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This was it.
That same night, by a bright fire lighting up snowy walls, burnished copper, gleaming candlesticks, and a dinner-table floor, sat the mistress of the house, Christie Johnstone, and her brother, Flucker.
She with a book, he with his reflections opposite her.
"La.s.sie, hae ye ony siller past ye?"
"Ay, lad; an' I mean to keep it!" The baddish boy had registered a vow to the contrary, and proceeded to bleed his flint (for to do Christie justice the process was not very dissimilar). Flucker had a versatile genius for making money; he had made it in forty different ways, by land and sea, tenpence at a time.
"I hae gotten the life o' Jess Rutherford till ye," said he.
"Giest then."
"I'm seeking half a crown for 't," said he.
Now, he knew he should never get half a crown, but he also knew that if he asked a s.h.i.+lling, he should be beaten down to fourpence.
So half a crown was his first bode.
The enemy, with anger at her heart, called up a humorous smile, and saying, "An' ye'll get saxpence," went about some household matter; in reality, to let her proposal rankle in Flucker.
Flucker lighted his pipe slowly, as one who would not do a sister the injustice to notice so trivial a proposition.
He waited fresh overtures.
They did not come.
Christie resumed her book.
Then the baddish boy fixed his eye on the fire, and said softly and thoughtfully to the fire, "Hech, what a heap o' troubles yon woman has come through."
This stroke of art was not lost. Christie looked up from her book; pretended he had spoken to her, gave a fict.i.tious yawn, and renewed the negotiation with the air of one disposed to kill time.
She was dying for the story.
Commerce was twice broken off and renewed by each power in turn.
At last the bargain was struck at fourteen-pence.
Then Flucker came out, the honest merchant.
He had listened intently, with mercantile views.
He had the widow's sorrows all off pat.
He was not a bit affected himself, but by pure memory he remembered where she had been most agitated or overcome.
He gave it Christie, word for word, and even threw in what dramatists call "the business," thus:
"Here ye suld greet--"
"Here ye'll play your hand like a geraffe."
"Geraffe? That's a beast, I'm thinking."
"Na; it's the thing on the hill that makes signals."
"Telegraph, ye fulish goloshen!"
"Oo ay, telegraph! Geraffe 's sunest said for a'."
Thus Jess Rutherford's life came into Christie Johnstone's hands.
She told it to a knot of natives next day; it lost nothing, for she was a woman of feeling, and by intuition an artist of the tongue. She was the best _raconteur_ in a place where there are a hundred, male and female, who attempt that art.
The next day she told it again, and then inferior narrators got hold of it, and it soon circulated through the town.
And this was the cause of the sudden sympathy with Jess Rutherford.
As our prigs would say:
"Art had adopted her cause and adorned her tale."
CHAPTER V.
THE fis.h.i.+ng village of Newhaven is an unique place; it is a colony that retains distinct features; the people seldom intermarry with their Scotch neighbors.
Some say the colony is Dutch, some Danish, some Flemish. The character and cleanliness of their female costume points rather to the latter.
Fish, like horse-flesh, corrupts the mind and manners.
After a certain age, the Newhaven fishwife is always a blackguard, and ugly; but among the younger specimens, who have not traded too much, or come into much contact with larger towns, a charming modesty, or else slyness (such as no man can distinguish from it, so it answers every purpose), is to be found, combined with rare grace and beauty.
It is a race of women that the northern sun peachifies instead of rosewoodizing.
On Sundays the majority sacrifice appearance to fas.h.i.+on; these turn out rainbows of silk, satin and lace. In the week they were all grace, and no stays; now they seem all stays and no grace. They never look so ill as when they change their "costume" for "dress."
The men are smart fishermen, distinguished from the other fishermen of the Firth chiefly by their "dredging song."
This old song is money to them; thus:
Dredging is practically very stiff rowing for ten hours.
Now both the Newhaven men and their rivals are agreed that this song lifts them through more work than untuned fishermen can manage.
I have heard the song, and seen the work done to it; and incline to think it helps the oar, not only by keeping the time true, and the spirit alive, but also by its favorable action on the lungs. It is sung in a peculiar way; the sound is, as it were, expelled from the chest in a sort of musical e.j.a.c.u.l.a.t.i.o.ns; and the like, we know, was done by the ancient gymnasts; and is done by the French bakers, in lifting their enormous dough, and by our paviors.