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An Artist in Crime Part 4

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CHAPTER III.

MR. BARNES DISCOVERS AN ARTISTIC MURDER.

Whilst the meal was progressing, a man silently pa.s.sed through the room.

No one would have guessed that he had any special motive in doing so, for he noticed no one. Neither would one have supposed that Mr. Barnes observed him, for he had his back turned. Yet this was the same individual who upon his instruction had followed Rose Mitchel when she left the train.

Breakfast over, the two men started to leave the restaurant. Reaching the stairway which leads above to the main floor, Mr. Barnes courteously stood aside to allow his companion to ascend first. Mr. Mitchel, however, with a wave of the hand, declined, and followed Mr. Barnes.

Whether either had any special design in this was a thought occupying the minds of both as they silently pa.s.sed up-stairs. Mr. Mitchel had a slight advantage, in that being behind he could watch the detective.

There seemed, however, to be little to see. To be sure the man who had pa.s.sed through the restaurant was idly leaning against the doorway, but as soon as Mr. Barnes's head appeared, and certainly before he could have been noticed by Mr. Mitchel, he stepped out into the street, crossed over, and disappeared into the bank building opposite. Had any signal pa.s.sed between these two detectives? Mr. Mitchel, despite his shrewdness in sending Mr. Barnes up-stairs ahead of him, saw none, yet this is what occurred: Mr. Barnes said adieu, and walked away. Mr.

Mitchel stood in the doorway, gazing after him till he saw him enter the elevated railroad station; then, looking carefully about, he himself walked rapidly towards Sixth Avenue. He did not glance behind, or he might have seen the man in the bank step out and walk in the same direction. They had been gone about five minutes when Mr. Barnes once more appeared upon the scene. He stopped in the doorway, where the other detective had been leaning. Keenly scanning the panelling, his eye presently rested upon what he was seeking. Faintly written in pencil were the words "No. ---- East Thirtieth." That was all, but it told Mr.

Barnes that Rose Mitchel had been followed to this address, and as it tallied with that which she herself had given to him, he knew now that she could be found when wanted. Wetting his finger against the tip of his tongue, he drew it across the words, leaving nothing but a dirty smudge.

"Wilson is a keen one," thought the detective. "He did this trick well.

Saw my nod, wrote that address, and got out of sight in an instant. I wonder if he can keep an eye on that shrewd scoundrel? Pshaw! I am giving the fellow too much credit. I must leave it to Wilson for to-day anyway, as I must get through with this Pettingill matter." Half an hour later he was at head-quarters talking with his a.s.sistants.

Meanwhile Wilson followed Mr. Mitchel to Broadway then down to the Casino, where he stopped to buy tickets; then out again, and down Broadway to the Fifth Avenue Hotel, which he entered. He nodded to the clerk, took his key, and pa.s.sed up-stairs. Evidently he lived there.

Wilson of course had no further definite instructions. From Mr. Barnes's backward nod, he had understood that he was to shadow this man, and under the circ.u.mstances it was his simple duty to do this until relieved by further orders. In these days of telephones it is easy enough to make hurried reports to head-quarters and then continue the pursuit. The Fifth Avenue is not a promising place in which to watch a man, provided the man knows that he is being watched. It has three exits--one on Broadway, and one each on Twenty-third and on Twenty-fourth Streets.

Wilson flattered himself that Mr. Mitchel was unsuspicious, and therefore whichever way he might leave the building, he would first return his key at the desk. He consequently kept that point in view. Not half an hour had elapsed when his man appeared, gave up his key, as expected, and pa.s.sed out by the Broadway door. Crossing the Avenue, he walked down Twenty-third Street, eastward; Wilson followed cautiously, going through the Park. At Third Avenue Mr. Mitchel climbed the elevated stairway, and Wilson was compelled to do the same, though this brought him unpleasantly close. Both men took the same train, Mr. Mitchel in the first coach, Wilson the last. At Forty-second Street Mr. Mitchel left the train, and crossed the bridge, but instead of taking the annex for the Grand Central Depot, as one is expected to do, he slipped through the crowd to the main platform and took a train going back down-town.

Wilson managed to get the same train, but he realized at once that his man either knew that he was followed, or else was taking extraordinary precautions. At Thirty-fourth Street station the trick was repeated, Mr.

Mitchel crossing over the bridge and then taking an up-town train. What puzzled Wilson was that he could not detect that his man had noticed him. It seemed barely possible, as they had encountered crowds at both places, that he had escaped un.o.bserved. He was more satisfied of this when, at Forty-second Street again, Mr. Mitchel once more left the train, crossed the bridge, and this time went forward, taking the coach for the Grand Central. Evidently all the manoeuvring had merely been prompted by caution, and not having observed his shadow, the man was about to continue to his true destination. Mr. Mitchel had entered the coach by the first gate, and was seated quietly in the corner as Wilson pa.s.sed on, going in by the gate at the opposite end. A moment later the guard slammed the gate at Wilson's end, and pulled the bell-rope. As quick as a flash Mr. Mitchel jumped up, and before he could be prevented, had left the coach just as it started, carrying away Wilson, completely outwitted and dumbfounded. As soon as the train stopped he darted down-stairs, and ran back towards the Third Avenue station; but he knew it was useless, as it proved. He saw nothing of Mr. Mitchel.

Wilson was greatly disheartened, for he was most anxious to stand well with Mr. Barnes, his chief. Yet in revolving over the occurrences of the last half hour he could not see how he could have prevented the escape of his man, since it was evident that he had intentionally acted in a way to prevent pursuit. If one but knows or suspects that he is being shadowed, the Third Avenue elevated road, with its bridges at Thirty-fourth and Forty-second Streets, offers the most effectual means of eluding the most skilful detective. If Wilson had known anything whatever about the man who had escaped him, he might have been able to guess his destination, and so have caught up with him again by hurrying ahead and meeting him, as he had frequently done when following noted criminals with whose haunts he was acquainted. In this instance he was utterly in the dark, so could do nothing but swear.

If he could not report where Mr. Mitchel had gone, at least he might discover at what time he returned to his hotel, and possibly Mr. Barnes might receive some valuable hint by the lapse of time. With this idea, Wilson returned to the Fifth Avenue Hotel and waited patiently. He telephoned to head-quarters only to hear that Mr. Barnes had gone back to Boston to bring Pettingill to New York. Seven o'clock arrived, and yet his vigil was unrewarded. It suddenly occurred to him that as he had seen Mr. Mitchel purchase tickets for the Casino, that might be a good place to watch, though of course there was no certainty that they were for that night. Upon this meagre hope he hastened up-town and stationed himself where he could keep an eye on all who entered. At ten minutes past eight he was about concluding that his task was useless when a cab stopped, and to his intense satisfaction he saw Mr. Mitchel alight, and then hand out a handsomely-dressed woman. Wilson had prepared himself for this possibility, by purchasing a ticket of admission, so that he followed the couple into the theatre, determined not to lose sight of his man again. The opera over, he found it easy to shadow the two, as the woman declined the proffered cab, perchance because the exhilarating, though cold night air made a walk home inviting. He was, however, somewhat amazed at last to see them enter the very apartment-house on Thirtieth Street to which he had traced Rose Mitchel in the morning. His mind was at once set at ease, for since both of his birds had flown to the same dove-cot, it seemed plain that they were connected. Evidently it was to this house that Mr. Mitchel had gone after eluding him in the morning. At least so argued the astute detective.

Wilson had waited opposite the building perhaps an hour, lulled into abstraction of thought by the silence of the neighborhood, when he was startled by hearing a piercing shriek, loud and long continued, which then died away, and all was still again. Whether it came from the apartment-house or one of the private dwellings next to it, he was in doubt. That it was a woman's cry he felt sure. Was it a cry of pain, or the shriek of nightmare? He could not tell. That solitary, awful cry, disturbing the death-like stillness, seemed uncanny. It made him s.h.i.+ver and draw his cloak closer about him. If it had only been repeated, after he was on the alert, he would have felt better satisfied; but though he listened intently he heard nothing. Ten minutes later, another thing occurred, which attracted his attention. A light in a window on the fifth floor was extinguished. There was certainly nothing suspicious about this, for lights are usually put out when one retires. He noticed it because it was the only light which showed from any of the windows during his vigil. Whilst he was thinking of this, the door opposite opened and a man emerged. Judging it to be Mr. Mitchel, he hastily followed. That there might certainly be no mistake, Wilson walked rapidly enough to reach the Avenue corner ahead of the man, when he crossed, so timing himself that he pa.s.sed in front of the other just as they both reached the street lamp. Taking a quick, but thorough look, Wilson saw that it was not Mr. Mitchel, so abandoned the pursuit, going back quickly towards the apartment-house. He had proceeded but a few paces, when he met Mr. Mitchel coming rapidly towards him. Breathing a sigh of relief, he pa.s.sed, then crossed the street, and with his usual skill readily kept Mr. Mitchel in sight till he entered the Fifth Avenue Hotel. Wilson saw him take his key and go up-stairs, so that he felt that his vigil was over for that night. Looking at his watch he noted that it was just one o'clock. Going into the reading-room he wrote a report of the day's occurrences and then calling a messenger, sent it to head-quarters addressed to Mr. Barnes. This done he felt ent.i.tled to hurry home for a short sleep--short, because he knew it would be his duty to be on the watch again the next day, and until he received further instructions from Mr. Barnes.

Mr. Barnes had immediately after his arrival obtained the requisition papers for which he had telegraphed, and which he found awaiting him.

With these he had returned to Boston the same day, and obtaining his prisoner succeeded in catching the midnight train once more, arriving in New York with the loss of but a single day from the new case which so absorbed all his interest.

Thus the morning after that on which the jewel robbery had been discovered he entered his offices quite early, having delivered his prisoner at police head-quarters.

When he read Wilson's letter, the only sign which he gave of dissatisfaction was a nervous pull at one corner of his moustache. He read the paper through three times, then tore it carefully into tiny pieces, doing it so accurately that they were all nearly of the same size and shape. Any one who should attempt to piece together a note which Mr. Barnes had thus destroyed, would have a task. Standing by the window he tossed them high in the air and saw them scattered by the wind.

At half past eight o'clock he stood before the apartment-house in East Thirtieth Street. The janitor was sweeping from the pavement a light snow which had fallen in the early hours of the morning.

Mr. Barnes without speaking to the man walked into the vestibule and scanned the names over the letter-boxes. None of them contained the one which he sought, but there was no card in No. 5. Recalling that in Wilson's report a light had disappeared from a window on the fifth floor, he knew that it could not be unoccupied. To get in, he resorted to a trick often practised by sneak thieves. He rang the bell of No. 1, and when the door silently swung open he walked in, apologizing to the servant on the first landing for having "rung the wrong bell," and proceeded up to the fifth floor. Here he rang the bell of the private hall belonging to that special apartment. He could have rung the lower bell of this apartment at the outset, but he wished to make it impossible for anyone to leave after his signal announced visitors. He stood several minutes and heard no sound from within. A second pull at the bell produced no better results. Taking a firm hold of the door-k.n.o.b, he slowly turned it, making not the slightest noise. To his surprise the door yielded when he pressed, and in a moment he had pa.s.sed in and closed it behind him. His first idea was, that after all he had entered an empty apartment, but a glance into the room at the farther end of the hall, showed him that it was a furnished parlor. He hesitated a moment, then walked stealthily towards that room and looking in saw no one. He tip-toed back to the hall-door, turned the key, took it from the lock and dropped it into his pocket. Again he pa.s.sed forward to the parlor, this time entering it. It was elegantly and tastily furnished.

The windows opened on the street. Between them stood a cabinet writing-desk, open, as though recently used. Beside it was an enamel piano-lamp, possibly the same which had furnished the light which Wilson had suddenly missed several hours before. Opposite the windows a pair of folding gla.s.s doors communicated with an apartment beyond. These were closed. Peeping through a part of the pattern cut in the gla.s.s, Mr.

Barnes could just distinguish the form of a woman in bed, her long hair hanging down from the pillow. This sight made him uncertain as to the next move. This was possibly Mrs. Rose Mitchel, as she had announced herself. She was asleep, and he had entered her apartment without any warrant for doing so. True he looked upon her with some suspicion, but the most innocent frequently suffer in this way, and without better reason than he had, he knew that he could not account legally for what he was doing. As he stood by the gla.s.s doors cogitating, he chanced to look down. Instantly his eye was attracted by that which made him s.h.i.+ver, as accustomed as he was to strange sights. It was a tiny red stream, which had managed to pa.s.s under the door and had then run along the edge of the carpet for the s.p.a.ce of a few inches. Instantly he stooped, dipped his finger into it, and then e.j.a.c.u.l.a.t.ed under his breath:

"Blood, and clotted."

Standing upright, he once more peered into the room. The figure in bed had not moved. Without further hesitation he slowly slid the doors apart. One glance within, and murmuring the single word "Murder," Mr.

Barnes was no longer slow in his actions. Stepping across a big pool of blood which stained the carpet, he stood at the side of the bed. He recognized the features of the woman who had claimed that she had been robbed of her diamonds. She seemed sleeping, save that there was an expression of pain on the features, a contraction of the skin between the eyebrows, and one corner of the mouth drawn aside, the whole kept in this position by the rigidity of death. The manner of her death was as simple as it was cruel. Her throat had been cut as she slept. This seemed indicated by the fact that she was clad in her night-dress. One thing that puzzled Mr. Barnes at once, was the pool of blood near the door. It was fully six feet from the head of the bed, and whilst there was another just by the bedstead, formed by blood which had trickled from the wound, running down the sheets and so dropping to the floor, the two pools did not communicate.

"Well," thought Mr. Barnes, "I am first on the scene this time, and no busybodies shall tumble things about till I have studied their significance."

This room had not been designed for a sleeping apartment but rather as a dining-room, which, upon occasion, could be opened into the parlor, converting the two into one. There was one window upon an air-shaft, and in an angle was a handsome carved oak mantel with fireplace below. Mr.

Barnes raised the curtain over the window, letting in more light.

Looking around he noticed almost immediately two things: first, that a basin stood on a washstand half filled with water, the color of which plainly indicated that the murderer had washed off tell-tale marks before taking his departure. Second, that in the fireplace was a pile of ashes.

"The scoundrel has burned evidence against him, and deliberately washed the blood from his person before going away. Let me see, what was it that Mitchel said: 'I should have stopped to wash the stain from the carpet whilst fresh, and also from the dog's mouth.' That is what he told his friend he would do if bitten whilst committing a crime. In this instance the 'stain on the carpet' was too much for him, but he washed it from himself. Can it be that a man lives who, contemplating a deed of this character, would make a wager that he would not be detected. Bah.

It is impossible." Thus thought Mr. Barnes as he studied the evidence before him. He next turned to the woman's clothing which lay on a chair.

He rummaged through the pocket, but found nothing. In handling the petticoat he noticed that a piece had been cut from the band. Examining the other garments he soon saw that the same had been done to them all.

Like a flash an idea struck him. Going over to the bed he searched for some mark on the garments which were on the corpse. He could find none until he lifted the body up and turned it over, when he found that a piece had been cut from the night-dress.

"That accounts for the blood by the door," thought Mr. Barnes. "He took her out of the bed to get her nearer to the light, so that he could find the initials marked on the clothing. Whilst she lay by the door the blood flowed and acc.u.mulated. Then he put her back in bed so that he would not need to step over her in walking about the room. What a calculating villain. There is one significant fact here. Her name cannot have been Rose Mitchel, or there would have been no reason for destroying these marks, since she had given that name to several."

Mr. Barnes next brushed the charred ashes from the grate upon a newspaper, and carried them to the window in the front room. His examination satisfied him of two things; the murderer had burned the bits of cloth cut from the various garments, and also a number of letters. That the fellow was studiously careful was plain from the fact that the burning had been thoroughly done; nothing had escaped the flame save two b.u.t.tons with a bit of cloth attached, and various corners of envelopes. With disgust Mr. Barnes threw the ashes back where he had found them.

Next he paid his attention to the cabinet desk which stood open. He pulled out all the drawers, and peered into every nook and cranny, but his search was fruitless. He found nothing but blank paper and envelopes, and these of common kind.

Once more returning to the room where the corpse lay, he noticed a trunk from which protruded a part of a garment. Raising the lid he found everything within in a promiscuous pile. Evidently it had been hastily searched and carelessly repacked. Mr. Barnes took each article out and examined it closely. Everything upon which a name might have been written showed a place where a piece had been cut out. "There must be some good reason for hiding this woman's ident.i.ty, or the scoundrel would not have been so thorough in his work," thought Mr. Barnes. Just then in replacing the clothing he heard a crinkling sound which indicated that a bit of paper was in the pocket of the garment. Hastily he withdrew it, and was delighted to observe writing. "A clue at last,"

he murmured, hurrying to the front-room window to read it. For what he found see p. 44.

This was all, no name being signed. Mr. Barnes regretted this last fact, but felt that he held a most important paper in his hand, since it seemed to be corroborative of the woman's statement that she had lost a lot of unset jewels. It was of great value to have so minute a description of the stolen gems. Folding the paper carefully, he placed it in his wallet, and then returned to the vicinity of the corpse.

Looking closely at the cut in the neck, the detective determined that the a.s.sa.s.sin had used an ordinary pocket-knife, for the wound was neither deep nor long. It severed the jugular vein, which seemed to have been the aim of the murderer. It was from this circ.u.mstance that the detective decided that the woman had been attacked as she slept. This aroused the question "Did the murderer have the means of entering the house without attracting attention? Either he must have had a night-key, or else some one must have admitted him." Mr. Barnes started as the thought recurred to him that Wilson had seen Mr. Mitchel enter the house some time before the scream was heard, and depart some time after.

Was this the woman who had accompanied him to the theatre? If so, how could she have retired and fallen to sleep so quickly? Evidently further light must be thrown upon this aspect of the case.

[Ill.u.s.tration: List of Jewels.

One Diamond--15-1/4 carats-- $15,000 One Emerald--15-1/8 carats-- 15,000 One Ruby--15-3/8 carats-- 20,000 One Sapphire--10 carats-- 5,000 One Pearl--Pear shaped--white-- 15000 One Pearl--Pear shaped--Black--10,000 One Pearl--white--egg shaped-- 5,000 One Pearl--Black--egg shaped-- 5,000 One Canary Diamond---- 5,000 One Topaz--200 carats---- 5,000 -------- $100,000

The ten jewels are all perfect specimens of their kind. The first four are cut exactly alike; the pear shaped pearls are similar in size and shape, as are also the egg pearls. The Canary diamond is oblong, and the Topaz unexcelled.

The lot are contained in a red Russia leather case, four by six inches in size lined with black satin. Each jewel fits in a special depression and is held in place by a gold wire clasp.

The case has the name "MITCHEL" in gold letters across the band which straps around it.]

Whilst meditating, the detective's eye roamed about the room, and finally rested upon a s.h.i.+ning object which lay on the floor near the trunk. A ray of light from the front window just reached it and made it glitter. Mr. Barnes looked at it for some moments mechanically, stooping presently to pick it up, with little thought of what he did. He had scarcely examined it, however, before a gleam of triumph glistened in his eye. He held in his hand a b.u.t.ton, which was a cut cameo upon which was carved the profile head of a woman, beneath which appeared the name "Juliet."

CHAPTER IV.

DIAMOND CUT DIAMOND.

Mr. Barnes, after discovering the cameo b.u.t.ton, immediately left the apartment. With little loss of time he reached the Fifth Avenue Hotel.

He found Wilson sitting in the lobby, and learned from him that Mr.

Mitchel had not yet come down-stairs. He made his subordinate happy, by complimenting him upon his work, and exonerating him from blame because of his having lost his man for a few hours the day before. With the b.u.t.ton in his pocket, Mr. Barnes found it easy to be good-natured. If the truth were known, he was chuckling to himself. The thought which proved such a fund of merriment was the idea that his man up-stairs had proven himself just as human as ordinary criminals, since he had left behind him the very tell-tale mark which he had boasted would not be found after he had committed his crime. Externally, however, there was no sign to show that Mr. Barnes was in any way excited. He calmly asked at the desk for Mr. Mitchel, and sent up his card just as any ordinary visitor might have done. In a few moments the hall-boy returned with the curt message, "Come up."

Mr. Barnes was shown up one flight of stairs into a suite of two rooms and a bath, overlooking Twenty-third Street. The room which he pa.s.sed into from the hall was fitted up like a bachelor's parlor. Comfortable stuffed chairs and two sofas, a folding reading-chair, an upright piano in mahogany case with handsome piano-lamp beside it, a carved centre-table on which stood a reading-lamp, cigar case in bronze, photo-alb.u.ms, handsome pictures on the walls in gold frames, elegant vases on the mantel, an onyx clock, a full-sized figure of a Moor carved in wood serving as a card-receiver,--in fact everything about the place was significant of wealth, luxury, and refinement. Could this be the den of a murderer? It seemed not, unless there might be some powerful hidden motive, which would make a man who was evidently a gentleman, stoop to such a crime. According to Mr. Barnes's experience such a motive must involve a woman. As yet there was no woman in this case, save the corpse which he had just left. All this flashed through the detective's mind as he noted his surroundings in a few swift glances. Then he heard a voice from the next room say:

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An Artist in Crime Part 4 summary

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