Flames Part 45

"No, no. It's all gone--all gone."

"What?"

"My looks, dearie. I could do without the paint once. I can't now."

Suddenly she turned to him with a sort of vulgar pa.s.sion, that suspicion of the hard young harridan, typical of the pavement, which he had observed in her before.

"I should like to get the whole lot of men in here," she said, "and--and chew them up."

She showed her teeth almost like an animal. Then the relapse, characteristic of the hysterical condition in which she was, came.

"Never you treat me like the rest," she said, bursting into sobs; "never you try anythin' on. If you do I'll kill myself."

This outburst showed to Julian that she was capable of a curious depth of real sentiment that gave to her a glimpse of purity and the divinity of restraint. He tried to soothe her and quickly succeeded. When she had recovered they went out together to see about the making of the new black dress, and before they parted he had persuaded Cuckoo to face the "Empire" mult.i.tude on the fateful evening without her panoply of paint and powder. She pleaded hard for a touch of black on the eyes, a line of red on the lips. But he was inexorable. When he had gained his point he comforted her anxiety with chocolates, a feat more easy than the soothing of her with reasoning could have been.

When he told Valentine of the success of his emba.s.sy, Valentine simply said:

"I am glad."

Julian did not mention the episode of the was.h.i.+ng, the preparation of the black gown, or the promise wrung from the lady of the feathers. The result springing from these three events was to come as a surprise to Valentine on boat-race night.

CHAPTER X

THE DANCE OF THE HOURS

Even so huge a city as London, full of so many varying personalities and clas.h.i.+ng interests, a.s.sumes upon certain days of the year a particular and characteristic aspect, arising from a community of curiosity, of excitement, or of delight felt by its inhabitants. Such days are Derby day and boat-race day. On the latter more especially London is leavened by a huge mob of juveniles from the universities, and their female admirers from the country, who cast a pleasant spell over the frigid indifference of town-bred dullards, and wake even the most vacuous of the Piccadilly loungers into a certain vivacity and boyishness. The cabmen blossom cheerily in dark and light blue favours. The butcher-boys are partisans. Every _gamin_ in the gutter is all for one boat or for the other, and dances excitedly to know the result. London, in fact, loses several wrinkles on boat-race day, and smiles itself into a very pleasant appearance of briskness and of youth. As a rule, Julian went to see the race and to lunch with his friends at Putney or elsewhere, without either abnormal experience of excitement or any unusual vivacity. He was naturally full of life, and had hot blood in his veins, loved a spectacle, and especially a struggle of youth against youth. But no boat-race day had ever stirred him as this one did--found him so attentive to outside influence, so receptive of common things. For Julian had recently been half-conscious that he was progressing, and with increasing rapidity, though he knew not in what exact direction. Simply, he had the feeling of motion, of journeying, and it seemed to him that he had been standing comparatively still for years. And this boat-race day came to him like a flas.h.i.+ng milestone upon the road of life. He felt as if it held in its hours a climax of episodes or of emotions, as if upon it either his body or his mind must prepare to undergo some large experience, to meet the searching eyes of a face new and unfamiliar.

Possibly the reason of his own excitement lay in the excitement of another, in the curious preparations, which he had oddly shared, for the transformation of the unmistakable into the vague. For the transformation of Cuckoo Bright had been preparing apace, and Julian was looking forward like a schoolboy to the effect which her novel respectability of appearance would have upon Valentine. The rouge-box lay lonely and untouched in a drawer. Even the powder-puff suffered an unaccustomed neglect. The black gown had been tried on and taught to fit the thin young figure, and a hat--with only one feather--kept company with the discarded sarcophagus which had given to Cuckoo her original nickname.

And Cuckoo herself was almost as excited as Francine when she received her m.u.f.f. She had not seen Valentine since the day of the tea-party, yet her att.i.tude of mind had undergone a change towards him, bent to it probably by her vanity. Ever since Julian had given her the invitation to the Empire she had displayed a furtive desire to meet him again, and was perpetually talking of him and asking questions about him. Nevertheless her fear of him had not died away. Even now she sometimes exclaimed against him almost with vehemence, and made Julian renew his promise not to leave her during the evening. But Julian could see that she longed, as well as dreaded, to meet him again. After all, had he not picked her out from all the girlhood of London as one to whom he wished, to do honour?

Had he been the Minotaur, such a fact must have made her look upon him with desirous interest.

When the great day arrived poor Cuckoo had to struggle with a keen and a sore temptation. She longed to deck herself out in her usual borrowed plumage, to take the habitual brilliant complexion out of the accustomed drawer, to crown her frizzed head with feathers, and to look noisily das.h.i.+ng--her only idea of elegance and grace. Never before had she so desired to create an impression. Yet she had given Julian her most solemn promise, and she intended to keep it. As she slowly attired herself, however, she wondered very much why he was so set upon denuding her of her accustomed magnificence. Her mind was entirely unable to grasp his conception of beauty and of attractiveness. She thought all men preferred the peony to the violet. To-night it was very certain that she would be no peony, scarcely even a violet. Her new gown had been expensive, but it was terribly simple, and the skirt hung beautifully, but was surely most direfully sombre. Nevertheless, it rustled with a handsome sound, a melody of wealth, when she had put it on and promenaded about her dingy bedroom, with Jessie at her heels, pretending to worry it playfully. The black bodice had some tr.i.m.m.i.n.g. But it was all black. Cuckoo wished it had been scarlet, or, at the least, orange--something to catch the eye and hold it. When she was fully attired, and was staring into her gla.s.s, between two boldly flaring gas-jets, she nearly resolved to break her promise to Julian. She even went so far as to paint her lips and eyes, and was charmed with the effect against the black. But then with a sudden fury she sponged her pale face clean, threw the new feather boa round her throat, and, without daring to glance again at her funereal image, turned out the gas, and went into the sitting-room. As usual, her last act was to ensconse the pensive Jessie in the flannel-lined basket, and to give her a kiss. To-night, as she did so, she let a tear fall on the little dog's head. She scarcely knew why she cried. Perhaps the quiet gown, the lack of paint and powder, the prospect of kind and even respectful treatment from at least Julian, if not from Valentine, gave to her heart a vision of some existence in which Piccadilly Circus had no part.

Jessie s.h.i.+vered as she felt the tear, and licked the face of her mistress eagerly. Then Cuckoo rustled forth, avoiding Mrs. Brigg, who might be heard laboriously ascending the kitchen stairs to view her in her gala attire. In the twinkling of an eye she was out in the street, and Mrs.

Brigg returned, swearing gustily, to the lower regions.

Cuckoo was to join the young men in their box, of which she had received the number. She took a cab to the Empire, and was there in excellent time. As she paid the man, she saw several women going noisily in, dressed in bright colours and gigantic hats. She looked at them, and felt terribly mean and poor, and it was with no trace of her usual airy impudence that she asked her way of the towering attendant in uniform who stood at the bottom of the carpeted staircase.

Julian and Valentine were already there. They turned round as she came in, and stood up to receive her. Julian took her hand, but Valentine hesitated for a moment. Then he said:

"Is it--can it be really Miss Bright?"

"Sure enough it is," Cuckoo answered, with an effort after liveliness.

But her eyes were fixed on his. She had seen a curious expression of mingled annoyance and contempt flit across his face as she came in.

Why, why had she allowed Julian to over-persuade her? She was looking horrible, a scarecrow, a ghost of a woman. She was certain of it. For a moment she felt almost angry with Julian for placing her in such a bitter position. But he was glowing with a consciousness of successful diplomacy, and was delighted with her neat black aspect, and with her smart, though small, hat. He was indeed surprised to find how really pretty she still was when she allowed her true face to be seen, and was only wis.h.i.+ng that she had made a little less of her hair, which was more vigorously arranged even than usual. He glanced to see Valentine's surprise.

"You are so altered," the latter continued. "I scarcely recognized you."

Cuckoo's lips tightened.

"Altered or not, it's me, though," she said.

Valentine did not reply to this. He only made her come to the front of the box, and placed a chair for her. She sat down feeling like a dog just whipped. The young men were on each side of her, and the band played an overture. Cuckoo peered out over the bar of the box, s.h.i.+fting ever so little away from the side on which Valentine sat. In his presence all her original and extreme discomfort returned, with an added enmity caused by her secret certainty that he thought her looking her worst. She peered from the box and strove to interest herself in the huge crowd that thronged the house, and in her own dignified and elevated position in it.

For Valentine had taken one of the big boxes next the stage on the first tier, and Cuckoo had never been in such a situation before. She could survey the endless rows of heads in the stalls with a completeness of bird's-eye observation never previously attained. What mult.i.tudes there were. Endless ranks of men, all staring in the same direction, all smoking, all with handkerchiefs peeping out of their cuffs, and gold rings on their little fingers. Some of them looked half asleep, others, who had evidently been dining, threw themselves back in their stalls, roaring with laughter, and leaning to tell each other stories that must surely have teemed with wit. Most of them were young. But here and there an elderly and lined figure-head appeared among them, a figure-head that had faced many sorts of weather in many s.h.i.+fting days and nights, and that must soon face eternity--instead of time. Yet at the gates of death it still sipped its brandy and soda, smiled over a French song with tired lips, and sat forward with a pale gleam dawning in its eyes to reconnoitre the charms of a _ballet_. And if it looked aside at youth and was pierced by the sword of tragedy, yet it was too well bred or too conventional to let even one of the world around witness the wound. There is much secret bravery in social life. But these elderly figure-heads were fewer than usual to-night. Youth seemed to have usurped the playing-grounds of pleasure, to have driven old age away into the shadows. With flag flying, with trumpet and drum, it gaily held the field. The lady of the feathers, Valentine, and Julian leaned out from their box as from the car of a balloon and saw below them a world of youth hand in hand with the world of pleasure the G.o.ds offer to youth as wine. It was yet early in the evening, and the hours were only tripping along, as women trip in the pictures of Albert Moore. They had not begun to dance, although the band was playing a laughing measure from an opera of Auber that foams with frivolity. Men kept dropping in, cigar in mouth, walking to their seats with that air of well-washed and stiff composure peculiar to British youth, grim with self-consciousness, but affecting the devil-may-care with a certain measure of success. Some of them escorted ladies, but by far the greater number were in couples, or in parties of three or four. The rose of health, or, in many cases, of repletion, sat enthroned upon their cheeks; on the upper lips of many the moustaches were budding delicately. These were just getting up on the box and gripping the reins for the great coach-drive. Little wonder if the veins in their eager hands stood out. Little wonder if they flourished the whip with an unnecessary vehemence. But for them, too, so far the hours were only tripping, a slow and a dainty measure, a formal minuet.

And they were but watching. Only later would they rise up and join the great dance of the hours, large, complicated, alluring, through whose measures the feet of eventual saints have trod, whose music rings in the ears of many who, long after, try to pray and to forget. Some who were with women made conversation jocosely, putting on travesties of military airs, and a knowingness of expression that might have put the wisdom of the Sphinx to shame. Nor did they hesitate to appear amorous in the public eye. On the contrary, their att.i.tudes of attention were purposely a.s.sumed silently to utter volumes. They lay, to all intents and purposes, at the feet of their houris, as Samson lay shorn at the feet of Delilah.

In loud young voices they told the secrets of their hearts, until even the clash of the music could scarcely keep them hidden. And Delilah, who had shorn the locks of so many Samsons, and who had heard so many secrets, gave ear with a clever affectation of interested surprise that deceived these gay deceivers and set them high on the peaks of their own estimation. Two or three family parties, one obviously French, seemed out of place, indecently domestic in the midst of such a throng, in which matrimony was a Cinderella before the ball, cuffed in curl-papers rather than kissed in crystal slippers. They sat rather silent. One consisted of a father, a mother and two daughters, the latter in large flowered hats.

The father smoked. The mother looked furtive in a bonnet, and the two daughters, with wide open eyes, examined the flirtations around them as a child examines a b.u.t.terfly caught in a net. One of them blushed. But she did not turn away her eyes. Nor were her girlish ears inactive. Family life seemed suddenly to become dull to her. She wondered whether it were life at all. And the father still smoked domestically. He knew it all.

That was the difference. And perhaps it was his knowledge that made him serenely content with domesticity and the three women who belonged to him. Two boys, who had come up from a public school for the race, and had forgotten to go back, sat at the end of a row in glistening white collars and neat ties, almost angrily observant of all that was going on around them. For them the dance of the hours was already begun, and already become a can-can. They watched it with an eager interest and excitement, and the calm self-possession with which some of the men near them made jokes to magnificently dressed women with diamond earrings struck them dumb with admiration. Yet, later on, they too were fated to join in the dance, when the stars affected to sleep on the clouds and the moon lay wearily inattentive to the pilgrims of the night, like an invalid in a blue boudoir. On the thick carpet by the wall attendants stood loaded with programmes. One of them, very trim and respectable, in a white cap, was named Clara and offered a drink by an impudent Oxonian. She giggled with all the vanity of sixteen, happily forgetful of her husband and of the seven children who called her mother. Yet the dance of the hours was a venerable saraband to her, and she often wished she was in bed as she stood listening to the familiar music. In the enclosure set apart for the orchestra the ma.s.sed musicians earned their living violently in the midst of the gaily dressed idlers, who heard them with indifference, and saw them as wound-up marionettes. The drummer hammered on his blatant instrument with all the crude skill of his tribe, producing occasional terrific noises with darting fists, while his face remained as immovable as that of a Punchinello. A flautist piped romantically an Arcadian measure, while his prominent eyes stared about over the chattering audience as if in search of some one. Suddenly he gave a "couac." He had seen his sweetheart in the distance with a youth from Christ Church. The conductor turned on the estrade in the centre of the orchestra and scowled at him, and he hastened to become Arcadian once again, gazing at his flute as if the devil had entered into it. In a doorway shrouded with heavy curtains two acting managers talked warily, their hands in retreat behind their coat-tails. They surveyed the house and mentally calculated the amount of money in it, raising their eyes to the more distant promenade, at the back of which large hats covered with flowers and feathers moved steadily to and fro. One of them curled his lips and murmured the word "Chant." Then they both laughed and strolled out to the bar. More men pa.s.sed in. Many could not get seats, and these stood, smoking and exchanging remarks in the broad s.p.a.ce between the stalls and the wall. Some of them leaned nonchalantly against it and criticised the appearance of the seated audience, or nodded to acquaintances. Others gathered round the bar, and a few looked at the drop-curtain as if they thought their ascetic glances would cause it to roll up and disappear.

The overture at length ended. The stage was disclosed, and a man came forward with a smirk, and a wriggle of gigantic feet, to sing a song.

But Cuckoo Bright, Valentine, and Julian, from their balloon-car, still surveyed the world. Cuckoo had heard the man before. She was no stranger to the upper regions of the Empire, but the fascination of knowing herself watched and commented on from the stalls was a new experience, and she wished to make the most of it. Forgetting that she was not painted and powdered, she stretched herself into view and believed she was creating a sensation. So absorbed was she in the grand effort of being seen, that when Valentine drew his chair a little closer to her she did not notice it. One of her hands lay on her lap, the other being on the ledge of the box supporting her chin. She returned eagerly the glances of the stalls. The hand that was in her lap felt another hand close on it. Instinctively Cuckoo turned towards Julian, ready to smile.

But Julian was gazing absorbed at the crowd, and half abstractedly listening to the song of the man in the huge, distorted boots. It was Valentine who held her hand. She tried to draw it away. He merely tightened his grip on it and continued sitting in silence, not even looking towards her. And as he held her hand a sense of helplessness came over Cuckoo. Even through his kid glove she could feel the burning heat of his palm, of the fingers that clutched hers with the strength of an athlete. She gazed towards him through the new black veil that was drawn over her face, and it seemed even to her limited intelligence that the man who was so brutally holding her against her will could not be the man at whom she was now looking. For Valentine, whose profile was set towards her, was pale, calm, almost languid in appearance. His blue eyes were glancing quietly over the mult.i.tude, with an air of indifferent observation. His lips were slightly parted in a sort of dawning smile, and his whole att.i.tude was that of a man lazily at ease and taking his pleasure in a desultory mood. Yet the hand on Cuckoo's knees was vicious in its grasp. This startling and silent contradiction threw her into a complete panic, but she did not dare to say anything in protest. She sat silently trembling, and drawing her lips together in growing perturbation, till Julian happened to turn towards them. Then Valentine's fingers relaxed their grasp quietly, and slipped away. At the same time he moved with an air of energy, and broke into gay conversation. His languor vanished. His blue eyes sparkled. Julian was astonished at his intense vivacity. He laughed, made jokes, became absolutely boyish.

"Why, Val, how gay you are!" Julian said.

"Every one is gay to-night."

He was interrupted by a roar of laughter. The man in the boots was becoming immoderately whimsical. His feet seemed to have escaped from control, and to be prancing in Paradise while he looked on in Purgatory.

"Every one is gay."

As Valentine repeated the words, and the huge theatre laughed like one enormous person, Julian felt again the strange thrill of overmastering excitement that had shaken him on the night when he and Valentine had leaned out of the Victoria Street window. The strength of the spring and of his long tended and repressed young instincts stirred within him mightily. Scales fell from his eyes. From the car of the balloon he gazed down, and it seemed to him that they--Valentine, Cuckoo, and himself--were drifting over a new country, of which all the inhabitants were young, gay, careless, rightly irresponsible. The rows of open-mouthed, laughing faces called to him to join in their mirth,--more, to join in their lives, and in the lives of the pirouetting hours. He moved in his chair as if he were impelled to get up and leave his seat. And as he moved a voice whispered in his ear:

"Let us eat and drink, for to-morrow we die."

Was it Valentine's voice? He turned round hastily, curiously perturbed.

"Val, was that you? Did you speak to me?"

"No."

Julian looked at Cuckoo. Her cheeks were flushed, and her eyes shone with dancing excitement.

"Did you, Cuckoo?"

"Not I, dearie. I say, ain't he funny to-night?"

Then the voice must have spoken in his own brain. He listened for it and fancied he could hear it again and again, driving him on like a phantom fate. But the voice was in timbre like the voice of Valentine, and he felt as if Valentine spoke with a strange insistence and reiteration.

His heart, his whole being, made answer to the whisper.

"To-morrow we die. It is true. Ah, then, let us--let us eat and let us drink."

The man in the boots wriggled furiously into the wings, and the curtain rose on the ballet. Wenzel had ascended to the conductor's platform amid loud applause. The first weary melodies of "Faust" streamed plaintively from the orchestra, and a gravity came over the rows of faces in the stalls. Julian's face, too, was grave, but his excitement and his sense of his own power of youth grew as he looked on. The old Faust appeared, heavy with the years and with the trouble of useless thought, and Julian felt that he could sneer at him for his venerable age. As he watched the philosopher's grandiloquent pantomime of gesture, like a mist there floated over him the keen imagination of the h.e.l.l of regret in which the old age, that never used to the full its irrevocable youth, must move, and a pa.s.sion of desire to use his own youth rushed over him as fire rushes over a dry prairie. Even a sudden anger against Valentine came to him,--against Valentine for the protection he had given through so many years. For had he not been protecting Julian against joy? and does not the capacity for joy pa.s.s away with a tragic swiftness? As Faust was transformed into youth, and the ballet danced in the market-place, Julian turned to Valentine and said: