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The babe stood stock-still.
And Yussuf the outrider, bending low on his saddle, drove straight down upon it, gathered the back part of the c.u.mmerbund and some folds of the voluminous skirt upon the point of his spear, and, lifting the mite, amidst yells and shouts and wild clamour, carried him at spear-length and top speed safely across the square.
Where the real danger comes in is in judging the exact amount of stuff to gather on the spear-head; an inch or so too much and you may get a part of the kiddie's little back; an inch or so too little and, when you have him high in air, you may cut through the cloth and cause said kiddie to make a hasty descent to _terra firma_.
Anyway, the child was safely restored to its fond mother, who simultaneously smacked it and stuffed its mouth with fly-blown sweetmeats, and became the hero for the latter part of the day.
The real cortege was headed by camels bearing gifts from the House el-Umbar to the great white woman who stood, on the balcony in a grey silk taffeta dress, a shawl of priceless lace on her head and a grey parrot upon her shoulder. Silks, jewels, sweetmeats, _bibelots_ in ivory and precious metal, dates, coffee in berries, a monkey and a bushel of wheat were amongst the gifts carried by the camels who grumbled and rumbled as they stalked with swaying gait and contemptuous half-closed eyes.
Next came the armed escort, mounted on horses, with modern rifles slung and c.u.mmerbunds stuck full of the most atrocious-looking knives. They scowled at everyone, but as they pa.s.sed under the balcony each one drew his knife and rattled it against that of his neighbour so that the weapons made a glittering arch in the light of the setting sun, as salutation to the old white woman who was of their mistress's race.
Came Mustapha, the Ethiopian, into whose care the Sheikh had given his wife all those years ago, when they had ridden out of the desert up to his dwelling amongst the talik palms of the Flat Oasis.
He was on foot--not that he had done the entire journey in like manner--and held the golden chain of the magnificent camel upon which his mistress rode.
She rode in a palanquin of ivory with curtains of rose satin embroidered in precious stones; on either side, also on camels, rode two slaves who waved huge circular fans on long staffs to cool the air about this woman who was so beloved throughout the land for her good deeds and loving, helping hand.
She was in silk robes of rose covered in a satin cloak of deeper shade; she was closely veiled as becomes the wife of a Mohammedan, and wore no jewels save a rope of pearls; and her steady, wonderful blue eyes, which were just twin heavens of happiness, shone with delight as she looked up at the old woman who had known her as a girl, with her hair hanging in two great plaits.
She put both hands to her forehead and spread them out in the beautiful Eastern gesture of welcome, then bowed to her knees, as she pa.s.sed.
Then, turning, she pulled her yashmak a little to one side. "_Pet.i.te Maman_!" she cried. "Welcome, _Pet.i.te Maman_!" and blew her a kiss from the tips of her rosy fingers.
Arrived at the entrance, the armed escort made a circle round her with drawn knives; her camel knelt; a Persian carpet was laid across the _quasi_-clean stones; then Mustapha the Ethiopian made a sign, upon which Ameena, the little hunchback woman who loved her mistress more than her life and who had been transported with joy when she had laid the first-born, the son, in the mother's arms, came running swiftly.
Mustapha and Ameena lived one long life of secret feud; they fought like cat and dog as to who could do the most in their mistress's service; they stood shoulder to shoulder and fought everybody else in the same good cause; and the huge man scowled fiercely as the deformed little woman arranged the flowing robes and walked up the Persian carpet behind the wife of the great Sheikh.
"Well, I never!" was Hobson's comment as she peeked from behind a door.
"Her grace must have made a mistake. You take that downstairs," she added, coming boldly out onto the landing to intercept the slave with the monkey. "Downstairs," and she pointed down to the entrance, surging with people, "unless you want the place to be full of feathers and fur!"
Jill stood in the doorway; looked across at her G.o.dmother, and made the beautiful gesture of salutation, then removed her veil, picked up her robes and ran across the room right into the outstretched arms.
Tears were very close as they laughed and held each other by the hand, but the laughter died away altogether as they sat in the falling shadows, the younger one with her head on the older one's lap.
Two wise women, they were fighting for the happiness of the young, as the shadows fell and the stars came out and faded before the light of the moon as she trailed her silver garments across the heavens.
Jill had risen once to her feet, in a moment of anger, and had gone out onto the balcony and stood looking down, smiling upon the crowd, composed chiefly of women, who had raised their hands and called down the blessings of Allah upon her.
The steps were strewn with gifts, ranging from live goats to ma.s.ses of sticky sweetmeats and gla.s.s beads. Mothers had brought their sickly babies and laid them down amongst the goats and beads, hoping that if even the shadow of the blessed woman were to fall upon them they might be healed.
Mustapha kept guard, hurling abuse at those who tarried, helping their departure by the aid of his foot. Hobson stood like a grim sentinel outside the sitting-room door. She had made tea under the greatest difficulty--the kettle of tepid water had been flung at the salaaming offender who had brought it--and had taken it in blus.h.i.+ng brick-red when Jill had risen and kissed her on both cheeks. Dinner had been served, hardly tasted, and been sent away, and a whole tray of cups full of burnt milk showed the perturbation of the maid's mind as she waited, and waited for the sound of the little bell which summoned her to her grace's presence.
"You are a n.o.ble-looking woman, my child," said the d.u.c.h.ess, as she keenly scrutinised the fair face with great blue eyes and broad humourous mouth, which, but for an added serenity and dignity, was so very like the face of the girl who had been left behind at Ismailiah over twenty years ago, and who had journeyed into the desert with the Arabian Sheikh and had married him. "I'm not surprised your husband adores you. Could he not have come with you? I have always longed to see him."
It seemed that the Sheikh Hahmed had been invited to Bagdad, to some conference concerning the big Arabian question, but hoped to be able to greet her grace before her departure. In the meanwhile his dwellings, his servants, his horses and everything he was possessed of were hers.
"And he means it, _Pet.i.te Maman_; he loves making people happy. I--I _love_ him." She paused for a moment; then looked straight into the stern old eyes. "My love for my son is as great as my love for his father, and I would lay down my life for their happiness."
There was no tenderness in the sad old eyes and no lines of yielding in the stern old mouth; for although her heart was aching to say yes to the mother's insistent demands for her son's happiness, her common sense had turned her into a very rock of resistance.
"I am happy, radiantly happy." Jill, who was sitting on a stool at the old woman's feet, slipped to her knees and caught the wrinkled old hands in her own. "So why should the little girl not be happy with my son, who is the finest man and dearest son ever born to woman? Tell me what difference is there? Why should my son be made unhappy? Tell me!"
She knew perfectly well. Her son's words on the roof of his dwelling under the stars were ringing in her ears; but she was hanging on to a very forlorn hope with both hands, tricking herself with the thought that, out of her love for her, the wise old woman might see things in a different light and give her consent to the marriage just because the man was her son.
But the old woman caught the mother to her breast and stroked the golden head and kissed it with a world of pain in her sad old eyes.
"Because, dear," and the words were very gentle and the voice was very soft, "just because, when we love, we think of ourselves only, and not of those to come."
The old woman sighed as Jill raised her head sharply: "Try to understand, little one. You, my dear, a white woman, married a pure-bred Arab. Ah! my, dear, my dear, forgive me, your son is------"
Jill sprang to her feet, and as she sprang caught the rope of pearls upon the arm of the chair, breaking it and scattering the jewels to the four corners of the room.
She flung out her hands, making the Eastern sign to scare away evil spirits. "The omen!" she whispered. "The omen! A broken string of pearls means--means--death."
"Come, come, child," said the old lady sharply, and to allay the unsightly terror in the other's face, and also because she believed in using an axe in felling a tree, repeated her last remark. "You are suffering now through the selfishness of love. Women who marry without giving a thought to the result of the marriage, to the good or the harm it might bring to the children of that marriage, deserve to suffer.
Marry the man, if you really love him and can help him by being his wife; but let there be no children if there is anything in the union that might hurt them." She rose and crossed to the girl who was standing staring into a corner of the room, with a world of horror in her eyes. She moved back as the old woman, came towards her, holding out her hands as though to ward off some evil thing she saw in the shadows.
"I can't bear it," she whispered; "I can't bear it. I don't believe that anyone, could think _that_ of Hugh. Remember how loved he was at Harrow------"
"Ah! my dear, my dear, there was your great mistake . . ."
"You're wrong," interrupted Jill harshly. "You're hopelessly, cruelly wrong. He was idolised in England; he is loved out here. It was sheer spite on the part of the--woman who told him that he was--was----" She pressed her hands over her mouth as she backed to the wall, then flung her arms out wide; her face was dead-white, her eyes blazing; she reminded the old woman of a tigress fighting for her cubs; she was beautiful beyond words in the tragedy of her motherhood. "I don't believe you--I don't believe you--I--you------"
"Listen, Jill." The old woman's voice was as cold as ice as she watched the agony in the fair face. Dear heavens! she did not want to hurt; she wanted to give in and gather the child up in her arms, but she knew what was best. "Your boy knows it, dear; he knows he is out of the running. Come over to me and listen whilst I tell you something." She sat down and pulled the suffering child down beside her, who lay across the silken knees like the stricken mother across the knees of the wise Madonna and made no sound or movement whilst she listened to the bitter words of the fortune-teller in the hotel garden at Cairo.
A little silence fell; then, very gently, very tenderly the old woman spoke:
"So you see, dear, until she is of age it will be only my duty to see that Damaris does not marry your son."
And Jill sprang to her feet and beat her hands together.
"And I," she said, "I will give my heart's blood to bring happiness to my son. Death alone shall------"
She stopped and s.h.i.+vered as she glanced over her shoulder out into the night, then drew herself up with a surpa.s.sing dignity and threw out her hands in the Eastern gesture of resignation.
"You say 'I will not,' I say 'I will,' but it is G.o.d who decides."
With a little sobbing sigh she relinquished the unequal struggle, just as Hobson walked boldly into the room and stood inside the door, like a graven image of intense displeasure, when her mistress, unable to withstand the unspoken disapproval, consented, after a promise to Jill to have another long talk on the morrow, to go to bed.
But there was to be no long talk anyway in the town of Khargegh on the morrow.
She lay in bed, propped by pillows against which, divested of its mask of red and white and blue, the dear little old face shone brown. A priceless bit of lace hid her own white locks, free for the night of the outrageous perruque which covered them by day and which lay at the moment hidden in its box.
A pair of crimson bed-slippers peeped from under the bed, another pair, absurdly small, outrageously high-heeled, buckled and crimson, made a splash of colour near the dressing-table. Her little hands were gently folded under the ruffles of priceless lace of her cashmere night-attire as she lay quite still, trying to find a way out through the jungle of pain and grief which seemed to spread round and about so many she loved; whilst Dekko, puffed out with sleepiness, sat on the back of a chair, muttering incoherently to some fanciful image of his weird brain.
Hobson lay fast asleep in the next room, which had a communicating door with that of her mistress. Knowing nothing of nerves or of temperament, she had dropped asleep as soon as her head, with scanty locks tortured into a _chevaux-de-frise_ of steel pins, had touched the pillow; her strong hands were clenched on the frill of her stout calico nightdress; her powerful face looked grim in the dim light of the moon, which, high in the heavens, flung a silver shaft through the open window straight across the bed. There was absolutely no sound when, just as, so many miles away, Damaris made her pa.s.sionate appeal, as she stood by the window, Hobson, dour, stolid, unimaginative, yet with a streak of Scotch blood in her veins, sat straight up in bed. Her eyes were wide open as she stared in front of her, then she pa.s.sed her powerful hand over her grim face and flung the bedclothes to one side.
"She's in trouble." She spoke very clearly, sat for a moment thinking, then reached for a puce dressing-gown trimmed mulberry. "I'll go and tell her," and the infinite love in the p.r.o.noun was good to hear.
"She'll understand."