here. Bar the windows and lock the doors. You'll be safe."
"Stewart! Tell me what you intend to do."
"I won't tell you," he replied, and turned away again.
"But I will know," she said. With a hand on his arm she detained him.
She saw how he halted--felt the shock in him as she touched him. "Oh, I do know. You mean to fight!"
"Well, Miss Hammond, isn't it about time?" he asked. Evidently he overcame a violent pa.s.sion for instant action. There was weariness, dignity, even reproof in his question. "The fact of that Mexican's presence here in your house ought to prove to you the nature of the case. These vaqueros, these guerrillas, have found out you won't stand for any fighting on the part of your men. Don Carlos is a sneak, a coward, yet he's not afraid to hide in your own house. He has learned you won't let your cowboys hurt anybody. He's taking advantage of it.
He'll rob, burn, and make off with you. He'll murder, too, if it falls his way. These Greasers use knives in the dark. So I ask--isn't it about time we stop him?"
"Stewart, I forbid you to fight, unless in self-defense. I forbid you."
"What I mean to do is self-defense. Haven't I tried to explain to you that just now we've wild times along this stretch of border? Must I tell you again that Don Carlos is hand and glove with the revolution? The rebels are crazy to stir up the United States. You are a woman of prominence. Don Carlos would make off with you. If he got you, what little matter to cross the border with you! Well, where would the hue and cry go? Through the troops along the border! To New York! To Was.h.i.+ngton! Why, it would mean what the rebels are working for--United States intervention. In other words, war!"
"Oh, surely you exaggerate!" she cried.
"Maybe so. But I'm beginning to see the Don's game. And, Miss Hammond, I--It's awful for me to think what you'd suffer if Don Carlos got you over the line. I know these low-caste Mexicans. I've been among the peons--the slaves."
"Stewart, don't let Don Carlos get me," replied Madeline, in sweet directness.
She saw him shake, saw his throat swell as he swallowed hard, saw the hard fierceness return to his face.
"I won't. That's why I'm going after him."
"But I forbade you to start a fight deliberately."
"Then I'll go ahead and start one without your permission," he replied shortly, and again he wheeled.
This time, when Madeline caught his arm she held to it, even after he stopped.
"No," she said, imperiously.
He shook off her hand and strode forward.
"Please don't go!" she called, beseechingly. But he kept on. "Stewart!"
She ran ahead of him, intercepted him, faced him with her back against the door. He swept out a long arm as if to brush her aside. But it wavered and fell. Haggard, troubled, with working face, he stood before her.
"It's for your sake," he expostulated.
"If it is for my sake, then do what pleases me."
"These guerrillas will knife somebody. They'll burn the house. They'll make off with you. They'll do something bad unless we stop them."
"Let us risk all that," she importuned.
"But it's a terrible risk, and it oughtn't be run," he exclaimed, pa.s.sionately. "I know best here. Stillwell upholds me. Let me out, Miss Hammond. I'm going to take the boys and go after these guerrillas."
"No!"
"Good Heavens!" exclaimed Stewart. "Why not let me go? It's the thing to do. I'm sorry to distress you and your guests. Why not put an end to Don Carlos's badgering? Is it because you're afraid a rumpus will spoil your friends' visit?"
"It isn't--not this time."
"Then it's the idea of a little shooting at these Greasers?"
"No."
"You're sick to think of a little Greaser blood staining the halls of your home?"
"No!"
"Well, then, why keep me from doing what I know is best?"
"Stewart, I--I--" she faltered, in growing agitation. "I'm frightened--confused. All this is too--too much for me. I'm not a coward. If you have to fight you'll see I'm not a coward. But your way seems so reckless--that hall is so dark--the guerrillas would shoot from behind doors. You're so wild, so daring, you'd rush right into peril.
Is that necessary? I think--I mean--I don't know just why I feel so--so about you doing it. But I believe it's because I'm afraid you--you might be hurt."
"You're afraid I--I might be hurt?" he echoed, wonderingly, the hard whiteness of his face warming, flus.h.i.+ng, glowing.
"Yes."
The single word, with all it might mean, with all it might not mean, softened him as if by magic, made him gentle, amazed, shy as a boy, stifling under a torrent of emotions.
Madeline thought she had persuaded him--worked her will with him. Then another of his startlingly sudden moves told her that she had reckoned too quickly. This move was to put her firmly aside so he could pa.s.s; and Madeline, seeing he would not hesitate to lift her out of the way, surrendered the door. He turned on the threshold. His face was still working, but the flame-pointed gleam of his eyes indicated the return of that cowboy ruthlessness.
"I'm going to drive Don Carlos and his gang out of the house," declared Stewart. "I think I may promise you to do it without a fight. But if it takes a fight, off he goes!"
XV. The Mountain Trail
As Stewart departed from one door Florence knocked upon another; and Madeline, far shaken out of her usual serenity, admitted the cool Western girl with more than gladness. Just to have her near helped Madeline to get back her balance. She was conscious of Florence's sharp scrutiny, then of a sweet, deliberate change of manner. Florence might have been burning with curiosity to know more about the bandits hidden in the house, the plans of the cowboys, the reason for Madeline's suppressed emotion; but instead of asking Madeline questions she introduced the important subject of what to take on the camping trip.
For an hour they discussed the need of this and that article, selected those things most needful, and then packed them in Madeline's duffle-bags.
That done, they decided to lie down, fully dressed as they were in riding-costume, and sleep, or at least rest, the little remaining time left before the call to saddle. Madeline turned out the light and, peeping through her window, saw dark forms standing sentinel-like in the gloom. When she lay down she heard soft steps on the path. This fidelity to her swelled her heart, while the need of it presaged that fearful something which, since Stewart's pa.s.sionate appeal to her, haunted her as inevitable.
Madeline did not expect to sleep, yet she did sleep, and it seemed to have been only a moment until Florence called her. She followed Florence outside. It was the dark hour before dawn. She could discern saddled horses being held by cowboys. There was an air of hurry and mystery about the departure. Helen, who came tip-toeing out with Madeline's other guests, whispered that it was like an escape. She was delighted.
The others were amused. To Madeline it was indeed an escape.
In the darkness Madeline could not see how many escorts her party was to have. She heard low voices, the champing of bits and thumping of hoofs, and she recognized Stewart when he led up Majesty for her to mount.
Then came a pattering of soft feet and the whining of dogs. Cold noses touched her hands, and she saw the long, gray, s.h.a.ggy shapes of her pack of Russian wolf-hounds. That Stewart meant to let them go with her was indicative of how he studied her pleasure. She loved to be out with the hounds and her horse.
Stewart led Majesty out into the darkness past a line of mounted horses.
"Guess we're ready?" he said. "I'll make the count." He went back along the line, and on the return Madeline heard him say several times, "Now, everybody ride close to the horse in front, and keep quiet till daylight." Then the snorting and pounding of the big black horse in front of her told Madeline that Stewart had mounted.
"All right, we're off," he called.