Man and Maid Part 2

Barnhurst Castle is close to Sefton Manor. The inn lays itself out to entertain persons who come in brakes and carve their names on the walls of the Castle keep. The inn has a visitors' book. I examined it. Some twenty feminine names. Any one might be hers. The waiter looked over my shoulder. I turned the pages.

"Only parties staying in the house in this part of the book," said the waiter.

My eye caught one name. "Selwyn Sefton," in a clear, round, black hand-writing.

"Staying here?" I pointed to the name.

"Yes, sir; came to-day, sir."

"Can I have a private sitting-room?"

I had one. I ordered my dinner to be served in it, and I sat down and considered my course of action. Should I invite my cousin Selwyn to dinner, ply him with wine, and exact promises? Honour forbade. Should I seek him out and try to establish friendly relations? To what end?

Then I saw from my window a young man in a light-checked suit, with a face at once pallid and coa.r.s.e. He strolled along the gravel path, and a woman's voice in the garden called "Selwyn."

He disappeared in the direction of the voice. I don't think I ever disliked a man so much at first sight.

"Brute," said I, "why should he have the house? He'd stucco it all over as likely as not; perhaps let it! He'd never stand the ghosts, either----"

Then the inexcusable, daring idea of my life came to me, striking me rigid--a blow from my other self. It must have been a minute or two before my muscles relaxed and my arms fell at my sides.

"I'll do it," I said.

I dined. I told the people of the house not to sit up for me. I was going to see friends in the neighbourhood, and might stay the night with them. I took my Inverness cape with me on my arm and my soft felt hat in my pocket. I wore a light suit and a straw hat.

Before I started I leaned cautiously from my window. The lamp at the bow window next to mine showed me the pallid young man, smoking a fat, reeking cigar. I hoped he would continue to sit there smoking. His window looked the right way; and if he didn't see what I wanted him to see some one else in the inn would. The landlady had a.s.sured me that I should disturb no one if I came in at half-past twelve.

"We hardly keep country hours here, sir," she said, "on account of so much excursionist business."

I bought candles in the village, and, as I went down across the park in the soft darkness, I turned again and again to be sure that the light and the pallid young man were still at that window. It was now past eleven.

I got into the house and lighted a candle, and crept through the dark kitchens, whose windows, I knew, did not look towards the inn. When I came to the hall I blew out my candle. I dared not show light prematurely, and in the unhaunted part of the house.

I gave myself a nasty knock against one of the long tables, but it helped me to get my bearings, and presently I laid my hand on the stone bal.u.s.trade of the great staircase. You would hardly believe me if I were to tell you truly of my sensations as I began to go up these stairs. I am not a coward--at least, I had never thought so till then--but the absolute darkness unnerved me. I had to go slowly, or I should have lost my head and blundered up the stairs three at a time, so strong was the feeling of something--something uncanny--just behind me.

I set my teeth. I reached the top of the stairs, felt along the walls, and after a false start, which landed me in the great picture gallery, I found the white parlour, entered it, closed the door, and felt my way to a little room without a window, which we had decided must have been a powdering-room.

Here I ventured to re-light my candle.

The white parlour, I remembered, was fully furnished. Returning to it I struck one match, and by its flash determined the way to the mantelpiece.

Then I closed the powdering-room door behind me. I felt my way to the mantelpiece and took down the two bra.s.s twenty-lighted candelabra. I placed these on a table a yard or two from the window, and in them set up my candles. It is astonis.h.i.+ngly difficult in the dark to do anything, even a thing so simple as the setting up of a candle.

Then I went back into my little room, put on the Inverness cape and the slouch hat, and looked at my watch. Eleven-thirty. I must wait. I sat down and waited. I thought how rich I was--the thought fell flat; I wanted this house. I thought of my beautiful pink lady; but I put that thought aside; I had an inward consciousness that my conduct, more heroic than enough in one sense, would seem mean and crafty in her eyes.

Only ten minutes had pa.s.sed. I could not wait till twelve. The chill of the night and of the damp, unused house, and, perhaps, some less material influence, made me s.h.i.+ver.

I opened the door, crept on hands and knees to the table, and, carefully keeping myself below the level of the window, I reached up a trembling arm, and lighted, one by one, my forty candles. The room was a blaze of light. My courage came back to me with the retreat of the darkness. I was far too excited to know what a fool I was making of myself. I rose boldly, and struck an att.i.tude over against the window, where the candle-light shone upon as well as behind me. My Inverness was flung jauntily over my shoulder, my soft, black felt twisted and slouched over my eyes.

There I stood for the world, and particularly for my cousin Selwyn, to see, the very image of the ghost that haunted that chamber. And from my window I could see the light in that other window, and indistinctly the lounging figure there. Oh, my cousin Selwyn, I wished many things to your address in that moment! For it was only a moment that I had to feel brave and daring in. Then I heard, deep down in the house, a sound, very slight, very faint. Then came silence. I drew a deep breath. The silence endured. And I stood by my lighted window.

After a very long time, as it seemed, I heard a board crack, and then a soft rustling sound that drew near and seemed to pause outside the very door of my parlour.

Again I held my breath, and now I thought of the most horrible story Poe ever wrote--"The Fall of the House of Usher"--and I fancied I saw the handle of that door move. I fixed my eyes on it. The fancy pa.s.sed: and returned.

Then again there was silence. And then the door opened with a soft, silent suddenness, and I saw in the doorway a figure in trailing white.

Its eyes blazed in a death-white face. It made two ghostly, gliding steps forward, and my heart stood still. I had not thought it possible for a man to experience so sharp a pang of sheer terror. I had masqueraded as one of the ghosts in this accursed house. Well, the other ghost--the real one--had come to meet me. I do not like to dwell on that moment. The only thing which it pleases me to remember is that I did not scream or go mad. I think I stood on the verge of both.

The ghost, I say, took two steps forward; then it threw up its arms, the lighted taper it carried fell on the floor, and it reeled back against the door with its arms across its face.

The fall of the candle woke me as from a nightmare. It fell solidly, and rolled away under the table.

I perceived that my ghost was human. I cried incoherently: "Don't, for Heaven's sake--it's all right."

The ghost dropped its hands and turned agonised eyes on me. I tore off my cloak and hat.

"I--didn't--scream," she said, and with that I sprang forward and caught her in my arms--my poor, pink lady--white now as a white rose.

I carried her into the powdering-room, and left one candle with her, extinguis.h.i.+ng the others hastily, for now I saw what in my extravagant folly had escaped me before, that my ghost exhibition might bring the whole village down on the house. I tore down the long corridor and double locked the doors leading from it to the staircase, then back to the powdering-room and the p.r.o.ne white rose. How, in the madness of that night's folly, I had thought to bring a brandy-flask pa.s.ses my understanding. But I had done it. Now I rubbed her hands with the spirit. I rubbed her temples, I tried to force it between her lips, and at last she sighed and opened her eyes.

"Oh--thank G.o.d--thank G.o.d!" I cried, for indeed I had almost feared that my mad trick had killed her. "Are you better? oh, poor little lady, are you better?"

She moved her head a little on my arm.

Again she sighed, and her eyes closed. I gave her more brandy. She took it, choked, raised herself against my shoulder.

"I'm all right now," she said faintly. "It served me right. How silly it all is!" Then she began to laugh, and then she began to cry.

It was at this moment that we heard voices on the terrace below. She clutched at my arm in a frenzy of terror, the bright tears glistening on her cheeks.

"Oh! not any more, not any more," she cried. "I can't bear it."

"Hush," I said, taking her hands strongly in mine. "I've played the fool; so have you. We must play the man now. The people in the village have seen the lights--that's all. They think we're burglars. They can't get in. Keep quiet, and they'll go away."

But when they did go away they left the local constable on guard. He kept guard like a man till daylight began to creep over the hill, and then he crawled into the hayloft and fell asleep, small blame to him.

But through those long hours I sat beside her and held her hand. At first she clung to me as a frightened child clings, and her tears were the prettiest, saddest things to see. As we grew calmer we talked.

"I did it to frighten my cousin," I owned. "I meant to have told you to-day, I mean yesterday, only you went away. I am Lawrence Sefton, and the place is to go either to me or to my cousin Selwyn. And I wanted to frighten him off it. But you, why did you----?"

Even then I couldn't see. She looked at me.

"I don't know how I ever could have thought I was brave enough to do it, but I did want the house so, and I wanted to frighten you----"

"To frighten _me_. Why?"

"Because I am your cousin Selwyn," she said, hiding her face in her hands.

"And you knew me?" I asked.