History of Religion Part 18

The hymns of the Rigveda were written for use at sacrifices. The sacrifice consists of food and drink of which the G.o.d who is addressed is invited to come and partake, or which are conveyed to the G.o.ds seated on their heavenly thrones, by means of fire. Soma, the intoxicating juice of the soma plant, is an invariable feature of the banquets in these hymns; the solid part consists of b.u.t.ter, milk, rice or cakes; but animals were also killed, and the horse-sacrifice was a specially important one. The hymn also is an essential part of the rite; the sacrifice would have no virtue without it. It consists of praise and prayer. The deity is extolled for the exploits he has done, for his strength, for his beauty, for his wisdom or his goodness, he is invoked again and again to partake of what has been provided for him, and in return he is asked to send the wors.h.i.+pper food or cows, guidance or protection, or whatever the latter is in want of.

The Vedic G.o.ds.--And who are the G.o.ds who receive this wors.h.i.+p? They are parts of nature or celestial phenomena, more or less personified.

Wors.h.i.+p is directed now to one divine being, now to another; each has a story which is dwelt on and a number of functions belonging to him, for the sake of which he is extolled and sought after; each G.o.d, that is to say, has his myth. In this set of G.o.ds the myths are so clear that we can identify with perfect confidence each of the G.o.ds with that part of Nature from which he arose.

M. Barth cla.s.sifies the Vedic G.o.ds according to the degree in which they have become detached from their natural basis. There are two which are not so detached at all. Agni, who is one of the chief deities of the Rigveda, is fire, and Soma, the deity to whom all the hymns of the ninth book are addressed, is simply the juice of the soma plant, the liquid part of every sacrifice. Agni is not any particular fire, but fire as a cosmic principle, born in heaven, born also daily at the sacrifice by the rubbing together of two pieces of wood, his parents whom he consumes. He is a priest carrying the offerings of men up to the G.o.ds, but he was a priest at the first sacrifice, the primeval heavenly sacrifice, before he had come down to men. He is also the guest and household friend of man, a kindly and familiar being. But he pervades all nature, and all growth and energy are due to him. Soma, also inseparably connected with all sacrifice, who strengthens the G.o.ds and makes them immortal, is likewise a universal principle; he too came at first from heaven, and he too is at work all through the world. There are stories of his first production among the G.o.ds, and of the first effects of his appearance; he is the nourisher of plants, he gives inspiration to the poet and fervour to prayer. Along with Agni he kindled the sun and the stars.

In other G.o.ds there is a nearer approach to a human figure, and the physical side is not so obtrusive. Indra is most frequently invoked of all the G.o.ds, and may be called the national G.o.d of this period.

He is described as a chieftain standing in a chariot drawn by two horses. He waged a great battle, but still wages it constantly, against the monsters of heat and drought, Vrittra, the coverer, and Ahi the dragon, for the deliverance of the cows, the heavenly waters, kept by them in captivity. The contest between the G.o.d and the demon goes on for ever. Indra is also the giver of good things of every kind, he keeps the heavenly bodies in their places, he is the author and preserver of all life, the inspirer of all n.o.ble thoughts and the answerer of pious prayers, the rewarder of all who trust in him, and the forgiver of the penitent. It is good to sacrifice to him and to offer him soma in abundance; for it strengthens him to take up afresh his conflicts and labours as the champion of man. Indra is surrounded by the Maruts, the storm-G.o.ds, who are separately invoked in many hymns. They drive through the sky with splendour and with mighty music, and bring rain to the parched earth. Their father is Rudra, also a G.o.d of storms, the handsomest of all the G.o.ds, and, in spite of his thunderbolts, a helpful and kindly being. Wherever he sees evil done, he hurls his spear to smite the evildoer, but he is also a healer of both physical and moral evils, and the best of all physicians. Of the same order of deities are Vata or Vayu, the wind, and Parjanya, the rain-storm. But the loftiest of all the Vedic G.o.ds is Varuna, the great serene luminous heaven. The hymns addressed to him are comparatively few, but among them are those which rise to the highest moral and religious level. In language recalling that of the psalmists and prophets of the Bible, they exalt Varuna as the creator of the world and of heaven and the stars, as the omniscient defender of the good and avenger of all evil, as just and holy, and yet full of compa.s.sion, so that the conscience-stricken suppliant is encouraged to turn to him.

We here give a few extracts from hymns addressed to some of the G.o.ds we have spoken of. The versions are those of the late Dr. John Muir.

A metrical version can scarcely represent the hymns with the accuracy the scholar would desire, but, on the other hand, a literal translation, such as that of Professor Max Muller in vol. x.x.xii. of the Sacred Books of the East, gives a less true idea of the spirit of the pieces, and is less fitted at least for a work like this.

TO INDRA

Thou, Indra, oft of old hast quaffed With keen delight, our Soma draught.

All G.o.ds delicious Soma love; But thou, all other G.o.ds above.

Thy mother knew how well this juice Was fitted for her infant's use, Into a cup she crushed the sap Which thou didst sip upon her lap; Yes, Indra, on thy natal morn, The very hour that thou wast born, Thou didst those jovial tastes display, Which still survive in strength to-day.

And once, thou prince of genial souls, Men say thou drained'st thirty bowls.

To thee the Soma draughts proceed, As streamlets to the lake they feed, Or rivers to the ocean speed.

Our cup is foaming to the brim With Soma pressed to sound of hymn.

Come, drink, thy utmost craving slake, Like thirsty stag in forest lake, Or bull that roams in arid waste, And burns the cooling brook to taste.

Indulge thy taste, and quaff at will; Drink, drink again, profusely swill!

ANOTHER TO INDRA

And thou dost view with special grace, The fair complexioned Aryan race, Who own the G.o.ds, their laws obey, And pious homage duly pay.

Thou giv'st us horses, cattle, gold, As thou didst give our sires of old.

Thou sweep'st away the dark-skinned brood, Inhuman, lawless, senseless, rude, Who know not Indra, hate his friends, And spoil the race which he defends.

Chase far away, the robbers, chase, Slay those barbarians black and base.

And save us, Indra, from the spite Of sprites that haunt us in the night, Our rites disturb by contact vile, Our hallowed offerings defile.

Preserve us, friend, dispel our fears, And let us live a hundred years.

And when our earthly course we've run, And gained the region of the Sun, Then let us live in ceaseless glee, Sweet Soma quaffing there with thee.

TO AGNI

Great Agni, though thine essence be but one, Thy forms are three; as fire thou blazest here, As lightning flashest in the atmosphere, In heaven thou flamest as the golden sun.

It was in heaven thou hadst thy primal birth, But thence of yore a holy sage benign, Conveyed thee down on human hearths to s.h.i.+ne, And thou abid'st a denizen of earth.

Sprung from the mystic pair by priestly hands, In wedlock joined, forth flashes Agni bright; But--O ye heaven and earth I tell you right-- The unnatural child devours the parent brands.

TO VARUNA

The mighty lord on high our deeds, as if at hand, espies; The G.o.ds know all men do, though men would fain their acts disguise.

Whoever stands, whoever moves, or steals from place to place, Or hides him in his secret cell,--the G.o.ds his movements trace.

Wherever two together plot, and deem they are alone King Varuna is there, a third, and all their schemes are known.

This earth is his, to him belong those vast and boundless skies; Both seas within him rest, and yet in that small pool he lies.

Whoever far beyond the sky should think his way to wing, He could not there elude the grasp of Varuna the king.

His spies, descending from the skies, glide all this world around, Their thousand eyes all-scanning sweep to earth's remotest bound.

Whate'er exists in heaven and earth, whate'er beyond the skies, Before the eyes of Varuna, the king, unfolded lies.

The ceaseless winkings all he counts of every mortal's eyes, He wields this universal frame as gamester throws his dice.

Those knotted nooses which thou fling'st, O G.o.d, the bad to snare, All liars let them overtake, but all the truthful spare.

Varuna, the all-embracing sky, is also in many hymns a solar deity.

There are also other solar deities; Mitra who is frequently invoked along with Varuna; Surya, Savitri, Vishnu, and Pushan, are all G.o.ds of this cla.s.s. Each of these has some attributes or some story of his own. Surya keeps his eye on men and reports their failings to Varuna and Mitra. Savitri, the quickener, raises all things from sleep in the morning with his long arms of gold, and covers them with sleep in the evening. Vishnu, the active, traverses the universe with three strides. Pushan is a shepherd who loses none of his flock; a guide also, both in the journeys of this world and in the last journey. A number of the princ.i.p.al G.o.ds have the common t.i.tle of Adityas or children of Aditi, immensity, a being too vast and undetermined to be clearly represented. We should also mention Ushas, the dawn, a G.o.ddess whom the sun-G.o.d is daily chasing; the Asvins or two heavenly charioteers, who daily make the circuit of the heavens; Tvashtri, the smith who made the thunderbolt of Indra; the Ribhus, artificers who were once men and have been admitted to the society of the G.o.ds. Yama is the G.o.d of the dead, he first traversed the road to the country beyond, and now he rules over it, and comforts with substantial joys the spirits guided there by Agni (this points to cremation which was frequent but not universal) or by Pushan. There the Pitris or fathers sit at the same tables with the G.o.ds, and are eternally happy.

Brahmanaspati, lord of prayer, is a G.o.d of another type, a personification of the act of ritual, and his presence in the Vedas, beside the elemental deities, shows how early speculation had begun.

To what Stage does this Religion belong?--Our sketch of this system is necessarily brief; we have now to inquire as to the place it occupies in the religious growth of India. It is held, on the one hand, that it is a primitive religious product, that it shows us some of the very first efforts men made to have a religion; while on the other hand it is held that the Vedic hymns and the Vedic system are sacerdotal, and are due to an advanced organisation of wors.h.i.+p and to a special set of men who were much in advance of their age.

1. It is Primitive.--Mr. Max Muller[1] says that "the sacred books of India offer the same advantages ... for the study of the origin and growth of religion ... which Sanscrit has offered for the study of the origin and growth of human speech." Dr. Muir[2] claims that the Vedic hymns ill.u.s.trate the natural workings of the human mind in the period of its infancy. In the Vedas, these writers consider, we are able to watch the process by which the earliest men rose to the belief in G.o.ds, and the nave and simple methods by which man's first intercourse with G.o.ds was carried on. The undoubted antiquity of these pieces favours this view; the Rigveda is admitted on all hands to be the earliest part of Indian literature, and many of the hymns were written about 1500 B.C.[3] The pure and simple nature of the Vedic religion may also appear to favour this view. It is a religion singularly free from the lower elements of man's early faith. Savage legends and especially immoral stories of the G.o.ds are markedly absent from the hymns; they are also free from the element of magic and fetis.h.i.+sm; the G.o.ds are great beings, and religion consists in intercourse with these great beings. Now the later religious literature of India, the brahmanas or commentaries on the Rigveda and the other later Vedas, contain a variety of legends and a religion by no means free from magic. It may be maintained therefore that the pure religion of the Aryans afterwards became contaminated by contact with the lower religion of the tribes the Aryans had conquered. It was from the Dravidian and Kolarian aborigines, we are told, that Indian religion took its later corruptions. The Vedic religion has no idols, it has no dark descriptions of h.e.l.l, the caste system on which later Brahmanism was based is absent from it, it has no demons to be guarded against, and no bad deities. The doctrine of metempsychosis is not found here, except perhaps in germ. The immolation of the widow on the funeral pile of her husband is not sanctioned by the Vedas, and of ancestor-wors.h.i.+p only a few traces are found. All these, it may be held, are later corruptions. The Vedic religion is a bright and happy system, and the primitive beliefs of mankind, less changed by the Indians than they were elsewhere, are here to be seen; the hymns show the kind of faith to which a strong and happy race of men naturally came, as their minds began to open to the wonders of the world they lived in, the faith of "primitive shepherds praising their G.o.ds as they lead their flocks to the pasture." The Indians had preserved, longer than other peoples, the gift of recognising deity in nature; and the primitive beliefs of mankind survive here in something like their first integrity, while elsewhere they were broken up and confused.

[Footnote 1: _Origin of Religion_, p. 135.]

[Footnote 2: _Sanscrit Texts_, vol. v. p. 4.]

[Footnote 3: According to Mr. Max Muller the Mantra or hymn period is to be placed 1000-800 B.C.; but other scholars place it earlier.]

2. It is Advanced.--On the other hand, it is urged that the society in which the hymns arose was not a primitive one, but one considerably advanced both in arts and inst.i.tutions. The Ris.h.i.+s (seers), who composed them, belonged to families who cultivated such an art; and the hymns were no artless outpourings of childlike emotion, but were written on an elaborate metrical system for a definite purpose, namely, to form part of great acts of wors.h.i.+p. As for the absence from them of savage myths and of immoral stories of the G.o.ds, this fact does not prove that such things were not known to the people at the time, but only that the poets did not put them in their hymns. Mr. Lang has collected the savage myths, similar to those of other peoples in various parts of the world, which are found in Indian literature of a later date, and has also shown that the hymns themselves were not quite ignorant of some of them. The Indians knew the myth of the marriage of heaven and earth, with the consequent birth of the G.o.ds. They had the story of the deluge. They had the still more primitive story of the raising up of the earth from the bottom of the sea. They had various myths of old conflicts of the G.o.ds, and of the production of the earth and all the men in it from the dissection of an immense prototypal human monster. Men were of different castes, they held, because they came from different portions of Purusha's body when it was cut up. Many stories are to be found in Indian literature which when found elsewhere are judged to be products of savage imagination, and the fact that the Rigveda ignores some of them and refines others, simply shows that the authors of that collection were on a higher level than their people in point of cultivation and of piety, as the psalmists and the prophets of Israel were in advance of theirs. We are led, accordingly, towards the conclusion that during the period when the hymns were written those who took charge of the development of wors.h.i.+p in India were seeking to draw away attention from the more superst.i.tious and childish elements of religion, and to bring to the front the pure and lofty intercourse man could have with the good G.o.ds. Bad G.o.ds are not cultivated; if there are foolish stories about the G.o.ds, they are not repeated, everything dark and terrible, as well as everything irrational, is removed from the working religion.

Ancestor-wors.h.i.+p is not encouraged; family rites continued, but the wors.h.i.+p was wider than the family, and was not restricted to particular places. The ideas connected with sacrifice are not indeed very lofty. Sacrifice is, in the first place, barter. Gifts are provided for the G.o.ds, that they may give in their turn. In the second place it is a social function in which the G.o.d and the wors.h.i.+pper both take part. The food, and especially the soma, strengthens the G.o.d, and man and G.o.d are thereby drawn into close sympathy. But in the third place sacrifice was a piece of magic. The mere accurate performance of the rite had a mystic efficacy. It was believed to help to uphold the order of the world; without it the G.o.ds would grow weak, the ordinances of nature would fail, and man would relapse to the state of savagery. The G.o.ds themselves first sacrificed; from sacrifice they themselves were born, so that sacrifice is an essential principle of the universe, was so in the beginning, and must always be so. The Vedic leaders of religion, therefore, were not merely champions of enlightenment in religion; they were also ritualists, the rite was to them an end in itself; the proper performance of sacrifice was their princ.i.p.al object. This side of their work had, as we shall see, grave consequences. But the Rigveda did a great work for India in cultivating G.o.ds who were moral, and to whom man was drawn by higher than selfish motives. G.o.ds who are just and who watch man's conduct, and do not fail to reward him according to his deeds, must quicken the conscience of those who believe in them, and G.o.ds who are able to help the weak and to forgive the penitent must make their people also merciful. In all the aberrations of Indian religion the high moral standard set by the Vedic G.o.ds is never lost sight of.

Where a plurality of G.o.ds is believed in, these G.o.ds must stand in some relation to each other; and it is of importance to notice how the G.o.ds of the Veda are arranged. We can see here very clearly how unstable a thing polytheism is. The position of the G.o.ds is constantly changing with reference to each other. We find Agni addressed as if he were undoubtedly supreme; he dwells in the highest heavens, he generates the G.o.ds, he ordains the order of the universe; but then we find Indra spoken of in the same way, and Varuna, and Mitra, and others. Then we find pairs of G.o.ds addressed together.

Indra and Agni are frequently so treated; so are Varuna and Mitra.

There is no supreme G.o.d, or rather, each G.o.d is supreme in turn; the poet wants a G.o.d capable of being exalted in every way, and does so exalt the G.o.d he has before him. In this way a Monotheism is reached; the mind recognises a G.o.d to whom unlimited adoration can be paid.

But it is a monotheism, as M. Barth well puts it, the t.i.tular G.o.d of which is always changing; and Mr. Max Muller gives to this partial monotheism the name of Kathenotheism; that is, the wors.h.i.+p of one G.o.d at a time without any denial that other G.o.ds exist and are worthy of adoration. Now this form of religion, in which several G.o.ds are wors.h.i.+pped, each of whom in turn is regarded as supreme, is not peculiar to India; we have met with it already, we shall meet with it again. But in India a peculiar way was found out of the difficulty.

The Indian G.o.ds were too little defined, too little personal, too much alike, to maintain their separate personalities with great tenacity; nor did they lend themselves to a monarchical form of pantheon; no one of them was sufficiently marked out from the rest or above the rest, to rule permanently over them. Yet the sense of unity in Indian religion is very strong; from the first the Indian mind is seeking a way to adjust the claims of the various G.o.ds, and view them all as one. An early idea which makes in this direction is that of Rita, the order, not specially connected with any one G.o.d, which rules both in the physical and the moral world, and with which all beings have to reckon. Philosophy is busy from the first with the Vedic G.o.ds; the impulse to good conduct and that to mysticism are equally innate in this religion. We can see, even in the Rigveda, that India is to solve the problem of its many G.o.ds not in the way of Monotheism, by making one G.o.d rule over the others, but in the way of Pantheism, by making all the G.o.ds modes or manifestations of one being. "Agni is all the G.o.ds" we read here. And a religion which arranges its objects of wors.h.i.+p in this way will not be a religion of action, but of speculation and of resignation.

BOOKS RECOMMENDED

_S. B. E._ vol. x.x.xii. Vedic Hymns. xlvi. Hymns to Agni.

Muir's _Sanscrit Texts_.

M. Muller's _Hibbert Lectures_.

Monier Williams, _Indian Wisdom; Hinduism_ in "Non-Christian Religious Systems" (S.P.C.K.).

Kaegi, _The Rigveda, the oldest literature of the Indians_, 1886.

Barth, _The Religions of India_, in Trubner's Oriental Series.

Herrmann Oldenberg, _Die Religion der Veda_, 1894.

Bergaigne, _La Religion Vedique_, 3 vols., 1878-83.