The Branding Iron Part 4

I had words about you, Joan. Yes'm, he give me quite a line of preachin' about you, Joan, as how you hed oughter develop yer own life in yer own way--along the lines laid out by him. I told him as how I knowed best what was right an' fittin' fer my own wife; as how, with a mother like your'n you needed watchin' more'n learnin'; as how you belonged to me an' not to him. An', says he, 'She don't belong to any man, Pierre Landis,' he said, 'neither to you nor to me. She belongs to her own self.' 'I'll see that she belongs to me,' I said. 'I'll fix her so she'll know it an' every other feller will.'"

At that he turned from the fire and straightened to his feet.

Joan moved backward slowly to the door. He had made no threatening sign or movement, but her fear had come overwhelmingly upon her and every instinct urged her to flight. But before she touched the handle of the door, he flung himself with deadly, swift force and silence across the room and took her in his arms. With all her wonderful young strength, Joan could not break away from him. He dragged her back to the hearth, tied her elbows behind her with the scarf from his neck, that very scarf he had worn when the dawn had shed a wistful beauty upon him, waiting for her on a morning not so very long ago. Joan went weak.

"Pierre," she cried pitifully, "what are you a-goin' to do to me?"

He roped her to the heavy post of a set of shelves built against the wall. Then he stood away, breathing fast.

"Now whose gel are you, Joan Carver?" he asked her.

"You know I'm yours, Pierre," she sobbed. "You got no need to tie me to make me say that."

"I got to tie you to make you do more'n say it. I got to make sure you are it. h.e.l.l-fire won't take the sureness out of me after this."

She turned her head, all that she could turn.

He was bending over the fire, and when he straightened she saw that he held something in his hand ... a long bar of metal, white at the shaped end. At once her memory showed her a broad glow of sunset falling over Pierre at work. "There'll be stock all over the country marked with them two bars," he had said. "The Two-Bar Brand, don't you fergit it!" She was not likely to forget it now.

She shut her eyes. He stepped close to her and jerked her blouse down from her shoulder. She writhed away from him, silent in her rage and fear and fighting dumbly. She made no appeal. At that moment her heart was so full of hatred that it was hardened to pride. He lifted his brand and set it against the bare flesh of her shoulder.

Then terribly she screamed. Again, when he took the metal away, she screamed. Afterwards there was a dreadful silence.

Joan had not lost consciousness. Her healthy nerves stanchly received the anguish and the shock, nor did she make any further outcry. She pressed her forehead against the sharp edge of the shelf, she drove her nails into her hands, and at intervals she writhed from head to foot. Circles of pain spread from the deep burn on her shoulder, spread and shrank, to spread and shrink again. The bones of her shoulder and arm ached terribly; fire still seemed to be eating into her flesh. The air was full of the smell of scorched skin so that she tasted it herself. And hotter than her hurt her heart burned consuming its own tenderness and love and trust.

When this pain left her, when she was free of her bonds, no force nor fear would hold her to Pierre. She would leave him as she had left her father. She would go away. There was no place for her to go to, but what did that matter so long as she might escape from this horrible place and this infernal tormentor? She did not look about to see the actuality of Pierre's silence. She thought that he had dropped the brand and was sitting near the table with his face hidden. How long the stillness of pain and fury and horror lasted there was no one to reckon. It was most startlingly broken by a voice. "Who screamed for help?" it said, and at the same instant a draught of icy air smote Joan. The door had opened with suddenness and violence. With difficulty she mastered her pain and turned her head.

Pierre had staggered to his feet. Opposite him, framed against the open door filled with the wan whiteness of the snow, stood a spare, tall figure. The man wore his fur collar turned up about his chin and ears, his fur cap pulled down about his brow, a sharp aquiline nose stood out above frozen mustaches, keen and brilliant eyes searched the room. He carried his gun across his arm in readiness, and snuffed the air like a suspicious hound. Then he advanced a step toward Pierre.

"What devil's work have you been at?" said he, his voice cutting the ear in its sharpness of astonished rage, and his hand slid down along the handle of his gun.

Pierre, watching him like a lynx, side-stepped, crouched, whipped out his gun, and fired. At almost the same second the other's gun went off. Pierre dropped.

This time Joan's nerves gave way and the room, with its smell of scorched flesh, of powder, and of frost, went out from her horrified senses. For a moment the stranger's stern face and brilliant eyes made the approaching center of a great cloud of darkness, then it too went out.

CHAPTER VII

THE JUDGMENT OF G.o.d

The man who had entered with such violence upon so violent a scene, stood waiting till the smoke of Pierre's discharge had cleared away, then, still holding his gun in readiness, he stepped across the room and bent over the fallen man.

"I've killed him!" he said, just above his breath, and added presently, "That was the judgment of G.o.d." He looked about, taking in every detail of the scene, the branding iron that had burnt its mark deep into the boards where Pierre had thrown it down, the glowing fire heaped high and blazing dangerously in the small room, the woman bound and burnt, the white night outside the uncurtained window.

Afterwards he went over to the woman, who drooped in her bonds with head hanging backward over the wounded shoulder. He untied the silk scarf and the rope and carried her, still unconscious, into the bedroom where he laid her on the bed and bathed her face in water.

Joan's crown of hair had fallen about her neck and temples. Her bared throat and shoulder had the firm smoothness of marble, her lifeless face, its pure, full lips fallen apart, its long lids closed, black-fringed and black-browed, owing little of its beauty to color or expression, was at no loss in this deathlike composure and whiteness.

The man dealt gently with her as though she had been a child. He found clean rags which he soaked in oil and placed over her burn, then he drew the coa.r.s.e clothing about her and resumed his bathing of her forehead.

She gave a moaning sigh, her face contracted woefully, and she opened her eyes. The man looked into them as a curious child might look into an opened door.

"Did you see what happened?" he asked her when she had come fully to herself.

"Yes," Joan whispered, her lips shaking.

"I've killed the brute."

Her face became a cla.s.sic mask of tragedy, the drawn brows, horrified eyes, and widened mouth.

"Pierre? Killed?" Her voice, hardly more than a whisper, filled the house with its agony.

"Are you sorry?" demanded her rescuer sternly. "Was he in the habit of tying you up or was this--branding--a special diversion?"

Joan turned her face away, writhed from head to foot, put up her two hands between him and her agonizing memories.

The man rose and left her, going softly into the next room. There he stood in a tense att.i.tude of thought, sat down presently with his long, narrow jaw in his hands and stared fixedly at Pierre. He was evidently trying to fight down the shock of the spectacle, grimly telling himself to become used to the fact that here lay the body of a man that he had killed. In a short time he seemed to be successful, his face grew calm. He looked away from Pierre and turned his mind to the woman.

"She can't stay here," he said presently, in the tone of a man who has fallen into the habit of talking aloud to himself. He looked about in a hesitant, doubtful fas.h.i.+on. "G.o.d!" he said abruptly and snapped his fingers and thumb. He looked angry. Again he bent over Pierre, examined him with thoroughness and science, his face becoming more and more calm. At the end he rose and with an air of authority he went in again to Joan. She lay with her face turned to the wall.

"It is impossible for you to stay here," said he in a voice of command. "You are not fit to take care of yourself, and I can't stay and take care of you. You must come with me. I think you can manage that. Your husband--if he is your husband--is dead. It may or may not be a matter for sorrow to you, but I should say that it ought not to be anything but a merciful release. Women are queer creatures, though.... However, whether you are in grief or in rejoicing, you can't stay here. By to-morrow or next day you'll need more nursing than you do now. I don't want to take you to a neighbor, even if there was one near enough, but I'll take you with me. Will you get ready now?"

His sure, even, commanding voice evidently had a hypnotizing effect upon the dazed girl. Slowly, wincing, she stood up, and with his help gathered together some of her belongings which he put in the pack he carried on his shoulders. She wrapped herself in her warmest outdoor clothing. He then put his hand upon her arm and drew her toward the door of that outer room. She followed him blindly with no will of her own, but, as he stopped to strap on his snowshoes, her face lightened with pain, and she made as if to run to Pierre's body. He stood before her, "Don't touch him," said he, and, turning himself, he glanced back at Pierre. In that glance he saw one of the lean, brown hands stir.

His face became suddenly suffused, even his eyes grew shot with blood.

Standing carefully so as to obstruct her view, he caught at the corner of an elk hide and threw it over Pierre. Then he went to Joan, who stared at him, white and shaking. He put his arm around her and drew her out, shutting the door of her home and leaning against it.

"You can't go back," said he gently and reasonably. "The man tried to kill you. You can't go back. Surely you meant to go away."

"Yes," said Joan, "yes. I did mean to go away. But--but it's Pierre."

He bent and began to strap on her snowshoes. There was a fighting brilliance in his eyes and a strange look of hurry about him that had its effect on Joan. "It's Pierre no longer," said he. "What can you do for him? What can he do for you? Be sensible, child. Come. Don't waste time. There will be snow to-day."

In fact it was to-day. The moon had set and a gray dawn possessed the world. It was not nearly so cold and the great range had vanished in a bank of gray-black clouds moving steadily northward under a damp wind.

Joan looked at this one living creature with wide, fever-brightened eyes.

"Come," said the man impatiently.

Joan bent her head and followed him across the snow.

CHAPTER VIII

DELIRIUM

It is not the people that have led still and uneventful lives who are best prepared for emergencies. They are not trained to face crises, to make prompt and just decisions. Joan had made but two such resolutions in her life; the first when she had followed Pierre, the second when she had kept Holliwell's books in defiance of her husband's jealousy.